Broadway

She Says: Even Phillipa Soo Can’t Make Amélie More Than Ho Hum

She Says: Even Phillipa Soo Can’t Make Amélie More Than Ho Hum

The new musical Amélie, is based on the French film of the same name by director Jean-Pierre Jeunet. Amélie has a few things going for it. First up; is it’s star Hamilton and Natasha, Pierre, & the Great Comet of 1812’s Phillipa Soo. Vocally she is perfect, trying innocently to bring us on this insiped journey. The problem is her journey is so banal, that we don’t really care. As her love interest Nino, Adam Chanler-Berat (Peter and the Starcatcher, Next to Normal ) has wonderful chemistry with Soo, so though the story-line is limited the relationship is believable. Their quirky romance does have some magic, especially towards the end with the charming “Stay.”

Amélie, Phillipa Soo

In a strange way this show is a little like Big Fish with a less interesting book by Craig Lucas, an a less musical score by Daniel Messe and Nathan Tysen. Tysen peaked with The Burnt Part Boys.

Amélie, Phillipa Soo

We are introduced to Amélie and her world with “Times Are Hard For Dreamers.“ Young Amélie (Savvy Crawford), has been saddled with neurotic, psychologically challenged parents (Manoel Felciano and Alison Cimmet) who homeschool her and don’t show their love. Amélie  starts to live in her own imagination. When her mother is killed by a falling suicidal tourist, she is left isolated with her distant father who shows more love for a gnome. As she transitions to an adult (Soo), her younger self sees her off to Paris. She gets an apartment and a job as a waitress, but can not connect. Suzanne, the café’s owner and a former circus performer (Harriett D. Foy), Georgette, a hypochondriac waitress (Alyse Alan Louis) and Gina,  Amélie’s other co-worker (Maria-Christina Oliveras), try to engage her, but she does not know how to socialize. Amélie‘s regular customers Gina’s obsessive jealous ex-boyfriend, Joseph (Paul Whitty), Hipolito, a poet (Randy Blair) and Philomene, an airline hostess (Cimmet) fill out the cafe. They are all misfits  in need of some help.

Amélie, Phillipa Soo
When Amélie finds a child’s treasure box after learning of Princess Diana’s death she seeks to return it and meets Nino, at the train station. Her heart immediately skips a beat but she has not a clue at how to respond. Her shut in next door neighbor artist (Tony Sheldon, Priscilla Queen of the Desert), tries to help her connect, especially when Nino loses his book of photo booth images. As Amélie seeks to do good deeds she becomes more and more distant. In the end love and romance happen and its a happily ever after ending.
Amélie, Phillipa Soo
The cast is all talented, especially Soo and Chanler-Berat. The direction by Pam MacKinnon is well done for what the material allows. The set and costumes designs by David Zinn are more like a tilted Alice in Wonderland, though I did love the curtain and the hopping bunnies in the beginning.
Amélie, Phillipa Soo
The biggest problem here is nothing really happens and what does is like a Hallmark card without the substance. We have adorable moments with Fluffy the goldfish (Whitty), but then again we a “Three Figs“ number that makes no sense and a bizarre Elton John number where (Blair) neither looks or sounds like the icon. The music is monotonous and the lyrics contain lines like “Love is like another diagnosis, like bacterial vaginosis.” Seriously, disgusting and gross and definitely written by a man.
Amélie misses the complexity of a girl who has several layers to her. It gives us the frosting without the cake and skips the meal.
Amélie: Walter Kerr Theatre, 219 West 48th St.

Broadway

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. Currently she has a screenplay in the works, which she developed with her mentor and friend the late Arthur Herzog. She was the Broadway Informer on the all access cable TV Show “The New Yorkers,” soon to be “The Tourist Channel.” email: suzanna@t2conline.com

More in Broadway

Natasha Pierre and the Great Comet of 1812

Natasha, Pierre and the Great Comet of 1812 Win Outstanding Broadway Chorus

Suzanna BowlingJune 22, 2017
Alice Ripley

Broadway by the Year Brings Alice Ripley, Brandon Uranowitz And More To Town Hall

Genevieve Rafter KeddyJune 21, 2017
Summer Theatre

What To Look For This Summer On Broadway and Off

Suzanna BowlingJune 19, 2017
Jennifer Collela

Take a Master Class With Jennifer Colella at NYMF

Suzanna BowlingJune 15, 2017
Broadway Sings For Pride

Broadway Sings for Pride Schedule

Suzanna BowlingJune 15, 2017
Matthew Morrison, Laura Osnes, Nathan Johnson

The Stars Come Out For Rose: The Tony Parties

Rose BillingsJune 13, 2017
John Legend, Chrissy Teigen

The Tony Awards Part 5: Jitney, John Legend, Cynthia Nixon, Rebecca Taichman, Oslo and More

Franco MoschettiJune 12, 2017
Rachel Bay Jones, Ben Platt

The Tony Awards Part 4: All Things Dear Evan Hansen

Franco MoschettiJune 12, 2017
Bette Midler

The Tony Awards Part 3: Bette Midler The Divine Ms. M Best Actress in a Musical

Franco MoschettiJune 12, 2017