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53Rd New York Film Festival Opens with The Walk

53Rd New York Film Festival Opens with The Walk

Since the 1960s, the New York Film Festival has brought important films from across the planet to Lincoln Center. For the 53rd anniversary of the beloved film festival a movie about those who dare to dream big in New York City opened the year.

Robert Zemeckis latest work The Walk starring Joseph Gordon-Levitt tells the story of daredevil high-wire artist Philippe Petit who famously walked between the Twin Towers of the World Trade Center in 1974. The death-defying film left audiences at the film feeling dizzy and rubbing together sweaty palms on premiere night. The phenomenal true story is matched with as much suspension in some of the most intense 3D images on the screen in years. The star of the film knew it was a great project and was one he took on in full force.

“He doesn’t do anything half-way, so he orchestrated this really elaborate workshop just me and him all day long,” said Gordon-Levitt about his training sessions with Petit for the role of a lifetime during the press conference. “For eight days straight and he said by the end of the eight days you will walk on the wire by yourself and I thought that sounded ambitious. But, he is such a positive thinker. And because he believed I would I started to believe I would. He was right.”

The famous filmmaker has a gift for presenting audiences with scenarios that are full of disbelief and wonder. He credits a lot of it to the wonderful techniques that filmmaking allows.

“When I was making this movie I think I ended up using every special effects technique I hav ever used during my career except maybe cartoon animation,” said Zemeckis during the press conference. “We mixed it up. Like any great magician we didn’t want to let you see the effects so we kept using different techniques, but the majority was digital.”

And it is these techniques that truly allow viewers to feel as if they are daring to be in the shoes of a tightrope walker defying gravity 100 stories over Manhattan. This is not a tentpole film, but rather a bit of magic that can only be felt in the air of New York City.

A Sony Pictures Entertainment release of a TriStar Pictures presentation, in association with LStar Capital, or an ImageMovers production. Produced by Steve Starkey, Robert Zemeckis, Jack Rapke. Executive producers, Cherylanne Martin, Jackie Levine, Ben Waisbren.

Crew

Directed by Robert Zemeckis. Screenplay, Robert Zemeckis, Christopher Browne, based on the book “To Reach the Clouds” by Philippe Petit. Camera (color, 3D), Dariusz Wolski; editor, Jeremiah O’Driscoll; music, Alan Silvestri; production designer, Naomi Shohan; supervising art director, Felix Lariviere-Charron; art director, Jean Kazemirchuk; set decorator, Ann Victoria Smart; costume designer, Suttirat Larlarb; sound (Dolby Digital), William B. Kaplan; sound designer, Randy Thom; supervising sound editor, Bjorn Ole Schroeder; re-recording mixers, Thom, Dennis S. Sands, Brandon Proctor; visual effects supervisor, Kevin Baillie; visual effects and animation, Atomic Fiction; additional visual effects, Rodeo FX, Legend3D; visual effects and stereo producer, Camille Cellucci; stereoscopic supervisor, Jared Sandrew; special effects supervisor, Ryal Cosgrove; stunt coordinator, Marc Desourdy; wire walking & stunt double, Jade Kindar-Martin; hire-wire coach and consultant, Philippe Petit; assistant director, Darin Rivetti; casting, Victoria Burrows, Scot Boland.

With

Joseph Gordon-Levitt, Ben Kingsley, Charlotte Le Bon, James Badge Dale, Clement Sibony, Cesar Domboy, Benedict Samuel, Ben Schwartz, Steve Valentine, Mark Camacho. (English, French dialogue)

 

Entertainment
@liztaylorworld

ElizaBeth Taylor is a journalist for Times Square Chronicles and is a frequent guest at film, fashion and art events throughout New York City and Los Angeles due to her stature as The Sensible Socialite.Passionate about people ElizaBeth spent many years working as a travel reporter and television producer after graduating with high honors from University of Southern California. The work has afforded her the opportunity to explore Europe, Russia, South America, Asia, Australia and the Middle East. It has greatly influenced the way in which ElizaBeth sees a story and has created a heightened awareness for the way people around the world live today.

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