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The Father has won BAFTA awards for Leading Actor for Anthony Hopkins
and Adapted Screenplay for Christopher Hampton and Florian Zeller. Next up it is a for the 2021 Academy Awards.

Anthony is 80, mischievous, living defiantly alone and rejecting the carers that his daughter, Anne, encouragingly introduces. Yet help is also becoming a necessity for Anne; she can’t make daily visits anymore and Anthony’s grip on reality is unravelling. As we experience the ebb and flow of his memory, how much of his own identity and past can Anthony cling to? How does Anne cope as she grieves the loss of her father, while he still lives and breathes before her? The Father warmly embraces real life, through loving reflection upon the vibrant human condition; heart-breaking and uncompromisingly poignant – a movie that nestles in the truth of our own lives.

Check it out now in theaters nationwide and on VOD.

ElizaBeth Taylor is a journalist for Times Square Chronicles and is a frequent guest at film, fashion and art events throughout New York City and Los Angeles due to her stature as The Sensible Socialite.Passionate about people ElizaBeth spent many years working as a travel reporter and television producer after graduating with high honors from University of Southern California. The work has afforded her the opportunity to explore Europe, Russia, South America, Asia, Australia and the Middle East. It has greatly influenced the way in which ElizaBeth sees a story and has created a heightened awareness for the way people around the world live today.

Book Reviews

Live From The Hotel Edison Times Square Chronicles Presents Four Award-Winning Musical Theatre Writers Who Turned to Writing Books

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“Live From The Hotel Edison Times Square Chronicles Presents”, is  filmed live every Wednesday from 5 – 6 in the lobby of the iconic Hotel Edison, before a live audience.

In this episode T2C’s publisher and owner Suzanna Bowling talks with Douglas J Cohen, Stephen Cole ,Alison Louise Hubbard and David Spencer, musical theatre writers, who all have books out.

We are so proud because the show and our guests are now featured on the TV screens in the lobby and the hotel rooms.

I am so grateful to my guests Douglas J Cohen How To Survive A Killer Musical: Agony and Ecstasy on the Road to Broadway, Stephen Cole Mary & Ethel… and Mikey Who?, Alison Louise Hubbard The Kelsey Outrage, The Crime of the Century A historical true crime novel and David Spencer The Novelizers: An Affectionate History of Media Adaptations and Originals, Their Astonishing Authors—and the Art of the Craft

Thank-you Magda Katz for videoing and creating the content to go live, the audience who showed up to support us, Rommel Gopez and The Hotel Edison for their kindness and hospitality.

You can catch us on the following platforms:

Pandora:

https://www.pandora.com/podcast/live-from-the-edison-hotel-times-square-chronicles-presents/PC:1001084740

Stitcher:

https://www.stitcher.com/show/1084740

Spotify:

Amazon:

https://music.amazon.com/podcasts/e3ac5922-ada8-4868-b531-12d06e0576d3

Apple Podcasts:

https://podcasts.apple.com/us/podcast/live-from-the-edison-hotel-times-square-chronicles-presents/id1731059092

We hope to see you there on April 24th. We will be announcing our guests tomorrow.

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Art

Times Square Chronicles Presents Artist and Innovator Roger Sichel

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Photographer, artist and festival producer, Roger Sichel’s prolific creative experience spans generations and genres. From creating one of New York’s first erotic film festivals with judges Andy Warhol, Gore Vidal and Milos Forman to producing rock concerts with the Doors, Four Seasons and Isaac Hayes nationwide, Roger identifies most as a cultural observer and photographic journalist. His work is at this years Coachella and on the Moon.

T2C had a chance to talk to this prolific artist.

Sichel has now entered the next phase of his artistic career and is choosing to explore neo-pop mixed media, inspired by his own life, as well as current events, while simultaneously preserving the legacy of his work in photojournalism.

You can catch us on the following platforms:

Pandora:

https://www.pandora.com/podcast/live-from-the-edison-hotel-times-square-chronicles-presents/PC:1001084740

Stitcher:

https://www.stitcher.com/show/1084740

Spotify:

Amazon:

https://music.amazon.com/podcasts/e3ac5922-ada8-4868-b531-12d06e0576d3

Apple Podcasts:

https://podcasts.apple.com/us/podcast/live-from-the-edison-hotel-times-square-chronicles-presents/id1731059092

 

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Art

Bonnie Comley, ART TO WARE and ChaShaMa Present Nothing to Wear

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Until April 30th Bonnie Comley, ART TO WARE and ChaShaMa Present Nothing to Wear in Port Authority’s 41st Street building.

Bonnie Comley and Anita Durst

Bonnie is a three-time Tony Award-winning producer. She has, also, won an Olivier Award and two Drama Desk Awards for her stage productions. She is on the Board President of The Drama League as well as a full member of The Broadway League and the Audience Engagement and Education Committee.

Nothing to Wear

Comley has produced over 40 films, winning five Telly Awards and one W3 Award. She is the founder and CEO of BroadwayHD, the world’s premier online streaming platform delivering over 300 premium live productions to theatre fans globally. Now she is an artist presenting her work at ART TO WARE (A2W) a wearable Art Gallery that curates up-cycled, hand-made, one-of-a-kind statement pieces to be seen, loved and taken home!

Bonnie Comley and Lelie Ware

Founded in 2021 by Lesley Ware, this Black-owned and women-run small business carries small-batch, socially conscious, up-cycled, and locally-made wearables and gifts. A2W curates an environment of creativity, acceptance, and collaboration within a dynamic retail setting that showcases the work of artists, designers, and creative visionaries.

Making this all happen is ChaShaMa and Anita Durst who helps create a more diverse, equitable, and inclusive world by partnering with property owners to transform unused real estate. Currently, they present 150 events a year, have workspace for 120 artists, and have developed 80 workshops in under served communities. They award 11 million worth of real estate to artists, subsidizes 300 artist work spaces, provide over 215 free art classes, gives 200 artists free space to present and upport over 75 businesses with free space.

Nothing to Wear is a provocative look at our relationship with our clothing choices as it pertains to our self image, fast fashion and textile waste. It challenges the fashion industry to create an alternative to current business models and the global appetite for consumption and asks viewers to question dress codes like the current policing of women in political office.

Jose Febrillet from Port Authority

 

 

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Celebrity

The Glorious Corner

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G.H. Harding

COUGAR HEAT — (Via Ultimate Classic Rock) John Mellencamp has a clear message to fans planning to attend his shows: behave or just stay home.The Rock & Roll Hall of Famer – known for such timeless tunes as “Hurts So Good” and “Jack & Diane” – recently hit the road for his 2024 Live and in Person tour. In a conversation with The Washington Post, Mellencamp detailed what he expects of his fans.

“I do expect etiquette inside of the theater, the same way you would at a Broadway show,” the rocker explained. “My shows are not really concerts anymore. They’re performances, and there’s a difference between a performance and a concert.”

To that end, Mellencamp demands a certain amount of decorum from his audiences.

“Look, I’m not for everyone anymore,” the singer admitted. “I’m just not. And if you want to come and scream and yell and get drunk, don’t come to my show.”

Mellencamp’s directive on manners comes after a series of notable outbursts. In March 2023, the singer told concertgoers to “keep your f—ing mouth shut,” during an acoustic portion of the show.

Last May, an audience member yelled “play the f—ing music” after Mellencamp offered criticism of the U.S.A.

”If these people don’t shut the f–k up I’m just going to leave, OK?” Mellencamp told the crowd. “Because I’m not used to this crap. Look, guys, if I wanted to play in this type of drunken environment, I’d play outside or I’d play in an arena.”

Then, last month, things reached another cantankerous height. At a show in Toledo, Ohio, Mellencamp became outraged at a heckler in the crowd who told him to “play some music.”

“What do you think I’ve been doing, you c–ksu–er?” the rocker responded. “Here’s the thing, man. You don’t know me. You don’t f—ing know me. Hey Joe, find this guy and let me see him after the show.”

Mellencamp later stormed off the stage, seemingly cutting the performance short. However he eventually returned to play a few more songs.

I am a fan of his music and his art, but I’ve negative stories about him for decades. Tommy Mottola used to manage him, then Randy Hoffman and there’s a long list of people who will NOT work for him. Great music though; from the heart.

Mottola in his memoir said Mellencamp was the type of person who if he won  million dollars, would fume why it wasn’t two-million! I know people like that!

“Human Wheels” is one of the best songs I’ve ever heard.

SHORT TAKES — Mixed reviews for The Outsiders on Broadway which opened last week in NYC. Angelina Jolie is one of the producers. It’s a great book by S.E. Hinton and even though Theatermania panned Coppola’s movie it stills stands as a classic. Check out their review: https://www.theatermania.com/news/review-the-outsiders-becomes-a-soggy-broadway-musical_1736986/Showbiz 411’s Roger Friedman interviewed Woody Allen for The Observer ten years ago. His just-out, new interview with Allen is a classic. Take a read: https://www.showbiz411.com/2024/04/17/exclusive-woody-allen-on-marriage-kids-his-great-films-influence-on-movie-making-writing-a-novel-epstein-and-not-retiring … If a new Woody-interview wasn’t enough, Tatiana Siegel in Variety touts the new films coming from ageless auteurs Spielberg; Scorsese; Scott; Coppola; and 93-year old Clint Eastwood. Breathtaking for sure. Take a read: https://variety.com/2024/film/news/martin-scorsese-frank-sinatra-biopic-dicaprio-jennifer-lawrence-1235973769/

Micky Dolenz and Alice Cooper at Coopstock -photo by Valerie La Rue

Micky Dolenz joined in with Alice Cooper for “School’s Out” at Coopstock last weekend in Arizona. Coopstock is Cooper’s annual charity event … Director Quentin Tarantino abruptly dropped plans for his last movie The Movie Critic; which was to star Brad Pitt  …

CBS, which inexplicably cut the Billy Joel at the Garden special 1/2-hour too early last weekend (and during Joel playing his signature “Piano Man” no less) gets a repeat tonight … And, remember the Sullivan Street Playhouse where The Fantasticks ran? Check this out: https://www.villagepreservation.org/2012/01/13/sullivan-street-playhouse-gone-but-not-forgotten/ … RIP Dickey Betts … Happy Bday Marc Eliot!
NAMES IN THE NEWS — Dan Zelinski; Tom & Lisa Cuddy; David Letterman; Robert Morton; Janice Zegers; Jane Rosenthal; Frankie Crocker; Deb Caponetta; Jimmy Fallon; Kelsey Ledbetter; Chuck Scarborough; Mark Bego; Kent and Laura Denmark; Bruce Haring; Greg Evans; David Kramer; Joe Malone; Charley Crespo; Jodi Ritzen; Tone Scott; Anthony Noto; and BELLA!
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Broadway

The Wiz’s Eases Back Onto Broadway

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There is much to love about the Broadway revival of The Wiz, which opened tonight at the Marquis Theatre. This beloved musical originally opened on Broadway in 1975, was made into film in 1978 and is back with a score by Charlie Smalls, that sparkles due to the orchestrations by Joseph Joubert and vocal arrangements by Allen René Louise. I love the Lalo Schifrin sound.

Nichelle Lewis, Melody A. Betts Photo By Jeremy Daniel

Directed by Schele Williams and an updated book by Amber Ruffin, what this revival has is heart, what it is missing is style.

Deborah Cox


Now Dorothy (a terrific Nichelle Lewis, a newcomer making her Broadway debut) has moved to Kansas to live with her Aunt Em (Melody A. Betts, who shines as  the beloved Aunt, but isn’t evil enough as the wicked witch Evillene, due in part to the sound designer Jon Weston and costume designer Sharen Davis). Dorothy has lost her parents and apparently her dog (no Toto), is being bullied, feels lost and alone, until a tornado sends her hurling to Oz. Her house still kills the wicked witch of the East, but Dorothy is introduced to golden glittery Glinda (Deborah Cox), by Addaperle ( a vocal glorious Allyson Kaye Daniel). She is sent to meet the powerful Wizard (a phenomenally grounded Wayne Brady) to get back home. Along the way meets the scarecrow (Avery Wilson) in need of a brain, the tinman (Phillip Johnson Richardson) wanting a heart and a lion (Kyle Ramar Freeman) in need os some courage.

Avery Wilson, Nichelle Lewis, Phillip Johnson Richardson Photo By Jeremy Daniel

All shine in their performances and vocals though the sound design threatens to derails them. Ms. Cox who is gloriously in voice, is not well mic’d, nor is anyone else. I was in the sixth row and it was hard to hear and I really did want to as the vocals were terrific.

Wayne Brady and Emerald City Photo By Jeremy Daniel

The choreography, by JaQuel Knight, is clunky with numbers seeming not to gel with each other. Each number looks like it belongs in a different show. However the individual performances take the movement to levels that work. Mr. Wison’s scarecrow, is all limbs and displays his flexibility and acrobatic tricks to the nth degree. Mr. Richardson gives the tinman a heart with his soulful “What Would I Do If I Could Feel”. Freeman’s lion, is an amusing scaredy cat who breaks though.

Kyle Ramar Freeman, Nichelle Lewis, Wayne Brady, Phillip Johnson Richardson, Avery Wilson wanting a heart and a lion Photo By Jeremy Daniel

Wayne Brady is a standout as The Wiz and I was wow’d by him.
Lewis is a find as the teenager trying to find herself. “Home”, is now the final song and she nails it making us fall in love with this revival despite it’s designer flaws.

The Oscar-winning production designer Hannah Beachler and costume’s look like they were designed on acid with no filter and no funding. The color choices and styles all look tacky. I really wanted to rip the tablecloth looking skirt off the lion and still do.

I have such fond memories of this show and I left with them intact. Sometimes things do not have to be perfect in order to shine.

The Wiz: Marquis Theatre, 210 W 46th Street, until April 18th.

 

 

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