Amelia Roper’s Zürich takes place in a luxury hotel in Switzerland in identical rooms. Watching through a pane of glass, it’s as if we are voyeuristically spying on five sets of inhabitants, who each play a part in the final outcome. Each scene ends with a gunshot, a blackout, and the sound of an explosion until we begin to realize this is all happening at once.
We first meet a handsome, self-involved banker (Paul Wesley) who refuses to leave the room of the woman (Juliana Canfield) he has just had a drunken one-night stand with. He believes this room is his and she just wants him to leave. He seems to have misplaced a lot of things, including his luggage. Mr. Wesley’s hysterical portrayal makes this scene hum, and Ms. Canfield is his perfect match.
Next, an African-American man (Austin Smith) is being disturbed by the maid (Carolyn Holding) he has summoned to clean his bathroom, but what he really needs is someone to take out his frustrations on. The maid is just as needy and as miserable as he is, if not more so. He is trying to come to grips with his promotion by his unethical employers, but he is just as slimy as they are in his own way. Ms. Holding is a gem as the maid and holds her own against the devious Smith.
Turning the tables, a 13-year-old (Samantha Cutler) is babysitting her obnoxious 11-year-old brother (Gregory Diaz IV). Rooting through their parent’s luggage, they find a gun.
In another room, a German-Jewish woman (Renata Friedman) is trying to find out where the contents of her grandmother’s bank account have gone. Her Grandmother was killed by the Nazi’s and it seems that a Swiss bank has confiscated other accounts of this kind while trying to skirt the issue. In the meantime, her daughter (Sami Molly Bray) is bored to death.
Finally, a retirement-home escapee (Lynne Lipton) and her orderly (Matthew Stadelmann), bitter at their economic circumstances, plan to blow up the lot.
Produced by Colt Coeur and New York Theatre Workshop and directed by Colt Coeur’s artistic director Adrienne Campbell-Holt, this show keeps at a steady pace as we explore the last moments of 10 lives. In a world deep into global crisis, is there really any neutrality? Amelia Roper’s smart dialogue matched with winning performances makes Zürich a stand out.
Zürich: Colt Coeur and New York Theatre Workshop, 4th Street Theatre, until May 5th.
Asi Wind’s Inner Circle Where Cards Are Magical and Slight of Hand is Astounding
My guest absolutely loved Asi Wind’s Inner Circle pre, but if you have been to Speakeasy Magick at The McKittrick Hotel, much of what is here will seem repetitive, though still amazing.
Asi, is good looking, charming, amusing and has a wonderful slight of hand. The Gym at the Judson has been designed and lit by Adam Blumenthal to make the space warm and inviting. The space only has 100 seats so you are up-close and personal.
Before the show starts audience members are asked to write their names and initial on a blank card with red or black sharpie’s. These are the cards he uses as his deck, so that each night the show is personalize.
Wind is a wonderful storyteller and loves his craft. He is infectious about his passion and in so brings his audience in. Each trick is celebrated as he builds his momentum. You will have seen most of these tricks before, if you have been to The McKittrick, but Asi makes it fun and exciting.
My guest could not wait to bring her grandson and throughly enjoyed the show. That alone made the performance special.
Asi Wind’s Inner Circle: Gym at Judson, 243 Thompson Street, until May 28th.
Theatre News: Andrew Lloyd Webber, Bad Cinderella, John Kander, KPOP and The Rewards of Being Frank
A Statement From Andrew Lloyd Webber
I am absolutely devastated to say that my eldest son Nick is critically ill.
As my friends and family know, he has been fighting gastric cancer for the last 18 months and Nick is now hospitalised.
I therefore have not been able to attend the recent previews of Bad Cinderella and as things stand, I will not be able to cheer on its wonderful cast, crew and orchestra on Opening Night this Thursday.
We are all praying that Nick will turn the corner. He is bravely fighting with his indomitable humour, but at the moment my place is with him and the family.
Opening Night Performance of Andrew Lloyd Webber’s new musical Bad Cinderella is Thursday, March 23, 2023 at Imperial Theatre, 249 W 45th Street.
Red Carpet arrivals of celebrity guests including Afyia Bennett, Senator Barbara Boxer, Alex Brightman, Tory Burch, Kandi Burruss, Jordan E. Cooper, Erin Dana Lichy, Lamar Dawson, Machine Dazzle, Bethenny Frankel, Mandy Gonzalez, Amber Gray, Jae Gurley, Amber Iman, Ashley Longshore, Carson Kressley, Judy Kuhn, Loosey LaDuca, Luann de Lesseps, Marcia Marcia Marcia, Martyna Majok, Ingrid Michaelson, Andy Mientus, Minnie Mills, Pablo Montalban, Justin Peck, Wendell Pierce, Zac Posen, T. Oliver Reid, Krysta Rodriguez, Daphne Rubin-Vega, Sylvester Stallone, Elizabeth Stanley, Alex Timbers, Tommy Tune, Tanairi Sade Vasquez, Ana Villafane, Anna Wintour and the cast and creative team of Bad Cinderella including Andrew Lloyd Webber, Linedy Genao, Carolee Carmello, Grace McLean, Jordan Dobson, Sami Gayle, Morgan Higgins, Cameron Loyal, Christina Acosta Robinson, Savy Jackson, Mike Baerga, Raymond Baynard, Lauren Boyd, Tristen Buettel, Alyssa Carol, Gary Cooper, Kaleigh Cronin, Josh Drake, Ben Lanham, Angel Lozada, Mariah Lyttle, Robin Masella, Sarah Meahl, Michael Milkanin, Chloe Nadon-Enriquez, Christian Probst, Larkin Reilly, Julio Rey, Lily Rose, J Savage, Dave Schoonover, Tregony Shepherd, Paige Smallwood, Lucas Thompson, Alena Watters and more.
John Kander celebrates his 96th birthday on Saturday, March 18, six days before New York, New York, his 16th original Broadway musical begins performances at the St. James Theatre., giving him the distinction of being the oldest composer to open a new musical on Broadway. To honor the legendary composer Susan Stroman, Lin-Manuel Miranda, Colton Ryan, Anna Uzele and the cast and creative team of New York, New York surprised John Kander with a Big-Apple-sized rendition of “Happy Birthday.” You can watch the video here.
A titan of the American Theatre, John Kander made his Broadway debut as the rehearsal pianist for the original production of Gypsy starring Ethel Merman in 1951. The first Kander & Ebb musical, Flora The Red Menace, debuted in 1965 and starred Liza Minnelli in a Tony-winning performance. What followed was a string of legendary musicals including Chicago, Cabaret, Steel Pier, Curtains, The Visit and The Scottsboro Boys, all culminating in this new musical set in post-war New York, inspired by the 1977 Martin Scorsese film of the same name, which features the iconic song “New York, New York.” New York, New York marks the 15th Kander & Ebb musical to open on Broadway.
New York, New York marks the first new John Kander & Fred Ebb musical to open on Broadway since 2015’s The Visit, which was nominated for 5 Tony Awards including Best Musical. The legendary duo is also currently represented on Broadway with Chicago, which holds the distinction of being the longest-running American musical in Broadway history.
New York, New York stars Colton Ryan (Girl From The North Country, Hulu’s “The Girl From Plainville”) as Jimmy Doyle, Anna Uzele (Six, Apple TV+’s “Dear Edward”) as Francine Evans, Clyde Alves (On The Town) as Tommy Caggiano, John Clay III (Choir Boy) as Jesse Webb, Janet Dacal (In The Heights) as Sofia Diaz, Ben Davis (Dear Evan Hansen) as Gordon Kendrick, Oliver Prose as Alex Mann (Broadway Debut), Angel Sigala (Broadway Debut) as Mateo Diaz, and Tony Award nominee Emily Skinner (Side Show) as Madame Veltri. The ensemble includes Wendi Bergamini, Allison Blackwell, Giovanni Bonaventura, Jim Borstelmann, Lauren Carr, Mike Cefalo, Bryan J. Cortés, Kristine Covillo, Gabriella Enriquez, Haley Fish, Ashley Blair Fitzgerald, Richard Gatta, Stephen Hanna, Naomi Kakuk, Akina Kitazawa, Ian Liberto, Kevin Ligon, Leo Moctezuma, Aaron Nicholas Patterson, Dayna Marie Quincy, Julian Ramos, Drew Redington, Benjamin Rivera, Vanessa Sears, Davis Wayne, Jeff Williams, Darius Wright. New York, New York begins performances Friday, March 24, 2023 and officially opens Wednesday, April 26, 2023 at Broadway’s St. James Theatre (246 West 44th Street).
Featuring music and lyrics by Tony, Emmy & Grammy Award winners and Academy Award nominees John Kander & Fred Ebb (Chicago, Cabaret), written by Tony Award nominee David Thompson (The Scottsboro Boys, Steel Pier), co-written by Sharon Washington (Audible’s Feeding The Dragon) and featuring additional lyrics by Pulitzer, Tony, Emmy & Grammy Award winner and Academy Award nominee Lin-Manuel Miranda (Hamilton, In The Heights), New York, New York will be directed and choreographed by five-time Tony Award winner Susan Stroman (The Producers, The Scottsboro Boys).
It is 1946, the war is over, and a resurgent New York is beginning to rebuild. As steel beams swing overhead, a collection of artists has dreams as big and diverse as the city itself.
Among them is New York native Jimmy Doyle, a brilliant but disillusioned musician looking for his “major chord” in life: music, money, love. The odds are against him getting all three until he meets Francine Evans, a young singer just off the bus from Philly, who is destined for greatness. If they can make it there, they can make it anywhere.
Tickets for New York, New York are now on-sale at www.NewYorkNewYorkBroadway.com. Tickets start at $59.
This new musical is inspired by the Metro-Goldwyn-Mayer Motion Picture New York, New York written by Earl M. Rauch.
Sony Masterworks Broadway, along with producers Tim Forbes and Joey Parnes, share new track “Super Star” from KPOP – Original Broadway Cast Recording – listen here. Featuring vocals from chart-topping Korean songstress and show lead Luna as well as the show’s talented cast of performers, “Superstar” is the second track to debut from the album, which arrives digitally on Monday, May 8 and on CD Friday, May 12. “Super Star” premieres today alongside an accompanying video featuring Luna – watch here.
Available for preorder and presave now, KPOP – Original Broadway Cast Recording was produced by Helen Park, Matt Stein, and Harvey Mason jr.(NCT 127, Red Velvet), and features music, lyrics, music production and arrangements by Park and music and lyrics by Max Vernon. The first-ever Broadway musical to celebrate Korean culture with Korean, Korean-American, and API representation on and off-stage, the album features a star-studded cast of performers from the world of K-pop, including chart-topping superstar and lead Luna, BoHyung (from the K-pop group SPICA and half of the duo KEEMBO), Min (from the K-pop group Miss A), Kevin Woo (from the K-pop group U-KISS), and more.
The Rewards of Being Frank, currently running through March 26, 2023 at the Mezzanine Theatre at ART/New York Theatres (502 West 53rd Street), is now available for streaming, also through March 26 only. The World Premiere play, written by Alice Scovell, is a sequel to Oscar Wilde’s immortal 1895 comedy, The Importance of Being Earnest. https://ci.ovationtix.com/35099/store/donations/49755 The cast for The Rewards of Being Frank feature Moboluwaji Ademide Akintilo (New York Classical’s The Importance of Being Earnest (Two Ways), Shakespeare’s Globe Theatre’s A Midsummer Night’s Dream) as Frank, James Evans (The McKittrick Hotel’s The Woman in Black) as Algernon, Kelly Mengelkoch (Cincinnati Shakespeare Company) as Gwendolyn, Tora Nogami Alexander (The Acting Company’s Twelfth Night) as Cecily, Jeremy Dubin (Cincinnati Shakespeare Company) as Ernest, and Christine Pedi(Broadway’s Chicago, Talk Radio, Off-Broadway’s Forbidden Broadway) as Lady Bracknell. Oscar Wilde’s much-loved The Importance of Being Earnest receives a hilarious sequel in this world premiere. Set seven years after Wilde’s play, see what happens to our characters when they meet Frank. After all, the only thing more Important than being Earnest, is being Frank! Performances are Tuesday-Sunday at 7:00 PM with matinees on Wednesdays at 2:00 PM. Running time is two hours including intermission. Tickets are available on the NY Classical website. Advance reservations are $35 per seat. These reservations are refundable—in cash, at the theatre—following each regular performance.* All NY Classical programs are free and open to the public. Pending seating availability, FREE admission will be available beginning one hour before curtain, on a first-come, first-served basis.The Rewards of Being Frank is a co-production of New York Classical Theatre (Stephen Burdman, Founding Artistic Director, Matthieu Chapman, Literary Director) and Cincinnati Shakespeare Company (Brian Isaac Phillips, Producing Artistic Director). Mr. Burdman directs. The streaming version of The Rewards of Being Frank is available for a donation of $10 or higher. You can watch the recording as often as you wish and at any time. The link will expire at 10:00 pm on Sunday, March 26, 2023. To order, or for more information, please visit:
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