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Jennifer Holiday

Jennifer Holliday

Jacob Langfelder in partnership with Arts-For-All, Jill Bernard and Rashad Chambers will present a one night only concert featuring TONY and Grammy Award winner Jennifer Holliday along with The Color Purple’s Rema Webb.  Julie James, host of Sirius XM’s Broadway Names with Julie James will host Ms. Holliday and others guests in this very special Broadway Names LIVE!  The concert will be presented at 42West located at 514 West 42nd Street between 10th and 11th avenues. The performance will take place Monday, January 18th, 2016 Tickets start at $50 and can be purchased at www.broadwaynames.eventbrite.com

Jennifer Holliday has been proclaimed a Broadway legend by critics and fans alike. Her show-stopping, heart-wrenching performance of the torch ballad And I am Telling You, I’m Not Going in the 1981 smash hit, Dreamgirls, is considered one of the all-time best performances in a Broadway musical. The iconic role made Jennifer Holliday a household name and introduced her big, soulful voice to the world.

Jennifer is showing the world a new musical look with her latest CD project, This Song Is You (2014, Shanachie Records). The album showcases her extraordinary vocal range and mastery of multiple musical genres.

Born and raised in Houston, TX, Jennifer went straight from the Pleasant Grove Baptist Church Choir to the Broadway stage. One Sunday, while singing in the church choir, she was discovered by dancer Jamie Patterson who was touring in the national company of A Chorus Line. Jamie set up an audition for Jennifer in New York for the show Your Arms Are Too Short To Box With God. During the audition with the show’s creator and director, Vinnette Carroll, Jennifer sang her favorite hymn, God Will Take Care of You and that He did.  She was hired for the show that same day.

Jennifer toured with Your Arms Are Too Short To Box With God and then made her Broadway debut with the show. Jennifer came to the attention of many theater luminaries and critics, most notably the renowned Broadway director and choreographer Michael Bennett, the creator of A Chorus Line. As soon as he heard her sing, he knew he wanted to work with her. He invited her to participate in an untitled project that he was producing.  Even though, at the time, Jennifer wasn¹t familiar with Bennett, and she was still performing in Your Arms Are Too Short To Box With God, Bennett¹s project sounded too good to pass up. The project turned out to be Dreamgirls, which had previews in Boston and opened on Broadway on December 21, 1981, at the Imperial Theatre. Her portrayal of Effie ³Melody² White, a role which she co-created, not only brought theatergoers to their feet for eight performances a week, but also garnered her a Tony Award for Best Actress in a Musical and her first GRAMMY® Award for Best R&B Female Vocalist.

Rema webb is currently in the Broadway Revival of The Color Purple.  Other Broadway credits include: Violet, The Lion King, The Book of Mormon and Ragtime. She recently starred in You¹re Standing In My Way: A New Song Cycle by William Finn and Deborah Abramson at Barrington Stage Company as well as A New Brain at Encores! Off-Center.  Favorite regional credits include:  The Colored Museum at the Huntington Theatre Company (Elliot Norton Award for Best Ensemble) and Being Alive (Westport Country Playhouse and Philadelphia Theatre Company). In 2014, she made her 54 Below solo concert debut with Children Will Listen. She is the founder/executive director of the On Broadway Performing Arts Training Program.

Julie James is an award-winning vocalist, theatre performer, voiceover artist and radio personality. Julie is the Program Director of Sirius XM Radio’s On Broadway and Metropolitan Opera Radio stations and hosts “Broadway Names with Julie James” where she takes her listeners on the town, backstage and into the studio for fun, lively conversations with the biggest and best of Broadway and beyond, including Hugh Jackman, Julie Andrews, Sting, Kristin Chenoweth, Rita Moreno, Neil Patrick Harris, Ben Vereen, Patti LuPone, Barry Manilow, Bernadette Peters, Daniel Radcliffe and many others. Julie has also performed internationally, recently playing sold-out engagements at New York City’s venerable 54 Below, singing the National Anthem at Fenway Park for a stadium of 34,000, has appeared with the Indianapolis Symphony Orchestra, Cincinnati Opera, Goodspeed Opera House, Long Wharf Theatre, Cincinnati Playhouse in the Park, St. Louis Repertory Theatre, in concert in Kazakhstan for its President, and headlined at New York’s famed Central Park Summerstage, Joe’s Pub at the Public Theatre and The Rainbow Room. Julie has hosted hundreds of events across America for clients including Saks 5th Avenue, Bloomingdale’s, Macy’s, and Lord & Taylor, and she was the exclusive spokeswoman for Tommy Hilfiger Woman for two years. Julie’s personality, stage presence and vocal style brought her to SiriusXM Radio where her voice is heard by millions each day as a host and on voiceovers, jingles and parody songs for various channels and “The Howard Stern Show.” Her ³Broadway Buzz² news updates air throughout the day on SiriusXm On Broadway channel 72, and ³Broadway Names with Julie James² premieres Saturdays 8 PM ET with encores Sun 12 PM, Wed 7 AM & Thu 9 PM.

Arts For All offers accessible artistic opportunities to children in the New York City area who face socio-economic, physical, or emotional barriers to exploring the arts.  Through Arts For All, professional artists work with youth organizations to build self-confidence, self-expression, teamwork, resilience, and creativity in children.  To learn more about Arts For All, please visit arts-for-all.org

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Art

Peony Tattoo and Cafe: Where Ink and Coffee Collide in Miami – World-Renowned Tattoo Artist Boris Bianchi’s New Tattoo, Café Fusion

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The only award-winning tattoo studio in Florida, co-created by world-renowned tattoo artist Boris Bianchi is making waves in Miami, FL.

Boris Bianchi

The eclectic fusion of tattoo artistry and café culture nestled in Miami’s Little River, provides a one-of-a-kind experience. The concept of combining a tattoo studio with a café may seem unconventional to some, but for Boris, the co-founder of Peony, it was a dream waiting to be realized. Having spent time in Scotland, he witnessed the seamless integration of tattoo culture with café ambiance, and Boris knew he wanted to bring that concept to Miami.

Upon his return to Miami during the COVID-19 pandemic, Boris stumbled upon a spacious location where he knew his idea could flourish. The vastness of the space allowed him to not only house a top-notch tattoo studio but also to create a welcoming café atmosphere, reminiscent of a hidden speakeasy with its secret bookshelf entrance.

The unique décor of Peony reflects Boris’s passion for collaboration and creativity. Teaming up with well know artist, Ruskin, who boasts an impressive collection of over 300 vehicles, Boris found inspiration in the ever-changing display of cars, that grace the café’s interior. This partnership also led to exciting collaborations with the Miami Art Society, showcasing single art shows that rotate every few months, ensuring a constantly evolving space that stimulates the senses.

Reflecting on his journey as a tattoo artist, Boris takes pride in his evolution from mastering traditional styles to pioneering his own distinctive blackwork-fine line fusion. This unique approach has attracted clients from around the globe, drawn to his unparalleled skill and creativity. He meshed his background in Japanese traditional and American traditional to what he learned in Scotland to create his signature style.

As he looks to the future of tattooing, Boris acknowledges the evolving landscape, embracing innovation while staying true to his craft. He finds intrigue in the city’s endless possibilities, from its vibrant culture to its late-night culinary delights. But amidst the hustle and bustle of Miami’s streets, Peony stands as a sanctuary for creativity, community, and self-expression—a testament to Boris’s unwavering dedication to his craft and his commitment to leaving a lasting impact on the world of tattooing.

To inquire about Peony, contact the store at peonymiami@gmail.com or +1 (305) 850-3666

For more information, please visit http://peony.miami/ or the storefront at 117 NE 54th St B, Miami, FL 33137

For more information on Boris Bianchi, please visit https://www.instagram.com/borisbianchi/?hl=en

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Out of Town

Inside Bucks County Playhouse World Premiere Musical Last of the Red Hot Mamas

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From serving up jokes with a side of blintzes in a Hartford Jewish deli to performing for adoring crowds at Broadway’s Palace Theater in seven short years, the unexpected rise of Sophie Tucker to the rank of comic superstar is the subject of the new world premiere musical, Last of the Red Hot Mamas, making its debut at Bucks County Playhouse, June 28 through July 27. Last of the Red Hot Mamas will begin previews on Friday, June 28 with an official press opening on Thursday, July 11 at 7:30 pm.
T2C was there at the press meet and greet.
The Playhouse’s Producing Director Alexander Fraser, Executive Producer Robyn Goodman, and Producer Joshua Fiedler announced casting and details for this new musical, which features direction and choreography by Shea Sullivan, and a book by Susan Ecker, Harrison David Rivers and Lloyd Ecker.
Last of the Red Hot Mamas is the 11th world premiere production at the New Hope theater since it reopened in 2012 and is part of Playhouse’s commitment to developing new work.
“The big surprise for me was seeing how Sophie Tucker’s wild, racy and very funny take on life changed show business forever,” says Alexander Fraser, Producing Director. “Sophie Tucker made the world accept her for who she was . . . a full-figured Jewish girl with a voice as loud as a steam whistle. We’re proud to help shed light how she paved the way for all those to follow who felt like they didn’t fit in.”
In 1973, while they were students at Ithaca College, Susan Denner (now Ecker) and Lloyd Ecker went on a first date to a Bette Midler concert. The couple quickly fell in love—with both each other and the “Divine Miss M.” Midler’s hilarious ‘Soph’ jokes piqued their curiosity about their origin — the pioneering vaudeville performer Sophie Tucker — leading the duo to publish a fictional memoir, “I Am Sophie Tucker,” and create a well-regarded documentary, “The Outrageous Sophie Tucker.”  A big new musical is the next step in the Eckers’ 50-plus year fascination with the saucy, sassy comedienne — Sophie Tucker. To bring their dream to life, they joined forces with Sullivan, and award-winning playwright, Harrison David Rivers.
“Picture a groundbreaking, occasionally arrested for sexual innuendo, jazz-singing, 25-year-old very plump ‘Taylor Swift’ of 1913. Sophie Tucker was on the front pages every day, with men craving her and women copying her hair and fashion styles. We’re confident our must-see world premiere musical is going to make Tucker an international icon… again,” says Lloyd Ecker.
“We’re equally sure the innovative and exciting Bucks County Playhouse is about to become the place to be this July,” added Susan Ecker.
Before Mae West, Bette Midler or Queen Latifah, there was Sophie Tucker. With the help of two former Harlem headliners, Tucker rose from the deli counter to become a full-fledged star in her own right. Tucker was known for performing songs, including “After You’re Gone”, “There’ll Be Some Changes Made” and “Some of These Days.” The musical will feature these songs, along with other classics of their time — delivered with lots of tap dancing, and a big dose of Sophie’s groundbreaking, sassy humor.
Ryann Redmond (Broadway’s first female Olaf in Disney’s Frozen and most recently Once Upon a One More Time) will perform the role of Sophie Tucker alongside Rheaume Crenshaw (Broadway’s Shucked, Groundhog Day, Caroline or Change) as Mollie Elkins, DeWitt Fleming Jr. (Tour of A Wonderful World, and Encore’s The Tap Dance Kid) as Bojangles Robinson and Stephanie Gibson (BCP’s The Rocky Horror Show and National Pastime and Broadway’s Charlie and the Chocolate Factory) as Nora Bayes.
The cast also includes Willie Clyde Beaton II (Walnut Street’s Beautiful: The Carole King Musical), Lincoln Belford (National Tour of Chicago), Natalie Bellamy (Playhouse debut), Kelly Bolick (Public Theater’s Southern Comfort), Jonathan Hadley (Broadway’s Jersey Boys), Jenny Kay Hoffman (National Tour: Rudolph the Red-Nosed Reindeer), Hannah Hubbard (Fulton Theater’s Something Rotten), Daniel Lopez (Into the Woods at the Hollywood Bowl), Bobby MacDonnell (currently in Boy Band Evolution), Michael Persson (National Tour: 42nd Street), Danny Rutigliano (Broadway’s I Need That and Beetlejuice) and Rachel Stern (Broadway’s Girl from North Country and Shrek).
The creative team for the production consists of Nate Bertone (Scenic Design), Jeanette Christensen (Costume Design), J. Jared Janas (Hair, Wig and Makeup Design), Kirk Bookman (Lighting Design), and Jeff Sherwood (Sound Design). Merrick A.B. Williams is production stage manager. Musical arrangements by Sam Davis with orchestrations and additional arrangements by Greg Jarrett. Casting is by Paul Hardt.
Last of the Red Hot Mamas will begin previews on Friday, June 28 with an official press opening on Thursday, July 11 at 7:30 pm. Starting with the 2024 season, the show times have changed – with performances beginning 30 minutes earlier than in 2023. All evening performances now all begin at 7:30 pm, with all matinees now performed at 1:30 pm. Last of the Red Hot Mamas will play Tuesday, Thursday, Friday and Saturday evenings at 7:30 pm with matinees on Wednesday, Thursday, Saturday and Sunday at 1:30 pm. Tickets start at $39. Special discounts are available for groups of 10 or more. Patrons are invited to a special “Pay-What-You-Can Preview Performance” on Friday, June 28 at 7:30 pm. Suggested minimum is $10. Student rush tickets are also available at all performances, based on availability.
For full details, and to purchase tickets, please visit buckscountyplayhouse.org, call 215-862-2121, or visit the box office at 70 South Main Street, New Hope, PA.
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Celebrity

The Glorious Corner

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G.H. Harding

MAHER’S APPRENTICE— (Via Deadline) Bill Maher stumped tonight on Real Time for the U.S. release of The Apprentice, the Cannes Competition title starring Sebastian Stan as Donald Trump and Emmy-winner Jeremy Strong as Trump’s onetime firebrand lawyer, Roy Cohn.

“It looks great,” said Maher before observing, “This is Trump’s origin story under the tutelage of Roy Cohn.”

The Real Time host continued, “It’s being released in Japan, Canada, the U.K., Germany, [but] no one here will touch it. It bothers me so much.”

Industry watchers were expectant the film would get a U.S. deal soon after its Cannes launch. Some assumed a streamer would be the most logical fit. However, in an election year, threats of legal action from Trump’s team (the film includes a controversial scene in which the Trump character rapes his former wife Ivana) and a report of one disgruntled financier, didn’t help progress towards a swift domestic pact.

The state of play earlier this month was that multiple parties remained interested in the film domestically, and there was confidence a deal will get done, probably this month.

Maher didn’t sound so sure, and he was not happy.

 “This is MY industry, you f*cking p*ssies,” he said, before commanding, “Find a way to release this movie.”

Maher then went on to explain how he says Trump works to get his way across the board.

“First he intimidates the congresspeople…then he intimidates juries, and now he’s intimidating THIS town? Oy.”

Former New York Governor Andrew Cuomo, a guest on the show, replied, “He is very good at manipulation, at leverage, at the use of power.”

Cuomo continued: “Look at what happened with Fox and the Dominion lawsuit. Fox paid $800 million to the Dominion Voting [machine] company because they lied about the election and they knew they were lying. Why were they lying? Because the Trump people left Fox when they [Fox] said, ‘You lost the election.’ That’s his power: He’s got the dog whistle to his cult.”

Maher then summarized by waxing patriotic: “I’m an American and I want to see the movies that I want!”

I’m not a huge fan of Maher – he fired his agency for not getting invited to an Oscar-party- but he was the first one to get Daryl Hall to profess that he and then-partner John Oates, had a business relationship, not a partisanship. Then all the crap happened dissolving Hall & Oates – which still is a tragedy.

He definitely feels way-entitled … but his show does have its interesting moments. Think of an Andy Cohen-light.

Kelly Clarkson

SHORT TAKES — I happened to catch 2 episodes of Kelly Clarkson’s NBC-afternoon talk fest. Besides reading a tad to near her cue cards, she comes off nowhere as professional as Kelly Ripa or Katie Couric. Doing TV is the next step after making records, so she’s probably upped her income substantially, but she should stick to making records. She looks fabulous, but I was not impressed … Too bad about Justin Timberlake; having lived out there for years, extra-caution should always be applied. I understand the copy who arrested him was too young to even know who he was. Now that’s ironic …

Just saw a feature of NYC’s Virgin Hotel in NOMAD featured on NBC’s First Lookwith the always delightful Sara Gore. They showed the pool, the bar, the restaurant, but not the rooms. Weird, right? Don’t they want people booking rooms there? … Check out this terrific interview (Art Net) with art-maven (and maverick video-director) Ed Steinberg: https://news.artnet.com/market/interview-with-ed-steinberg-317245 … I like Kevin Costner; I always have …

His No Way Out is a major favorite, but as he promoted tirelessly his Horizon epic these last few weeks, he was quoted as saying he’d go back to Yellowstone if asked. Well, the show’s next season as been shot and yesterday Costner said he wouldn’t be going back at all. In a way, this sounds like the Jon Bon Jovi story all over again – will he or won’t he? I loved Yellowstone and loved it with Costner. A shame as it revived his career in a big way. I will see Horizon when it opens next week. Stay tuned …

Paul Giamatti and Robert Funaro

Here’s a great shot of our faves Robert Funaro and Paul Giamatti …

Caught a pretty good movie on Hulu this week, To Catch A Killer with Ben Mendelsohn and Shailene Woodely … New Coldplay album Moon Music (October) featuring the single “feelslikeimfallinginlove.” Check it out here: https://www.youtube.com/watch?v=zKQ1ai_ymh0 … That long-in-the-works autobiography from old-pirate Dave Masom has new release date: September 10. Seems to be it was to be released almost 2 years ago. Wonder if they’ve updated it …

Donald Sutherland was one of my favorite actors … ever. His performance in Oliver Stone’s JFK was utterly brilliant; as was his roles in MASH; Klute; and Ordinary People. Just a brilliant actor. Rest In Peace … 

Paul McCartney

HAPPY BDAY Paul McCartney and Carson Daly.

ENDQUOTE —From Deadline on Justin Timerberlake’s mug-shot: He should use that picture as an album cover. It actually is a really good picture. Name the album, Trouble Man. And make that remake of Marvin Gaye.

NAMES IN THE NEWS — Ed Steinberg; Zach Martin; Scott Shannon; Naples Stamp; Mark Bego; David Geffen; Larry Elllison; Megan Ellison; Nancy Jeffries; Howard Bloom; Mark Adelman; Jared Leto; Tony Seidel; Toby Mamis; Arthur Levy; Danny Fields; Brad Balfour; Jane Blunkell; Sara Gore; Tom & Lisa Cuddy; Pete Sanders; Freda Payne; and SADIE!

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Events

Randy Edelman At Chelsea Table & Stage On a Dark And Stormy Night

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I have seen Randy Edelman several times at Chelsea Table & Stage, but this time it was a new Edelman, with a sharp haircut and a stylish look. He was more engaging and his playing exquisite.  This prolific composer has scored over 100 film scores and TV musical themes including excerpts from “My Cousin Vinny”, “While You Were Sleeping”, “The Bruce Lee Story”, “Gettysburg”, “Twins”, “Dragonheart”, “Billy Madison”, the theme from “MacGyver”, “Last of the Mohicans”, and other recognizable themes.

See his first set here.

The audience was well sold despite the horrible weather, but not exactly the best behaved. There was a woman behind me and her friends that were the rudest humans I have ever met. At one point they stood up to take selfies in the middle of the concert. Ironically this woman wanted me to interview her.

Randy’s enchanted the audience with his well known “A Weekend in New England” recorded by Barry Manilow, “You” recorded by The Carpenters and so many more recorded by Olivia Newton-John, Willy Nelson, Blood, Sweat and Tears, Bing Crosby, Dionne Warwick, and other musical stars.

Randy’s comedic sharing of tales with the audience added an intimacy. His heart and soul show through his music but it his conversational style that puts the audience at ease.

Make sure to catch Randy at Carnegie Hall this December.

For more information on Randy Edelman go to www.randyedelman.com

Gary Springer, Sara Johnson Kaplan, Suzanna Bowling

Lorraine Silvetz, Sara Johnson Kaplan, Taty (Tatiana), Gary Springer, Quinn Lemley, Suzanna Bowling, Errol Rappaport

Flora and Liza Pllumaj, Lorraine Silvetz, David Sexta and Elieen Shapiro

 

 

 

 

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Broadway

Music For A Summer Night With The Connector, Here We Are, The Heart of Rock and Roll, Hell’s Kitchen, Fangirls and Parting Gift: The Songs of Gerald Ginsburg

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One of my favorite musical last year was Jason Robert Brown’s The Connector. Concord Theatricals Recordings has released the original cast recording of MCC Theater’s acclaimed world premiere production. The album is now available on digital platforms worldwide. Digital sheet music for the songs, published by Concord Music Publishing and released by Hal Leonard, is also available today.

Stream or download the album, as well as purchase digital sheet music, Here.

Watch Hannah Cruz, Scott Bakula and the cast record “The Whole World Changed” Here.

Watch Ben Levi Ross sing “See Yourself” Here.

The album is produced by four-time Emmy® Award-winner Jeffrey Lesser and three-time Tony Award-winner Brown (Parade, The Bridges of Madison County), who also serves as arranger, orchestrator and pianist. Three-time GRAMMY® Award-winner Sean Patrick Flahaven, Chief Theatricals Executive for Concord, is the album’s co-producer. The album was recorded by Isaiah Abolinand mastered by Oscar Zambrano with art direction by Derek Bishop.

With a book by Jonathan Marc Sherman and conceived and directed by Daisy Prince, this timely new musical tells the story of two talented young journalists: a fast-rising writer who must confront how far he’ll go for the ultimate scoop, and an editor who must decide how far she’ll go to stop him. The Connector’s world premiere production from MCC Theater ran in a limited engagement from January 12 through March 17, 2024.

The album features original cast members Scott Bakula, Max Crumm, Hannah Cruz, Ashley Pérez Flanagan, Danielle Lee Greaves, Mylinda Hull, Daniel Jenkins, Jessica Molaskey, Fergie Philippe, Eliseo Román, Ben Levi Ross, Ann Sanders and Michael Winther.

Tom Murray is the album’s music director and Kristy Norter is music coordinator. The band includes Brown, Jamie Eblen, Hidayat Honari, Adam Kaufman, Randy Landau, Todd Reynolds and Alison Shearer.

Complete production credits can be found in the album booklet HERE.

The company of Here We Are. Photo by Emilio Madrid.

I don’t know how this happened but the original cast recording Here We Are the last musical with music and lyrics by Stephen Sondheim featuring Francois Battitse, Tracie Bennett, Bobby Cannavale, Micaela Diamond, Amber Gray, Jin Ha, Rachel Bay Jones, Denis O’Hare, Steven Pasquale, David Hyde Pierce, and Jeremy Shamos is on YouTube. Click here to listen. What a great summer treat.

The The Heart of Rock and Roll may be closing but the Original Broadway Cast Recording of the Broadway musical The Heart of Rock and Roll is out and available on all music streaming services.

The album is produced by Huey Lewis, Brian Usifer and Will Van Dyke with Hunter Arnold, Tyler Mitchell and Kayla Greenspan serving as Executive Producers.

Joy Machine Records is a new venture from Ian Kagey, Sonny Paladino, Brian Usifer and Will Van Dyke. The record label was formed in 2023 to bring an artist-driven approach to the recorded music industry by using the theatrical principles of collaboration and community. Their focus is on providing services that amplify the voices of new artists within the field of musical theater, releasing cast albums for Broadway and Off-Broadway shows, as well as collaborating on solo albums with established theater performers. The label’s services seek to support a developing musical from inception to its Broadway cast album.

The album will include the original cast of The Heart of Rock and Roll including Corey Cott, McKenzie Kurtz, Josh Breckenridge, F. Michael Haynie, Zoe Jensen, Tamika Lawrence, Raymond J. Lee, John-Michael Lyles, Orville Mendoza, Billy Harrigan Tighe and John Dossett.

The Heart of Rock and Roll, the new musical inspired by the iconic songs of Huey Lewis and The News, opened on Broadway on April 22, 2024 at The James Earl Jones Theatre (138 W 48th St, New York, NY)

The Original Broadway Cast Recording for critically acclaimed new Broadway musical, currently nominated for 13 Tony Awards, the most of any new musical this season, Hell’s Kitchen is available now via Alicia Keys Records/Interscope Records on streaming and digital platforms worldwide with a physical release to follow. Additionally, the official music video for “If I Ain’t Got You” featuring Brandon Victor Dixon and Maleah Joi Moon is out now and can be found here.

Ghostlight Records has announced the release of the new single “Learning to Be Lonely” from Fangirls the multi-award-winning, smash-hit musical with book, musical and lyrics by wunderkind Yve Blake. The song is available in both vocal and instrumental versions. Following unprecedented sell-out success across Australia, a brand-new production of FANGIRLS is being mounted in London as a co-production between Sonia Friedman Productions and the Lyric Hammersmith Theatre, premiering on July 13. Tickets are available Here.

Shereen Ahmed, Mikaela Bennett, Philip Chaffin, Will Chase, Victoria Clark, Jason Danieley, Adrienne Danrich, Jordan Donica, Colin Donnell, Telly Leung, Paul Lincoln, Patti Murin, Kelli O’Hara, Elena Shaddow, Nathaniel Stampley, Elizabeth Stanley, and Lauren Worsham come together to record some of the most beautiful music never before heard on disc. The collection highlights the composer’s lifelong work, a style he dubbed “theater lieder.” Two dozen musical settings of poetry by such luminaries as W. B. Yeats, Edna St. Vincent Millay, and E. E. Cummings are being unveiled for the first time. The songs are orchestrated by Jonathan Tunick, Doug Besterman, Larry Hochman, Michael Starobin, Chris Jahnke, and John Baxindine, among others, and performed by an orchestra of 17 under the baton of Richard Carsey. The album is produced by Tommy Kraskerand Bart Migal.

Gerald Ginsburg — born in Lincoln, Nebraska, in 1932 — attended Oberlin College and the Manhattan School of Music before embarking on a career as a composer. But after a lauded debut at Carnegie Hall in 1974, self-doubt led Ginsburg to keep much of his music to himself, although he continued to compose for the remainder of his life. When he died in 2019, the full evidence of his years of solitary work was revealed: an archive of highly lyrical, emotionally moving and entertaining songs. PS Classics is proud to present Parting Gift: The Songs of Gerald Ginsburg, the legacy of an under-recognized composer who channeled his emotions into the intersection of poetry and music — and left behind something glorious.

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