Cabaret

My View: You Just Don’t Enjoy A Clint Holmes Show – You Have A Breathtaking Musical Experience

My View: You Just Don’t Enjoy A Clint Holmes Show – You Have A Breathtaking Musical Experience

The word Artist is never more accurately applied to an entertainer then when it is used to describe Clint Holmes.   Clint starts with a familiar song title on a blank music  page, and then goes on to create something you never thought that tune could become.   His vocal, jazz, acting ability, combined with his creativity cross every red, blue, black and white, music line you ever laid down.  Most of the audience at Jim Caruso’s Broadway at Birdland Series were already “educated consumers” at his performance celebrating the CD Release of “Rendezvous”  last night.  However, for all, it was a reminder of what a truly great performer can brilliantly accomplish with the same 12 notes and combination of beats that all vocalists have at their disposal. 

Christian Tambour is Clint’s extraordinary pianist/vibraphonist and for this Birdland show Marucs Printup was on Trumpet and Charannay Wade was guest vocalist. 

Although his career spans four decades, Clint Holmes is in the midst of a significant breakthrough. Having spent the last 20 years as one of Vegas’s most successful entertainers, he has, over the last several years, achieved tremendous acclaim with solo shows in New York.

About “Rendezvous,” he says, “I was twelve and it was a true coming of age moment for me. I had never seen my dad in his world. He worked three jobs and never seemed happy until I saw him in this element. I fell in love with jazz and how cool it felt to interact with the ‘cats’ the way my dad did,” said Holmes, the son of an African-American father and a white British mother who was a classically-trained opera singer.

With jazz timing and phrasing informing his velvety tenor croon on eleven cuts, including three new songs that he co-wrote, Holmes surrounded himself with a royal herd of jazz “cats” on the collection that was produced by two-time Grammy winner Gregg Field. The sophisticated session offers a diverse play list that reinterprets modern day and classic pop hits, soulful R&B, theatrical tunes and numbers culled from the Great American Songbook. Field placed Holmes’ voice front and center amidst live instrumentation, sweeping strings and orchestra accompaniment, and sparse piano and vocal settings. The first single shipped to radio stations for airplay is “Say Something,” a duet between Holmes and multi-time Grammy nominee Ledisi. Grammy winner Patti Austin sang, conducted and arranged the background vocals on the track that will also be remixed for dance floors and serviced to club DJs. Class and elegance reign on a cunning big band mashup of “I Loves You Porgy”/”There’s A Boat That’s Leavin’ Soon For New York” pairing Holmes and Grammy-winning chanteuse Dee Dee Bridgewater backed by The Count Basie Orchestra. Holmes and Grammy winner Jane Monheit break hearts on a sublime rendition of Cole Porter’s “Every Time We Say Goodbye.” Swinging jazz and blues mingle “At The Rendezvous,” which is illuminated by a storming Hammond B-3 solo from Grammy-nominated organist Joey DeFrancesco. Closing the record with poignancy, Holmes penned lyrics to the sweetly melodic “What You Leave Behind,” composed by contemporary jazz luminary Dave Koz, who embellished the acoustic guitar and vocal track with a gracefully emoting sax solo.

“Every track does come from a personal place for me and this CD is a ‘rendezvous’ in every sense of the word – a coming together of great and generous artists. The material I selected for the album is specific and biographical while being universal at the same time,” Holmes concluded.

(For another article by Stephen & complete photos of this show go to BroadwayWorld.com)

Clint Holmes

Clint HOomes & Kelly Clinton-Holmes

Larry Moss & Eda Sorokoff

Norm Lewis

June Freemazon & Jule Budd

Clint Holmes & Sunny Sessa

Broadway at Birdland

(For complete photos of this show go to Broadwayworld.com)

Cabaret

Stephen studied at the Manhattan School of Music. Besides being a pianist, Stephen’s business career was in the Fashion Industry. He was CEO of a textile manufacturing facility and President of an international textile machinery company. Stephen was on the Board of Directors of the “First All Children’s Theatre” which brought the Stephen Schwartz musical The Trip and Captain Louie to the Kennedy Center in Wash DC. His wife Eda, an interior space designer and classical pianist was on the Board of Barrington Stage Company and is still active at BSC. Stephen’s photographs, videos and articles appear on Broadwayworld.com, T2Conline.com and The New York Observer. He is active in the entertainment events at the Friars Club, where he is a member. Stephen is thrilled to be the cabaret/ music and co-theatre editor. email: stephen@t2conline.com

More in Cabaret

Michael Feinstein

Cabaret For July and August

Suzanna BowlingJune 25, 2017
Carole Demas, Sarah Rice

Carole Demas and Sarah Rice Pay Tribute to Tom Jones and Harvey Schmidt

Suzanna BowlingJune 22, 2017
Alice Ripley

Broadway by the Year Brings Alice Ripley, Brandon Uranowitz And More To Town Hall

Genevieve Rafter KeddyJune 21, 2017

My View: Marilyn Maye Kicks XXX at The Friars Club Metropolitan Room Show

Stephen SorokoffJune 20, 2017

My View: Brian Stokes Mitchell

Stephen SorokoffJune 14, 2017
Katy Perry, American Idol

Have You Wanted To Audition For American Idol? Here’s How!

Suzanna BowlingJune 14, 2017
Vanessa Racci

Mama Mia Vanessa Racci A Good Singer Vanessa Racci

Magda KatzJune 11, 2017

My View: The Celebrities Turn Out For Golden Girl Haley Swindal

Stephen SorokoffJune 7, 2017

My View: Question: Can An Opera Star Also Be A Cabaret Star?

Stephen SorokoffJune 7, 2017