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A Broadway Valentine

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Suffolk Theater presents A Broadway Valentine on Saturday, February 12 at 8:00PM. New York Casting Director Stephen DeAngelis to produce and host A Broadway Valentine – a celebration of musical theater’s greatest love songs performed by five of Broadway’s finest leading vocalists – along with special offerings that make for the perfect Valentine’s Day date.

Curated exclusively for Suffolk Theater and fit for its cabaret-style seating, this event’s unique offerings include: • Patrons may call ahead to have their favorite wine or champagne, even flowers or special gifts, waiting for them at their table when they arrive.• The bar will be offering specialty cocktails created exclusively for this event.• Guests will receive 10% off their meal and/or 20% off a hotel room at Preston House.

These Broadway stars will recreate their most memorable musical career highlights and display their versatility with selections from popular shows such as WickedWaitressFunny Girl, The Cher ShowMotown: The Musical, Memphis, Sister Act, Ragtime, Fosse, and more. Musical Director/Accompanist will be Rachel Dean (HamiltonMoulin Rouge!).

Featuring:Teal Wicks burst onto the musical theater scene in 2008 when she snagged the role of Elphaba in the Los Angeles company of Wicked, a role she reprised to critical acclaim in the San Francisco company before making the leap to Broadway in 2011. She most recently starred as Cher (“Lady”) in the Broadway production of The Cher Show. She originated the role of Mary Barrie opposite Matthew Morrison in Finding Neverland and re-created the role of Emma Carew in the revival of Jekyll and Hyde.

Charl Brown was nominated for a Tony Award for his portrayal of Smokey Robinson in the original Broadway cast of Motown: The Musical and reprised this role opening the West End production. Other Broadway/National Tour: Sister ActJersey BoysHair. Select regional: The Who’s Tommy (Denver Center, Kennedy Center), Ever After (Paper Mill Playhouse), Johnny Baseball (American Repertory Theater), DreamgirlsRagtimeSix Degrees of SeparationJesus Christ SuperstarA Chorus Line.

Alysha Umphress most recently starred as Hildy in the Broadway revival of On the Town. Other Broadway: American Idiot (OBC); On a Clear Day You Can See ForeverPriscilla Queen of the DesertBring It On!. Off-Broadway: Make Me a Song: The Music of William Finn. Regional: Dallas Theatre Center: Hood (Meg), Paper Mill Playhouse: Pump Boys and Dinettes(Rhetta Cupp), Signature Theatre: Beaches(Cee Cee Bloom) * Helen Hayes nomination-Best Leading Actress in a Musical.

Rick Faugno was most recently seen on Broadway in Kiss Me, Kate, his 7th Broadway Show for which he was nominated for a Chita Rivera Award. He is also the recipient of a Fred Astaire Award.

Nadia Thomas was most recently seen as Radio One in the critically acclaimed Broadway revival of Caroline or Change. She was also recently seen as Cathy in Out of The Box Theatrics streamed version of The Last Five Years. Broadway: Ain’t Too Proud: The Life and Times of the Temptations and Little Eva in Beautiful: The Carole King Musical. National Tour: Beautiful. Regional: Ain’t Too Proud: The Life and Times of The Temptations (Berkeley Rep, Kennedy Center, Center Theatre Group, Mirvish- Toronto), Beauty and the Beast (TUTS), Smokey Joes Cafe, (MUNY) Hairspray, (MUNY). 

Broadway

James Monroe Iglehart At The Drama Desk and A Rap For A Wonderful World: The Louis Armstrong Musical

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T2C was at the Drama Desk Awards and talked to our friend James Monroe Iglehart. Years ago I learned that James could make up raps instantaneously, so I had him do one at the Hamilton opening night for Lin Manuel Miranda. Since James is opening up in October in A Wonderful World: The Louis Armstrong Musical, I ask him to do a rap to pug his show. This is the result.

James’s new musical is about the life and loves of Louis Armstrong and Tony Award® winner James Monroe Iglehart is the legendary American icon. A Wonderful World charts Armstrong’s incredible journey from the birth of jazz in his native New Orleans through his international stardom. It features beloved songs recorded and made popular by Armstrong, including favorites like “What a Wonderful World” and “When You’re Smiling,” among many other standard favorites.

The show is conceived by Tony Award® nominee and Drama Desk Award winner Christopher Renshaw (Broadway’s The King and I, Taboo), and novelist Andrew Delaplaine. Book by Aurin Squire (“This is Us,” “The Good Fight”). Directed by Renshaw, with choreography by Rickey Tripp (Associate Choreographer for Broadway’s Hell’s Kitchen, Once on This Island, and Choir Boy). Featuring classic songs from Armstrong’s catalogue.

We look forward to seeing James and this new musical.

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Lin Manuel and The Miranda Family Honored by The Jazz Power Initiative

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Lin-Manuel greeting Jazz Power Initiative’s Eli Yamin, Co-Founder, Managing and Creative Director at 20th anniversary celebration where The Miranda Family were honored. Photo by Ttsiana Kulesh

On a rainy New York evening it was all sunshine, joy and music at 1 Vanderbilt Avenue, where the 20th floor, location of TD Bank’s Conference Center, had been transformed for the 20th anniversary celebration of Jazz Power Initiative, an organization founded by two friends: writer/educator Clifford Carlson, and jazz musician/educator Dr. Eli Yamin.  Over the last two decades, under the leadership of Dr. Yamin who is now managing and artistic director, the organization has become an influential part of the NYC arts education community.


Through the power of Jazz and the Afro-Latin rhythms that have contributed to the growth of this truly American music genre, and the inclusion of original jazz musicals, written by Clifford Carlson and Eli Yamin for the children, the organization has transformed the lives of young people from Upper Manhattan, Washington Heights, and the Bronx.  Engaging young people in music, theatre, and dance programs, that are taught by award-winning professional artists, helping them find their creative voice, fostering positive self-expression, and building community – is what JPI does so well.

Lin-Manuel greeting Jazz Power Initiative’s Eli Yamin, Co-Founder, Managing and Creative Director at 20th anniversary celebration where The Miranda Family were honored. Photo by Ttsiana Kulesh

This year the organization was delighted to honor three unwavering supporters who have helped them achieve incredible success and growth, and who have been there continuously.  The staunch support of people and organizations over the past 20 years – including the leadership of those being honored – has helped Jazz Power Initiative to achieve its mission in Northern Manhattan.  They have been able to serve thousands of New Yorkers and visitors annually – including students, teachers, artists, families, and general audiences ages 6-80, to build more creative and inclusive communities through jazz music, arts education, and performance.

The Honorees

Tanya LeMelle, an executive with TD Bank, and a Jazz Power Initiative board member talked about the corporate giant’s investment in the communities they serve.  “TD Bank is a long-standing supporter of the Jazz Power Initiative and our community focused efforts, which closely align with the bank’s own work to support and create dialogues in arts and culture that reflect diverse voices.”

The organization was the recipient of the Corporate Social Responsibility award presented to TD Bank and accepted by Ralph Bumbaca, TD Bank’s Market President-Commercial for the New York City Market, who echoed the sentiments expressed by his colleague.

The extraordinary, award-winning founder of The Afro Latin Jazz Alliance, leader of the Afro Latin Jazz Orchestra, an educator, composer – Arturo O’Farrill took the podium to introduce his friends, The Mirandas.  His remarks began with the words, “Jazz is sacred music!” And it proved to be just that when the young Zah! group took the stage that night. He went on to list the contributions made over the past 40-years, by The Mirandas, as champions of community activism, and their support of institutions like Jazz Power Initiative that have “uplifted underserved populations in upper Manhattan, including those across New York City, across the country and in Puerto Rico.  And their continued commitment and advocacy for education in the arts and social justice.”

Dr. Luz Towns-Miranda, the matriarch of the family, flanked by members of her family, Lucecita Miranda-Crespo, Lin-Manuel and Miguel Towns were all on hand to receive the inaugural Philanthropy Award.  “Music is very important to our family,” she began. “When Luis and I met, one of our many connections was around our shared love of music.”  She spoke about the importance of music and the arts in teaching and imbuing young people with empathy.

The youngest member of the family, Miguel Towns spoke about the power of music and quoted Stevie Wonder, “Music is a world within itself, with a language we all understand.”  He went on to explain what music represents, “…it is the only art which is experienced through sound and lets us experience or convey emotions with one another, in a way unique to the human experience.”

Miguel was followed by Lin-Manuel who was exuberant about being on-hand to receive the inaugural Philanthropy Award, on behalf of his family.  “Thank you all for being here, and thank you for this tremendous honor,” he said, before reminding his friend Arturo, that one of the great moments of his life as a composer, was having Arturo do an arrangement of Piragua, from In The Heights.   He went on to reflect on “how much Eli and Jazz Power” have been a part of his life and childhood community. “I come not just as a musician, but as a product of the privilege of a wonderful public-school arts education, which underscores the importance of what Jazz Power does.”

The message that resonated most during the night, as Lin-Manuel emphasized was the importance of Jazz Power’s contributions – “it brings music to young people at the most important time in their lives; when they are connecting music to their own emotions and how they are feeling.”

Filmmaker, Phil Bertelsen, who received two extraordinary introductions, due to traffic.  Rachel Dretzin, who has worked with Bertelsen on Who Killed Malcom X (Netflix series) and author/educator, Donald Bogel who was supposed to introduce him, but arrived late due to New York traffic congestion, recalled how impressive he was as a student of his at NYU, and how later he hired him to help research a book on Dorothy Dandridge that he was in the midst of writing.

Phil received the Changemaker Award from the organization he has had the pleasure of working with for some time now.  For him, the moment was humbling, “Change is not something that comes easy and it’s not something we do alone.” He acknowledged many of the people who have had a hand in helping him along the way as he made his “avocation, his vocation.” Phil has won numerous awards, among them a Peabody and an Emmy for his work which he considers a way of paying it forward by telling interesting and important stories that make a difference.

What began as an idea in 1998, thanks to a grant from Meet the Composer/New Music for Schools, in tandem with funding from the Louis Armstrong Education Foundation awarded to acclaimed jazz musician and educator Eli Yamin, led to the first iteration of the organization.  In 2003 it incorporated as The Jazz Drama Program, and later underwent another evolutionary transition to become a nonprofit organization in 2004.  Then it rebranded in 2017 as Jazz Power Initiative the organization that has become a permanent fixture in schools and in the communities it services.

In its 20-year existence, under the leadership of a brilliant staff headed by Dr. Eli Yamin – the organization has touched the lives of over 6,000 young people; engaged the knowledge and experience of some 1,000 educators; and cultivated an inclusive audience, of over 100,000, reached through live performance attendance and virtual participation.

Eli summed up the evening and his joy at being at the helm of this important organization as follows – “As a child of the 1960s, born in 1968, I find myself often wondering about that time and how it shaped me through my parents, my mentors, and my friends.  I watched a documentary about Bobby Kennedy and when asked what drove him to do the work he was doing, he said:  ‘What I think is satisfying…what makes it worthwhile is that you feel that you can have an effect and perhaps do some good for other people…that there is the possibility that if you make the right kind of an effort that their lives are going to change and that therefore their whole existence is going to change and therefore, their children’s lives are going to change…’”. Jazz Power Initiative has been changing lives and adding a sense of joy through their various programs:

-Jazz Power Youth – provides vocal, dance and theatre training in culturally diverse environments, to build courage, curiosity, and compassion.
-Jazz Power Community – provides education in jazz music, dance, and theatre to inspire and empower.
-Jazz Power Musicals – through the creation and commission of original jazz musicals that address socially relevant issues, JPI hopes to inspire and unite audiences.
-The Power Pro – offering professional, experiential training to educators and business leaders.
The evening wrapped with a call to action to make the next 20 years of Jazz Power Initiative even better.  Felix Hernandez, WBGO Radio personality and host of Rhythm Revue on Saturdays and Sundays, turned the night into a dynamic party to remember.

If you wish to get more information about the organization, or if you would like to donate to Jazz Power Initiative, please go to www.jazzpower.org.

Jazz Power Initiative (JPI, a dba of The Jazz Drama Program), a non-profit, 501 (c) (3) organization founded in 2003, serves thousands of New Yorkers and visitors annually – students, teachers, artists, seniors, and general audiences, ages 8-80+, to promote music education, and build more creative and inclusive communities through jazz music, theater, dance education, and performance.   

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The Musical Titanic Successfully Sails onto the Stage at City Center

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Titanic The Musical proves that the music and story does not need the special effects of a sinking ship to send the audience on an emotional journey. Twenty-five years ago when Titanic opened on Broadway, after reading headlines about the  malfunctioning unsinkable set, I skeptically went to the show; but, those first 18 minutes turned out to be the greatest opening number I had ever seen. The show is currently being performed at City Center in the Encores! Series and this score can stand alone without the trappings usually required to produce a Broadway spectacle. The opening number not only introduced us to the three focal people who each in their own way contributed to the disaster of the iceberg: Captain E.J. Smith (Chuck Cooper), Thomas Andrews (Jose Llana), J. Bruce Ismay (Brandon Uranowitz); but, also the members of all three classes aboard the ship and the crewmembers. As the 32 member cast raises their voices in beautiful harmony to cheer “Sail on, great ship Titanic” the hopes of the third class passengers, the wonder of those in first class and the pride of the crew are all felt by the audience. So moving is this song that we can suspend reality and wish that the maiden voyage of this “floating city” actually successfully makes it to New York.

This is not the Rose and Jack story that fictionalized a love story between a third and first class passenger but an even more beautiful story based on real people who either survived or were left onboard as the ship broke apart.


The music and lyrics by Maury Yeston are thrilling, cheerful, romantic and haunting. The story and book by Peter Stone who had previously done justice to the telling of the signing of the Declaration of Independence in 1776 again brings history to the stage with wit and suspense despite knowing the eventual tragedy.

Over twenty songs fill this musical score with a variety of styles and themes. Each one perfectly delivered by this amazing team of actors and singers briskly directed by Anne Kauffman. There is not a bad song in the mix nor a disappointing performer; but, in addition to that opening number I must highlight a few.

Lady’s Maid sung by the 3rd class passengers brings me to tears as three Irish lasses all named Kate start by telling their fellow travelers their dreams for America. Samantha Williams, Lilli Cooper, and Ashley Blanchet play the ‘three Kates’ and are joined by the ensemble all singing their own individual ambitions – to be a constable, engineer, and governess, etc. It fills my heart with pride that America is such a land of opportunity and then it breaks when I realize that some of these dreamers will never make it to their destination.

A pairing of two male singers, Ramin Karimloo and Alex Joseph Grayson, playing coal stoker Barrett and radio operator Bride, respectively sing two love songs one to his fiancé and one about his career choice is a magical duet where each voice is given a chance to shine.

Another example of Yeston’s genius is a song where three voices combine but certainly not in love; the ship’s owner, designer, and captain Blame each other for the inevitable sinking. It is a dramatic song that is rarely seen in such a show but too often seen in human nature.

The real life owner of Macy’s department store was actually onboard the Titanic with his wife. Chip Zien and Judy Kuhn portray the elderly Isidor and Ida Straus whose love proved even stronger than the two youngsters in the James Cameron film. Ida chose not to get on a lifeboat without her life long partner and that love is beautifully sung in their duet Still.

Love, anger, hope and desire are all represented on the stage but it is second class passenger Alice Beane that gives the tension a bit of comic relief. Wonderfully sung and acted by Bonnie Milligan, Mrs Bean dances into the first class salon and in one of the few choreographed numbers brings joy to the festivities. She and her husband Edgar (Drew Gehling) sing I Have Danced – a song that depicts the struggle of a happily married couple when ambitions are not in line.

We know the ship is going to hit the iceberg but as Matthew Scott as the ship entertainment sings the rhythmic tune Autumn coupled with the Company repeating the haunting No Moon the suspense grows as the ship sails in the night.

Anne Kauffman directs the cast seamlessly from scene to scene not only allowing the songs to tell a fantastic story but to bring out the wit and passion of Peter Stone’s words.

Rob Berman, the Encores! Music Director, again conducts this 30 piece orchestra with incredible ease despite the complicated orchestrations created by Johnathn Tunick. With every violin string, trumpet note, drum roll and cymbal clash the music envelops the huge theater yet touches every individual in it.

Encores! Began 30 years ago to honor scores that are not often revived. With minimal rehearsal time for this limited run some actors are still on book but that does not diminish either the music, story or the talent on the stage. Much has been written about the cost of producing on Broadway so a production with this many cast members and musicians may never be transferred to a Broadway theater as Encores other 2024 title, Once Upon a Mattress will be doing so do not hesitate to buy a ticket. Do not be left on the dock waving goodbye to this magnificent creation.

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Live From The Hotel Edison Times Square Chronicles Presents Randy Edelman

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“Live From The Hotel Edison Times Square Chronicles Presents”, is filmed live every Wednesday from the Hotel Edison.

In this episode T2C’s publisher and owner Suzanna Bowling talks with Randy Edelman about his extensive musical career. Some of Edelman’s best known films scores include Twins, Ghostbusters IIBeethoven, Gettysburg, Angels in the Outfield, The Mask, Dragonheart, Gettysburg and so many more. If you known the Carpenter’s “You,” Barry Manilow’s “Weekend in New England,” Olivia Newton-John’s “If Love Is Real” Dionne Warwick’s “The Laughter and the Tears,” Blood, Sweat & Tears “Blue Street” and many others, these were written by Randy.

Randy will be performing this Friday, June 14th at Chelsea Table & Stage at 9:30pm

Randy appeared thanks to Eileen Shapiro.

We are so proud because the show and our guests are now featured on the TV screens in the lobby and the hotel rooms. We were also gifted a poster in the lobby.

I am so grateful to my guest Randy Edelman

Thank-you Magda Katz for videoing and creating the content to go live, Rommel Gopez and The Hotel Edison for their kindness and hospitality.

We are so proud and thrilled that Variety Entertainment News just named us one of Summer’s Best Picks in the category of Best Television, Radio, PodcastsThe company we are in, has made us so humbled, grateful and motivated to continue.

You can catch us on the following platforms:

Pandora:

https://www.pandora.com/podcast/live-from-the-edison-hotel-times-square-chronicles-presents/PC:1001084740

Stitcher:

https://www.stitcher.com/show/1084740

Spotify:

Amazon:

https://music.amazon.com/podcasts/e3ac5922-ada8-4868-b531-12d06e0576d3

Apple Podcasts:

https://podcasts.apple.com/us/podcast/live-from-the-edison-hotel-times-square-chronicles-presents/id1731059092

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Celebrity

The Glorious Corner

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G.H. Harding

A JON BON SURPRISE — (Via Ultimate Classic Rock) Jon Bon Jovi played a surprise five-song set in Nashville on Friday, June 7.

The intimate performance celebrated the grand opening of JBJ’s, the new rooftop bar and restaurant owned by Jon Bon Jovi. It also came on the day Bon Jovi released their sixteenth studio album, Forever.

The show was notable considering the lingering uncertainty surrounding Jon Bon Jovi’s voice. The singer underwent vocal surgery in 2022 and has been enduring a long road to recovery ever since. The frontman recently confirmed he’ll be unable to tour in support of his new album, noting that he’s “more than capable of singing again,” but that “two and a half hours a night, four nights a week” would not be possible.

The frontman’s voice appeared pitchy but strong during the Nashville club set. Bon Jovi showcased plenty of his trademark energy during the gig, dancing on the small stage and engaging fans to sing along with him.

The performance opened with “Blood on Blood,” the stirring album cut from Bon Jovi’s classic 1988 LP New Jersey. According to Ssetlist.fm, this marked the first time “Blood on Blood” has been performed in concert since 2019.

Later, the singer addressed his absence from performing.

“It’s been a couple of years since I’ve been up on a stage with some people in the house,” Bon Jovi declared midway through the set. “Too long, too long. Yeah, it feels good. I hope it sounds good, because it feels good.”

Bon Jovi also acknowledged Nashville’s importance in his band’s history, noting that they’d spent “so much time” writing and recording in the town. “I always jokingly say, Nashville, this is my people.”

Motley Crue singer Vince Neil. Jelly Roll and Big Kenny from Big and Rich were among the celebrities on hand for Bon Jovi’s club gig. Other highlights on the night included a rousing rendition of “You Give Love a Bad Name” and the lead single from Forever, “Legendary.”

See the complete set list below, along with video of the entire performance.

Bon Jovi, 6/7/24, JBJ’s, Nashville, Set List

1.  “Blood on Blood”
2. “We Weren’t Born to Follow”
3. “You Give Love a Bad Name”
4. “Born to Be My Baby”
5. “Legendary”

Jon’s been very, very visible of late. From his Hulu-four-part show to stints on everything from Kelly Clarkson to Jimmy Kimmel and it seems to me he’s been a tad overexposed. Sure, he’s got a new album to sell as well as the cable-series, but his logline seems to be over whether he can tour … or not.  And, apparently, he can’t.

Honestly, that’s gotten bigger play than his rumored feud with Richie Sambora. I know Jon and he’s smart as a fox. He and his PR-person, which I believe is Brad Cafarelli, have done a stellar job.

This Nashville-appearance was after he may the ‘I can’t tour’ announcement, so what gives?

I’d love to know who he played with in Nashville. Was it some of the Bon Jovi-band or just some Nashville-players? Maybe we should ask Brad.

George Harrison

GO GEORGE — We loved this story from Far Out Magazine about George Harrison and Phil Collins:

The seed for his prank on the Genesis drummer began back in 1970 when Collins was a teenage session musician who grew up in absolute awe of everything Beatles related.

At the time, Collins was in his former band Flaming Youth and wouldn’t audition to join Genesis until later on in the same year.

“Our manager got a call from Ringo Starr’s chauffeur, who said they needed a percussionist, and he suggested me,” said Phil.

“So I went down to Abbey Road, and Harrison was there and Ringo and Billy Preston and Klaus Voormann and Phil Spector, and we started routing the song.”

George was recording his debut solo album, All Things Must Pass.

“No one told me what to play, and every time they started the song, Phil Spector would say, ‘Let’s hear guitar and drums,’ or ‘Let’s hear bass and drums.’ I’m not a conga player, so my hands are starting to bleed. And I’m cadging cigarettes off Ringo – I don’t even smoke, I just felt nervous. Anyway, after about two hours of this, Phil Spector says, ‘Okay congas, you play this time.’ And I’d had my mic off, so everybody laughed, but my hands were shot.”

“After that they all disappeared – someone said they were watching TV or something – and I was told I could go. A few months later, I buy the album from my local record shop, look at the sleeve notes, and I’m not there. And I’m thinking, ‘There must be some mistake!’ But it’s a different version of the song, and I’m not on it.”

Once Collins would become a world-famous star in his own right, he and George were back in contact.

“Cut to years later,” Collins added. “I bought [former Formula 1 driver] Jackie Stewart’s house. Harrison was a friend of Jackie’s, and Jackie told me George was remixing All Things Must Pass.

“He said, ‘You were on it, weren’t you?’ And I said, ‘Well I was there.’ Two days later a tape’s delivered from George Harrison with a note saying: ‘Could this be you? Suddenly the congas come in – too loud and just awful. At the end of the tape you hear George Harrison saying, ‘Hey, Phil, can we try another without the conga player?’

“So now I know, they didn’t go off to watch TV, they went somewhere and said, ‘Get rid of him,’ cos I was playing so badly. Then Jackie rings and says, ‘I’ve got someone here to speak to you,’ and puts George on and he says, ‘Did you get the tape?’ and I said, ‘I now realise I was fired by a Beatle.’ He says, ‘Don’t worry, it was a piss-take. I got Ray Cooper to play really badly, and we dubbed it on. Thought you’d like it!’ I said, ‘You f**king bastard!’”, Collins then reminisced in hindsight, “It was lovely, wasn’t it?”

Yes, George went out of his way to pay a whole band to spend a day in the studio with him just so he could pull a joke on Phil Collins.

The Killers

SHORT TAKES — Our spy at the weekend’s Governor’s Ball said The Killers were spectacular. They played “Mr. Brightside” and “Andy, You’re A Star” (first time in seven years). One of my favorite bands, ever! Great to hear this …

Dick Van Dyke

Congrats to Dick Van Dyke at 98 winning an Emmy for his stint on Days of Our Lives. Bravo! …

This Thursday at the Landis Theatre in Vineland, New Jersey, is a special screening of The Zombie Wedding. Based on the hit interactive play (which premiered in 2015). The first-ever wedding between a Human Bride and a Zombie Groom; starring Heather Matarazzzo; Kevin Chamberlin; Vincent Pastore and Micky Dolenz.

Details to follow from producer Robert Dragotta … Watched Michael Mann’s Ferrari over the weekend and just loved it. Adam Driver; Penelope Cruz and Shailene Woodley were just extraordinary. Not your typical Mann-pic either. A must-see for sure …

And also caught Netflix’s Hitman with Glen Powell-the man-of-the-moment in film. He’s great, sort of a George Clooney-in the making. Directed by Richard Linklater – a surprise. Kind of a silly premise, but he carries it admirably and does his love-interest, the sultry Adria Arjona – who makes a rather memorable debut.

NAMES IN THE NEWS — Jane Blunkell; Dan Zelinski; Jane Berk; Howard Bloom; Peter Lubin; Stu Taub; Roy Trakin; David Adelson; Michael Nice; Joel Diamond; Mark Bego; Jimmy Fallon; Julie Gurovitsch; Vince Napolitano; Obi Steinman; Peter Abraham; David Sanborn; Craig Zisk; Tom & Lisa Cuddy; Brad Balfour; Jill Christiansen; Anni Bella; Lush Ice; Markos Papadatos; and Bella.

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