Off Broadway

Suzan-Lori Parks Venus is Racially Tilted

Suzan-Lori Parks Venus is Racially Tilted
Zainab Jah

Zainab Jah and company

Come look at the freaks
Come gape at the geeks
Come examine these aberrations
Their malformations
Grotesque physiques
Only pennies for peeks
Come look at the freaks

 Zainab Jah

Zainab Jah

The exploitation of the human race, is one of the most deplorable things on this planet. In the revival of Suzan-Lori Parks (Topdog/Underdog, Father Comes Home From the Wars (Parts 1, 2 & 3), 1996 Venus, follows a true life tale of Saartjie Baartman’s (Zainab Jah) otherwise known as the Hottentot Venus. Like most racially charged plays, a major fact has been bastardized. In the play the person that sells her into exhibitionism and slavery is a white man, but the truth was he was a black man, a slave owner.

From the beginning and through out the play Venus is given choices. Due to her enormous buttocks, she arrives in London in 1810 to be placed into a theater of human oddities. In real life she was exploited for economic profit by two men, Baartman’s black South African master and Hendrik Cesars. In Venus,  gone is the black man and Cesars is there for a nano second, leaving the villainy to a women, who never existed in history. Venus, was abused, but was into the power of money. When abolitionists in London, try to rescue her, Venus herself seals her fate by denying the charges. Her choices were return to South Africa, where she would go back to being a servant or be exploited and  received a small wage and her freedom.

John Ellison Conlee,  Zainab Jah

John Ellison Conlee, Zainab Jah

In act two Georges Léopold Chrétien Cuvier a French scientist (John Ellison Conlee) appears, claiming to be in love with the Venus Hottentot and wants to rescue her. He makes her his lover and uses her for scientific experiments in which she is needs to be postmortem to continue. He sells her out and she dies with the clap, freezing, naked and to be cut up and used in museums until it was deemed cruel. Again this part is also embellished because the Venus Hottentot was sold to an animal trainer who abused her and then to Cuvier. Saartjie Baartman died at 26, broke, misused and unloved.

Plays like The Elephant Man and the musical come to mind as the play is highly poetic, theatrical with a bleeding of song. The script skips around in time so in a way things are never fully coherent and seem dream like, well more of a nightmare. Zainab Jah is prolific as Venus. She shows us her Venus layer by layer, as she is stripped and pawed. Mr. Conlee and Kevin Mombo as the narrator of sorts, stand out and bring grounding to the piece.
Lear deBessonet staging is interesting as he adds a macabre circus like staging to jar us out of complacency.
The set by Matt Saunders and Lighting by Justin Townsend are first rate.
Thanks to Ms. Parks, I learned a part of history, I did not know. I just wish she had gotten who sold Saartjie into slavery right, for though the whites continued the crime, the original sinner was one of color.
Venus: Pershing Square Signature Center, 480 W. 42nd St. until June 4th.

Off Broadway

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. Currently she has a screenplay in the works, which she developed with her mentor and friend the late Arthur Herzog. She was the Broadway Informer on the all access cable TV Show “The New Yorkers,” soon to be “The Tourist Channel.” email: suzanna@t2conline.com

More in Off Broadway

Peter Bradbury

She Says: The Violin Sings For Humanity

Suzanna BowlingSeptember 20, 2017
Robert Lupone

He Says: The Violin: Failing to Sew Lives Back Together

RossSeptember 20, 2017
Peter Bradbury, Robert LuPone, Kevin Isola

He Says: Aisle Say on the Square: When the Strings are in Tune

David SpencerSeptember 19, 2017
Lacy Allen, Philip Feldman

Inanimate: A Sign of True Love

RossSeptember 19, 2017
C.J. Wilson, Mary McCann

On The Shore of the Wide World: Coping & Watching but Not Diving In

RossSeptember 19, 2017
Peter Mahonney, Wesley Zurick

On the Shore of the Wild World is More Tame Than Wild

Suzanna BowlingSeptember 16, 2017
Still, Birth

Still, Birth Helps Release the Trauma of Losing a Child

Suzanna BowlingSeptember 16, 2017
Oona Laurence, Milly Shapiro

NYMF’s Peace, Love and Cupcakes: The Musical Says No Bully at Henri Bendel

Genevieve Rafter KeddySeptember 16, 2017

Last Call: A Mind Game that Surprises

Suzanna BowlingSeptember 16, 2017