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Rooming House – Beautiful and Baffling 

Rooming House – Beautiful and Baffling 

Rooming House

Now entering its 18th season, Lucky Plush Productions is a powerful, and award-winning, Chicago based dance company. Blending pieces of ornate choreography with real-time theatrical story-telling, their latest, Rooming House, is making its debut as part of Steppenwolf’s LookOut Series. The timeline consists of 12 performances, stretched over a three week period. This modern dance piece has been co-created by Julia Rhodes and Leslie Buxbaum Danzig, and is a blend of modern dance moves and complex storytelling. The six dancers, Aaron R. White, Kara Brody, Rodolfo Sanchez Sarracino, Elizabeth Luse, Michael Rodriguez Cintra and Meghann Wilkinson, all wear microphones to express dialog coinciding with their ornate dance moves.

Rooming House

As a piece, Rooming House began with a darkened stage and conversation piped over the loudspeakers, in both English and Spanish, between the individual troupe members. As Alexander Ridgers’ individual lighting spots rose, so do the lithe ensemble members. Initially utilizing the myth of Orpheus and Eurydice as motivation, the dancers each attempt to breakdown the motivating factors to delineate why people do what they do. To be honest, it was a bit of stretch, both physically and metaphorically. I found the story quite befuddling and challenging to follow. All was forgiven once the dancers actually began to move. Melding routines with elements sampled from jazz, samba, cha cha, vogue and modern dance with elaborate and gravity defying lifts, the physicality of their complex movements often erased the chasms in the narrative.

Rooming House

It is commendable to attempt blending comedic, then dramatic, elements of dance against a vague story, having both the dancers’ bodies, then voices, advance the play. To me, Rooming House proved both beautiful and befuddling. For each dynamic dance move, the story elements, focusing on the individual components of “backstory”, “obstacles”, “events” and so on, worked more as narrative speed-bumps to the proceedings. Provocative and prodigious in design, Rooming House proved most profound when the dancers were allowed to simply dance. Those were the moments when Room truly began to soar.

Rooming House

Lucky Plush Production’s Rooming House is now playing at the Steppenwolf 1700 Theatre through November 18, 2017


Stephen S. Best is currently a freelance writer for the Times Square Chronicles, covering the performing arts scene in the greater Chicagoland area. He has been a theater aficionado for years, attending his first live production, Annie, at the tender age of six. After graduating from Purdue University, Stephen honed his skills attending live theater, concerts and art installations in New York and Chicago. Stephen’s keen eye and thorough appreciation for both theater patrons’ time and entertainment dollar makes him a valuable asset and his recommendations key. Stephen currently lives in downtown Chicago.

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