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3 Things to Look Out for When Choosing a Psychic

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If you’re looking for a psychic in Toronto, you have more than a few you can choose from. But how do you sift through all the psychics available and sort the frauds from the psychics who can really help you? There are a lot of skeptics out there. Part of the reason skeptics exist is because there are frauds out there who are just looking to get your money. If you want a psychic you can trust, here are three important things to look out for. 

Check Their Reputation

These days, we check reputations for everything. We don’t just ask our friends their opinion on local optometrists: We check Yelp to decide where to get the best coffee. Deciding on a professional psychic should be done with no less care. Ask around to see if any of your friends have spoken to psychics in the area and see what they have to say about the psychics they have seen. Check the psychic’s website, if they have one, for reviews. Google their name, and look for them on Facebook. All of these things can help you get a feel for the psychic’s reputation before you ever talk to them. 

Keep in mind that all professionals have unhappy customers. The goal is to look at the trend of what the majority of clients are saying about a psychic. If even the good reviews mention the psychic is sometimes late for sessions, you know tardiness isn’t one of their priorities. If it is one of your priorities, that’s probably not the psychic for you. 

Check Their Prices

Legitimate psychics see their work as both their business and their calling. For that reason, while they have competitive prices, they don’t have astronomical prices. Shop around and see what psychics are charging in your area. Pricing is typically done on a bell curve. Psychics on either end of the bell curve can probably be checked off of your list. 

Why? Psychics who charge too much are just in this for the money. That’s where you’ll see a lot of your scam artists, as well as psychics who are in it to drain you of your positive energy. Psychics who don’t charge enough, on the other hand, are charging lower prices for a reason. Either they lack experience or customers have had poor experiences with them. In either case, you want to stay clear. 

Check in With Yourself

Your own energy and feelings about a psychic is often a great way to judge them. If you visit a psychic and feel uncomfortable, you can cross them off your list. Visiting a psychic should feel like visiting a close friend, even if you’ve never met them before. Their environment should make you feel comfortable and at peace. Talking to them should feel like talking to a twin of the soul: they should be so in tune with you and your energy that it feels as if they could finish your sentences. 

You should also check in with yourself after a professional psychic reading to see how you feel. A good psychic will leave you with positive energy and hope for the future. If you leave a psychic feeling more tired than when you went in, they may be feeding off of your energy to help themselves rather than helping you. 

Psychics also shouldn’t give you the feeling that they’re the only ones who can help you. Psychics who talk poorly about others in their field or discourage you from seeking other types of treatment, such as therapy, are contributing to the negative energy in the universe. These psychics care more about padding their pockets than about helping you, and aren’t worth your time. 

There are a lot of good psychics in the world. Unfortunately, there are also a lot of scam artists disguised as psychics. Telling the difference between the two can feel impossible, but a little investigative work and listening to your own gut can spell the difference between finding the right psychic for you and wasting your money. 

It’s important to find a psychic you’re comfortable with. Your relationship with your psychic should be close-knit. You should be able to divulge your hopes and dreams to your psychic, and they should help you use the energy around you to achieve those hopes and dreams. If you feel uncomfortable with your psychic or out-of-sync, it’s important to listen to and explore those feelings. Your instincts are usually right! 

Broadway

And The Winners of The 2023 Drama Desk Awards Are ………

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The 2023 67th Drama Desk Awards, honoring artistic excellence on Broadway, Off-Broadway and Off-Off-Broadway, will take place on June 6 at Sardi’s Restaurant. Today the winners were announced.

Outstanding Play: “Leopoldstadt,” by Tom Stoppard

Outstanding Musical: “Some Like it Hot”

Outstanding Revival of a Play: “The Piano Lesson”

Outstanding Revival of a Musical: “Parade”

Outstanding Lead Performance in a Play: Jessica Chastain, “A Doll’s House” and Sean Hayes, “Good Night, Oscar”

Outstanding Lead Performance in a Musical: Annaleigh Ashford, “Sweeney Todd”
and J. Harrison Ghee, “Some Like it Hot”

Outstanding Featured Performance in a Play: Miriam Silverman, “The Sign in Sidney Brustein’s Window,” Brooklyn Academy of Music and Brandon Uranowitz, “Leopoldstadt”

Outstanding Featured Performance in a Musical: Kevin Del Aguila, “Some Like it Hot” and Alex Newell, “Shucked”

Outstanding Direction of a Play: Max Webster, “Life of Pi”

Outstanding Direction of a Musical: Thomas Kail, “Sweeney Todd”

Outstanding Choreography: Casey Nicholaw, “Some Like it Hot”

Outstanding Music: Brandy Clark and Shane McAnally, “Shucked”

Outstanding Lyrics: Scott Wittman and Marc Shaiman, “Some Like it Hot”

Outstanding Book of a Musical: Matthew López and Amber Ruffin, “Some Like it Hot”

Outstanding Orchestrations: Charlie Rosen and Bryan Carter, “Some Like it Hot”

Outstanding Music in a Play: Suzan-Lori Parks, “Plays for the Plague Year,” The Public Theater

Outstanding Scenic Design of a Play: Tim Hatley, “Life of Pi”

Outstanding Scenic Design of a Musical: Beowulf Boritt, “New York, New York”

Outstanding Costume Design of a Play: Emilio Sosa, “Ain’t No Mo’”

Outstanding Costume Design of a Musical: Gregg Barnes, “Some Like it Hot”

Outstanding Lighting Design of a Play: Natasha Chivers and Willie Williams (video), “Prima Facie”

Outstanding Lighting Design of a Musical: Natasha Katz, “Sweeney Todd”

Outstanding Projection and Video Design: Andrzej Goulding, “Life of Pi”

Outstanding Sound Design of a Play: Ben & Max Ringham, “A Doll’s House”

Outstanding Sound Design of a Musical: Scott Lehrer and Alex Neumann, “Into the Woods”

Outstanding Wig and Hair: Mia M. Neal, “Ain’t No Mo’”

Outstanding Solo Performance: Jodie Comer, “Prima Facie”

Unique Theatrical Experience: “Peter Pan Goes Wrong”

Outstanding Fight Choreography: B.H. Barry, “Camelot”

Outstanding Adaptation: “A Doll’s House,” by Amy Herzog

Outstanding Puppetry: Nick Barnes and Finn Caldwell, “Life of Pi”

Shows with multiple wins

Some Like It Hot: 8

Life of Pi: 4

A Doll’s House: 3

Sweeney Todd: 3

Ain’t No Mo’: 2

Leopoldstadt: 2

Prima Facie: 2

Shucked: 2

Special Awards

Harold Prince Lifetime Achievement Award

Stephen McKinley Henderson has been bringing in-depth, gripping portrayals of memorable characters to the stage for over four decades. With his return to Broadway this season as Pops in “Between Riverside and Crazy,” which the Drama Desk previously nominated in 2015, this year’s Harold Prince Lifetime Achievement Award marks Henderson’s role in this powerful production as a celebration of his brilliant career.

Ensemble Award

The cast of Soho Rep’s “Public Obscenities” – Tashnuva Anan, Abrar Haque, Golam Sarwar Harun, Gargi Mukherjee, NaFis, Jakeem Dante Powell, and Debashis Roy Chowdhury – embodied the transnational world of Shayok Misha Chowdhury’s bilingual play with memorable authenticity, remarkable specificity, and extraordinary warmth.

Sam Norkin Off-Broadway Award

From his standout performance in american (tele)visions, to writing and performing the autobiographical “Dark Disabled Stories,” Ryan J. Haddad’s work this season has expanded on and interrogated what the idea of “accessibility” really means. Whether riding a shopping cart like a throne, or relating his experiences on a “gay, pink bus,” Haddad shared with audiences an unabashed queer fabulosity that was both unforgettable and deeply human.

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Broadway

Ken Fallin’s Broadway: Remembering Angela Lansbury in Sweeney Todd

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On Sunday look for a brand new charcuterie of Josh Groban and Annaleigh Ashford in Sweeney Todd..  I loved the new production, and it’s two leads.

I saw the original with Angela Lansbury and Len Cariou, which was also a favorite. I think it’s Sondheim’s greatest work.
Here is my drawing of Angela as Mrs. Lovett, to salute the original.
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Celebrity

The Glorious Corner

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G.H. Harding

FAMILY’S A BITCH-THE END OF SUCCESSION — Sunday’s finale of Succession (HBO) was a mixed bag. I’ll be honest: At first I thought the finale was totally underwhelming, but after some additional thought and reading some other excellent reviews, I’ve come to the point where I now believe it was, pure and simple, how it had to end.

Greg didn’t win the crown; Tom did, but only as a puppet master for the notorious Swede Alec Matsson. One terrific take on the show said that there were never really any heroes; just a family fighting for control and only really fighting with each other.
If you followed this season closely, you knew full well that none of the siblings could really do anything near what Logan Roy did. In the episode where he chastised them all by proclaiming you are not serious people- you – it should have immediately tipped you off that an outsider, yes Tom, would get the crown.
Roman melted down at the funeral; Shiv changed sides so often you never really knew where her loyalties lay and Kendall had him own set of issues. Also, the fact that he killed someone in Season 1 came into play again.
Creator Jesse Armstrong wrote this one (With Open Eyes) and it was as strong, while being a bit confusing, as everything he’s done. Truth be told, he was right to end it now as some of the themes kept repeating. Sure Brian Cox was not in the last few, but his presence still loomed large. Face it, none of the siblings could have done what he did.
Funnily enough, in the next-to-final scene with the three siblings, Kendall said that his father told him years ago, at The Candy Kitchen, that he would inherit the whole shebang. The Candy Kitchen does exits in Bridgehampton, New York and actually is a fine, fine establishment. I bet they’ll be packed this week!
The last scene of he show was a dejected Kendall wandering near the water with Logan’s bodyguard Colin. I wondered, as did many others, whether he’d off himself. He didn’t.
Is there room for a sequel or spin-off? Of course. Tom is the prefect puppet master for Matsson. There definitely is more intrigue to come. Brilliant writing and acting. I can’t see any of the actors ever equaling what they did on this show. Bravo!
SHORT TAKES — Talk about promotion! Q1043’s latest one involves a golden shovel! Sounds like something out of Willy Wonka! … Micky Dolenz jets off to London today for the weekend’s James Burtonevent with Van Morrison; John Oates; Brian May; and more. We’ll have details next column … Eric Clapton’s London-tribute for the recently departed Jeff Beck was just excellent.

Joss Stone

None more so than Joss Stone on “I Put A Spell On You.” What a voice. I’m amazed she’s not bigger; very Janis Joplin.

Gary Clark

Also, Gary Clark delivered a blistering, amazing performance on Stevie Wonder’s “Cause We’ve Ended As Lovers.” No question that he’s the next guitar-wizard. Here they both are: https://www.youtube.com/watch?v=nvO2_noxaXQ and https://www.youtube.com/watch?v=QO2BLAXveVo  …

The Flash

I watched all 9 seasons of the CW’s The Flash and the first 5 were pretty terrific. The remaining ones got poorer and poorer as the original cast disappeared one by one. Grant Gustin, The Flash, was there the whole time, but their finale last week was terribly confusing – save for a song by Tony Award winner Jesse L. Martin (for Rent) – a key member of the original cast. The last two seasons had a myriad of costumed villains, some from the comic, some not, but just wildly messed up. The CW was sold to Nexstar last year and big changes are in their future. Sad … and, CNN is reporting that Universal Music is close to snapping up the rights to the Queen-catalog for $1 billion-plus. Good for them.

Queen

Disney had it previously, but Queen’s music is more popular than ever before. It’s a real shame Freddie is not her to share in it. If you wondered the record for the biggest previously was for Bruce Springsteen’s catalog at $500 million.

NAMES IN THE NEWS — William Schill; Crimshaw; Joel Diamond; Katherine Clarke; Terry Jastrow; Anthony Pomes; Barry Fisch; Mark Bego; Dave Sholin; Les Bider; Lush Ice; Steve Walter; Peter Abraham; Jack Cunningham; Randy Alexander; Howard Bloom; Ken Dashow; Norena Barbella; Angela Tarantino; and BELLA!
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Natasha Bedingfield Thrills at Frederick Anderson’s Nebula Fashion Show

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We love the nightlife!

 Frederick Anderson Resort 2024 Fashion Show Featuring Natasha Bedingfield at Nebula in New York, NY on May 24, 2023. (Photo by David Warren /Sipa​ USA)

The thrill of old-school New York City energy came out swinging in a glorious way last week during Frederick Anderson’s 2024 Resort collection presentation.

 Frederick Anderson Resort 2024 Fashion Show Featuring Natasha Bedingfield at Nebula in New York, NY on May 24, 2023 with Nicole Miller and Mayor Eric Adams. (Photo by David Warren /Sipa​ USA)

On May 24, pop sensation Natasha Bedingfield opened up the beautiful runway at the fantastic hotspot Nebula in Midtown Manhattan. Wearing a bold crochet dress by the designer, the music matched her luxurious look and set the tone for an electric night.

Frederick Anderson and Natasha Bedingfield at Frederick Anderson Resort 2024 Fashion Show Featuring Natasha Bedingfield at Nebula in New York, NY on May 24, 2023. (Photo by David Warren /Sipa​USA)

The 33-look collection was seen by a chic and notable group of uptown clients and downtown personalities including Mayor Eric Adams, Nebula owner Richie Romero, Nicole Miller, Peter Som, Young Paris, Consuelo Vanderbilt Costin and Janna Bullock amongst well-heeled crowd.

 

Photos by David Warren

 

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Business

The Fintechs Changing How We Pay Online

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It was not so many moons ago that online payments on major eCommerce were either by debit or credit card. Plenty of people had a PayPal account, but this was primarily used for peer-to-peer transactions or to buy goods won at auction on eBay. Card transactions needed the user to undergo an additional verification step to prove they were the cardholder, but it was all a relatively unsophisticated system.

PayPal had been created as a stand-alone company at the dawn of the dotcom boom and had been a wholly owned subsidiary of eBay in 2002. However, in 2015 eBay spun off PayPal, and while the companies retained close working ties, both companies were free to find new partners.

For eBay, this meant they could offer customers the chance to complete purchases using new digital payment providers. As a result, PayPal became an option at major online checkouts, from high street stores to travel agents and online casinos. People liked using PayPal as it was quick, easy, and secure; their email address was all they needed to remember.

While PayPal might have been the original fintech company, by the time eBay sold it, there were other operators in the space. For example, Apple launched its digital wallet, ApplePay, in 2014. At the time, for most people, it was just an app that came with the latest phone, but most people carried on using their plastic cards. Google first introduced a digital payment service in 2013 and their Google Wallet in 2018. The Google Pay app, which is now installed on millions of Android phones, was introduced in 2020.

Increasing numbers of people now use fintech solutions when making online payments. Fintech comes in many guises but essentially refers to the use of technology to change our relationship with financial products and services. For example, Starling is an internet-based bank that is accessed via an app on mobile phones. While Internet banking had been around for a considerable time when it launched, the process was slow and cumbersome and required users to verify their identity through a card reader. Starling’s app enabled customers to make payments directly without needing a reader and notified them of all transactions in and out of their accounts. The central banks now offer a similar service through their apps, and we accept this as standard.

With all the advances in internet banking, eWallets, and digital payments, having access to a bank account is not even a requirement anymore in order to make online payments. This is where a service like Boku comes into its own.

Boku is a mobile processing system that allows customers to buy digital goods and services without a bank account. The services are charged to their mobile phone bill; no credit card or bank account is needed. It is a convenient and popular payment method for online content, including games and entertainment. There are even an increasing number of online casinos that accept Boku, like NetBet and MrQ. Players just need their mobile number to use the service and do not need to download a specific app or anything.

Another enormous revolution in how we pay online is the growth in Buy Now Pay Later services. Klarna was the name that brought this way of paying to our attention. However, there are multiple operators now in this market, including PayPal Pay in 4 and ApplePay Later. In 2022 more than seventeen million people had used BNPL services. It is particularly popular with 18–34-year-olds, where sixteen percent of this age group uses this payment method.

The use of BNPL in the UK and worldwide in general is on the increase, as can be seen when comparing year-on-year figures. For example, the figure from 2022 was almost double 2021’s eight million people.

The same goes for the use of fintech apps. Fintech app installation was up two percent in 2022, and payment and banking apps account for more than ninety percent of those installs. If these numbers are any indication of the future of fintech, we should brace ourselves for even more groundbreaking innovation and changes to how we pay online.

Photo by Andre Taissin on Unsplash

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