Off Broadway

Chess Match No. 5 If This is Art Count Me Out!

Chess Match No. 5 If This is Art Count Me Out!
Ellen Lauren, Will Bond

Ellen Lauren, Will Bond

In attending Anne Bogart’s new play Chess Match No. 5, I didn’t quite know what I was getting into. Based on John Cages’s words, I have never heard such pretentious, drivel in all my life. It started when Will Bond walked onto the stage, turned on a radio speaking Spanish numerals, smiled and glared at the audience for what seemed like 15 minutes. He then makes coffee and toast, while spouting psychological rhetoric. All I could think of was I am trapped in hell with an adult Mr. Rodgers in a nightmare for 90 minutes. I didn’t like Mr. Rodgers as a kid and I sure as hell don’t like him now. The Ellen Lauren enters and spouts inane jokes and we get more absurdist talk on how all sound is art. Loud noises interspersed with vapid conversation, all while playing chess, and I need aspirin, because I now have a headache. I can’t see how much time has passed because my phone is at the bottom of my purse, but I can see the lights from other audience member’s phones who want out of there just as badly as I do. Some Ginger Rodgers and Fred Astaire dance moves at least stop the drivel coming out of their mouths, but why they are dancing I have no idea. What this play is about I have no idea.

Will Bond

Will Bond

Mr. Bond and Ms. Lauren are obviously talented, though I seriously find Mr. Bond highly annoying.

Ellen Lauren

Ellen Lauren

As for the direction and conception by Ms. Bogart, I hope to never see anything like this again. It was the most tortuous 90 minutes of theatre I have ever spent as a critic. If I could have walked out, I would have done so. Unfortunately I don’t do that.

The moment of dance I talked about, was actually choreography by Barney O’Hanlon. Seriously five steps took a choreographer? The sound design by Tony Award winner Darron L West, I am sure was what was asked for, but I left the theatre with a pounding head.

If I thought I was annoyed, I met this wonderful couple at the bus stop that are Abingdon subscribers. They see theatre a great deal and were just as disgusted as I was. They are planning on writing the theatre, to ask how this was even produced. Unless you like abstract, inane theatre this is a must skip. I wish to God I had.

Chess Match No. 5: The SITI Company, at The Abingdon Theatre Company: June Havoc Theatre, 312 West 36th St. until April 2nd.

Off Broadway

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. Currently she has a screenplay in the works, which she developed with her mentor and friend the late Arthur Herzog. She was the Broadway Informer on the all access cable TV Show “The New Yorkers,” soon to be “The Tourist Channel.” email: suzanna@t2conline.com

More in Off Broadway

NEA

Where Did The NEA Funding For The Arts Go In NYC?

Suzanna BowlingJune 23, 2017
Alice Ripley

Broadway by the Year Brings Alice Ripley, Brandon Uranowitz And More To Town Hall

Genevieve Rafter KeddyJune 21, 2017
Melanie Maria Goodreaux

Meet the Playwrights of Summerfest: Melanie Maria Goodreaux is a Poet and a Playwright

Suzanna BowlingJune 20, 2017
Carrie Robbins

Meet the Playwrights of Summerfest: Carrie Robbins Broadway Costume Designer Discovers Playwriting Talent

Suzanna BowlingJune 20, 2017
Declan Conlon

My Eyes Went Dark: From Grief and Unleashed Revenge

RossJune 19, 2017
Summer Theatre

What To Look For This Summer On Broadway and Off

Suzanna BowlingJune 19, 2017
Jared Lee Taylor FKA Grand Agent

Meet the Playwrights of Summerfest: Jared Lee Taylor FKA Grand Agent

Suzanna BowlingJune 18, 2017

Meet the Playwrights of Summerfest: Rosalinde Block

Suzanna BowlingJune 18, 2017
Julius Caesar

He Says: Julius Caesar Foolish Protesters Need To Read The Play

RossJune 18, 2017