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Attention Women In The Arts Deadline To Apply for Grants Up to $50,000 Approaching

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Applications close 11/1 for the NYC Women’s Fund for Media, Music and Theatre, administered by the NY Foundation for the Arts in partnership with the Mayor’s Office of Media and Entertainment. The Women’s Fund provides grants of up to $50,000 to encourage and support the creation of content that reflect the voices and perspectives of all who identify as women; in this 2022/23 cycle, they will distribute $2M in funding for projects to be completed by 3/31/2024.  This is serious money, and there are a wide range of categories:

  • Music Production 
  • Fiction Short 
  • Documentary Short 
  • Fiction Webseries 
  • Documentary Webseries 
  • Fiction Feature 
  • Documentary Feature 

Applications close 11/1/22; click the first link above to learn more. Recipients are notified in March, 2023. NYFA also posted a useful how-to, How to Write a Strong Application about any grant application.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

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Ken Fallin’s Broadway: Celebrating Hadestown’s 1000th Performance

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On Sunday, March 19, 2023, Hadestown celebrated the first day of spring and the show’s recently-achieved milestone of 1,000 performances at Broadway’s Walter Kerr Theatre.

The handsome artist with Anais Mitchell

On hand were songwriter Anaïs Mitchell and director Rachel Chavkin, Tony Award winner Lillias White, original Broadway cast member Jewelle Blackman as Persephone, Grammy Award winner Reeve Carney as Orpheus, Tony Award nominee Tom Hewitt as Hades, and two-time Tony Award nominee Eva Noblezada as Eurydice. were joined by Amelia Cormack, Shea Renne, and Soara-Joye Ross as the Fates. The chorus of Workers is played by Emily Afton, Malcolm Armwood, Alex Puette, Trent Saunders, and Grace Yoo.

The winner of eight 2019 Tony Awards including Best New Musical and the 2020 Grammy Award for Best Musical Theater Album, Hadestown is the most honored show of the 2018-2019 Broadway season. In addition to the Tony and Grammy Awards, it has been honored with four Drama Desk Awards, six Outer Critics Circle Awards, including Outstanding New Broadway Musical, and the Drama League Award for Outstanding Production of a Musical.

Following two intertwining love stories — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — Hadestown invites audiences on a hell-raising journey to the underworld and back. Mitchell’s beguiling melodies and Chavkin’s poetic imagination pit industry against nature, doubt against faith and fear against love. Performed by a vibrant ensemble of actors, dancers, and singers, Hadestown delivers a deeply resonant and defiantly hopeful theatrical experience.

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The Disney Revolt: The Great Labor War of Animation’s Golden Age

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In the summer of 1941, Walt Disney’s top animator led hundreds of Disney artists out on strike, nearly breaking the studio. This is the true story of those two creative geniuses, plus a corrupt advisor and a mafia gangster, who collided to cause the greatest battle in Hollywood history.

An essential piece of Disney history has been unreported for eighty years.

Soon after the birth of Mickey Mouse, one animator raised the Disney Studio far beyond Walt’s expectations. That animator also led a union war that almost destroyed it. Art Babbitt animated for the Disney studio throughout the 1930s and through 1941, years in which he and Walt were jointly driven to elevate animation as an art form, up through Snow White, Pinocchio, and Fantasia.

But as America prepared for World War II, labor unions spread across Hollywood. Disney fought the unions while Babbitt embraced them. Soon, angry Disney cartoon characters graced picket signs as hundreds of animation artists went out on strike. Adding fuel to the fire was Willie Bioff, one of Al Capone’s wise guys who was seizing control of Hollywood workers and vied for the animators’ union.

Using never-before-seen research from previously lost records, including conversation transcriptions from within the studio walls, author and historian Jake S. Friedman reveals the details behind the labor dispute that changed animation and Hollywood forever.

Join a book talk with the author Jake S. Friedman on March 21 @ 7:00 pm – 8:30 pm, at The Lambs, 3 West 51st, 5th floor. RSVP@The-Lambs.org. The book will be available to be purchased and signed by the author.

Jake S. Friedman is a New York–based writer, teacher, and artist. He is a longtime contributor to Animation Magazine, and has also written for American History Magazine, The Huffington Post, Animation World Network, Animation Mentor, and The Philadelphia Daily News. For ten years he was an animation artist for films and television as seen on Nickelodeon, Disney Channel, and Saturday Night Live. He currently teaches History of Animation at the Fashion Institute of Technology and at New York University’s Tisch School of the Arts. The rest of his time he specializes in mental health for the creative psyche.

The moderator will be honorary Lamb Foster Hirsch, a professor film at Brooklyn College and the author of 16 books on film and theater, including The Dark Side of the Screen:Film Noir, A Method to Their Madness: The History of the Actors Studio, and Kurt Weill on Stage: From Berlin to Broadway.

The Cole will be Magda Katz.

More about the book here.

 
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April’s Midnight Moment A New Nature

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In A New Nature, the Midnight Moment for April being shown from  artist Mark Dorf imagines the future of our natural world as one that’s neither a blockbuster-style apocalyptic wasteland nor an Edenic return to primitive earth. Instead, the vignettes in A New Nature depict the dynamics of our present — a messy, global system in which simulations are entangled with our expectations of real life, and our perception of what constitutes the natural world is mediated, supported, suppressed, amplified, and interrupted by technology.

Integrating gaming and surveillance aesthetics with both animations and footage of the Rocky Mountain region, Dorf collapses the barriers of what’s real in a way that echoes our digital consumption of the world. A mass of living tree roots is scanned and imposed over a simulated ocean; a mountain range is represented as a topographical blueprint. Even the filmed footage, captured at the field research station of the Rocky Mountain Biological Laboratory, is manipulated with compositing techniques  and color treatment. As Dorf explains, “The more we create simulations of landscapes or nature, the more we expect nature to be and perform as the simulation that we’ve already made.”

This unique edit of the work was crafted specifically to mirror the brisk pacing of the plazas and billboards in Times Square. As the video progresses, the pace increases, emphasizing the influence of our technological lives on the way “Nature” is understood and perceived.

“The presentation of A New Nature in Times Square is an extension of the concepts in the work itself. Nestled within the endless motion and electrical currents flowing through the glowing canyons of Times Square, the moving images harmonize with their surroundings and enact their post-natural position.”
— Mark Dorf

April’s Midnight Moment is presented in partnership with Public Works Administration in conjunction with Dorf’s solo exhibition there from April 1–30, 2023, which includes the full length version of A New Nature.

Dorf would like to thank the Rocky Mountain Biological Laboratory, and Dr. Paul CaraDonna and Dr. Amy Iler for their continued support in bringing together the arts and sciences.

Mark Dorf is a New York based artist whose practice utilizes photography, video, digital media, and sculpture. Often working directly with ecologists and technologists in the production of his works, Dorf is influenced by human’s perceptions of and interactions with what we call “Nature”, urbanism, design, and virtual environments. As opposed to seeing these subjects as categorically separate, Dorf reveals their entanglement and integration with one another as an inclusive and lively planetary ecology. Being both self-aware and critical of their own means of production, Dorf’s works craft a vision of an ecological future that navigates away from environmental collapse in the Anthropocene and imagine a “New Nature.”

Public Works Administration (“PWA”) is a digital art project space located in the 50th Street subway in Times Square. They spotlight underground artists who use digital tools to drive culture forward.

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