I have seen Adrienne Haan three times since April of this year. I had never heard of her before. The first time I was amazed at the size of the band that accompanied her on the stage at the Triad – six pieces, including a TUBA. The second show had a smaller band but along with her singing partner, Magali Dahan, was a myriad of costume changes. Walking into the Triad this time on July 19th to see her new show One World 2022, I noticed only a piano and drum set on stage. Throughout the performance she only wore one sparkling black lace dress, so what made this show standout from the rest? How about songs sung in thirteen different languages; hence, One World 2022. Ms. Haan always surprises us and each of her shows has its distinct highlights and WOW! moments.
I for one can not sing; I am also from New York; and, accordingly, Ive been told I have an accent. My attempts to learn a foreign language have been laughable “Polly voo Frances?”; so to listen to Ms. Haan flawlessly sing in all these distinct languages is a wonder. From the guttural sounds of German to the lilting French and nasal sounds of Mandarin she hits every note with strength and emotion. She even explains to us where in her body those sounds come from – diaphragm, throat, nose.
Opening up with Take It All from the musical Nine we embark on on a trip around the world starting with New York and the song Only in New York from Thoroughly Modern Millie. First stop is France with a heartfelt La Vie En Rose; and then switching in a second to a hand clapping audience rousing version of Milord also in French. Here she walks into the audience through the aisles making everyone feel special be they male or female.
Germany is a country that likes American musicals and Mary Poppins is one of them so you can imagine what a challenge the tongue twisting Supercalifragilisticexpialodious would be if sung in German. Well she does it supercal…ly. From German Ms. Hann morphs her singing into Yiddish, which we find out is a derivation of German and then we travel to Israel with a Hebrew song. This Hebrew song is by Moti Hamer called One Human Tissue which works well with the theme of the evening – we are all human – all of one race – one same tissue.
An evening of songs where only four of the sixteen are in English – the native tongue of most of the audience – can be a very risky endeavor; will the people become bored when they don’t understand the words (they did have to add subtitles to the opera these days to make the audience more comfortable); but, thanks to her everchanging voice with long notes and energetic dance moves the audience’s attention never waivers. She wisely intersperses familiar songs that the audience knows like Besame Mucho in Spanish and Con Te Partirò in Italian with songs that the audience may not know in Swedish, Turkish and her native tongue Luxembourgish.
Ms Haan has done this concert before but this time she added some new languages most notably Ukranian: Oyu vuschne wom sadu (Oh, in a cherry garden) which is a lovely song about a young couple in a garden – a song that depicts a peaceful country which it was before it became today‘s war torn nation.
Ms Hann has had an interesting career performing in all the inhabited continents of the world and this evening takes us to all points of the globe; from the previously mentioned Sweden to South Africa (singing in their most commonly spoken language – Zulu); from Argentina (OK she sings a song from Evita; but it still counts) to China, (she convinces a young woman from Shanghai in the audience to sing in Mandarin with her) and all points in between.
Richard Danley continues to join Adrienne on stage as her musical director behind the piano with Mike Campenni on drums and for their Turkish tune the saz accompanies them via audio tape as Adrienne sings Yiğidim Aslanım by Zülfü Livaneli which she performed for the European Delegation in Ankara on Europe Day 2019.
Ms Haan is the consummate entertainer and performer. Two piece band or full orchestra; one outfit or multiple wardrobe changes, in any language, Adrienne is the main attraction and I look forward to seeing her return to New York in December.
Santino Fontana Brings Voice, Comedy and Showmanship To 54 Below
Tony Award® winner Santino Fontana brings his tremendous talent to 54 Below and it is a show that wraps you up in his humor, charm, vocal prowess, laid back demeanor, jeopardy style musical choices and over all entertaining. By the end of the show you feel as if you know him or at least a part of him. Starting off with Charles Strouse and Lee Adams’s “Stick Around,” the night turned into a Russian roulette of material. The audience picked numbers and as Santino put it “if you don’t like the show, it’s your fault.” First up for my show was the naughty but amusing “Making Love Alone” followed by Rodgers and Hammerstein’s Cinderella‘s “Do I Love You,” which made for an amusing combination of songs. During Cinderella Mr. Fontana had shoes that were built up 2 inches inside and 2 inches outside, which cause a tremendous amount of pain, so the song told the story of his plight, which made the song take on a much different meaning. Sondheim’s “Anyone Can Whistle,” was sung for a Carol Burnett tribute, that luckily we were treated to.
His guest for the evening was Sarah Steele (“The Good Wife,” The Humans, The Country House) who sang “out There On My Own” from Fame. On the 14th it will be Greg Hildreth (Company, Disney’s Frozen, Rodgers + Hammerstein’s Cinderella). Click on the name and you can hear that version.
Showing off his baritone side with Rodgers and Hammerstein’s “If I Loved You.” We almost got to see Santino in Cy Coleman and Dorothy Fields”s Sweet Charity, instead we got hint of what that would be like with “Too Many Tomorrows.” A hilarious version of “I feel Pretty” from West Side Story lightened the mood and had the room in tears. Recreating his duet “Love Is An Open Door” from Frozen, Santino channeled Dorothy Michaels from Tootsie. Again the room was laughing with the sheer comedic genius that won Mr. Fontana a Tony Award. Bringing the energy to a calmer state was the emotional Leslie Bricusse and Anthony Newley’s “Who Can I Turn To?”
Vocally the most impressive song of the night was “Joey, Joey, Joey” from Most Happy Fellow. Mr. Fontana’s voice was glorious in the tones and the subtle texturing. Keeping in the ballad mode and honoring Marilyn Bergman he launched into the iconic “Where Do You Start,”while accompany himself on the piano, which was highly impressive. Back to the uptempo mode “I Met A Girl” from Bells Are Ringing, was given a rigorous, amusing take. This was his original audition song. Lerner and Loewe’s “How to Handle a Woman,” from the recent Camelot, showed how Santino would have made an excellent King Arthur.
Another favorite moment of the night was “Buddy’s Blues” from Follies. Already a personal favorite, this made me want to see Santino play this role at a later date, though personally I would cast him as Ben.
For the finale songs “The Music In You” from Cinderella, told how he and the cast loved watching the magnificent Victoria Clark perform. “This Can’t Be Love” from 1938 Rodgers and Hart musical The Boys from Syracuse, ended up in an encore, of Harvey Schmidt and Tom Jones’s “They Were You” from The Fantasticks, which made my guest producer Pat Addiss extremely happy.
Santino was backed by his musical director and accompanist Cody Owen Stine, who played flawlessly.
Santino Fontana opened September 10th at 54 Below and you can still catch this marvelous show tonight September 14th. 54below.com
This is a do not miss!
Talking With Mauricio Martínez About His New Show 5’11, Based in NYC and More
I met Emmy Award winner Mauricio Martínez when he was performing in Children of Salt and have watched him ever since. He then became known for the Broadway musical On Your Feet!, but before that he appeared in the Emmy Winning TV Show El Vato NBC, the hit Señora Acero Telemundo and several Mexican telenovela. T2C talked to this prolific actor/ singer to learn more.
His new show at 54 Below talks about all the self-tape sides filling up his Dropbox. In his new show, 5’11, Based in NYC, Mauricio is putting those to good use in a musical “What If…,” sorting through what might have been. Pushing aside the ring light, you will lean more about this uber talented Mexican American.
His show on October 5 and 6 at 7pm is at 54 Below. The show feature Linedy Genao (Bad Cinderella, On Your Feet!) and Alexis Michelle (“RuPaul’s Drag Race”) and is written by Mauricio Martínez & Robbie Rozelle, with musical direction and arrangements by Brian J. Nash. Directed by Robbie Rozelle.
Video by Magda Katz
Ken Fallin’s Broadway: Linda Purl Not Just An Actress
Last night Linda Purl took the audience at The Green Room 42 on a magical journey.
In 2020 Linda Purl starred as Ryan Spahn mother in Vivian Neuwirth’s Mr. Toole at 59E59 Theaters.
Ms Purl just released her fourth album of standards, This Could Be the Start. If the CD is anything like the concert this s a must have,
Linda Purl Had The Room In Her Hand at The Green Room 42
You know Linda Purl, for her work on Movies of the Week, Happy Days, The Bold and the Beautiful, Matlock, Murder She Wrote, The Office and more. Recently she released her fourth album of standards, This Could Be the Start, and she celebrated its debut with a special concert Monday, September 11th at The Green Room 42.
Standards such as “This Could Be The Start,” I’ve Gotta Lot of Living,””Shall We Dance,” “Caravan,“Blue Moon,” “Let’s Get Lost,” “Taking a Chance on Love,” “Here’s To Life” and more were given a sultry, laid back, come hither approach. You can tell Ms. Purl is an actress first, as these song, all told stories that wrapped you in their spell. The lyrics become front and center, but are thrown away with a knowing that surpasses time. Part of the magic is the alternating rhythms to the originals that make these versions stand out and draw you in.
Part of this intoxication is her musical director Ted Firth, who is a musical genius. Purl has been working with him for 15 years. When ever I fall in love with an arrangement, inevitably it is always Ted Firth at the helm. Firth was on piano with David Finck on bass and Ray Marchica on drums. Purl smartly uses the best of the best.
During Ms. Purl’s patter we learned about her love of hiking, she hails from Colorado, her partner, Patrick Duffy, and their sourdough starter company, as well as painting old trees with paint and glitter.
Purl knows how to keep her audience in the palm of her hand and wanting more. She is warm, engaging and a song stylist, that will keep you coming back for more.
All photo’s and video are Magda Katz
Daisy Jopling and Frank Shiner Raise Money To Give Kids The Gift 0f Music
Classical/rock violinist Daisy Jopling, vocalist Frank Shiner and her fabulous band performed at Chelsea Table + Stage Saturday, September 9 at 9:30 PM. The duo perform an eclectic mix of music from blues and standards to classical. The magical band that accompanied them included Ray DeTone on guitar, Sofia Gould on saxophone, Jeff Miller on piano, Lavondo Thomas on bass and Dan Weiner on drums.
17 year old, Sofia Gould was a Daisy Jopling student and one of the reasons this foundation is so needed.
For a special treat 17 year old Melisa Muñoz played a mean trumpet.
Daisy tours the world with her own band, and also runs a music mentorship foundation.
The Daisy Jopling Foundation has given 6,810 children world class music performances for free.
4,500 hours of time volunteered.
1,000 residents given free tickets to our concerts.
920 children served in their mentoring programs.
Partnered with over 50 non-ройt organizations to.
transform their student’s lives.
Daisy was the first international violinist to perform a major concert at the Great Pyramids of Giza in Egypt on November 4, 2022, collaborating with Egyptian stars Hany Adel, Wust El Balad and Noha Fekry.
Daisy started off by playing a concerto at the Royal Albert Hall in London at the age of 14, the opening of the Vienna Festival, 53 stunning concert halls in China, creating “Illuminance” on Bannerman Island, NY which aired on PBS in 2021 and 2022, and performing her own “Awakening” Concert at Alice Tully Hall, Lincoln Center.
Frank Shiner released his debut album, The Real Me, in 2014, A second LP, Lonely Town, Lonely Street, he released on his own Bakerson Records label. He is now writing a musical about his dad, in which he debuted one of the songs.
They ending the concert with “Joy To The World.” This was a great night of raising funding for children and music.
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