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Off Broadway

Arthur Miller’s The Crucible a Tale of False Accusations, Greed and Mob Mentality

Arthur Miller’s The Crucible a Tale of False Accusations, Greed and Mob Mentality

Randolph Curtis Rand, Shirine Babb photo by Ashley Garrett

I am grateful to Eric Tucker and Bedlam’s version of Arthur Miller’s The Crucible, as it erased the demonic Ivo Van Hove version. They claim it is a paired down version, actually it is a bare bones production that has you sitting on hard wooden chairs without cushions for over three hours. John McDermott’s set design utilizes these chairs as jail cells, as handheld lights by Les Dickert and simple costumes by Charlotte Palmer-Lane keep us in the era.

crucible bedlam
Eric Tucker and cast photo by Ashley Garrett

Here we play out the 17th-century Salem witch trials, which were based on the televised McCarthy hearings and seem like they could be plucked right out of today’s headlines. With 13 actors, a low key Tucker, not only directs, but plays Reverend John Hale, the man who signs the death warrants. The entire cast has been assigned as ensemble, though some of their acting stands out, others seem in another production.

Truett Felt photo by Ashley Garrett

Betty Parris (Susannah Millonzi), Abigail Williams (an underplayed Truett Felt), Mary Warren (Caroline Grogan), Mercy Lewis (Shirine Babb) and Susanna Walcott (Zuzanna Szadowski) have been caught in the woods, naked with the servant Tituba (also Ms. Babb). Rather than punishment, the girls proclaim witchcraft and because of the wealthy and influential Thomas Putnam (a scary and terrifying wonderful Arash Moktar) and his wife, Ann (also Ms. Szadowski), Reverend Parris (Randolph Curtis Rand) invites Reverend John Hale (Tucker), an expert in witchcraft and demonology.

The reason they were in the woods was Abigail, Parris’s ward was doing a spell to get John Proctor (Ryan Quinn) to leave his wife (again the fabulous Ms. Millonzi), who has come to regret his affair.

Ryan Quinn, far left, Paul Lazar, far right photo by Ashley Garrett

Abigail ends up accusing countless citizens of witchcraft, becoming one of the most powerful people in Salem. As she is about to be found out, she flees Salem with her uncle’s fortune rather than face the consequences of her actions.

Proctor, a decent man struggles to make up for his sins. Accusations were based more on property and hate, and the innocent chose their good names and death, rather than accept the lies Judge Thomas Danforth (Paul Lazar) and the court were asking for.

This piece is so timely and warns about mob mentality, the question is can we heed it’s message?

The Crucible: Bedlam in co production with Nora Theatre Company at The Connelly Theater, 220 East 4th St. until Dec. 29th.

Off Broadway

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

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