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5 Ways to Celebrate Your Birthday Alone

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Some people love to go crazy on their birthdays, whether it is by hosting a giant house party or going on an all-night bar crawl. And who can blame them? 

However, not everyone likes to publicly celebrate their birthday. That is right – some people enjoy low-key, solo celebrations instead. 

If you are an introvert or simply want to take a break from wild partying this year, here are 5 ways to celebrate your birthday alone. 

1.    Play online games

OK, let’s start with a good one: play online games. 

Online games are a great way to celebrate your birthday, as you get to immerse yourself in some virtual action and experience the satisfaction of winning! 

What type of games do you want to play? Sports? First-person shooters? RPGs? Adventure quests? The options are limitless, whether you have a console or PC. 

If you want to have some explosive fun on your birthday, you should try online gambling in Canada. So get ready to have a birthday celebration you’ll never forget!

2.    Treat yourself to some birthday gifts

It is your birthday, so it is only right that you spend some dough on yourself! Here are some ideas on what to buy: 

  • New clothes for your closet
  • A brand-new TV 
  • Immersive headphones
  • A smart watch 

Right now, there are lots of exciting tech devices out there for you to get. Read more here.

3.    Movie marathon! 

Maybe you should celebrate your birthday the classic way by going on a movie marathon. 

Firstly, make sure to top up your Netflix subscription. Next, have a browse of which movies you think you might like. From actions to comedies, Netflix has it all. And if you’re still unsure which movies to watch, check out this movie list

4.    Order a takeout 

Let’s be honest, nobody wants to cook for themselves on their birthday. Instead, they want to order a giant takeout, whether it is Indian, Chinese, or classic American food!

So, when you are hungry, call up your favorite takeout spot and order everything off the menu that you want. After all, you deserve it! 

5.    Make a birthday resolution list

Birthdays often symbolize the start of new eras for people. For example, most people enter a new stage in their lives when they turn the big 30 or when they hit 25. So, when you hit a significant birthday milestone, it is a great idea to make your own personalized birthday resolution list!

A birthday resolution list is the same concept as a new year’s one. Therefore, you want to think carefully about what you might want to include on your list. It could be whatever you want, from cutting down on sugar and caffeine to improving your mental health. Remember to be creative and try to stick to your resolutions – even when life gets a little challenging. 

If you are spending your birthday alone this year, make sure to try out at least a couple of these ideas. Happy birthday!

Cabaret

My View: An Evening With Rex Reed, Will Friedwald, & POLLY BERGEN

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Will Friedwald’s Clip Joint presented the legendary film critic and personality “Rex Reed Remembers Polly Bergen” last night at the TRIAD Theater.  It was a fascinating evening as Rex, who was one of Polly Bergen’s closest friends told fly on the wall show biz stories and personal anecdotes about her remarkable life.  An especially hilarious one occurred at the annual OSCAR NIGHT party that Polly had every year in her New York apartment.  There was Rex, watching the Oscars on a TV in Polly’s bedroom, Lucille Ball on one side of him and Paul Newman on the other .  Milton Berle who had been in another room parades past them wearing one of Polly’s gowns that he snatched from her closet!

Will and Rex reminisced about her amazing career in the movies ( including three classic comedies with Dean Martin & Jerry Lewis) but even more so on television.  In fact, her career spans the very history of the small screen medium, starting with appearances on pioneering broadcasts of the late 1940’s right up to a memorable regular role in the hit series DESPERATE HOUSEWIVES-although she was probably best known for starring in the legendary 1957 PLAYHOUSE 90 live television biography of HELEN MORGAN.  In other guises, she was an entrepreneur and political activist. 

Will Friedwald brought along his extensive library of film clips of her appearances on The Hollywood Palace, The Andy Williams Show, The Dean Martin Show, The Perry Como Kraft Music Hall, The Dinah Shore Chevy Show and appearances with Phil Silvers, George Burns, Red Skelton, Andy Williams and many more. Polly Bergen (1930-2014) had three husbands, and unfortunately became a Doris Day type financial victim because of her last one. And now “here’s the rest of my personal Polly Bergen story”.

Many years ago a firm placed a large order with my factory.  When I checked with our credit insuring agency they advised me that the company did not have enough finances to purchase that amount of goods and consequently the agency would only insure half the order.  Not wanting to reject a sizable order I made an appointment to meet the owner in his garment center office and check out his business for myself.  During the course of the conversation somehow the entertainment business came up (of course it did) and he mentioned that he was married to Polly Bergen.  Being a fan and and having reverence for the famous and talented artists in this world I dropped my usual due diligence guard and the hour was spent talking about show business, I loved it, especially when he invited me over to their apartment to watch the Super Bowl.   Well, I shipped all the merchandise…and you can guess what happened….Years later I met Polly Bergen at one of Rex Reed’s evenings and introduced myself with the opening line “ you cost me a lot of money” and then related the story of how her husband never paid.   Polly put her arm around me and said in her bawdy way, “ honey, you’re lucky it was only that much, he bankrupted me”.

WILL FRIEDWALD

REX REED & WILL FRIEDWALD

POLLY BERGEN

REX REED

POLLY BERGEN & DEAN MARTIN

PERRY COMO & POLLY BERGEN

REX REED & WILL FRIEDWALD

ANDY WILLIAMS & POLLY BERGEN

POLLY BERGEN & SANDLER & YOUNG

REX REED & POLLY BERGEN

REX REED & EDA SOROKOFF

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Out of Town

“Player Kings” Shines in the West End With Ian McKellen at Falstaff

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I read that the first published book written about a Shakespearian character was focused not on the legendary Macbeth or Hamlet, but on the “dodgy, obese, cash-strapped, dissolute, self-interested” Falstaff, a larger-than-life antihero and cultural phenomenon, this time dutifully played in the new West End revival rich and tragic by McKellen (The Other Palace’s Frank and Percy; West End’s Ian McKellen on Stage).


Ian McKellen and Geoffrey Freshwater in Player Kings. Photo by Manuel Harlan.

His Falstaff is utterly dynamic and fascinating from the get-go, drawing us in with his grotesque drunkenness in a stained shirt. It’s flawless and funny, especially so as the character’s humor is delivered dry and philosophically portioned out for great effect, giving this slick modern-dressed production a thrilling brave heart and a solid foundation.

It’s a handsome, strongly staged production, not exactly centered around Ian McKellen’s great performance as one devilishly sharp Falstaff, but having that dynamic character involved lifts up the whole thing making the joined-together Player Kings a carnivalesque joy to witness. It’s a role he seemed destined to play, but unfortunately, he had a nasty fall from the stage in mid-June, forcing him to not only drop out of the play in the West End, but also from the tour that was created all around him playing this part. It’s a devastatingly sad turn but luckily for us, we were able to see him before his accident. And I’m hoping he will be back on his stage feet quickly so we all have the opportunity to take in his expert renderings for years to come.

Yet Player Kings, when I saw it in early June, had McKellen in full true form, creating this delivery as expertly as one could hope for. Surrounded by talent on all sides, the curtain is quickly pulled back in those first few moments, and all kinds of partying chaos flies forward in abundance. A bare-bottomed rendering destined to be king sends just the right energy into the air and we can’t help but lean into this expertly crafted production of the two Henry IV history plays combined into one, adapted and directed with strength and clarity by Robert Icke (Almeida/Park Avenue Armory’s The Doctor).

Toheeb Jimoh and Daniel Rabin in Player Kings. Photo by Manuel Harlan.

On a detailed, multidimensional set, incorporated with great intent by set and costume designer Hildegard Bechtler (Old Vic’s Mood Music), with sharply hewed slices of light by Lee Curran (Donmar’s Next to Normal) and a solid sound design by Gareth Fry (Donmar’s Macbeth), the brick and curtained crew of revelers and hang-abouts make playful use of the arena given. The cast is cleverly created for this sometimes complicated history concoction, a dual engagement that I have only seen once before, to a somewhat lesser effect. But with Toheeb Jimoh (“Ted Lasso“) as Prince Harry (or Hal) staggering about in his skivvies ready and willing to expose his true nature before us all, this Player Kings is destined to be remembered. And not only for McKellen giving it his all in a dream part.

But Hal’s difficult journey forward into the adulting royal circle, standing true and solidly performed, is just one of many contextual arrangements created with flair around the centripetal force that is Falstaff. Hal’s proxy-father relationship with Falstaff is balanced and pulled tight with tension by the hard-hearted King Henry, played with intensity by Richard Coyle (Almeida/Duke of York’s Ink). It unpacks layers of patriarchal complications that shuttle between coldness to death-bed loving attachment. It’s a compelling understanding delicately unfolding over the course of this fascinating adventure.

Samuel Edward-Cook in Player Kings. Photo by Manuel Harlan.

Another tight-rope balancing act, this time between two different yet powerful worlds, Samuel Edward-Cook (Globe’s Titus Andronicus) finds compelling tones with his Hotspur, in suit and also donning fatigues, playing the modern dress unveiling with force, even with a few unclear contemporary connotations.

At just over three and a half hours, the tonal shifts of Player Kings between parts one and two are subtle yielding a suspenseful framing that leads into a less captivating battleground. But every moment of the complex condensed storytelling is well worth it, mainly to see McKellen living large inside a part that seems tailor-made for this expert thespian. The historical text is heavy lifting sometimes, not exactly created for those looking solely for light comic entertainment, but if Shakespeare is your thing, even the more complicated history plays, then Player King with McKellen feels like required viewing. I only hope that it has been recorded so those who unfortunately missed their chance, will have a further opportunity to take in his glory.


Sir Ian McKellen and cast at the curtain call during the press night performance on 11 April, 2024.

Player Kings was performed at Noël Coward Theatre, London, closing on 22 June, 2024.

For more go to frontmezzjunkies.com

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Out of Town

Fringe Festival “86 Me: The Restaurant Play” Serves It Up Strong

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Grabbing a seat inside and a drink from the bar on a Saturday afternoon (don’t judge me), we are welcomed into Our Lady Kensington, a dive bar on the verge of being 86’d from the scene. That is until this evening when chaos and fires erupt, and a seemingly straight-laced young man enters the space. He has been sent by management to inspect the bar for efficiency and professionalism, but what he discovers about the space, the people in it, and himself is far more complicated and difficult to correct simply with a clipboard and pen. The qualities listed are obviously lacking in this forever empty establishment, and this band of misfits who ‘work’ here, who harass, flirt, break up, drink, and indulge themselves silly during their shift, don’t seem like they are the ones who could help. Or are they?

With a cast of wonderfully focused actors, namely Luke Kimball, Marianne McIsaac, Mia Hay, Ben Yoganathan, Carson Somanlall, Elizabeth Rodenburg, and Jeff Gruich, 86 Me: The Restaurant Play, currently playing to sold-out crowds at The Supermarket Bar and Variety as part of Toronto’s Fringe Festival, is deliciously fun and invigorating. The play, as written, is definitely overly complicated and sometimes distracting. It veers this way and that through the immersive space trying to connect while dodging the problems within the framework, but with a solid tightening of that waiter apron, the heart of the piece could live quite solidly within the space, and inside these strong-minded performances and their pre-wrapped set-up. The actors do their job well, working hard trying to get to the essence of their inner world and bring it into some sort of order, all the while engaging with the delivery of drink orders and their lines to each other and us.

The cast of 86 Me: The Restaurant Play at Toronto’s Fringe Festival.

The central force of the play runs true and compassionately focused, as the cast runs circles around us all, flinging drink orders into the air for others to catch, along with other antics that endear us to this motley crew. But the catalyst really lies in Luke Kimball (Mirvish’s Harry Potter and the Cursed Child) and his portrayal of the socially awkward, young, but determined newbie, Zach, or as he is affectionately called, even by a member of the audience, the bar’s “little bitch boy”. And it sticks, mainly because of his focused portrayal of someone lost and looking for salvation, even if it seemingly is arriving thanks to “Mr. Fancy Pants“, played cleverly by Jeff Gruich as James “The Owner”.

There is a couple (Carson Somanlall & Elizabeth Rodenburg) who break up and quit each other more often than the number of times audience members bravely call out their drink orders to cast members who never break focus, even when the order comes at an impromptu moment. The drinks do make it to them, thanks to the staff of the actual bar, who keep the energy of the space filled and rolling, even as the drunk regular (Marianne McIsaac) preaches and yells at the staff from the back table wanting more of everything from anyone who will listen. An indulging host (Mia Hay) vapes and drinks in the corner waiting for connection, but ultimately looking for an escape, and a desperate server (Ben Yoganathan) cooly and constantly trying to use his French-ness as a ploy to get closer to the escape-artist host. It’s a lot, but it’s sold well, so we drink it all down, like a good tall Gin and Tonic on a hot day.

Directed and created by Jackson Doner, 86 Me: The Restaurant Play finds hilarity and some tender engagements within the chaos that lives and breathes in this dive bar on the verge of being 86’d out of existence. The talented crew and script offer up a problematic staffing situation that is completely out of control. Clearly, there is no one strong enough or focused enough on board to guide them through this tumultuous time, but maybe there is someone who can help, if only they can help themselves first. All this, while attempting to take care of a full bar of thirsty patrons and a father who doesn’t know how to really be there for his son. But even in all that chaos and wild shenanigans that transpire within this converted cabaret space, produced by Dead Raccoon Theatre, 86 Me keeps us tuned in and caring, while throwing coins in cups to show our appreciation.

Clockwise from top left: Carson Somanlall as Carson “The Supervisor”, Mia Hay as Eva “The Hostess”, Ben Yoganathan as Francois “The Server”, Elizabeth Rodenburg as Laurie “The Bartender”, Luke Kimball as Zach “The New Guy”, Jackson Doner, and Marianne McIsaac as Jasmine “The Regular” from 86 Me: The Restaurant Play at Toronto’s Fringe Festival. Photo by Ally Mackenzie.

For more go to frontmezzjunkies.com

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Broadway

Hell’s Kitchen And New York Liberty Host Block Party At Block Party

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The new musical Hell’s Kitchen will be the presenting sponsor of the New York Liberty’s game today July 16th. As a celebration of New York culture, Hell’s Kitchen and the New York Liberty will host a free open-to-the-public Block Party for fans on Tuesday, July 16 from 3:00-6:00 p.m. on the Ticketmaster Plaza at Barclays Center. The New York Liberty continue to underscore their intentional focus to bring together its passionate community and fanbase.

To emphasize the unique intersection of sport and theater, the Block Party will include a meet and greet with select cast members of Hell’s Kitchen, special performances from the New York Liberty Entertainment team and the Brooklyn Elite Jumpers Double Dutch, exclusive giveaways from Keys Soulcare and American Express, food vendors and more!

The festivities will continue during the New York Liberty’s game against the Connecticut Sun, where the Liberty aim to build upon the historic momentum experienced throughout the 2024 WNBA season. During the game, there will be a special halftime performance choreographed by Hell’s Kitchen’s choreographer Camille A. Brown and associate chorographer Rickey Tripp featuring the New York Liberty mascot, Ellie the Elephant, and dance team, as well as an on-court giveaway where two fans will have the chance to win tickets to an upcoming Hell’s Kitchen performance.

Ali is a 17-year-old girl full of fire – searching for freedom, passion and her place in the world. How she finds them is a New York City coming-of-age story you’ve never felt before – Hell’s Kitchen, a new musical from 16-time Grammy® Award winner Alicia Keys, whose songs and experiences growing up in NY inspire a story made for Broadway.

Rebellious and stifled by an overprotective single mother, Ali is lost until she meets her mentor: a neighbor who opens her heart and mind to the power of the piano. Set to the rhythm of the 90s, Hell’s Kitchen is a love story between a mother and daughter.  It’s about finding yourself, your purpose, and the community that lifts you. Come remember where dreams begin.

The “powerhouse cast” is led by Tony Award® winner Maleah Joi Moon, Shoshana Bean, Brandon Victor Dixon, Tony Award® winner Kecia Lewis and Chris Lee. Hell’s Kitchen is directed by four-time Tony Award® nominee Michael Greif, with choreography by four-time Tony Award nominee Camille A. Brown, a book by Pulitzer Prize finalist and Tony Award nominee Kristoffer Diaz – and the music of Keys, featuring new songs and her greatest hits.

The Hell’s Kitchen Original Broadway Cast Recording is available now via Alicia Keys Records/Interscope Records on streaming and digital platforms worldwide with a physical release to follow.

Hell’s Kitchen lottery tickets are available through a digital lottery the day before the performance at rush.telecharge.com. The digital lottery opens at rush.telecharge.com at 12AM (ET) one day before the performance with winners announced that same morning at 10AM (ET), with a second announcement of additional winners that afternoon at 3PM (ET). Winners may purchase up to two tickets at $39 each (inclusive of $5 service fee), subject to availability. Seats may be partial view.

A limited number of in-person Hell’s Kitchen rush tickets will be available on the day of each performance for $39 per ticket when the Shubert Theatre box office opens. Maximum of two tickets per person, subject to availability. Seats may be partial view. The box office opens Monday through Saturday at 10AM (ET) and Sunday at 12PM (ET).

Tickets for Hell’s Kitchen are available at HellsKitchen.com and Telecharge.com. Tickets can also be purchased at the Shubert Theatre box office. Ticket prices range from $59-199.

Season ticket memberships and single game tickets for New York Liberty home games at Barclays Center are on sale now via Ticketmaster. To learn more and view additional ticketing options such as group tickets and ticket plans, visit liberty.wnba.com/tickets.

The performance schedule for Hell’s Kitchen is Tuesday, Thursday and Friday at 7PM, Wednesday at 7:30PM, Saturday at 8PM, with matinees on Wednesday and Saturday at 2PM, and Sunday at 3PM.

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Out of Town

The John W. Engeman Theater Presents Legally Blonde

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The John W. Engeman Theater celebrated the opening night of Legally Blonde.

The Cast and Creative of Legally Blonde

Choreographer Jay Gamboa joins with Sorority Members- Lara Hayhurst, Rebecca Murillo, Juliana Lamia, Emma Flynn Bespolka, Julianne Roberts, Emily Bacino Althaus, Bridget Carey, Amelia Burkhardt and Jessie J. Potter

The Musical is directed by Trey Compton (Engeman: Once, A Gentleman’s Guide to Love and Murder; Off-Broadway: Yank!, White Lies; Regional: Seattle 5th Avenue, Goodspeed, The Ogunquit Playhouse, The Fulton, Riverside, Pittsburgh Civic Light Opera, Millbrook, Mac-Haydn, and Cortland Repertory) and choreographed by Jay Gamboa (Engeman: Mama Mia!; National Tour: PJ Masks, Hello Kitty; Regional: Stages St. Louis, Gateway Playhouse, San Diego Musical Theatre, East West Players; Film/TV: The CW’s “Crazy Ex-Girlfriend”).

Trey Compton (Director) and James D. Sasser

Elle Woods appears to have it all until her life is turned upside down when her boyfriend dumps her to attend Harvard. Determined to get him back, Elle charms her way into the prestigious law school. An award-winning musical based on the adored movie, Legally Blonde, The Musical, follows the transformation of Elle as she tackles stereotypes and scandal in pursuit of her dreams. Exploding with memorable songs and dances–this musical is so much fun, it should be illegal!

Emma Flynn Bespolka

Emma Flynn Bespolka

Quinn Corcoran

The cast of Legally Blonde, The Musical features Emma Flynn Bespolka as Elle Woods (UK Premiere: Clueless; Regional: Kinky Boots, South Pacific, Bye Bye Birdie, Grease)

Quinn Corcoran, Emma Flynn Bespolka

Quinn Corcoran

Quinn Corcoran as Emmett (Off-Broadway: James and the Giant Peach, Rescue Rue, Blue Man Group, Hair; Regional: Maltz-Jupiter Theatre, Sierra Repertory Theatre, Servant Stage, Mac-Haydn Theatre)

Chanel Edwards-Frederick

Chanel Edwards-Frederick as Paulette (West End: Hairspray; International Tour: The Book Of Mormon; Regional: The Royal Theatre, La Mirada Theatre, Repertory East Playhouse, Interlakes Theatre)

Nicole Fragala

Nicole Fragala, Emma Flynn Bespolka

Nicole Fragala as Vivienne (National Tour: Tootsie; Regional: Cmpac, The New School, Broadhollow Theater; TV/Film: “Pretty Little Liars: Summer School,” “The Marvelous Mrs. Maisel,” “The Prom”)

Nathan Haltiwanger

Nathan Haltiwanger, Emma Flynn Bespolka

Nathan Haltiwanger as Warner Huntington III (Regional: Sweeney Todd, Beauty and the Beast, My Fair Lady, Next to Normal, The Sound of Music)

Julianne Roberts

Julianne Roberts as Brooke Wyndham (Regional: Chicago, The Little Mermaid, Movin’ On, Catch Me If You Can)

James D. Sasser

James D Sasser as Callahan (Engeman: Dirty Rotten Scoundrels; Broadway: Riverdance; National Tour: Jesus Christ Superstar; Off-Broadway: Teeth; Regional: Theatre Under The Stars, Four Corners Musical Theatre, The Village Theatre, Berkeley Playhouse; TV/Film: “Madam Secretary,” “The Good Fight,” “Succession,” “The Bite”).

Sorority Members- Lara Hayhurst, Rebecca Murillo, Juliana Lamia, Emma Flynn Bespolka, Julianne Roberts, Emily Bacino Althaus, Bridget Carey, Amelia Burkhardt and Jessie J. Potter

Katelyn Harold

Terrence Bryce Sheldon

Amelia Burkhardt

Matt DeNoto,

Joshua James Crawford

Rebecca Murillo

Zunmy Mohammed

Juliana Lamia

Bridget Carey

Emily Bacino Althaus

Yash Ramanujam

Lara Hayhurst and Trey Compton with Little Ricky and Cha Cha

Lara Hayhurst

The Swings-Amelia Burkhardt, Terrence Bryce Sheldon, Joshua James Crawford and Katelyn Harold

James D. Sasser, Nathan Haltiwanger and Quinn Corcoran

James D. Sasser, Trey Compton Nathan Haltiwanger and Quinn Corcoran

Legally Blonde, The Musical will play the following performance schedule: Wednesdays at 7:00 pm, Thursdays at 8:00 pm, Fridays at 8:00 pm, Saturdays at 2:00 pm and 8:00 pm, and Sundays at 2:00 pm and 7:00 pm. Tickets start at $80 and may be purchased by calling 631-261-2900, going online at engemantheater.com, or visiting the Engeman Theater Box Office at 250 Main Street, Northport.

The John W. Engeman Theater at Northport is Long Island’s only year-round professional theater company, casting actors from the Broadway talent pool. From curb to curtain, we have made it our business to provide affordable, quality theater in an elegant one-of-a-kind location with outstanding facilities and extraordinary service. The renovated theater offers stadium-style seating, state-of-the-art lighting and sound, a full orchestra pit, and a classic wood-paneled piano lounge with a full bar.

For a complete show schedule and more information, contact the theater directly at 631-261-2900, visit the box office at 250 Main Street, Northport or visit engemantheater.com.

The Cast and Creative of Legally Blonde

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