
Steven Reinke
The New York Pops under the direction of Stephen Reineke, never sounded so good or pleased their audience so much. With a sea of bopping heads, clapping hands and lyrics sung in abandoned “Heart and Soul” was exactly what is needed in this weary world we call home. Starting our with a mash-up of “On and On”, “Celebration” and “Let’s Stay Together”, we were back into the summer of soul, the 70’s and 80’s with disco beats and Aaron Spelling TV shows.

Michael McElroy, Anastasia Talley and Crystal Monee Hall
Smartly there were back-up singers Crystal Monee Hall ( Broadway: Rent and provides supporting vocals for Elton John, Mariah Carey, India Arie to name a few), Anastasia Talley (winner of the 2016 Concorso Lirico International Opera Competition) and Michael McElory (Broadway: The Who’s Tommy, The Wild Party, Big River and Rent) choreographed that oh so familiar look.

James Monroe Iglehart, Capathia Jenkins
Ashford and Simpson’s You’re All I Need’ brought out powerhouses Capathia Jenkins (Broadway: Newsies, The Civil War to name a few and The Wiz Live!) and James Monroe Iglehart (Broadway Memphis, Aladdin (Tony and Drama Desk Awards) and Hamilton). Forget the show Motown because this is what R&B is all about.

James Monroe Iglehart
James showed us his groves and moves in Al Green’s “Let’s Stay Together”.

Capathia Jenkins
Capathia did Gladys Knight proud on “Midnight Train To Georgia”. She might have even sung this song better and that is not sacrilege.

James Monroe Iglehart
Full of soul, longing and passion James’s baritone soared on Donny Hataway’s “I Love You More Than You’ll Ever Know”. His deep tones made us want to be and have that kind of love.

Steven Reinke
Barry White’s #1 billboard topping hit “Love Theme”, had the New York Pops making us nostalgic for those carefree days as memories flooded in.

James Monroe Iglehart, Capathia Jenkins

Back together James Monroe Iglehart and Capathia Jenkins, who looked beautiful in a red sequined dress, sang The Temptations and the Diana Ross and The Supremes duet.

James Monroe Iglehart


Getting the audience clapping and singing james grooved out on Stevie Wonder’s “Sir Duke.”

Capathia Jenkins

Finishing the first act “I’m Every Women and “I Wanna Dance With Somebody” brought Capathia, channeling Whitney Houston.

Michael McElroy, Anastasia Talley and Crystal Monee Hall
Act two had the Pops on an arrangement by Steven Reinke called “I Hear A Symphony: Symphonic Sounds of Diana Ross. Included were “Stop! In The Name of Love,” “Touch Me In The Morning” and “Ain’t No Mountain High Enough. “

James Monroe Iglehart, Capathia Jenkins


James and Capathia showed smooth styling’s on “I Heard It Through The Grapevine.”

Capathia Jenkins
Capathia again wowed in a blue sequined dress as she embodied “Rock With You.”

James Monroe Iglehart

James Monroe Iglehart

Out of the 90‘s and into 2006 John Legend’s “Ordinary People”, was beautifully sung by James, but there was an interesting observation. The optimism off the 90’s was gone.

Capathia Jenkins

In Ottis Redding’s “Respect” Capathia showed she’s got moves.

James Monroe Iglehart


In “Papa’s Feeling Good” James showed off his slides, and what a great dancer he is as the New York Pop’s grooved. Then James channeled James Brown complete with sunglasses in “Unchain My Heart”.

Capathia Jenkins
Then Capathia wowed the audience in a silver stunning dress that she completely owned. In the heartbreaking song “I Will Always Love You”, perfect vocal control mixed with modulations had the audience first completely silent, then on their feet for a seven minuet standing ovation. The audience was in tears for a life gone too soon and a performance that was breath taking and riveting.

Capathia Jenkins



For a finale James and Capathia brought Jackie Wilson’s (Your Love Keeps Lifting Me) Higher and Higher to another standing ovation.

James Monroe Iglehart, Capathia Jenkins
This was seriously the best New York Pops concert I have ever seen. I could honestly see this moving to Broadway and playing to grateful audiences who are sick of PC correct, political anything and long for a more innocent time.

Do not miss March 9th’s concert “The best of Hollywood”, when the New York Pops shows just what a treasure they are and the April 30th New York Pops Gala celebrating Alan Menken. Menken is best known for his scores for The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and Pocahontas. Winning him eight Academy Awards, seven Golden Globe Awards, eleven Grammy Awards, one Tony Award, one Drama Desk Award and two Outer Critics Awards.

Capathia Jenkins

James Monroe Iglehart

James Monroe Iglehart, Capathia Jenkins

James Monroe Iglehart, Capathia Jenkins, Steven Reinke

Anastasia Talley, James Monroe Iglehart, Capathia Jenkins, Crystal Monee Hall and Michael McElroy

Steven Reineke, James Monroe Iglehart, Capathia Jenkins and Derrick Baskin

Nylah Capathia, Capathia Jenkins, James Monroe Iglehart, Sandra Kay Hill

James Monroe Iglehart and his mom Sandra Kay Hill
Beauty
When The Met Meets Madison Avenue: Bobbi Brown Turns Masterpieces Into Makeup
Only in New York would it make perfect sense to take Monet, Klimt, Redon and Cross out of the museum and put them in your makeup bag.
Two decidedly New York institutions have come together for the limited-edition Bobbi Brown x The Met Collection, pairing the beauty brand born in New York City with The Metropolitan Museum of Art and transforming details from some of its celebrated works into objects considerably more portable than a masterpiece. The result is part makeup collection, part miniature art exhibition—and considerably easier to take home from The Met.
The collaboration draws upon works by Henri-Edmond Cross, Gustav Klimt, Odilon Redon and Claude Monet, translating their colors and imagery into packaging that makes opening an eyeshadow palette feel just a little more decadent. It is an inspired pairing because cosmetics and painting have always shared a language: color, shadow, light, texture and the occasional illusion.
At the center of the collection is an eight-well eye shadow palette filled with golds, bronzes and browns in matte and shimmering finishes—the sort of shades that can move easily from an understated New York afternoon to an evening when understated has left the building. A three-in-one Brightening Blush offers that elusive lit-from-within flush, while the Luxe Eye Shadow provides multidimensional shimmer for anyone who believes eyelids deserve their own little work of art.
The lips haven’t been neglected. Bobbi Brown’s Luxe Lipstick gets the museum treatment with skincare-infused color and a pressed, canvas-inspired bullet, while the Extra Lip Tinted Balm delivers a sheer, pH-reactive wash of color with plumping hydration. In other words, one can now contemplate great art while simultaneously wondering whether one needs another lipstick. We know how that usually ends.
The cleverness of the collaboration lies in the packaging. Rather than simply stamping The Met’s name onto a cosmetics case and calling it culture, the collection brings actual works from the museum’s holdings onto the pieces themselves. The compacts become tiny canvases, turning something normally destined for the bathroom counter into something you may be reluctant to throw away once you’ve hit pan.
There is also something wonderfully New York about the entire enterprise. The Met has spent more than 150 years collecting objects of beauty from across civilizations. Bobbi Brown built its reputation on a distinctly modern idea of beauty. One hangs masterpieces on Fifth Avenue; the other gives us the tools to create our own faces before heading out the door.
High art and highlighter were probably destined to meet eventually. The limited-edition Bobbi Brown x The Met Collection is available now through Bobbi Brown Cosmetics.
You may not be able to hang a Monet in your apartment, but apparently you can now keep a little piece of The Met on your vanity.
Entertainment
Russell Moss Brings A Night of Cool Back to The Triad
Cool is a peculiar thing. The moment you have to tell everyone you possess it, chances are you don’t. Frank Sinatra had it. So did Bobby Darin, Nat King Cole, Elvis Presley, Louis Armstrong and Sam Cooke. Burt Bacharach made it sound effortless, Cab Calloway made it swing, and Tom Jones somehow made an open shirt seem like formalwear. On Thursday, October 8 at 8 p.m., Russell Moss brings that particular breed of American cool back to The Triad Theater with the return of his acclaimed A Night of Cool.
Moss isn’t simply assembling a collection of familiar songs. He is recreating the atmosphere surrounding them, turning The Triad into a 1960s-style showroom complete with a five-piece orchestra, choreographed production numbers, dancers Brooke Schulte and Shanley O’Brien, and guest artists Hannah Celeste and Evan Buckley Harris. It is a throwback to the era when going to see an entertainer meant exactly that—you expected to be entertained.
At the center is Moss, a singer and showman who has performed everywhere from Las Vegas to New York and clearly understands the difference between singing a great song and knowing how to sell one. A Night of Cool moves through music associated with Sinatra, Armstrong, Jones, Presley, Hank Williams, Darin, Cooke, Don Ho, Bacharach, Calloway and Cole, allowing Moss to wander through several decades when singers had distinctive voices, orchestras mattered and personality was part of the arrangement.
Joining him is Evan Buckley Harris, who knows a thing or two about stepping into the shoes of an American music legend. Harris played Johnny Cash in both the national tour and Las Vegas productions of Million Dollar Quartet and has also appeared as Corny Collins in Hairspray, Huey in Memphis and Kenickie in Grease. Hannah Celeste, meanwhile, began her professional career at eight in Annie under the direction of the musical’s creator Martin Charnin, and has since appeared in productions including The Diary of Anne Frank and The Miracle Worker.
Then there is the band—which is hardly background decoration. Music director Andy Warren leads on trumpet, joined by Grammy Award winner Paul Francis on drums, Grammy nominee Stan Killian on saxophone, Peter Brendler on bass and Antongiulio Foti on piano. Andrea Bodine supplies the choreography. With musicians of that caliber in a room as intimate as The Triad, there is nowhere for the music to hide—and absolutely no reason it should.
Moss says the evening is ultimately about “great music, laughter, and that wonderful connection that happens between a performer and an audience,” and that may be the most old-fashioned thing about A Night of Cool. Before concerts became oceans of cell phones and performers became content, there was simply a room, a band, an audience and somebody charismatic enough to make everyone forget about everything outside.
That kind of cool never really went out of style. It was simply waiting for somebody to bring the band back.
A Night of Cool plays Thursday, October 8 at 8 p.m. at The Triad Theater.
Art
Thread Count: Akea Brionne Stitches Memory Into Gold at Arlo SoHo
Last Wednesday, Arlo SoHo‘s opening reception for Akea Brionne drew a crowd that wanted art with their evening kiki and cocktail. I too, came for the artist… however, I lingered for the curator.
Jasmine Arakel is a shyly prescient impresario that has been showcasing her way from Boston to Miami with her “Living Room” series. Thanks to a heap of heart and sweat equity, Arlo guests can enjoy art of the moment and creator talks without so much as leaving the lobby. Arakel’s hotel-as-gallery idea has caught fire even as major galleries and traditional art markets burn to cinders. To wit, the mighty Waldorf-Astoria hosted its own premiere of the MVo Art Show the evening prior, on its way to a tangentially targeted audience from its former life at Sotheby’s.
Like MVo, Arakel came to art by way of Madison Avenue, with campaigns for Nike, Samsung, Chevrolet, Adidas and Google behind her. In 2022 she founded Curated by Jas, an advisory and curatorial firm that places blue-chip contemporary work in public and private spaces. She brought an advertiser’s instincts with her: she knows what makes people stop walking and she knows what makes them buy.
Her newest treasure is Akea Brionne, who holds a dual BA/BFA from the Maryland Institute College of Art and an MFA from Cranbrook, all in the service of photography.
She uses those credentials the way a good architect uses a blueprint. The photographic portrait is her structure… and then she sews it. The figures are stitched onto the canvas in thick black thread, and the color comes in panels of bright glitter and a library of fabrics. Jacquard is the one that has captured her imagination. “The jacquard loom was our earliest computer system,” she explained, which is the sort of sentence that makes a room full of creatively curious people suddenly look at a tapestry from the left lobe. The layers are, by her own admission, a reflection of her Virgo nature. She loves to sort chaos into beauty. Who among us wouldn’t?
Brionne was born in New Orleans in 1996 until the diaspora of 2005 and now lives and works in Detroit. According to her website, the large-scale woven works are portals where figuration dissolves into abstraction, holding personal and ancestral memory in the same frame.
Water, gardens, celestial bodies, thresholds and domestic architecture recur as metaphors for transformation, migration, care, grief and return. The practice is rooted in her experience as a Creole woman, and in Black Southern folklore, Indigenous knowledge systems and somatic approaches to healing.
This latest series grew out of her search for creative satisfaction outside her familial duties. “I think my art is much more flamboyant than my personality,” the young mom told me with a chuckle. She was dressed in calm dove grey and linen harem pants, a staid counterpoint to the bold, glittery work on the walls. It was the most elegant case of an artist hiding in plain sight that I’ve seen since Clark Kent.
The room was full of the right kind of people, including Kaisha Huguley, producer of Broadway’s Wanted, who was clearly mesmerized by Arlo’s activation for the evening. I should really say “activator,” because it arrived in the dazzling form of Pepe Muñoz, the fashion illustrator from Spain.
Pepe dashingly served bold strokes and savvy squiggles as he turned party-goers into fashion plates. We left clutching our textured watercolor paper, each presented in a chic black envelope, giddy at being seen so elegantly. Some of us were also giddy because the artist bears a distinct resemblance to Pedro Pascal’s younger, hotter brother.
In an era when art is often sold on a screen, Arlo and Arakel are betting that people still want to stand in a room and look at something real, preferably with a drink in hand. On the evidence of last Wednesday, they are winning.
Arlo Hotel SoHo
231 Hudson Street
New York,NY 10013
Events
Alice + Olivia Thinks Pink as Stacey Bendet Kicks Off Breast Cancer Awareness Month
Madison Avenue turned decidedly pink Thursday night as Alice + Olivia founder Stacey Bendet brought together fashion, cocktails, music and a little retail temptation for something considerably more important than another fashionable New York soirée: the opening of Breast Cancer Awareness Month and a monthlong initiative benefiting the Breast Cancer Research Foundation.
Bendet hosted the evening at Alice + Olivia’s Madison Avenue flagship alongside Emily Rockefeller and Dr. Elizabeth Comen, with Jenny Mollen, BCRF’s Donna McKay, Jennifer Rubio, Julie Macklowe, Sofia Karvela, Natalie Mackey, Dani Stahl, Ebony Wiggins, Carolyn Angel and Aqua Parios among those joining the celebration. Cancer survivor, philanthropist and advocate Quiana Parks supplied the music, giving the evening a particularly personal connection to the cause.
Because philanthropy needn’t be dreary, there was plenty to play with. Guests could customize purchases with embroidery, head to the charm bar to create pink phone charms, sip Bricoleur Vineyards Isla Rose Brut Rosé, LALO Tequila cocktails and The Macklowe Pink Manhattans, and indulge in appropriately pink sweets. If Breast Cancer Awareness Month has an official color, Bendet clearly saw no reason not to run with it.
The evening was more than pink for pink’s sake. Fifteen percent of net proceeds benefited BCRF and its work supporting breast cancer research, while the party launched Alice + Olivia’s larger October campaign. Through October 31, customers who donate to BCRF at an Alice + Olivia boutique or online will receive 15 percent off a purchase.
Bendet has also given two Alice + Olivia favorites a limited-edition pink treatment for the campaign. The signature Willa Blouse arrives in blush silk crepe de chine with vivid hot-pink detailing, while the Dollie Cardigan also gets its own pink moment. Twenty dollars from the sale of each piece will benefit BCRF. The Willa, priced at $395, is particularly clever: polished enough to survive long after October, while still making its point.
New York is only the beginning. The initiative heads next to Chicago with Giuliana Rancic before moving west, where Bendet will be joined by Paris Hilton and Kathy Hilton for the Los Angeles celebration. For the Hiltons, the partnership carries an especially personal meaning: Kathy Hilton’s mother, Kathleen Richards, died from breast cancer in 2002.
There is always a danger during Breast Cancer Awareness Month that the pink ribbon becomes so familiar we stop seeing what it represents. That is where an evening like this works best. The fashion gets people through the door, the cocktails keep things festive and the shopping makes participation easy—but the money goes toward research into a disease that continues to alter families everywhere.
On Thursday night, however, there was no reason purpose couldn’t arrive wearing fabulous clothes.
Shop pink. Give back. And if you’re going to make a statement, Madison Avenue isn’t a bad place to make it.
Art
Live From The Hotel Edison Times Square Chronicles Presents About Face With Caricaturist Ken Fallin
Live From The Hotel Edison Times Square Chronicles Presents, is filmed from the Hotel Edison and is a podcast extension of T2C. We are back after a small hiatus.
Today owner Suzanna Bowling talks with with Caricaturist Ken Fallin and his new book About Face. Fallin’s big break was in 1983 doing the posters and advertising for the popular satirical revue Forbidden Broadway. In 1987, he was commissioned by the Boston Herald to do a celebrity caricature every week in the Sunday arts and entertainment section. Fallin has illustrated roughly 500 notable people for the Wall Street Journal, including President Barack Obama, Paul Newman and Tim Russert for Peggy Noonan’s memorial of the newsman in the paper.
His Forbidden Broadway posters promoted the show in London, Tokyo and Sydney. Outside of entertainment, Fallin developed relationships with corporate clientele, particularly American Express, which engaged him on several national media campaigns as well as private work. Belvedere Vodka hired him to turn famous icons like the Playboy Bunny and Quentin Tarantino into bottles of the alcohol. Other clients have included HBO, Showtime and Walt Disney Productions.
His new book About Face is a distinctive art and cultural publication that brings together a broad collection of caricatures celebrating notable figures from entertainment, music, Broadway, Hollywood, and contemporary popular culture. Through expressive artwork and recognizable subjects, the book captures the personalities and visual character of individuals who have made an impact on audiences across different generations. The collection reflects the author’s ability to transform familiar faces into engaging artistic interpretations while maintaining recognizable characteristics. With its combination of artistic expression, cultural familiarity, and entertainment value, ABOUT FACE offers readers more than a traditional collection of drawings. It presents a visual journey through the personalities and cultural figures that have shaped entertainment and public life.
Join Ken Fallin on October 7th at New World Stages, 340 W 50th St, from 5 – 7 for the unveiling of his art with a wine and cheese soiree. You have been invited.
I am so grateful to Ken Fallin for his conversation, his joy of life and his art that captures the imagination.
We are so proud because the show and our guests are featured on the TV screens in the lobby and the hotel rooms.
Thank-you Magda Katz for videoing and creating the content to go live, Rommel Gopez and The Hotel Edison for their kindness and hospitality, Broadway HD and Dr K and at 200 West 54th Street for giving me back my health and my smile.
We have been named by Variety Entertainment News as one of Summer’s Best Picks in the category of Best Television, Radio, Podcasts. The company we are in, has made us so humbled, grateful and motivated to continue.
“The Daily Geek Report” named host Suzanna Bowling on the list of Most Engaging Hosts.
You can catch us on the following platforms:
Spotify:
Apple Podcasts:
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