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Leonardo da Vinci’s Salvator Mundi Returns to Christie’s Before Auction

Leonardo da Vinci’s Salvator Mundi Returns to Christie’s Before Auction

Christie’s is presenting for sale this fall the greatest artistic rediscovery of the 21st century: Leonardo da Vinci’s Salvator Mundi. Painted by one of history’s greatest and most renowned artists, Salvator Mundi is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. When it re-emerged in 2005, this exquisite work, depicting Jesus Christ as the savior of the world, became the first discovery of a painting by Leonardo da Vinci since 1909.  Christie’s will have the great privilege of presenting Salvator Mundi in upcoming exhibitions in Hong Kong, San Francisco, London and New York, marking the first opportunities for the public in Asia and the Americas to see this exceptional and iconic work of art.

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Dating from around 1500, the haunting oil on panel painting depicts a half-length figure of Christ as Savior of the World, facing frontally and dressed in flowing robes of lapis and crimson. He holds a crystal orb in his left hand as he raises his right hand in benediction.  Leonardo’s painting of Salvator Mundi was long believed to have existed but was generally presumed to have been destroyed until it was rediscovered in 2005.

“Salvator Mundi is a painting of the most iconic figure in the world by the most important artist of all time. The opportunity to bring this masterpiece to the market is an honor that comes around once in a lifetime. Despite being created approximately 500 years ago, the work of Leonardo is just as influential to the art that is being created today as it was in the 15th and 16th centuries. We felt that offering this painting within the context of our Post-War and Contemporary Evening Sale is a testament to the enduring relevance of this picture,” Loic Gouzer, Chairman, Post-War and Contemporary Art, New York, remarked.

The painting was first recorded in the Royal collection of King Charles I (1600-1649), and thought to have hung in the private chambers of Henrietta Maria – the wife of King Charles I – in her palace in Greenwich, and was later in the collection of Charles II. Salvator Mundi is next recorded in a 1763 sale by Charles Herbert Sheffield, the illegitimate son of the Duke of Buckingham, who put it into auction following the sale of what is now Buckingham Palace to the king.

It then disappeared until 1900 when it was acquired by Sir Charles Robinson as a work by Leonardo’s follower, Bernardino Luini, for the Cook Collection, Doughty House, Richmond.  By this time, its authorship by Leonardo, origins and illustrious royal history had been forgotten, and Christ’s face and hair were overpainted. In the dispersal of the Cook Collection, it was ultimately consigned to a sale at Sotheby’s in 1958 where it sold for £45. It disappeared once again for nearly 50 years, emerging in 2005 when it was purchased from an American estate at a small regional auction house. Its rediscovery was followed by six years of painstaking research and inquiry to document its authenticity with the world’s leading authorities on the works and career of da Vinci.

In 2011, the dramatic public unveiling of Salvator Mundi (‘Savior of the World’) in the exhibition Leonardo da Vinci: Painter at the Court of Milan at The National Gallery, London, caused a worldwide media sensation.

Currently the work is on display for the public to view until November 4. The painting will be offered in Christie’s Evening Sale of Post-War and Contemporary Art on November 15, 2017 in Rockefeller Plaza. The estimate is in the region of $100 million US.

 

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@liztaylorworld

ElizaBeth Taylor is a journalist for Times Square Chronicles and is a frequent guest at film, fashion and art events throughout New York City and Los Angeles due to her stature as The Sensible Socialite.Passionate about people ElizaBeth spent many years working as a travel reporter and television producer after graduating with high honors from University of Southern California. The work has afforded her the opportunity to explore Europe, Russia, South America, Asia, Australia and the Middle East. It has greatly influenced the way in which ElizaBeth sees a story and has created a heightened awareness for the way people around the world live today.

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