The Bret Adams and Paul Reisch Foundation is pleased to announce the recipients of their 2019 Idea Awards for Theatre; three grants awarded to adventurous new voices in playwritingand musical theatre, as well the visionary playwrights who have inspired and blazed trails before them.
The two inaugural 2019 Tooth of Time Distinguished Career Awards will be presented to Tina Howe (Painting Churches, Coastal Disturbances) and Adrienne Kennedy (Funnyhouse of a Negro, A Movie Star Has to Star in Black and White). Honoring accomplished playwrights who have created significant, idea-driven works throughout their career, the Tooth of Time Distinguished Career Award is given with a $20,000 prize for each recipient.
Dave Harris is the recipient of this year’s Ollie New Play Award. The 2019 Vivace Musical Theatre Award will be awarded to the composer/lyricist team, Kit Yan and Melissa Li. Recognizing emerging talent and original work with ambitious theatrical ideas, both awards are bestowed with a $30,000 prize.
Each of the five artists will also receive a unique hand-carved marble statuette.
The 2019 Idea Awards for Theatre will be presented on Monday, September 23, 2019, in a private ceremony (by invitation only) hosted at New Dramatists.
Theatrical Agent Bret Adams and his partner Dr. Paul Reisch loved the theatre with great passion. As a theatrical agent, Bret shepherded the careers of many actors, writers and directors and designers, including Phylicia Rashad, Judy Kaye, Ruby Dee, Ossie Davis, Sherman Helmsley, Anna Maria Alberghetti, Eve Arden, Christine Ebersole, Kathleen Marshall, Jayne Wyman, Andre DeShields, Kathy Bates, Susan H. Schulman, Jack Heifner, Philip McKinley and Robert Harling, among many others. After Bret and Paul’s passing, in 2006 and 2015respectively, their eponymous foundation was created at their bequest. The Bret Adams and Paul Reisch Foundation champions visionary playwrights in their creation of expansive, illuminating, and idea-driven theatre. Embracing diversity in all its forms, The Foundation encourages artists with fresh perspectives – particularly those from underrepresented backgrounds – to create idea-driven new plays and musicals reflecting on multivalent themes including science, history, philosophy, gender, race, politics, sexual orientation, technology, religion, money, global warming, and medicine, among others. Nominations for all threeawards are accepted exclusively from The Foundation’s Board of Artistic Advisors. For more information, visit www.BretnPaulFoundation.org.
“The Bret Adams and Paul Reisch Foundation has created the ‘Idea Awards for Theatre’ to encourage expansive, idea-driven artworks with inherently theatrical ways of illuminating big ideas and concepts,” says Bruce Ostler, V.P. and Board Member of The Bret Adams and Paul Reisch Foundation. “With our financial awards, we are encouraging artists to grapple with and dramatize the big ideas that the world is engaged with. This money will give them needed time and space to explore and write. To that end, we have created three Idea Awards for Theatre, to celebrate pioneering theatrical artists of all stripes: the Ollie Award for the most ambitious big idea play, the Vivace Award for a big-idea musical that makes you want to get up and dance, and the Tooth of Time Award to encourage accomplished artists to continue their personal evolution in examining big ideas. We are giving these Awards to dare these writers to theatricalize something wild and brave.”
“Tina Howe and Adrienne Kennedy have blazed trails through the American theatre” says Andre Bishop, Artistic Director of Lincoln Center Theatre and Bret Adams and Paul Reisch Foundation Advisory Board member. “Their long careers and their distinguished body of work should and must be celebrated. The inaugural Tooth of Time Awards honor these two pioneering playwrights for their glorious pasts and we look forward to the work that lies ahead. We congratulate them and thank them.”
“Dave Harris, Kit Yan and Melissa Li are creating bold work that dares audiences to experience theatre from a new perspective,” says Kirsten Childs, Obie-winning musical theatre writer and BAPR Foundation Advisory Board member. “ We are all proud to celebrate the achievements, past and forthcoming, of these three extraordinary artists, and are thrilled to champion them as they create their most ambitious works yet.”
ABOUT THE 2019 IDEA AWARD FOR THEATRE RECIPIENTS
Tina Howe (2019 Tooth of Time Distinguished Career Award winner).Howe’s full-length plays include: The Nest, Birth and After Birth, Museum, The Art of Dining, Painting Churches, Coastal Disturbances, Approaching Zanzibar,One Shoe Off, Pride’s Crossing, Rembrandt’s Gift, Chasing Manet, and Singing Beach. These works premiered at the Public Theater, Second Stage, The Old Globe, Lincoln Center, The Actors Theater of Louisville, the Atlantic Theater Company, Primary Stages, and others. Among her many awards are an Obie for Distinguished playwriting, a Tony nomination for Best Play, an Outer Critics Circle Award, a Rockefeller grant, two N.EA fellowships, a Guggenheim, an American Academy of Arts and Letters Award in Literature, the Sidney Kingsley Award, the New York Drama Critics’ Circle Award, a Lucille Lortel Award, the William Inge Award for Distinguished Achievement in the American Theatre, a Lilly Award for Lifetime Achievement, a PEN Master American Playwright award, an Alfred Sloan Science Foundation award, two honorary degrees, and induction into the 2017 Theater Hall of Fame. She is a two-time finalist for the Pulitzer Prize in Drama and taught playwriting for close to forty years — first in the Department of Dramatic Writing at NYU, then as Visiting Professor at Hunter College since 1990, going on to launch the Rita and Burton Goldberg MFA in Playwriting in 2010, as Playwright-Residence.
Adrienne Kennedy (2019 Tooth of Time Distinguished Career Award winner) continues to influence the world through her art. She was the recipient of the 2003 Lifetime Achievement Award from the Anisfield-Wolf Book Awards, an Obie Award for Lifetime Achievement Award, the Lila Wallace—Reader’s Digest Writers’ Award, the American Academy of Arts and Letters in Literature Award, and was inducted into the Theatre Hall of Fame in 2018. She was also granted a Guggenheim Fellowship for Creative Writing, awarded the Pierre Lecomte du Novy Award, and ended her academic career teaching at Harvard. Kennedy was playwright-in-residence at the Signature Theatre in New York City during their 1996-1997 season. Her plays include Funnyhouse of a Negro, A Movie Star Has to Star in Black and White, He Brought Her Heart Back in a Box, A Rat’s Mass, Mom How Did You Meet the Beatles, adaptations of ElectraandOrestes, and Cities in Bezique, commissioned by Joe Papp for the second season of the Public Theater. Her career has made it possible for her to meet astounding people, which she dreamed of doing as a kid in Cleveland.
Dave Harris (2019 Ollie New Play Award winner)is a poet and playwright from West Philly. He is the Tow Playwright in Residence at Roundabout Theatre Company, a Cave Canem Poetry Fellow, and a Venturous Fellow at The Lark. His plays have been produced or developed at Actors Theatre of Louisville, Roundabout Underground, Manhattan Theater Club, Victory Gardens, The Kennedy Center, Oregon Shakespeare Festival, SPACE on Ryder Farm, The Ground Floor at Berkeley Rep, and Ojai Playwrights Conference amongst others. His play Everybody Blackwon the Kennedy Center’s Lorraine Hansberry Award and Mark Twain Award, and his play White Historywas a semi-finalist for The Relentless Award. His first full-length collection of poetry, Patricide, was published in May 2019 from Button Poetry. Dave received his B.A. from Yale and is a third year MFA playwright at UC San Diego.
Melissa Li (2019 Vivace Musical Theatre Award winner)is a composer, lyricist, performer, and writer based in New York and Baltimore. She is a recipient of the Jonathan Larson Award, a Dramatists Guild Foundation Fellow, a Macdowell Colony Fellow, a Lincoln Center Theater Writer-in-Residence, a Musical Theater Factory MAKER, and a former Queer|Art|Mentorship Fellow. Musicals include Interstate (2019 NAMT Festival Selection, 2018 New York Musical Festival Winner for “Outstanding Lyrics”), Surviving the Nian (The Theater Offensive, IRNE Award Winner for “Best New Play” 2007), and 99% Stone (The Theater Offensive). Her works have received support from The 5th Avenue Theatre, The Village Theater, Musical Theater Factory, National Performance Network, New England Foundation for the Arts, Mixed Blood Theater, Dixon Place, and others.
Kit Yan (2019 Vivace Musical Theatre Award winner)is a Yellow American New York based artist, born in Enping, China, and raised in the Kingdom of Hawaii. Kit is a Dramatists Guild Foundation Fellow, 2019 Lincoln Center Writer in residence, 2019 MacDowell Fellow, 2019-2020 Musical Theater Factory Makers Fellow, 2019-2020 Playwright’s Center Many Voices Fellow, and a 2019 NAMT selection for Interstate. Kit’s forthcoming works along with collaborator Melissa Li include a production of Interstateat Mixed Blood Theater in March 2020, as well as commissions from 5thAvenue Theater and Keen Company. Interstatewon 5 awards at the 2018 New York Musical Festival including Best Lyrics. Kit’s show Queer Heartachehas won 5 awards at the Chicago and SF Fringe Festivals. Their work has been produced by the American Repertory Theater, the Smithsonian, Musical Theater Factory, the New York Musical Festival, Diversionary Theater, and Dixon Place. They have been a resident with the Civilians, Mitten Lab, 5th Avenue Theater, and the Village Theater. In 2018 Kit founded Translab, an incubator for Transgender and Non-binary voices in the American Theater along with MJ Kaufman and supported by WP Theater and the Public Theater.
The Heart of Rock and Roll Meets The Press And Huey Lewis Sings For Me
Yesterday morning The Heart of Rock and Roll, the new musical based on the soundtrack of Heuy Lewis’s mega hits, met the press corp. In the opening address’s I learned that Heuy Lewis, is now deaf. In learning that, I wanted to know what soundtrack was now playing in his head. In getting to interview Mr. Lewis I was allowed one question and when I asked, not only did I learned the answer, I was sung to.
For this video, we started off with that interaction and segue into what happened earlier. With director Gordon Greenberg, introducing John Dossett, McKenzie Kurtz and the cast Josh Breckenridge, F. Michael Haynie, Zoe Jensen, Tamika Lawrence, Raymond J. Lee, John-Michael Lyles, Orville Mendoza, Billy Harrigan Tighe, Mike Baerga, Tommy Bracco, TyNia René Brandon, Olivia Cece, Taylor Marie Daniel, Lindsay Joan, Ross Lekites, Robin Masella, Kara Menendez, Joe Moeller, Jennifer Noble, Fredric Rodriguez Odgaard, Michael Olaribigbe, Kevin Pariseau, Robert Pendilla and Leah Read singing the title song The Heart of Rock and Roll.
The music supervision, arrangements, and orchestrations by Brian Usifer, musical direction by Will Van Dyke, and the innovative choreography by Lorin Latarro really stood out.
We then in this video interview director Gordon Greenberg, to learn more about what looks to be one fabulous show.
More tomorrow with Corey Cott and the cast and creatives.
The Heart of Rock and Roll, the new musical inspired by the iconic songs of Huey Lewis and The News, will open on Broadway at The James Earl Jones Theatre (138 W 48th St, New York, NY 10036) on Monday, April 22, 2024.
Video and picture by Magda Katz
Maria Friedman Wow’d in Legacy For Broadway Cares Equity Fights AIDS
Last night was a night to remember, when three-time Olivier-winning actor Maria Friedman, gave a one-night-only benefit concert at the Hudson Theatre. The concert served as a benefit for Broadway Cares, The Stephen Sondheim Foundation, and The Marvin Hamlisch International Music Awards. Friedman is currently represented at that theatre as the director of the current revival of Merrily We Roll Along.
This was the kind of night you pray about. It was an exquisite pleasure watching someone who understands lyric, musicality and how to keep an audience in the palm of their hand. The performance, titled Legacy: An Evening With Maria Friedman and Friends, focused on the works of Stephen Sondheim, Marvin Hamlisch, and Michel Legrand, as Ms Friedman personally and professional had close relationships with all three artists. Craig Horsley will be writing a review of this outstanding musical night of nirvana.
As I watch enrapt in this performance I remembered six years ago I interviewed Ms. Friedman and saw her sing the definitive “Losing My Mind” from Follies, prior to last night, so I went in search of this. We discussed her show which was about to play at 54 Below, which had played a sold-out London run earlier that year. The show explored the work of composer-lyricist Stephen Sondheim and composer Leonard Bernstein. We also talked about her staging of the U.S. premiere of her acclaimed 2012 London revival of Merrily We Roll Along which was currently at the Huntington in Boston, MA starring Eden Espinoza, Damian Humbley and Mark Umbers and a production of Bernstein’s Mass which she had hoped was coming soon.
Friedman made her Broadway debut in 2005 starring in Andrew Lloyd Webber’s The Woman in White, but she’s spent the majority of her stage career in London’s West End. Among her major roles there was Dot in the first London Sunday in the Park With George, Mary in Merrily We Roll Along, Fosca in Passion (Olivier Award), Sukie in The Witches of Eastwick, Roxie in Chicago, Mother in Ragtime (Olivier Award), Mrs. Lovett in Sweeney Todd, and Golde in Fiddler on the Roof. She also played the Narrator in the screen version of Joseph and the Amazing Technicolor Dreamcoat and Mother Abbess in the U.K.’s The Sound of Music Live!
Thank-you Ms Friedman for a night that will long stand in my memory.
Betty Buckley Has Created, Wrote and Narrated The Mayfly, An Animated Short Film
The Mayfly, Betty Buckley’s animated short film.
Tony Award-winning, stage and screen icon Betty Buckley has created, wrote and narrated The Mayfly, an animated short film that will have its world debut at the prestigious American Documentary and Animation Film Festival in Palm Springs, Calif. on March 24, 2024. Tickets are available to the public HERE.
Animated traditionally in 2D, The Mayfly is the story of Megalyn Mayfly, who goes against all expectations and dedicates her short life to music and dance. Her quest takes her from Central Park West to the Upper East Side’s Carlyle Hotel where she dances her final opus at the elegant Cafe Carlyle.
Inspired by a real event witnessed by Ms. Buckley at a Judy Collins concert at the Café Carlyle in New York City, The Mayflyis a love letter to music and New York City.
Ms. Buckley said, “What I observed was so lovely —a mayfly, dancing as if part of the show itself. I felt the mayfly’s dance was intentional. And from this experience, the story of Megalyn emerged. It’s a film that I hope encourages us to embrace our passions and break free from societal norms.”
The Mayfly is directed by four-time Emmy-nominee Sue Perrotto (Beavis and Butt-head Do America; Pooh’s Heffalump Movie, Daria). The music is composed by Grammy-nominated Christian Jacob (Clint Eastwood’s Sully and The 15:17 to Paris). BluBlu Studios is the animation house.
The creative team includes character designer Eugene Salandra, production designer Meryl Rosner and storyboard artist Viki Anderson. Produced by Melissa Coolidge and Bradford Coolidge. Buckley and Perrotto also serve as Executive Producers.
Betty Buckley is a legendary, multi-award winning actress/singer whose career spans theater, film, television and concert halls around the world. She is a 2012 Theatre Hall of Fame inductee and the 2017 recipient of the Julie Harris Awards from The Actor’s Fund for Artistic Achievement and received The Lifetime Achievement Award from The American Songbook Association in 2023.
Ms. Buckley co-stars in the film Imaginary for Blumhouse Productions to be released by Lionsgate March 8, 2024. She co-starred with James McAvoy in the M. Night Shyamalan hit film Split, one of the top international box office hits of 2017. She received a Saturn Award Nomination for Best Featured Actress for her work in the film.
She won a Tony Award for her performance as Grizabella, the Glamour Cat, in Andrew Lloyd Webber’s CATS and received her second Tony Award nomination for Best Actress in a musical for her performance as Hesione in Triumph of Love. She received an Olivier Award nomination for her critically acclaimed interpretation of Norma Desmond in the London production of Andrew Lloyd Webber’s Sunset Boulevard, which she repeated to more rave reviews on Broadway.
Her other films include her debut in Brian de Palma’s screen version of Stephen King’s Carrie, Bruce Beresford’s Tender Mercies, Roman Polanski’s Frantic, Woody Allen’s Another Woman, Lawrence Kasden’s Wyatt Earp and M. Night Shyamalan’s The Happening.
Her other Broadway credits include 1776, Pippin, Song and Dance, The Mystery of Edwin Drood and Carrie. She headlined the first National Tour of the new Broadway production of Hello, Dolly! in 2018/2019.
Off-Broadway credits include the world premiere of Horton Foote’s The Old Friends for which she received a Drama Desk Nomination in 2014, White Lies, Lincoln Center’s Elegies, the original NYSF production of The Mystery of Edwin Drood, The Eros Trilogy, Juno’s Swans and I’m Getting My Act Together and Taking It On the Road. Regional credits include The Perfectionist, Gypsy, The Threepenny Opera, Camino Real, Buffalo Gal, Arsenic and Old Lace, The Old Friends at Houston’s Alley Theatre and Grey Gardens at the Bay Street Theatre in Sag Harbor, NY and The Ahmanson Theater in Los Angeles in 2016 for which she received an Ovation Award Nomination.
In London, she starred in Promises, Promises for which she was nominated for An Evening Standard Award and in the 2013 British premiere of Dear World.
On television, Buckley has a recurring role on “Law & Order SVU” for NBC and guest starred on the Fox/Warner Bros. TV show “The Cleaning Lady.” She co-starred in the third season of AMC’s hit series “Preacher” and has guest starred on The CW hit “Supergirl”, the NBC Series “Chicago Med” and ABC Family’s “Pretty Little Liars.” For HBO, she has appeared on “Getting On”, “The Leftovers”, “The Pacific” and for three seasons on OZ. She starred as Abby Bradford in the hit series “Eight is Enough.” She appeared twice on The Kennedy Center Honors and was a guest star in numerous television series, miniseries and films for television including Evergreen, Roses for the Rich and Without a Trace. She has been nominated for two Daytime Emmy Awards® for her work on Taking a Stand, an After School special.
In 2022, she released the compilation recording Betty Buckley Sings Stephen Sondheim as a tribute to the late composer. The recording comprises 24 songs Buckley has recorded of Sondheim’s music over the span of her career. She has recorded 18 CD’s: including Ghostlight, produced by T Bone Burnett released in 2014, Story Songs in 2017 and Hope in 2018. Buckley tours in concert worldwide with her ensemble of musicians and in 2015 was featured in the Royal Albert Hall concert of Follies, in celebration of Stephen Sondheim’s 85th birthday.
She received a Grammy Nomination for Stars and the Moon, Betty Buckley Live at the Donmar. She received her second Grammy Nomination for the audio book The Diaries of Adam and Eve.
For over forty years, Ms. Buckley has been a teacher of scene study and song interpretation, giving workshops in Manhattan and various universities and performing Arts Conservatories around the country. She has been a faculty member in the theatre department of the University of Texas at Arlington and teaches regularly at the T. Schreiber Studio in New York City, The Modern Art Museum of Fort Worth, TX and in Los Angeles, Denver and Oklahoma.
In 2009, Ms. Buckley received the Texas Medal of Arts Award for Theater and was inducted into the Texas Film Hall of Fame in 2007. In 2015, she was awarded The Stephen Bruton Award by The Lone Star Film Festival for her work in film and music. In 2018, she received the Sarah Siddons Award for outstanding theatrical performance in a Chicago theatrical production. She has two honorary doctorates from The Boston Conservatory and Marymount College and has been honored with three Lifetime Achievement Awards for her contributions to theater from the New England Theater Conference, The Shubert Theater in New Haven and the Terry Schreiber School in NYC.
The Glorious Corner
TRUMAN’S SWANS — I only know Ryan Murphy by reputation. He’s been the flavor-of-Hollywood for quite some time now; yet a devil-may-care attitude persists in his CV. I loved his Nip/Tuck which just defied expectations on every level; terrific acting from Dylan Walsh and Julian McMahon, and just the wildest plots I’ve ever seen.
From there Hollywood started throwing money at him left and right; American Horror Story and Hollywood (with Jim Parsons) followed. Also, the anthology series-Feud which began with the “feud” between Joan Crawford and Bette Davis and was succinctly thrilling.
Now, Feud is chronicling Truman Capote and his “feud” with his Swans; featuring mainly a terrific performance by Noami Watts as Babe Paley. Calista Flockhart; a devilish-Diane Lane and Chloe Sevigny are also there as the other swans. Director Gus Van Sant (Drugstore Cowboy) directed several episodes and it is, without a doubt, the best thing Murphy has done and I’ve seen in quote some time.
One episode is entirely shot in black-and-white, a risky-gamble for anyone … but, it pays off handsomely.
Tom Hollander as Capote is simply off the charts and is, I believe, one of the best performances I’ve ever seen.As a young writer, there were two writers I was absolutely captivated with: Dominick Dunne and Capote. Dunne I met and he was everything I hoped him to be, Capote, never. The Swans is a long, long story and I urge you to look further into it. Capote, truly self-destructive, became an appendage of them all and they all told him everything, some of which he wrote about is Esquire (La Cote Basqu”-1965) exposing their innermost secrets and thereby severing the relationship.
Just a brilliant, brilliant series, Murphy’s crowning touch.
SHORT TAKES — In my final few weeks working from home, I finally dialed up ROKU’s Yacht Rock station after initially being somewhat repelled by the term. Turns out, it really means soft rock and I’ve heard everything from Hall & Oates to the Sanford Townsend Band (big favorite) and lots of Steve Winwood; Eagles; Al Stewart; and Chicago.
Not bad actually. Guess I really am old … Micky Dolenz does an interview with NPR’s Lillian Galvez today and BreakfastWith The Beatles’ Chris Carter on March 31 before his show at LA’s Troubadour on April 5 … The Rascals people Got To Be Free tour at the Patchogue Theater on April 26; Keswick Theater on April 27; and SONY Hall in NYC on May 17 …
James Gunn’s Superman: Legacy movie has been re-named Superman; and has cast Wendell Pierce (The Wire; Tom Clancy’s Jack Ryan) as Perry White. And remember, Rachel Brosnahan is Lois Lane! … Keith Richards singing Lou Reed’s immortal classic “I’m Waiting For The Man” is so excellent. Take a look: https://variety.com/2024/music/news/keith-richards-covers-waiting-for-the-man-lou-reed-tribute-1235927738/
The track appears on a Lou Reed tribute album that also features Angel Olsen, Lucinda Williams, Joan Jett and the Blackhearts, Rufus Wainwright, Rickie Lee Jones, Rosanne Cash and others. It arrives April 19 — with a special Record Store Day edition arriving the following day — on Seattle’s indie Light in the Attic Records (which was chosen by the late artist’s estate to handle his reissues and got a Grammy nomination for the “Words & Music: May, 1965” album). Booklet features liner notes by compilation producer & former Lou Reed publicist Bill Bentley, featuring photos by Mick Rock and Timothy Greenfield-Sanders. Said Richards: “To me, Lou stood out. The real deal! Something important to American music and to ALL MUSIC! I miss him and his dog” …
SIGHTING: Micky Dolenz and Alison Martino at the Catalina Jazz Club watching Jimmy Webb … And, we watched the awesome Jeffrey Wright in American Fiction and loved it until the end. It’s almost as if writer/director Cord Jefferson couldn’t figure the right ending, so he portrayed three. Pretty weird for sure, but a staggeringly excellent performance by Wright, Erika Anderson and Sterling K. Brown.
NAMES IN THE NEWS — Nancy Jeffries; George Michael; Helene Blue; Monica Lynch; Thomas Silverman; Tom & Lisa Cuddy; Alexa Blake; Joe Bonadonna; Andrew Sandoval; Race Taylor; Scott Shannon; Dan Ingram; Bruce Morrow; Wolfman Jack; William Schill; Ed Steinberg; Chris Carter; and CHIP!
Live From The Hotel Edison Times Square Chronicles Presents Classical/Rock Violinist Daisy Jopling
“Live From The Hotel Edison Times Square Chronicles Presents ”, is a new show that is filmed live every Wednesday from 5 – 6 in the lobby of the iconic Hotel Edison, before a live audience. To see our first episode click here second episode click here and for our third episode click here.
You can also see us on
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