MvVO Art Launches AD ART SHOW

DC’s Mean Girls: Hey Kellyanne, You Aren’t the Meanest Girl In Town!

DC’s Mean Girls: Hey Kellyanne, You Aren’t the Meanest Girl In Town!

This is a full-on feast for the “Mean Girls” film fan club. Even with the meanest girl in town, a certain Kellyanne Conway (“Don’t be fooled because she may seem like your typical selfish, back-stabbing slut faced ho-bag, but in reality, she’s so much more than that.“), walking in to DC’s National Theater right beside me, her awfulness can’t ruin the fun that is to be had. Because this screen to stage musical is a whole lotta fun. I am going to hold off giving a full review of this Broadway-bound new musical but I will tell you that we thought this show was totally“Grool”.

Mean Girls,  Rachel McAdams, Lindsay Lohan, Amanda Seyfried

The film, Mean Girls with  Rachel McAdams, Lindsay Lohan, Amanda Seyfried

Mean Girls, the musical based on that iconic 2004 film is getting it almost all fantastically fetch (“Gretchen, stop trying to make fetch happen! It’s not going to happen!“) during its pre-Broadway run. Tina Fey (“30 Rock“) who magnificently wrote the classic teenage comedy of this generation, based partially on Rosalind Wiseman’s 2002 non-fiction self-help book Queen Bees and Wannabes, has once again written a smart and extremely funny look at teenage life. Her musical stage show book will please even the most diehard of “Mean Girls” diehards. Partnered with her husband, Jeff Richmond (Broadway’s Fully Committed) who wrote the music, and Nell Benjamin (Legally Blond) who penned the lyrics, this musical creation does the almost impossible exceedingly well. They have found a way of balancing the telling of Cady’s cultural readjustment tale, a story that we all know and love (if you don’t, schedule a Netflix and chill night, pronto), throwing in all the epic quotable lines at the appropriate, and sometimes surprising moments throughout, while also keeping the plot just unique and far enough away from the original so it doesn’t feel like a carbon copy. Those detours, as choreographed and directed by the hit-making director, Casey Nicholaw (The Book of Mormon, Aladdin), are wildly fun and silly, keeping the storyline fresh and sassy. We remain fully on our toes, happily engaged, with her young fan base cheerfully squealing with delight after each well known line right up until the end. It’s not perfect a perfect show mind you, as it still needs some tightening up. It lacks the one or two songs that climb into your brain (“Get in loser, we’re going shopping.“) and don’t want to leave long after you leave the theatre, but with the funny and fulfilling balance of old and new, we still walk out happy and appeased.

Erika Henningsen, Taylor Louderman, Ashley Park,Kate Rockwell

Erika Henningsen, Taylor Louderman, Ashley Park and Kate Rockwell to Play ‘The Plastics’ in Broadway-Bound MEAN GIRLS Musical to Play ‘The Plastics’ in Broadway-Bound MEAN GIRLS Musical

All the cast of characters are here, presented one after the other by our non-official high school greeting committee (“You got your freshmen, ROTC guys, preps, J.V. jocks, Asian nerds, Cool Asians, Varsity jocks Unfriendly black hotties, Girls who eat their feelings, Girls who don’t eat anything, Desperate wannabes, Burnouts, Sexually active band geeks“). Janice Sarkisian, played iconically by the incredible Barrett Wilbert Weed (Heathers: The Musical) and the adorable and funny Grey Henson (The Book of Mormon) as Damien Hubbard, the guy who’s “too gay to function” (“That’s only ok when I say it!“) are our guides through the dangers that lurk in the school’s hallways, classrooms, and the animal watering hole that most call, ‘the cafeteria’. Functioning just about as perfect as one could hope, the two (“greatest people you will ever meet“) start out as our morality voices and ushers from the future. Telling Cady Heron (“Calling somebody else fat won’t make you any skinnier. Calling someone stupid doesn’t make you any smarter. And ruining Regina George’s life definitely didn’t make me any happier. All you can do in life is try to solve the problem in front of you.“), played perfectly by Erika Henningsen (Broadway revival of Les Miserables) all she needs to know in the first of many high-energy high-kinetic song and dance number, “Where Do You Belong?”. In this fun song, the pair of high school outsiders introduce her (and us) to all these iconic characters in a very cinematically similar fashion, but with a definitely creative Broadway style that fits the genre perfectly.

 Lizzy Caplan,Barrett Wilbert

the film’s Janis: Lizzy Caplan; the musical’s Janis: Barrett Wilbert.

It’s the perfect setup for a tale that will take us from Cady’s departure from Africa (“If you’re from Africa, why are you white?”) (“Oh my God, Karen, you can’t just ask people why they’re white!”) to the most famous high school bully take-down ever (“beware of the Plastics”). The Queen bee of the Plastics, Regina George, most awesomely played by Taylor Louderman (Bring It On: The Musical) is everything that you want her to be (“Regina George is not sweet! She’s a scum-sucking road whaore, she ruined my life!“) and more. Her two disciples, Gretchen Wieners, played by the wonderful Ashley Park (Broadway’s recent revival of Sunday in the Park with George), and Karen Smith, played by the hilarious Kate Rockwell (Rock of Ages) round out the (“Cold, Shiny, Hard, PLASTIC“) trio solidly. Rockwell gets to steal the show for a brief moment with the epically funny, “I Can Be“, emphasizing Karen’s simpleton mannerisms wisely, and Park gets to shine in the wonderfully smart and surprisingly deep number “What’s Wrong with Me?

Jonathan Bennett, Kyle Selig.

the film’s Aaron: Jonathan Bennett, the musical’s Aaron: Kyle Selig.

But what it is really all about, is the dreamy boy, Aaron Samuels (“why do you wear your hair like that? Your hair looks so sexy pushed back. Cady, will you please tell him his hair looks sexy pushed back?”), played charmingly by the handsome and talented Kyle Selig (Public’s Joan of Arc: Into The Fire). His chemistry with Henningsen’s Cady and Louderman’s Regina does this musical proud, setting up the triangle wonderfully, and ending it on an even better note than the film. Kerry Butler (Xanadu, Hairspray), the most wonderful adult addition to this talented cast gets to play the two teenager’s mothers. She’s good at being Mrs. Heron, but excels, not at all surprisingly, as Mrs. George (“I’m not like a *regular* mom, I’m a *cool* mom. Right, Regina?“), with the slightly out of place but thankfully included (because we adore Butler) number, “Stay with Mother“. But it is really as Ms. Norbury, the character Tina Fey inhabited in the film, where she gets most of her great sarcastic one-liners and a few new good ones to sprout (“I’m a pusher“).
Tina Fey

Tina Fey and the film’s Mean Girls

Fey and team have smart written all over this piece. On the white walls of the crafty set (sets: Scott Pask; lighting: Kenneth Posner; sound: Brian Ronan; video: Finn Ross & Adam Young) to the clean and precise costumes by Gregg Barnes. Mean Girls may still need to find that anthem to solidify the piece, but as written, this funny film adaptation plays up all its strengths, getting cheers with every classic line said, while not being so rigid to plot points to feel lame (“I wish we could all get along like we used to in middle school… I wish I could bake a cake filled with rainbows and smiles and everyone would eat and be happy...”) (“She doesn’t even go here!“). It feels fresh and funny, and in no way do these Mean Girls need any help or lessons from the ultimate Mean Girl of DC, Kellyanne Conway, the ultimate “fugly slut”. So get excited for its arrival on Broadway this spring and remember, “I don’t hate you because you’re fat. You’re fat because I hate you”.

For more go to frontmezzjunkies.com

Broadway
@#frontmezzjunkies

My love for theater started when I first got involved in high school plays and children’s theatre in London, Ontario, which led me—much to my mother’s chagrin—to study set design, directing, and arts administration at York University in Toronto. But rather than pursuing theater as a career (I did produce and design a wee bit), I became a self-proclaimed theater junkie and life-long supporter. I am not a writer by trade, but I hope to share my views and feelings about this amazing experience we are so lucky to be able to see here in NYC, and in my many trips to London, Enlgand, Chicago, Toronto, Washington, and beyond.

Living in London, England from 1985 to 1986, NYC since 1994, and on my numerous theatrical obsessive trips to England, I’ve seen as much theater as I can possibly afford. I love seeing plays. I love seeing musicals. If I had to choose between a song or a dance, I’d always pick the song. Dance—especially ballet—is pretty and all, but it doesn’t excite me as, say, Sondheim lyrics. But that being said, the dancing in West Side Story is incredible!

As it seems you all love a good list, here’s two.

FAVORITE MUSICALS (in no particular order):

Sweeney Todd with Patti Lupone and Michael Cerveris in 2005. By far, my most favorite theatrical experience to date.
Sunday in the Park with George with Jenna Russell (who made me sob hysterically each and every one of the three times I saw that production in England and here in NYC) in 2008
Spring Awakening with Jonathan Groff and Lea Michele in 2007
Hedwig and the Angry Inch (both off-Boadway in 1998 and on Broadway in 2014, with Neal Patrick Harris, but also with Michael C. Hall and John Cameron Mitchell, my first Hedwig and my last…so far),
Next To Normal with Alice Ripley (who I wish I had seen in Side Show) in 2009
FAVORITE PLAYS (that’s more difficult—there have been so many and they are all so different):

Angels in American, both on Broadway and off
Lettice and Lovage with Dame Maggie Smith and Margaret Tyzack in 1987
Who’s Afraid of Virginai Woolf with Tracy Letts and Amy Morton in 2012
Almost everything by Alan Ayckbourn, but especially Woman in Mind with Julia McKenzie in 1986
And to round out the five, maybe Proof with Mary Louise Parker in 2000. But ask me on a different day, and I might give you a different list.
These are only ten theatre moments that I will remember for years to come, until I don’t have a memory anymore. There are many more that I didn’t or couldn’t remember, and I hope a tremendous number more to come. Thanks for reading.

And remember: read, like, share, retweet, enjoy.

For more go to frontmezzjunkies.com

More in Broadway

Harold Prince, Sense of Occasion

Countdown To Christmas: An Insight to Theatre Harold Prince’s Sense of Occasion

Suzanna BowlingDecember 15, 2017
SpongeBob SquarePants, Ethan Slater

He Says: SpongeBob SquarePants – The Broadway Musical Can A Sponge Really Be Sexy?!?

RossDecember 10, 2017
Josh Lucas, Uma Thurman

He Says: The Parisian Woman: A Modern Dangerous Liaisons – D.C. Style.

RossDecember 10, 2017
Ethan Slater, Danny Skinner

Get Ready For SpongeBob SquarePants To Swim Away With Your Imagination and The Tony Awards

Suzanna BowlingDecember 9, 2017
Alex Newell, Hailey Kilgore

He Says: Once On This Island Hope and Love Branch Out Far and Beyond

RossDecember 9, 2017
Barbara Cook

There Are a Limited Free Tickets to A Tribute To Barbara Cook

Suzanna BowlingDecember 8, 2017
Josh Lucas, Uma Thurman

The Parisian Woman or Trump Bashing on Broadway

Suzanna BowlingDecember 6, 2017
Drama Desk

The 63rd Annual Drama Desk Awards and Nomination Dates Announced

Suzanna BowlingDecember 5, 2017
Bette Midler

Hello Dolly Happy Birthday To The Divine Ms. M

Suzanna BowlingDecember 2, 2017