Connect with us

Entertainment

3 Things to Look Out for When Choosing a Psychic

Published

on

If you’re looking for a psychic in Toronto, you have more than a few you can choose from. But how do you sift through all the psychics available and sort the frauds from the psychics who can really help you? There are a lot of skeptics out there. Part of the reason skeptics exist is because there are frauds out there who are just looking to get your money. If you want a psychic you can trust, here are three important things to look out for. 

Check Their Reputation

These days, we check reputations for everything. We don’t just ask our friends their opinion on local optometrists: We check Yelp to decide where to get the best coffee. Deciding on a professional psychic should be done with no less care. Ask around to see if any of your friends have spoken to psychics in the area and see what they have to say about the psychics they have seen. Check the psychic’s website, if they have one, for reviews. Google their name, and look for them on Facebook. All of these things can help you get a feel for the psychic’s reputation before you ever talk to them. 

Keep in mind that all professionals have unhappy customers. The goal is to look at the trend of what the majority of clients are saying about a psychic. If even the good reviews mention the psychic is sometimes late for sessions, you know tardiness isn’t one of their priorities. If it is one of your priorities, that’s probably not the psychic for you. 

Check Their Prices

Legitimate psychics see their work as both their business and their calling. For that reason, while they have competitive prices, they don’t have astronomical prices. Shop around and see what psychics are charging in your area. Pricing is typically done on a bell curve. Psychics on either end of the bell curve can probably be checked off of your list. 

Why? Psychics who charge too much are just in this for the money. That’s where you’ll see a lot of your scam artists, as well as psychics who are in it to drain you of your positive energy. Psychics who don’t charge enough, on the other hand, are charging lower prices for a reason. Either they lack experience or customers have had poor experiences with them. In either case, you want to stay clear. 

Check in With Yourself

Your own energy and feelings about a psychic is often a great way to judge them. If you visit a psychic and feel uncomfortable, you can cross them off your list. Visiting a psychic should feel like visiting a close friend, even if you’ve never met them before. Their environment should make you feel comfortable and at peace. Talking to them should feel like talking to a twin of the soul: they should be so in tune with you and your energy that it feels as if they could finish your sentences. 

You should also check in with yourself after a professional psychic reading to see how you feel. A good psychic will leave you with positive energy and hope for the future. If you leave a psychic feeling more tired than when you went in, they may be feeding off of your energy to help themselves rather than helping you. 

Psychics also shouldn’t give you the feeling that they’re the only ones who can help you. Psychics who talk poorly about others in their field or discourage you from seeking other types of treatment, such as therapy, are contributing to the negative energy in the universe. These psychics care more about padding their pockets than about helping you, and aren’t worth your time. 

There are a lot of good psychics in the world. Unfortunately, there are also a lot of scam artists disguised as psychics. Telling the difference between the two can feel impossible, but a little investigative work and listening to your own gut can spell the difference between finding the right psychic for you and wasting your money. 

It’s important to find a psychic you’re comfortable with. Your relationship with your psychic should be close-knit. You should be able to divulge your hopes and dreams to your psychic, and they should help you use the energy around you to achieve those hopes and dreams. If you feel uncomfortable with your psychic or out-of-sync, it’s important to listen to and explore those feelings. Your instincts are usually right! 

Events

TODAY Show Celebrates 30 Years With Its 2024 Citi Concert Series

Published

on

The TODAY Show is celebrating 30 years so its 2024 Citi Concert Series lineup is pretty spectacular. Rockefeller Plaza will have country music with Wallows kicking things off. Chris Stapleton, Lainey Wilson and Thomas Rhett, as well as fan favorites Meghan Trainor, LL COOL J and Chance the Rapper.

Mark Your calendars:

May

Friday, May 24 — Wallows *Register for a Fan Pass

Friday, May 31 — Anitta *Register for a Fan Pass

June

Friday, June 7 — Meghan Trainor *Register for a Fan Pass

Friday, June 21 — Kehlani *Register for a Fan Pass

Tuesday, June 25 — Lainey Wilson *Register for a Fan Pass

Friday, June 28 — Gracie Abrams *Register for a Fan Pass

July

Thursday, July 4 — Bleachers *Register for a Fan Pass

Friday, July 12 — Rauw Alejandro *Register for a Fan Pass

August

Friday, Aug. 9 — Maggie Rogers *Register for a Fan Pass

Monday, Aug. 12 — Little Big Town and Sugarland *Register for a Fan Pass

Friday, Aug. 16 — Chance the Rapper *Register for a Fan Pass

Friday, Aug. 23 — Thomas Rhett *Register for a Fan Pass

September

Friday, Sept. 27 — Chris Stapleton *Register for a Fan Pass

Date to be announced 

LL COOL J *Check back for Fan Passes

TODAY concerts are free and open to the public. The shows take place on the TODAY Plaza in Rockefeller Center, located at 48th Street, between 5th and 6th Avenues, in New York City.

The closest subway stop to our TODAY Plaza concerts is the 47th — 50th Streets — Rockefeller Center station on the B, D, F, M trains. 24/7 parking is also available nearby at the Rockefeller Center Parking Garage at 53 West 48th Street. The garage is operated 24/7 and accepts reservations in advance. Hourly and daily parking rates apply.

Fan Passes are limited and available by advance request. Guests who receive them will be notified by email before the scheduled concert date.

Guests who do not obtain a Fan Pass can still attend the General Admission line the morning of the concert, and those fans will be let in if space allows. Other answers to commonly asked questions about the series can be found here.

Continue Reading

Out of Town

Crow’s/Obsidian Theatre Company’s “seven methods of killing kylie jenner” Kills It, Elevating the Dissertation with a Precise Brilliance

Published

on

By

Dragging their baggage in with a determined force, these two, dressed in fake fur and leather, enter the space at Crow’s Theatre with manic laughter and a forceful narrative. Sharply and expertly written by British playwright, Jasmine Lee-Jones (Curious), the play dives in with a tightness and fortitude that elevates and enlightens the darkness of its exploration. With a hypnotic frustrated energy, the play masterfully rolls out the seven methods of killing kylie jenner without missing a beat, unpacking the intricate exploration of cultural appropriation and queerness with a sharp precision. Delivered in a modern vernacular that excites, it circles around its formula with a careful carefree existentialism, becoming deeply entwined in the pervasive influence of social media and celebrity culture that can do mental damage to those around them, especially in the arena of the ownership of black bodies online and IRL, as well as the connecting energy and complication of female friendships.

Déjah Dixon-Green in Crow’s/Obsidian Theatre’s seven methods for killing kylie jenner. Photo by Dahlia Katz.

It’s completely hyper-engrossing and thrilling, giving power back provocatively to our heroine, Cleo, dynamically portrayed by Déjah Dixon-Green (Stratford’s Much Ado About Nothing), a young black woman who, after a confessional breakup with her cheating boyfriend, expresses her fevered frustration and anger via Twitter using the profile name @INCOGNEGRO. She dives in with gusto, flying into the fray with an aggressive rage that rarely fizzles. The play unwraps the seven methods in a layered unhurried manner, giving space and time to the framework, while also delivering engagement energy to her forever friend, Kara, fascinatingly well-played by Jasmine Case (Tarragon’s Black Girl in Search Of..), a queer person who has lots to say, both positive and negative, about Cleo’s unpacking online.

Dixon-Green is solid and on point throughout, with Case finding engagement at every turn somewhat brilliantly, and together, they excel in every way possible, finding attunement and synchronized energy throughout. Veering somewhere between real life and the virtual space, the play, as directed with exacting intent by Jay Northcott (Tarragon’s A Poem for Rabia), spirals in a rich media space, focusing its lasers on the framework that the born-wealthy media personality, Kylie Jenner, can call herself “self-made“, basking in the positive warm glow of what that label means to a woman like her, and how it can be felt by a woman like Cleo. The unwrapping is expertly intricate and verbally captivating, forcing us to dive in with these two and pay close-close attention to this vivid exploration of Blackness, queerness, and the way the online world can spiral one way and then another in an instantaneous flash of engagement and brutality.

You think you’re funny, don’t you?” as her tweets spiral into the abstract world of death threats and verbal violence enlightening the space, designed with inventive flair by set designer, Nick Blais (Factory’s Trojan Girls…), with well-formulated video graphics, designed by Laura Warren (Outside the March’s No Save Points), helping guide us through the dynamic experimental argument that expands the needed structure addressed. Jones’ dialogue radiates quick, sharp, clever constructs, expanded in thought, and reduced to a parade of letters in caps most brilliantly. The sexual undercurrents are both hilarious and brazen, giving us ample reason to connect as she fastidiously piles up all the injustices against Black women that are woven into the wording of this expert play, and we find ourselves forever invested in her outcome and ultimate safety.

Jasmine Case and Déjah Dixon-Green in Crow’s/Obsidian Theatre’s seven methods for killing kylie jenner. Photo by Dahlia Katz

Steeped in the language of internet culture, assisted strongly by the sound design of Maddie Bautista (Stratford’s Les Belles-Soeurs), straightforward lighting by Christopher-Elizabeth (CS/Bluebird’s Maanomaa, My Brother), and precise costuming by Des’ree Gray (Coal Mine’s Appropriate), the delivery and online reaction to Cleo’s escalation pushes the agenda outward and upward. Embodying numerous online characters, the two flawless performers combine as an exacting unified force, showcasing Cleo’s viral methods for murder and the resulting pushback from the unseen faceless community that has a lot to say about her tweets. The recitation and debate are raw and deliberate, finding truths and the complicated echoings of racism and rape threats that are honestly horrifying and troubling. It’s a terrifying landscape, displaying the vile and horridness of the internet culture that we all play a part in, either as an active participant or abject denier.

Cleo’s tweets and dissertation gain momentum and the back-and-forth conversation becomes more drenched in blocked anger and hurt, with the two reclaiming their time when needed, as they navigate the difficult cloud space filled with personal dredged-up resentment and smoky spaces of connectivity. Demanding to be heard, yet also needing to find the empathy to apologize when required, these two friends work hard inside the vividness of this captivating play so they don’t get swallowed up whole by the racist violence of the world, even as Cleo vocalizes the seven methods of killing kylie jenner one after the other. Its high-minded viewpoint is crystal clear, and delivered with an expertise that is both thrilling and epic, finding inventive casualness in its meticulous unified delivery.

Gripping tight to our emotional attention with a brilliant determination by writer Jones, the play, while feeling a bit trapped by the body bag hidden in the back, seven methods of killing kylie jenner, produced by Obsidian Theatre in association with Crow’s Theatre, Toronto, finds its sharpness and quick wit in the end, reinventing the meta imaginative exit with the weight of history and cleverness. “What are you going to do now?“, they ask. Well…., I’m going to tell you all that this play is something to engage with, learn from, and completely celebrate, but more importantly, I’m going to tell you to get your tickets and dive into this inventive striking new play without delay or hesitation.

Déjah Dixon-Green in Crow’s/Obsidian Theatre’s seven methods for killing kylie jenner. Photo by Dahlia Katz.

Crow’s/Obsidian Theatre Company’s seven methods of killing kylie jenner. For tickets and more information, click here.

For more go to frontmezzjunkies.com

Continue Reading

Celebrity

The Glorious Corner

Published

on

G.H. Harding

RASCALS AT SONY HALL — The Rascals long-awaited return to NYC proved to be a sensational evening of music. Their 16-song set, backed up by a terrific band -including bassist John Billings from Micky Dolenz’s band- was rocking from the start with their “Do You Feel It” and “”Beautiful Morning.” Felix Cavaliere’s vibrant vocals were just a joy. Face it, for people of a certain age, we grew up with this voice … just magical.

Micky Dolenz

Their cover of the Jackie Wilson-chestnut “(Your Love Keeps Lifting Me) High” set the SRO crowd afire.

Felix then brought his daughter Aria out for two selections. Clearly, she’s inherited by father’s dynamic vocal prowess. She was just terrific and a nice surprise.

Cavaliere then brought out guitarist Gene Cornish who was just wonderful. Gene has had some health issues, but his presence brought the show to a magnificent high-point.

Oddly, there was no mention of the rumored “My Hawaii” from Cavaliere with vocals from Dolly Parton. He mentioned it in a recent interview with Medium, but was mum about it on last Monday’s WOR-interview with Len Berman and Michael Riedel. I hear that the release has been held up several times. Sad … can’t wait to hear it.

The show ended with their signature classics “I’ve Been Lonely Too Long,” “How Can I Be Sure,” “People Got To Be Free” and Good Lovin’.” The Rascals’ music is ingrained and it was a joy to hear it once again. Truth be told, it sounded better than ever!

Seated in a corner booth by the stage was none other than Bill Murray – a huge fan. Great night sensational set. Also, there were Rascals-PR man David Salidor; Dan Zelinski; Billy Amendola; Magda Katz from Times Square Chronicles; and Susan Nuzzi Russo. Thanks to SONY Hall’s Peter Abraham for his assistance.

David Sanborn

DAVID SANBORN — We don’t usually re-print tributes, but this, from David Sanborn’s wife Alice Soyer was so heartfelt.  Take a read:

Dave, my love, my warrior, my soulmate, my unique bird, my everything. I cannot believe what I’m writing right now but what I know is that you changed my life, because of you I know what true love is, I had and have it all. I have it all. Although I’m going to miss you every single minute of my life, I know that the pain you were enduring was not right, those pains are now released and you are completely free. You are and will be in every note, in every breath, in every sound that touches the soul, in every sun beam, in every cloud, in every beat of my heart. Dave you are an inspiration. Your courage to be yourself, to reveal this true voice screaming from inside, oh my love you are a true warrior, a pure artist, an extraordinary being.I will honor you every step on the way, I will represent you, us. I love you madly.

Dave forever

Don Grolnick

SHORT TAKES — First off, I left off one very important member when I referenced The Brecker Brothers last time: keyboardist-genius Don Grolnick: terrifically talented and much-missed …

George Harrison

One of the best parts of watching Let It Be(again!) was seeing John & Yoko dancing to George Harrison’s stunningly-beautiful “I Me Mine.” Awesome…  From Roger Friedman’s SHOWBIZ 411:Barbra Streisand just released a new a beautiful new single called “Love Will Survive,” for the closing credits of the upcoming series “The Tattooist of Auschwitz.” It’s maybe Streisand’s best new vocal in years thanks to producers Walter Afanasieff (Mariah Carey’s classics) and Peter Asher (Linda Ronstadt, James Taylor classics). So now I’m told Streisand has booked the producing duo for her next album of duets. Barbra has a couple of these under her belt over her six decade career. But this one sounds like a powerhouse … Great interview with Micky Dolenz in advance of his Surf Ballroom show Friday in Clear Lake, Iowa: https://littlevillagemag.com/monkee-micky-dolenz-surf-ballroom/?fbclid=IwAR2jXAYYYCJ_19ovY4yT8DU8OfdaTU-GYdYhXahF-rvYj3yERRW_K5MmgrI

Francis Ford Coppola

With this year’s Cannes  Film Festival underway, the first big movie screened was Francis Ford Coppola’s Megalopolis and it generated some of the craziest reviews I’ve ever seen.

Mostly positive. Coppola’s a genius, so you know to expect the unexpected. I think my favorite was from the UK’s Daily Telegraph which gave the movie four stars, saying, “Coppola’s latest is like Succession crossed with Batman Forever and a lava lamp… Aubrey Plaza is fantastic in this full-body sensory bath movie which follows a struggle for power among the elites of New Rome.” Me? I can’t wait to see it. The guy’s a bloody genius … 17-year-old wunderkind Kjersti Long -co writer of Vanessa Williams’ current return to music “Legs (Keep Dancing)”- heads to NYC for the Tribeca Festival in 2 weeks … And Apple TV’s Sugar -with Colin Farrell- ended its run. The first few episodes were great; very LA Confidential, but then, it turned into a sci-fi adventure. Odd? You bet. The ending left room for a second season, but I highly doubt it. Farell was great, but the topsy-turvy plot twist was brutal.

NAMES IN THE NEWS — August Darnell; Coati Mundi; Jeff Vogel; Kent Kotal; Bruce Grakal; Ringo Starr; Danny Fried; China Club; Tony King; Peter Brown; Mark Bego; Kent & Laura Denmark Tom & Lisa Cuddy; Peter Abraham; Peter Lubin; Steve Plotnicki; Profile Records; Joe Cocker; Lush Ice; Anthony Pomes; Terry Jastrow; and BELLA!

Continue Reading

Events

Rockers On The Rise With Love

Published

on

A special celebration titled Rockers On The Rise With Love took place on Sunday, May 12, 2024 at 6 p.m. at The Cutting Room, featuring some of the most talented young performers of the next generation.

Rockers on the Rise that includes-Sylvia Smith, Nick Allen, Audrey Simone Winters, Gus Schonfeld, Avery Rehl, Melanie Correa, Claudia Fabella, GG Roberts-Nguyen, Jackson Pressier, Reese Rehl, Isabelle Gottfried, Matteo Russo and Tyson Gottfried

The performers included the graduating high school seniors, class of 2024

Isabelle Gottfried

Isabelle Gottfried

 

Avery Rehl

Avery Rehl

Matteo Russo

Matteo Russo (The Many Saints Of Newark)

Sylvia Smith

Sylvia Smith; and other young rockers

Nick Allen

Nick Allen

Claudia Fabella and her mother

Claudia Fabella

GG Roberts-Nguyen

GG Roberts-Nguyen

Tyson Gottfried

Tyson Gottfried

Jackson Pressier

Jackson Preisser

Gus Schonfeld

Gus Schonfeld

Jurnee Swan

Jurnee Swan (The Piano Lesson)

Audrey Simone Winters

Audrey Simone Winters (The Sound Of Music (tour).

Donnie Kehr and Cori Gardner join with Sylvia Smith, Avery Rehl, Isabelle Gottfried and Matteo Russo

Reese Rehl, Scott Rehl and Avery Rehl

The Band-Gerard Canonico, Gary Bristol, Logan Medland and Steve Gibb

Donnie Kehr and Jeremey Schonfeld with the band Gerard Canonico, Gary Bristol, Logan Medland and Steve Gibb

The creative team was led by director Kehr; Executive Producer Cori Gardner; with music direction by Logan Medland (A Bronx Tale)

Reese Rehl and Avery Rehl

and with student executive producing by Avery Rehl, The band includes Gerard Canonico on drums (Almost Famous), Gary Bristol on bass (Glory Days), and Steve Gibb on guitar (Jersey Boys)

Gus Schonfeld and Jeremy Schonfeld

Special guest Jeremy Schonfeld (Drift) will join a special performance with his daughter Gus.

Claudia Fabella

Isabelle Gottfried, Avery Rehl, Sylvia Smith and Matteo Russo

Avery Rehl

Reese Rehl

Gus Schonfeld\

Jackson Preisser

GG Roberts-Nguyen

Isabelle Gottfried

Nick Allen

Matteo Russo and Sylvia Smith

Jackson Preisser

Jurnee Swan

Jurnee Swan

Avery Rehl and Donnie Kehr

Donnie Kehr

Nick Allen

The entire cast that includes-Isabelle Gottfried, Avery Rehl, Matteo Russo, Sylvia Smith, Nick Allen, Melanie Correa, Claudia Fabella, GG Roberts-Nguyen, Tyson Gottfried, Jackson Preisser, Reese Rehl, Gus Schonfeld, Jurnee Swan and Audrey Simone Winters

The entire cast that includes-Isabelle Gottfried, Avery Rehl, Matteo Russo, Sylvia Smith, Nick Allen, Melanie Correa, Claudia Fabella, GG Roberts-Nguyen, Tyson Gottfried, Jackson Preisser, Reese Rehl, Gus Schonfeld, Jurnee Swan and Audrey Simone Winters

Rockers On The Rise is The PATH Fund’s new mentorship initiative that enables young artists to audition, perform, direct and produce their own shows. With personalized mentoring and hands-on training to gain real-world experience, this new initiative builds tomorrow’s audience today.

Melanie Correa

 

Gus Schonfeld and Alexandra Schonfeld

Matt Lange and Avery Rehl

Reese Rehl

Jackson Pressier and Reese Rehl

 

 

Continue Reading

Film

Ken Fallin’s Broadway: Amy Winehouse

Published

on

Back to Black is a biopic based on the life of British singer-songwriter Amy Winehouse, played by Marisa Abela. Directed by Sam Taylor-Johnson and written by Matt Greenhalgh, the film also stars Jack O’Connell, Eddie Marsan, and Lesley Manville.

After the death of Winehouse in 2011, filmmakers attempted to create a feature biopic with various projects. In October 2018, it was announced that Winehouse’s estate had signed a deal to make a biopic about her life and career. In July 2022, Deadline Hollywood reported that StudioCanal was moving forward with a feature film entitled Back to Black. Sam Taylor-Johnson directed from a script by Matt Greenhalgh. Alison Owen and Debra Hayward produced under their Monumental Pictures banner, alongside Nicky Kentish-Barnes.

The film was released theatrically in Australia in April 2024, and was released in the United Kingdom shortly after. Focus Features released the film in the United States on May 17 2024.

Continue Reading

Trending

Copyright © 2023 Times Square Chronicles

Times Square Chronicles