Entertainment
2016 Sundance Film Festival Winners Announced
Sundance Institute has announced the prizes in feature filmmaking at the 2016 Sundance Film Festival, with top awards going to Between Sea and Land, The Birth of a Nation, First Girl I Loved, Jim: The James Foley Story, Sand Storm, Sonita and Weiner. The Birth of a Nation and Sonita won both the Grand Jury Prize and Audience Award for their respective sections, marking the third time in Festival history two films have done this in the same year, and continuing a four-year streak of at least one film winning both awards for its section. Full video of the ceremony, hosted by director Taika Waititi in Park City, Utah, is at youtube.com/sff.
The ceremony is the culmination of the 2016 Festival, which presented 123 feature-length and 72 short films – selected from 12,793 submissions – to independent film-loving audiences in Park City, Salt Lake City, Ogden and Sundance, Utah.
Jury prizes were awarded by six groups of film and culture leaders, who screened all films in their respective sections and jointly decided which standout artistic and story elements to recognize. This year’s jurors were: Simon Kilmurry, Jill Lepore, Shola Lynch, Louie Psihoyos, Amy Ziering, Mark Adams, Lena Dunham, Jon Hamm, Avy Kaufman, Franklin Leonard, Randall Poster, Fernanda Solórzano, Apichatpong Weerasethakul, Mila Aung-Thwin, Tine Fischer and Asif Kapadia. In addition, Festival audiences voted for their favorite films to receive five Audience Awards in each of the U.S. and World Competitions and NEXT.
Feature film award winners in previous years include: Whiplash, Fruitvale Station, Beasts of the Southern Wild, Twenty Feet from Stardom, Searching for Sugarman, The Square, Me and Earl and the Dying Girl, Cartel Land, The Wolf Pack, The Diary of a Teenage Girl, Dope, Dear White People, The Cove and Man on Wire.
The much-buzzed-about AbracaDeborah did not receive any Festival awards, as it’s not an actual film.
2016 SUNDANCE FILM FESTIVAL FEATURE FILM AWARDS:
The U.S. Grand Jury Prize: Documentary was presented by Louis Psihoyos to:
Weiner / U.S.A. (Directors: Josh Kriegman, Elyse Steinberg) — With unrestricted access to Anthony Weiner’s New York City mayoral campaign, this film reveals the human story behind the scenes of a high-profile political scandal as it unfolds, and offers an unfiltered look at how much today’s politics is driven by an appetite for spectacle.
The U.S. Grand Jury Prize: Dramatic was presented by Franklin Leonard to:
The Birth of a Nation / U.S.A. (Director and screenwriter: Nate Parker) — Set against the antebellum South, this story follows Nat Turner, a literate slave and preacher whose financially strained owner, Samuel Turner, accepts an offer to use Nat’s preaching to subdue unruly slaves. After witnessing countless atrocities against fellow slaves, Nat devises a plan to lead his people to freedom. Cast: Nate Parker, Armie Hammer, Aja Naomi King, Jackie Earle Haley, Gabrielle Union, Mark Boone Jr.
The World Cinema Grand Jury Prize: Documentary was presented by Asif Kapadia to:
Sonita / Germany, Iran, Switzerland (Director: Rokhsareh Ghaem Maghami) — If 18-year-old Sonita had a say, Michael Jackson and Rihanna would be her parents and she’d be a rapper who tells the story of Afghan women and their fate as child brides. She finds out that her family plans to sell her to an unknown husband for $9,000.
The World Cinema Grand Jury Prize: Dramatic was presented by Apichatpong Weerasethakul to:
Sand Storm / Israel (Director and screenwriter: Elite Zexer) — When their entire lives are shattered, two Bedouin women struggle to change the unchangeable rules, each in her own individual way. Cast: Lamis Ammar, Ruba Blal-Asfour, Hitham Omari, Khadija Alakel, Jalal Masrwa.
The Audience Award: U.S. Documentary, Presented by Acura was presented by Matt Ross to:
Jim: The James Foley Story / U.S.A. (Director: Brian Oakes) — The public execution of American conflict journalist James Foley captured the world’s attention, but he was more than just a man in an orange jumpsuit. Seen through the lens of his close childhood friend, Jim: The James Foley Story moves from adrenaline-fueled front lines and devastated neighborhoods of Syria into the hands of ISIS.
The Audience Award: U.S. Dramatic, Presented by Acura was presented by Matt Ross to:
The Birth of a Nation / U.S.A. (Director and screenwriter: Nate Parker) — Set against the antebellum South, this story follows Nat Turner, a literate slave and preacher whose financially strained owner, Samuel Turner, accepts an offer to use Nat’s preaching to subdue unruly slaves. After witnessing countless atrocities against fellow slaves, Nat devises a plan to lead his people to freedom. Cast: Nate Parker, Armie Hammer, Aja Naomi King, Jackie Earle Haley, Gabrielle Union, Mark Boone Jr.
The Audience Award: World Cinema Documentary was presented by Rose McGowan to:
Sonita / Germany, Iran, Switzerland (Director: Rokhsareh Ghaem Maghami) — If 18-year-old Sonita had a say, Michael Jackson and Rihanna would be her parents and she’d be a rapper who tells the story of Afghan women and their fate as child brides. She finds out that her family plans to sell her to an unknown husband for $9,000.
The Audience Award: World Cinema Dramatic was presented by Rose McGowan to:
Between Sea and Land / Colombia (Director: Carlos del Castillo, Screenwriter: Manolo Cruz) — Alberto, who suffers from an illness that binds him into a body that doesn’t obey him, lives with his loving mom, who dedicates her life to him. His sickness impedes him from achieving his greatest dream of knowing the sea, despite one being located just across the street. Cast: Manolo Cruz, Vicky Hernandéz, Viviana Serna, Jorge Cao, Mile Vergara, Javier Sáenz.
The Audience Award: NEXT, Presented by Adobe was presented by Taika Waititi to:
First Girl I Loved / U.S.A. (Director and screenwriter: Kerem Sanga) — Seventeen-year-old Anne just fell in love with Sasha, the most popular girl at her L.A. public high school. But when Anne tells her best friend, Clifton—who has always harbored a secret crush on her—he does his best to get in the way. Cast: Dylan Gelula, Brianna Hildebrand, Mateo Arias, Jennifer Prediger, Tim Heidecker, Pamela Adlon.
The Directing Award: U.S. Documentary was presented by Amy Ziering to:
Roger Ross Williams for his film Life, Animated / U.S.A. (Director: Roger Ross Williams) — Owen Suskind, an autistic boy who could not speak for years, slowly emerged from his isolation by immersing himself in Disney animated movies. Using these films as a roadmap, he reconnects with his loving family and the wider world in this emotional coming-of-age story.
The Directing Award: U.S. Dramatic was presented by Mark Adams to:
Daniel Scheinert and Daniel Kwan for their film Swiss Army Man / U.S.A. (Directors and screenwriters: Daniel Scheinert, Daniel Kwan) — Hank, a hopeless man stranded in the wild, discovers a mysterious dead body. Together the two embark on an epic journey to get home. As Hank realizes the body is the key to his survival, this once-suicidal man is forced to convince a dead body that life is worth living. Cast: Paul Dano, Daniel Radcliffe, Mary Elizabeth Winstead.
The Directing Award: World Cinema Documentary was presented by Mila Aung Thwain to:
Michal Marczak for his film All These Sleepless Nights / Poland (Director: Michal Marczak) — What does it mean to be awake in a world that seems satisfied to be asleep? Kris and Michal push their experiences of life and love to a breaking point as they restlessly roam the city streets in search of answers, adrift in the euphoria and uncertainty of youth.
The Directing Award: World Cinema Dramatic was presented by Randall Poster to:
Belgica / Belgium, France, Netherlands (Director: Felix van Groeningen, Screenwriters: Felix van Groeningen, Arne Sierens) — In the midst of Belgium’s nightlife scene, two brothers start a bar and get swept up in its success. Cast: Stef Aerts, Tom Vermeir, Charlotte Vandermeersch, Hélène De Vos.
The Waldo Salt Screenwriting Award: U.S. Dramatic was presented by Lena Dunham to:
Chad Hartigan for Morris from America / U.S.A., Germany (Director and screenwriter: Chad Hartigan) — Thirteen-year-old Morris, a hip-hop loving American, moves to Heidelberg, Germany, with his father. In this completely foreign land, he falls in love with a local girl, befriends his German tutor-turned-confidant, and attempts to navigate the unique trials and tribulations of adolescence. Cast: Markees Christmas, Craig Robinson, Carla Juri, Lina Keller, Jakub Gierszał, Levin Henning.
A U.S. Documentary Special Jury Award for Editing was presented by Jill Lepore to:
Penny Lane and Thom Stylinski for NUTS! / U.S.A. (Director: Penny Lane) — The mostly true story of Dr. John Romulus Brinkley, an eccentric genius who built an empire with his goat-testicle impotence cure and a million-watt radio station. Animated reenactments, interviews, archival footage, and one seriously unreliable narrator trace his rise from poverty to celebrity and influence in 1920s America.
A U.S. Documentary Special Jury Award for For Social Impact Filmmaking was presented by Simon Kilmurry to:
Trapped / U.S.A. (Director: Dawn Porter) — American abortion clinics are in a fight for survival. Targeted Regulation of Abortion Providers (TRAP) laws are increasingly being passed by states that maintain they ensure women’s safety and health, but as clinics continue to shut their doors, opponents believe the real purpose of these laws is to outlaw abortion.
A U.S. Documentary Special Jury Award for Writing was presented by Shola Lynch to:
Kate Plays Christine / U.S.A. (Director: Robert Greene) — This psychological thriller follows actor Kate Lyn Sheil as she prepares to play the role of Christine Chubbuck, a Florida television host who committed suicide on air in 1974. Christine’s tragic death was the inspiration for Network, and the mysteries surrounding her final act haunt Kate and the production.
A U.S. Documentary Special Jury Award for Vérité Filmmaking was presented by Shola Lynch to:
The Bad Kids / U.S.A. (Directors: Keith Fulton, Lou Pepe) — At a remote Mojave Desert high school, extraordinary educators believe that empathy and life skills, more than academics, give at-risk students command of their own futures. This coming-of-age story watches education combat the crippling effects of poverty in the lives of these so-called “bad kids.”
A U.S. Dramatic Special Jury Award was presented by Lena Dunham to:
As You Are / U.S.A. (Director: Miles Joris-Peyrafitte, Screenwriters: Miles Joris-Peyrafitte, Madison Harrison) — As You Are is the telling and retelling of a relationship between three teenagers as it traces the course of their friendship through a construction of disparate memories prompted by a police investigation. Cast: Owen Campbell, Charlie Heaton, Amandla Stenberg, John Scurti, Scott Cohen, Mary Stuart Masterson.
A U.S. Dramatic Special Jury Award for Breakthrough Performance was presented by Avy Kaufman to:
Joe Seo for Spa Night / U.S.A. (Director and screenwriter: Andrew Ahn) — Los Angeles’s Korean spas serve not only as meeting places but also as a bridge between past and future for generations of immigrant families. Spa Night explores one Korean American family’s dreams and realities as each member struggles with the overlap of personal desire, disillusionment, and sense of tradition. Cast: Joe Seo, Haerry Kim, Youn Ho Cho, Tae Song, Ho Young Chung, Linda Han.
A U.S. Dramatic Special Jury Award for Individual Performance was presented by Jon Hamm to:
Melanie Lynskey in The Intervention / U.S.A. (Director and screenwriter: Clea DuVall) — A weekend getaway for four couples takes a sharp turn when one of the couples discovers the entire trip was orchestrated to host an intervention on their marriage. Cast: Melanie Lynskey, Cobie Smulders, Alia Shawkat, Clea DuVall, Natasha Lyonne, Ben Schwartz.
A U.S. Dramatic Special Jury Award for Individual Performance was presented by Jon Hamm to:
Craig Robinson in Morris from America / U.S.A., Germany (Director and screenwriter: Chad Hartigan) — Thirteen-year-old Morris, a hip-hop loving American, moves to Heidelberg, Germany, with his father. In this completely foreign land, he falls in love with a local girl, befriends his German tutor-turned-confidant, and attempts to navigate the unique trials and tribulations of adolescence. Cast: Markees Christmas, Craig Robinson, Carla Juri, Lina Keller, Jakub Gierszał, Levin Henning.
A World Cinema Documentary Special Jury Award for Debut Feature was presented by Asif Kapadia to: Heidi Brandenburg and Mathew Orzel for their film When Two Worlds Collide / Peru (Directors: Heidi Brandenburg, Mathew Orzel) — An indigenous leader resists the environmental ruin of Amazonian lands by big business. As he is forced into exile and faces 20 years in prison, his quest reveals conflicting visions that shape the fate of the Amazon and the climate future of our world.
A World Cinema Documentary Special Jury Award for Cinematography was presented by Mila Aung Thwain to: Director and cinematographer Pieter-Jan De Pue for his film The Land of the Enlightened / Belgium (Director: Pieter-Jan De Pue) — A group of Kuchi children in Afghanistan dig out old Soviet mines and sell the explosives to child workers in a lapis lazuli mine. When not dreaming of an Afghanistan after the American withdrawal, Gholam Nasir and his gang control the mountains where caravans are smuggling the blue gemstones.
A World Cinema Documentary Special Jury Award for Editing was presented by Asif Kapadia to:
Mako Kamitsuna and John Maringouin for We Are X / United Kingdom, U.S.A., Japan (Director: Stephen Kijak) — As glam rock’s most flamboyant survivors, X Japan ignited a musical revolution in Japan during the late ’80s with their melodic metal. Twenty years after their tragic dissolution, X Japan’s leader, Yoshiki, battles with physical and spiritual demons alongside prejudices of the West to bring their music to the world.
A World Cinema Dramatic Special Jury Award for Acting was presented by Fernanda Solórzano to:
Vicky Hernandéz and Manolo Cruz in Between Sea and Land / Colombia (Director: Carlos del Castillo, Screenwriter: Manolo Cruz) — Alberto, who suffers from an illness that binds him into a body that doesn’t obey him, lives with his loving mom, who dedicates her life to him. His sickness impedes him from achieving his greatest dream of knowing the sea, despite one being located just across the street. Cast: Manolo Cruz, Vicky Hernandéz, Viviana Serna, Jorge Cao, Mile Vergara, Javier Sáenz.
A World Cinema Dramatic Special Jury Award for Screenwriting was presented by Randall Poster to:
Ana Katz and Inés Bortagaray in Mi Amiga del Parque / Argentina, Uruguay (Director: Ana Katz, Screenwriters: Ana Katz, Inés Bortagaray) — Running away from a bar without paying the bill is just the first adventure for Liz (mother to newborn Nicanor) and Rosa (supposed mother to newborn Clarisa). This budding friendship between nursing mothers starts with the promise of liberation but soon ends up being a dangerous business. Cast: Julieta Zylberberg, Ana Katz, Maricel Álvarez, Mirella Pascual, Malena Figó, Daniel Hendler.
A World Cinema Dramatic Special Jury Award for Unique Vision and Design was presented by Fernanda Solórzano to: Agnieszka Smoczyńska for The Lure / Poland (Director: Agnieszka Smoczynska, Screenwriter: Robert Bolesto) — Two mermaid sisters, who end up performing at a nightclub, face cruel and bloody choices when one of them falls in love with a beautiful young man. Cast: Marta Mazurek, Michalina Olszanska, Jakub Gierszal, Kinga Preis, Andrzej Konopka, Zygmunt Malanowicz.
The following awards were presented at separate ceremonies at the Festival:
SHORT FILM AWARDS:
Jury prizes and honorable mentions in short filmmaking were presented at a ceremony in Park City, Utah on January 27. The Short Film Grand Jury Prize was awarded to: Thunder Road / U.S.A. (Director and screenwriter: Jim Cummings). The Short Film Jury Award: U.S. Fiction was presented to: The Procedure / U.S.A. (Director and screenwriter: Calvin Lee Reeder). The Short Film Jury Award: International Fiction was presented to: Maman(s) / France (Director and screenwriter: Maïmouna Doucouré ). The Short Film Jury Award: Non-fiction was presented to: Bacon & God’s Wrath / Canada (Director: Sol Friedman). The Short Film Jury Award: Animation was presented to: Edmond / United Kingdom (Director and screenwriter: Nina Gantz). A Short Film Special Jury Award for Outstanding Performance was presented to: Grace Glowicki for her performance in Her Friend Adam. A Short Film Special Jury Award for Best Direction was presented to: Peacock / Czech Republic (Director: Ondřej Hudeček, Screenwriters: Jan Smutny, Ondřej Hudeček).
The Short Film jurors were star and co-creator of Comedy Central’s Key & Peele, Keegan-Michael Key; development executive at Amazon Studios, Gina Kwon; and chief film critic for MTV, Amy Nicholson. The Short Film program is presented by YouTube.
GLOBAL FILMMAKING AWARDS:
The winning directors and projects of the 2016 Sundance Institute Global Filmmaking Awards in recognition and support of emerging independent filmmakers from around the world, are:
August (Cuba) / Writer-Director: Armando Capo
In August 1994, Carlos comes of age during the Cuban Raft Exodus. He loses his first love, his friends leave the country, he discovers sex, and for the first time feels afraid about his future.
Insha’ Allah (India) / Writer-Director: Geetu Mohandas
11 year old Mullakoya, tired of living in the shadow of the colorful, magical-realist folklore that surrounds his missing older brother, sets off on a treacherous journey from the Lakshadweep Islands in the Arabian Sea to the Indian mainland to search for him.
Sicilian Ghost Story (Italy) / Writer-Directors: Antonio Piazza, Fabio Grassadonia
When a local Mafia don’s son is kidnapped, a young Sicilian girl refuses to accept the sudden disappearance of the boy she loves. Based on real life events at the height of the Mafia’s reign in Palermo, Sicilian Ghost Story is a striking and unique look at the power that love has to survive in the darkest of worlds.
The Treasure (Morocco) / Writer-Director: Abdellah Taia
Janine, a French woman born in Morocco, accompanied by her building manager, Mohamed, set out on an adventure in search of a hidden treasure in the mountains of Atlas. The journey into her past becomes an exploration of post-colonial identity in Morocco.
SLOAN SCIENCE IN FILM AWARDS:
The 2016 Alfred P. Sloan Feature Film Prize, presented to an outstanding feature film about science or technology, was presented to Embrace of the Serpent directed by Ciro Guerra. The film received a $20,000 cash award from the Alfred P. Sloan Foundation.
SUNDANCE INSTITUTE | AMAZON STUDIOS PRODUCERS AWARDS:
The recipients of the the 2016 Sundance Institute | Amazon Studios Producers Awards are Sara Murphy and Adele Romanski, producers of Morris From America and Julie Goldman, executive producer of Weiner and Life, Animated. Through the Sundance Institute Feature Film Program and Documentary Film Program, the awards grant money to emerging producers of films at the Sundance Film Festival. The award recognizes bold vision and a commitment to continuing work as a creative producer in the independent space.
The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The New Frontier initiative, celebrating its 10th Anniversary in 2016, has showcased groundbreaking media works by artists and creative technologists including Chris Milk, Doug Aitken, Palmer Luckey, Klip Collective and Nonny de la Peña. The Festival is a program of the non-profit Sundance Institute®. 2016 Festival sponsors to date include: Presenting Sponsors – Hewlett Packard Enterprise, Acura, SundanceTV, Chase Sapphire Preferred®, and Canada Goose; Leadership Sponsors – Adobe, Airbnb, DIRECTV, Tequila Don Julio™, Samsung, and YouTube; Sustaining Sponsors – BROOKSIDE Chocolate, Canon U.S.A., Inc., Dropbox, GEICO, The Hollywood Reporter, Kickstarter, LUNA Bar/Clif Bar & Company, Omnicom, Stella Artois®, and Uber. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. sundance.org/festival
The Statue of Liberty’s birthday, Oktoberfest, Open House New York, pumpkins, Halloween and more wait for your attention this October.
The Perelman Performing Arts Center has officially opened to the public, marking the final piece in the puzzle of the World Trade Center site.
Events this month include:
- An intimate “Evening with Brian Stokes Mitchell” (October 5).
- 2023 Herbie Hancock Institute of Jazz International Piano Competition (October 14 and 15)
- Actress and creator of the “Red Table Talk” series Jada Pinkett Smith (October 16).
Photograph: Courtesy of TAO Group Hospitality
Magic Hour at the Moxy Times Square, 485 7th Ave, has pink theme’s right now it’s “Pink Pumpkin Patch.”
Open Streets Columbus Avenue, every Sunday from 68th to 77th street from 11 a.m. – 7 p.m.
- October 1, 2023
- October 8, 2023
- October 15, 2023
- October 22, 2023
- October 29, 2023
Until 10/15: The 61st The New York Film Festival at Lincoln Center.
Until 10/15: Hispanic Heritage Month. Look for parades, events, film festivals, and more.
Until 10/31: OctoberFest the Loreley Beer Garden, 7 Rivington Street (between Bowery and Chrystie) will be serving sausages and pretzels as well as German beer from liter steins and boots. On Sundays at 3 p.m., there’s a delicious free pig roast. There’s also a haunted beer garden starting on 10/18.
Until 11/1: If you want a spooky celebrations to be more festive and less frightening, Halloween House try the The Oculus, 185 Greenwich Street.
Photograph: Courtesy of Color Factory
Until, 11/1: The Color Factory has 14 immersive exhibits that engage all the senses in an exploration of the art and science of color. The museum works with local artists, designers and creatives to bring the designs to life. This Soho immersive art museum will present Haunted Hues, a Halloween-themed takeover.
Until 11/4: Blood Manor, haunted house’s 20th season at 359 Broadway. This year three new rooms, and brand-new costumes by designers from Abracadabra, Manhattan’s iconic Halloween store. Immersive experience, professional actors, set designers and makeup artists, with twisted characters and jumpscares at every turn.
Until 1/7/24: Manet/Degas, this exhibition examines one of the most significant artistic dialogues in modern art history: the close and sometimes tumultuous relationship between Édouard Manet and Edgar Degas. Born only two years apart, Manet (1832–1883) and Degas (1834–1917) were friends, rivals, and, at times, antagonists who worked to define modern painting in France. Through more than 150 paintings and works on paper.
10/3: Rooftop Cinema Club Midtown, 60 West 37th Street, will present Mean Girls, Rosemary’s Baby, Paranormal, The Exorcist, The Shining, American Psycho and other cult classics as well as Hocus Pocus and Halloween.
10/3 – 15: Off-Broadway Week a bi-annual event that offers 2-for-1 tickets.
10/4 – 11/11:”Dreams of Dracula: An Immersive Masquerade Experience” recreates the classic Dracula universe as a brand new vampire theatrical adventure. Head to Musica NYC, 637 West 50th Street. Two floors and six rooms across 25,000 square feet for a heady mix of immersive theater, dance and decadent masquerade.
10/4: 2023 Empire State Building Run-Up, where about 150 runners will get to race up the 1,576 stars to the 86th floor of the iconic building.
10/ 5 – 6: NYC pop-up “Love Me (Bar)Tender,” with Elvis-themed cocktails, music from Memphis bands and a photobooth. It’s sold out, but sign up here to get alerts.
10/6 – 8: The New Yorker Festival. Julia Louis-Dreyfus, Misty Copeland and more. Live conversations, musical performances, and more, hosted by the magazine’s acclaimed writers and editors. The Festival brings together today’s most influential voices for a one-of-a-kind event in New York City.
10/6 – 8: The New York City Coffee Festival will return this fall for its seventh year with food, cocktails, live music, art, and more, including unlimited tastings. Metropolitan Pavilion.
10/9: Columbus Day Parade. The parade starts at Fifth Avenue on the corner 44th Street. It heads north up to 72nd Street (start: 11:30 AM, end: 3:00 PM).
10/12 – 15: The Food Network New York City Wine & Food Festival has 80-plus events that include more than 500 chefs from around the world. Tastings, classes, dinners, late-night parties, drag brunches and demonstrations. Across the boroughs. This year, The Cookout, will celebrate hip-hop’s 50th Anniversary.
10/12 – 15: New York Comic Con is back. Expect superhero galore at Jacob K. Javits Convention Center on Eleventh Ave.
10/17 – 31: Black Lagoon is a Halloween pop-up cocktail bar at Pretty Ricky’s (101 Rivington Street). The experience features a curated cocktail menu of eerie Halloween-themed drinks created by Ramage and Hayes, macabre dens festooned with frightfully fun decor.
10/20- 27: Open House New York Weekend Festival. Access the city’s main buildings for 3 days. All sorts of buildings can be visited, from the very historic to modern apartments or industrial buildings that are scattered all over the five boroughs. There will be tours, lectures, performances and events around the meaning of architecture and urban design. All the information about this cool event can be found here.
Photograph: Courtesy of the Balloon Museum
10/27: The Balloon Museum is officially set to take over Pier 36 at The Seaport in 80,000-square-foot space, and is scheduled to run through January 14, 2024. You can expect a 4,000-square-foot ball pit, inflatable lava lamps and the sorts of infinity rooms that you’ll itch to post about on Instagram.
10/28: Happy Birthday Statue of Liberty. In 1886, the Statue of Liberty was ceremoniously opened and is without question one of the most important landmarks of New York.
10/31: The Village Halloween Parade where zombies, ghouls, witches, monsters, giant puppets and more take to the streets for a night of costumed revelry. The parade rolls out at 7pm. Sixth Ave becomes most congested with spectators between Bleeker and 14th Sts, so we suggest setting up camp at either the head (Spring to W Houston Sts) or tail (14th St to 16th St) of the parade.
10/31: The Annual Pumpkin Flotilla at Central Park. As is gets dark around 6:30 pm, carved pumpkins are released into the Harlem Meer and will be float around for 30 minutes. The spectacle draws hundreds of visitors to the northeast corner of Central Park.
Musical Director Ian Niederhoffer’s dynamic musical group Parlando presents “Odysseys,” the opening concert of its 2023-2024 season, Wednesday, October 4th at 7:30 pm at Merkin Hall at The Kaufman Center.
Founded by Ian Niederhoffer in 2019, Parlando provides the musical and historical context to prepare every audience member for the music they are about to hear. Through short introductions to each piece, Parlando bridges the gap between audience and performer, creating an intimate, accessible orchestral experience.
Every Parlando program has a theme and contains a blend of new, underrepresented, and standard works. By connecting each piece through a shared theme, the concert becomes a story, and the audience is able to carry the experience from one piece to the next. Parlando strives to leave every audience member knowing more about classical music than when they walked in.
The focus of a Parlando concert is always on the music itself. The introductions are in service of the ensuing performance, preparing the audience to enjoy the music as much as possible.
Oscar and Grammy winner Melissa Etheridge’s autobiographical musical My Window is an informative, riveting, raw, intimate and musically thrilling alsmost 3 hours of entertainment. With 22 albums to her name, Etheridge is a female rock goddess and is on par with Aretha Franklin, Tina Turner, Ann Wilson, Grace Slick, Joan Jett, Pat Benatar, Stevie Nicks, Debbie Harry and the incomparable Janis Joplin.
I originally saw this show when it opened at New World Stages almost a year ago and Etheridge’s theatrical solo show has only gotten better and tighter. She invites theatergoers into an exhilarating evening of storytelling and music. Starting with her birth, we learn about her childhood in Kansas, groundbreaking career highlights, coming out, her lovers, the drugs she has taken, her spiritual journey, her wives, her kids, cancer and what makes Melissa who she is. She is charming, revealing, illuminating as she bares her heart & soul to all who attend.
Photo by Jenny Anderson
In between learning about this bluesy warrior are her confessional lyrics, the raspy, smoky vocals and classics numbers like “Like The Way I Do,” “Twisted Off To Paradise,”“I’m the Only One,” “Come to My Window,” “I Want to Come Over”.
Photo by Jenny Anderson
Winning a tiny trophy gave way to winning a Grammy for Best Female Rock Vocalist in 1998 and again in 1995. Before that in 1993 Etheridge came out publicly, early on in her career. In 2005 Etheridge took the Grammy stage after having cancer to join in a tribute to Janis Joplin. She appeared hairless. Etheridge also won an Oscar for Best Original Song in 2007 for “I Need To Wake Up” for the film “An Inconvenient Truth.”
Photo by Jenny Anderson
It turns out Etheridge has always loved musical theatre, as she treated us to a wonderful rendition of “On Broadway.” She did make her Broadway debut in a weeklong stint as St. Jimmy in Green Day’s American Idiot in 2011, but she doesn’t talk about that.
Melissa Etheridge My Window, is wonderfully is written by Etheridge with additional material by Linda Wallem-Etheridge (“Nurse Jackie” showrunner, “That ’70s Show”). The direction by Amy Tinkham is succent and well done.
Everything about this production is well done from the scenic design by Bruce Rodgers, lighting design by Abigail Rosen Holmes, fabulous projection design by Olivia Sebesky and the sound design by Shannon Salmon, which keeps this show clear and clean.
Kate Owens is hysterical as the Roadie/ Stage Manager. This little girl is a star in the making with her rubber face and facial expressions galore. She adds to this show immensely and I definitely want to see more of what she can do.
This is a must see show for anyone LGBTQIA. The message is positive and life affirming. This is a women who owns her talent, charisma and choices, which makes this a joy to watch.
Photo by Jenny Anderson
Melissa Etheridge My Window: Circle In The Square, 235 West 50th Street. Closes November 19th.
Off Broadway
Let’s Talk to Lindsay Heather Pearce and Jordan Donica Guest Stars of The New Rock Musical, Exorcistic
Events For October
Ken Fallin’s Broadway: Musical Director Ian Niederhoffer
Celestial Guidance: Your Astrological Forecast For October
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Off Broadway4 days ago
Meet Michel Wallerstein and Spencer Aste of Chasing Happy
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Broadway2 days ago
Melissa Etheridge My Window A Rock Goddess Spiritual Journey
