The Al Hirschfeld Foundation is proud to announce the latest in a series of online exhibitions exploring the work of one of the most iconic artists of the last century.
Coinciding with Al Hirschfeld’s 117th birthday this week, the Foundation has launched special exhibition for these times: “Lost In The Stars: Black Theatre Makers Drawn by Hirschfeld”, a collection of over 25 drawings, paintings, and prints documenting nearly three-quarters of a century of African-American theater artistry. This special digital exhibit will be online August 2, 2020 at AlHirschfeldFoundation.org/exhibitions before a new exhibition is presented.
The online exhibition begins with F.E. Miller and Aubrey Lyles, the duo that wrote the book and starred in the landmark musical Shuffle Along and travels 72 years to include drawings of Canada Lee, Paul Robeson, Diana Sands, James Earl Jones, Ed Bullins, Charles Brown, Robert Guillaume, Nell Carter, Ntozake Shange, Charles Dutton, and Audra McDonald, and shows including Carmen Jones, Decision, For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf, the musical Golden Boy, Ain’t Misbehavin’, the 1976 all Black revival of Guys & Dolls, and Marie Christine.
“Black actors, directors, composers, lyricists, playwrights, designers, and producers have long played a role in the American Theater, despite Broadway’s nickname as The Great White Way,” writes David Leopold, Creative Director for the AHF in the introduction to the exhibition. “The title of this exhibition comes from the musical of the same name that explored the racial injustices of the 20th century South Africa apartheid system. But it can also serve as a metaphor of the Black creative in a predominantly white theater world. Too often the contributions of Black artists have been minimized or co-opted, and the Al Hirschfeld Foundation wanted to look at many of the Black stars in all disciplines that make the American Theater what it is today. “Lost In The Stars…” will be the first of at least four exhibitions that will explore Black theater, film, dance and music over the next year. We believe that Black Live Matter. Black Art Matters. And Black Theatre Matters.” In keeping with the spirit of Hirschfeld, this exhibition is free and open to everyone.
The show is part of the AHF’s continuing mission to promote interest in the theater and the performing and visual arts. For this exhibition there is a special gift shop of merchandise connected to the exhibition at online at AlHirschfeldFoundationshop.org/product-category/lost-in-the-stars.
Go behind the lines of Hirschfeld’s art with “The Hirschfeld Century Podcast,” nominated as “Best NYC podcast” by the 2020 Apple Awards. A special episode dedicated to the works featured in “Lost In The Stars: Black Theatre Makers Drawn by Hirschfeld” will be available starting June 30, 2020 from AlHirschfeldFoundation.org/podcasts, iTunes and other popular podcast sites.
Al Hirschfeld’s drawings stand as one of the most innovative efforts in establishing the visual language of modern art through caricature in the 20th century. A self-described “characterist,” his signature work, defined by a linear calligraphic style, appeared in virtually every major publication of the last nine decades (including a 75-year relationship with The New York Times) as well as numerous book and record covers and 15 postage stamps. Hirschfeld said his contribution was to take the character, created by the playwright and portrayed by the actor, and reinvent it for the reader. Playwright Terrence McNally wrote: “No one ‘writes’ more accurately of the performing arts than Al Hirschfeld. He accomplishes on a blank page with his pen and ink in a few strokes what many of us need a lifetime of words to say.” In 1945, Hirschfeld celebrated the birth of his daughter Nina by placing her name in the background of a drawing. What the artist described as an innocent prank soon became a personal trademark and national obsession, as he began hiding numerous NINA’s throughout his drawings for years to come. He is represented in many public collections, including the Metropolitan Museum of Art, the Whitney Museum of American Art, the National Portrait Gallery, and Harvard’s Theater Collection. Hirschfeld authored several books including Manhattan Oases and Show Business is No Business in addition to 10 collections of his work. He was declared a Living Landmark by the New York City Landmarks Commission in 1996, and a Living Legend by The Library of Congress in 2000. Just before his death in January 2003, he learned he was to be awarded the Medal of Arts from the National Endowment of the Arts and inducted into the Academy of Arts and Letters. The winner of two Tony Awards, he was given the ultimate Broadway accolade on what would have been his 100th birthday in June 2003. The Martin Beck Theater was renamed the Al Hirschfeld Theater.
Ahead of the Broadway Opening of Lempicka The Longacre Theatre Is Showcasing Art Work By Tamara de Lempicka
The Longacre Theatre (220 W 48th St.), soon-to-be home of the sweeping new musical, Lempicka, is showcasing a curated selection of renowned artist Tamara de Lempicka’s most famous works. Eschewing traditional theatrical front-of-house advertising, the Longacre’s façade now boasts prints, creating a museum-quality exhibition right in the heart of Times Square. The musical opens on Broadway on April 14, 2024 at the same venue.
The Longacre’s outdoor exhibition includes works of Self Portrait (Tamara in a Green Bugatti) (1929), Young Girl in Green (1927), Nu Adossé I (1925), The Red Tunic (1927), The Blue Scarf (1930), The Green Turban (1930), Portrait of Marjorie Ferry (1932), Portrait of Ira P. (1930), Portrait of Romana de la Salle (1928), and Adam and Eve (1932).
Starring Eden Espinosa and directed by Tony Award winner Rachel Chavkin, Lempicka features book, lyrics, and original concept by Carson Kreitzer, book and music by Matt Gould, and choreography by Raja Feather Kelly.
Spanning decades of political and personal turmoil and told through a thrilling, pop-infused score, Lempicka boldly explores the contradictions of a world in crisis, a woman ahead of her era, and an artist whose time has finally come.
Young Girl in Green painted by Tamara de Lempicka (1927). Oil on plywood.