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Lilian Montevecchi, Hillary Knight

Lilian Montevecchi

Hilary Knight, the well known and honored illustrator, special exhibition: “Hilary Knight’s Stage Struck World” continues at The New York Public Library for the Performing Arts at Lincoln Center, 40 Lincoln Plaza (Broadway bet. 63rd & 65th Streets).  This extraordinary exhibit includes some of his original artwork for Broadway, posters, costume and set designs for performances and revues, illustrations for Vanity Fair magazine (he is a contributing editor), books, albums, as well as some of his most recent work — three-dimensional portraits in stage-like settings, preliminary studies for those, and some unpublished works.  He is known world-wide as the illustrator of the American classic Eloise.  Hilary Knight’s Stage-Struck World is made possible by the generous support of Terry Allen Kramer. LPA hours: Monday & Thursday 10:3am-8pm; Tuesday, Wednesday, Friday, Saturday 10:30am-6pm.

Lilian Montevecchi
“To have the opportunity to look back on your life.. especially when you are still around & still working at 90 is pretty rare. Then to have a stage to play it on… is very special.”  Hilary cites the performing arts as the single greatest influence on his life and career and for that, all the world is indeed a stage.  “My life has been a 90-year gaze at the world around me, the total wonder of nature and the world of the theater, movies and fashion. I tried to absorb everything, and what emerged from it is what this show reveals, especially about the help and inspiration I’ve received from so many individuals. My hope is that the viewer will look up from their cell phones and see something new to them and learn that this world we are inhabiting is very special.”
Kay Thompson, Hilary Knight

Kay Thompson by Hilary Knight

The exhibit recalls his work associations with Jo Mielziner, George Abbott, Leo Lerman, Diana Vreeland, D.D. Dixon, Richard Avedon and Kay Thompson. And then into his entry into art work for children books (over 70 including 10 that he wrote & illustrated). Later he was hired by Harry Rigby for his first Broadway poster ”Half A Sixpence,” it has been followed for decades for numerous shows including: “No, No, Nanette” (Ruby Keeler), “Irene” (Debbie Reynolds, Jane Powell), ”Good News” (Alice Faye), Angela Lansbury “Gypsy,”I Love My Wife,” “Sugar Babies” (Ann Miller, Mickey Rooney), ”Colette” (Diana Rigg),  “Come Summer,” “Together Again” (Jo & Emily Loesser) and others. Some of his work for Vanity Fair included a series of “advise” columns with Barry Humphries (Dame Edna). The exhibit Introduction wall (floor to ceiling) blow up from his book “The Circus is Coming.”  There will also be videos with brief illustrated interviews. There will also be two walls of posters with over a hundred examples of his work.
Angela Lansbury, Gypsy
“My creative life was completely formed by my parents…Clayton Knight & Katharine Sturges, both artist / designers working in one of the great periods of commercial art – 1920’s & 30’s each unique in their field. My first experiences in the performing arts were the traveling tent circuses near our home in Roslyn, Long Island…moving to Manhattan in 1932.  My first musical theater event was Rodgers & Hart’s ”Jumbo”; followed by my parent’s selection of stage productions & film’s.  Designer Adrian’s extravagant costumes in MGM’s ”The Great Ziegfeld”, ”Elephant Boy” a Korda film that gave me my first authentic hero, SABU, …30’s Brazilian legend Carmen Miranda in 1939’s revue, ”Streets of Paris”,  Gertrude Lawrence on stage in ‘ Lady In The Dark”.. dresses by Norman Norell, costumes by Irene Sharaff….Lena Horne’s movie ”Panama Hattie”…. all these extraordinary, stylish… exotic performers & designers… made indelible impressions on me & formed my own inspirations others that I worked with, or led me in a distinct direction.”
Hillary Knight, Eloise
Hilary Knight’s Stage-Struck World continues through September 1, 2017 focusing on the artist’s work in the performing arts. This very special exhibit on the first floor as you enter and continues to the 2nd Floor.  Upcoming is an exhibition Eloise At The Museum, at The New-York Historical Society from June 30 through October 9, 2017.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Art

Art for All: The Digital Gallery Revolution

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The evolution of art accessibility from the hallowed halls of museums to the vast expanse of the digital realm represents a significant shift in how we engage with art. This transformation has democratized art, making it more accessible to everyone, regardless of geographical location, financial status, or physical mobility.

The Traditional Museum Experience

For centuries, art was confined within the walls of museums and galleries, accessible only to those who could physically visit. Museums offer a tactile and visual experience, allowing viewers to engage with art in its physical form. However, this traditional mode of access has its limitations—physical, financial, and geographical barriers that prevent many from experiencing art.

The Rise of Digital Galleries

The advent of digital galleries has revolutionized this landscape. Digital platforms have removed many of the barriers associated with traditional museums, offering global access to art at little to no cost. High-resolution images, detailed artist biographies, and the histories of artworks are now available online, providing a comprehensive art viewing experience that rivals physical attendance.

Pioneering Art Accessibility

WikiGallery.org, with its vast collection of freely usable images, epitomizes the shift towards digital accessibility in art. It functions as a virtual museum, open to anyone with an internet connection, offering access to hundreds of thousands of artworks. This platform allows users to explore art beyond geographical and financial constraints, bridging the gap between the public and the often exclusive world of fine art.

Comparing Experiences: Museum vs. Digital

While digital galleries offer unprecedented access to art, they provide a different experience from visiting a museum. The sensory experience of viewing a painting in person, the scale, texture, and true color, cannot be fully replicated online. However, digital galleries offer other advantages, such as the ability to explore a vast array of art beyond what is physically possible in a single museum visit.

The Impact on Public Engagement with Art

Digital galleries have significantly impacted public engagement with art. They serve as educational resources, providing access to art history and criticism. Interactive elements, such as virtual tours and online exhibitions, have introduced new ways to engage with art, making it more interactive and accessible to a broader audience.

The Future of Art Accessibility

The future of art accessibility is not only promising but on the cusp of a revolutionary change, with technological innovations like virtual reality (VR) and augmented reality (AR) at the forefront. These technologies promise to bridge the gap between digital and physical art experiences even further, making art more immersive and interactive. Imagine standing in your living room but being transported into the heart of the Louvre or the halls of the Hermitage, examining masterpieces in intricate detail as if you were there. This evolution will make art even more accessible and engaging to the global public, offering unprecedented ways to explore, learn, and connect with art beyond the conventional boundaries of museums and galleries.

The shift from canvas to digital has transformed art accessibility, making it more inclusive and comprehensive. Digital galleries, exemplified by platforms like WikiGallery.org, have played a pivotal role in this transformation. While the experience of art in the digital realm differs from the traditional museum experience, it complements it, offering new opportunities for engagement, education, and appreciation. The evolution of art accessibility underscores a broader cultural shift towards democratizing art, ensuring that it can be enjoyed by all, regardless of physical or financial limitations.

In summary, the journey from traditional art spaces to digital platforms has not only widened access to art but also diversified the ways in which people can engage with and appreciate artistic creations. As technology continues to evolve, so too will the landscape of art accessibility, promising a future where the barriers to experiencing art are even further reduced.



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Bonnie Comley Nothing To Wear

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Bonnie Comley stepped into the art world last night. She and ChaShaMa presented a piece called “Nothing To Wear”, at 340 East 64th Street, which is an interactive installation, a thought provoking look at fast fashion and body image. This provocative look at our relationship with our clothing choices as it pertains to our self image, fast fashion and textile waste, challenges the fashion industry to create an alternative to current business models and the global appetite for consumption. “Nothing to Wear”, asks viewers to question dress codes like the current policing of women in political office, facilitates self-reflection on biases regarding our own clothing and the community around us as uniform, self-expression, or just protection from the elements of weather.

Also involved were Sarah DeMarino – Co-Producer/Director, Leah Lane – Soundscape Monologue Writer and Jasper Isaac Johns the Exhibit Designer.

Sarah DeMarino and Dallas Bernstein

At the opening and on certain dates Hannah Durant Joe Guccione and Dallas Bernstein perform monologues that coincide with the project. These mini playlets were insightful and thought provoking.

Hannah Durant Joe Guccione and Dallas Bernstein

In attendance were:

Anita Durst and fashion designer Shani Grosz

Cooper Lawrence, Dr. Robi Ludwig, Errol Rappaport, Bonnie Comley, Quinn Lemley, Suzanna Bowling, Shani Grosz and Merrie Davis

Anita Durst and Bonnie Comley

Danielle Price, Bonnie Comley and Andrina Wekontash Smith

Sylvia Hemingway and Bonnie Comley

Bevin Ross and Bonnie Comley

Alyssa Ritch Frel and Bonnie Comley

Shady Kerko and McLean Mills

Frankie Lane, Bonnie Comley and Lenny Lane

Riki Kane Larmire

Bonnie is a three-time Tony Award-winning producer. She has, also, won an Olivier Award and two Drama Desk Awards for her stage productions. She was recently re-elected as the Board President of The Drama League. She is a full member of The Broadway League and the Audience Engagement and Education Committee. Comley has produced over 40 films, winning five Telly Awards and one W3 Award. She is also the founder and CEO of BroadwayHD, the world’s premier online streaming platform delivering over 300 premium live productions to theatre fans globally. The theatre community has honored Comley for her philanthropic work; she is the recipient of The Actors Fund Medal of Honor, The Drama League Special Contribution to the Theater Award, The Paul Newman Award from Arts Horizons and The Theater Museum Distinguished Service Award.

Stewart F Lane and Bonnie Comley

ChaShaMa helps create a more diverse, equitable, and inclusive world by partnering with property owners to transform unused real estate. Currently, they present 150 events a year, have workspace for 120 artists, and have developed 80 workshops in under served communities. They have awarded 11 million dollars worth of real estate to artists and have subsidizes another 300 with work spaces. They provide over 215 free art classes and have supported over 75 businesses with free space

To see Nothing to Wear click here

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New-York Historical Society Celebrates Women’s History Month

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Throughout Women’s History Month, the New-York Historical Society, 170 Central Park West (at 77th Street), will showcase women’s stories through exhibitions, installations, and public programming.

On International Women’s Day, renowned Cherokee artist Kay WalkingStick and New-York Historical’s Chief Curator Wendy Nālani E. Ikemoto will be in conversation over a live, free Zoom discussing WalkingStick’s exhibition Kay WalkingStick / Hudson River School, on view at New-York Historical through April 14. Other exhibitions and displays on view throughout March include Women’s Work, an exhibition that demonstrates how “women’s work” defies categorization; Women Who Preserved New York City which explores how Shirley Hayes, Margot Gayle, and Joan Maynard galvanized communities to save historic buildings and places; and Serving Style: Ted Tinling, Designer for the Tennis Stars, which turns a spotlight on the designer who made many of Billie Jean King’s iconic looks. On March 3, the ninth annual Diane and Adam E. Max Conference on Women’s History will center on exploring how we understand “care.”

Additional details follow:A Conversation with Kay WalkingStickFeaturing: Kay WalkingStick, Wendy Nālani E. IkemotoFriday, March 8, 6 – 7 pm ETFree | Presented live on ZoomCelebrate International Women’s Day with this online event featuring renowned Cherokee artist Kay WalkingStick in conversation with New-York Historical’s Wendy Nālani E. Ikemoto. WalkingStick is the focus of our acclaimed exhibition Kay WalkingStick / Hudson River School, which places her work in a fascinating dialogue with 19th-century Hudson River School paintings and explores the relationship between Indigenous art and American art history. They’ll discuss WalkingStick’s remarkable career, her recent invitation to the Venice Biennale, and her decades of work reimagining and reframing the American landscape.Kay WalkingStick / Hudson River SchoolOn view through April 14Kay WalkingStick / Hudson River School places landscape paintings by the renowned, contemporary Cherokee artist Kay WalkingStick in conversation with highlights from New-York Historical’s collection of 19th-century Hudson River School paintings. This artistic dialogue showcases the ways in which WalkingStick’s work both connects to and diverges from the Hudson River School tradition and explores the agency of art in shaping humankind’s relationship to the land. The exhibition celebrates a shared reverence for nature while engaging crucial questions about land dispossession and its reclamation by Indigenous peoples and nations and exploring the relationship between Indigenous art and American art history.Women’s WorkOn view through July 7Presented by the Center for Women’s History, Women’s Workshowcases approximately 45 objects from New-York Historical’s own Museum and Library collections to demonstrate how “women’s work” defies categorization. The items range from a 19th-century mahogany cradle to a 20th-century doctor’s dissection kit to a pinback button with the message “Shirley Chisholm for President.” The exhibition seeks to demonstrate that women’s work has been essential to American society and is inherently political: Women’s work is everywhere.

Women Who Preserved New York CityOn view through June 9This installation explores how three women—Shirley Hayes, Margot Gayle, and Joan Maynard—galvanized communities to save historic buildings and places. Each subverted gendered expectations that limited them to the domestic realm and instead led campaigns to protect the historic cityscape.Serving Style: Ted Tinling, Designer for the Tennis StarsOn view through June 23Our installation turns a spotlight on the designer who made many of Billie Jean King’s iconic looks. King and Tinling had a tremendous influence on the visibility of women on the tennis court. King’s tenacity and commitment for equal rights, together with Tinling’s bold designs, challenged conventions about what women can do, emphasizing that women can be simultaneously powerful, strong, and feminine.

On and Off the Clock: Reconsidering Women’s WorkSunday, March 3, 12—5 pm ET$4; Free for Women’s History Council MembersThe ninth annual Diane and Adam E. Max Conference on Women’s History will center on exploring how we understand “care.” Across three linked panels, we probe what “care” means, who does the work of caring, and what services get pushed to the margins by our current social policy framework. The conference will culminate with a keynote conversation on reproductive care. Reception to follow.

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Events for March

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St. Patrick’s Day, Women’s History Month, a Harlem Renaissance exhibit at the Met with160 works by Black artists. Beatrix Potter: Drawn to Nature,at The Morgan Library & Museum through 6/9. The Orchid show continues until 4/21 at the Enid A. Haupt Conservatory at the New York Botanical Garden in the Bronx. Florals in Fashion highlights the work of designers Hilary Taymour (Collina Strada), Olivia Cheng (Dauphinette) and Kristen Alpaugh, aka FLWR PSTL Also Alicia Keys and Swizz Beatz’s “Giants,”is at the Brooklyn Museum until 7/7. The exhibition features artists who have made and continue to make a significant impact on the art world and contemporary culture. The show features 98 artworks by Black American, African, and African artists including Gordon Parks, Kehinde Wiley, Jean-Michel Basquiat, Mickalene Thomas, Hassan Hajjaj, Barkley L. Hendricks, Lorna Simpson, and Amy Sherald.

3/1 -3: The Vienna Philharmonic one of the world’s most celebrated orchestras, takes center stage at Carnegie Hall.

3/3 -5: Coffee Fest NY Javits.

3/3 -5: International Beauty Show Javits.

3/6 – 10: The New Colossus Festival provides a platform for new artists, including international bands making their NYC debuts. The festival will take place across multiple venues mostly spread throughout the Lower East Side and the East Village, including Bowery Electric, Mercury Lounge, Berlin, Heaven Can Wait, and others. This year’s artists include Cucamaras (UK), Ducks LTD (Canada), Heffner (US), Holiday Ghosts (UK), Hotel Lux (UK), Housewife (Canada), and more. You can check out the full lineup and schedule of events here.

3/8: International Women’s Day 

Steven Reineke by Michael Tammaro, Bryan Terrell Clark by Asher Angeles, Valisia LeKae by Antonio Navas

3/15: The New York Pops Hitsville: Celebrating Motown

3/1 -17: The Annual Flamenco Festival with 22 performances across 13 different venues all over the city.

3/1 -17: The New York International Children’s Film FestivalHappy St. Patricks Day
3/17: Join in on the 263rd celebration of the St. Patrick’s Day Parade in NYC. The parade kicks off at 11am, moving along Fifth Avenue from 44th Street to 82nd Street. This year’s grand marshal, Maggie Timoney, president and CEO of Heineken USA, is only the fifth woman to lead the parade since its inception.

3/20 -24: Affordable Art Fair with over 400 living artists to discover you are sure to find your next perfect artwork.

3/23 – 11/: JAPAN Fes, in Manhattan, Brooklyn, and Queens. This is the largest Japanese food festival in the world, with over 1,000 vendors.

The Macy Flower Show

3/24 – 4/7: The Annual Macy’s Flower Show created in partnership with Dior.

3/26 – 10/2: Apollo: When We Went to the Moon at The Intrepid Museum. The exhibit is included with museum admission.

3/29 – 4/7: The International Auto Show at the Javitts.

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Events For February

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There is still the Bryant Park Winter Village’s iconic bumper cars, two Broadway tickets for the price of one and restaurant week end February 4th. Heated Igloos, ice skating goes high on the Edge’s sky deck. Winter markets are still open in February. Don’t miss out on some of the best cultural events of the year during Black History Month after free Fridays make it affordable.

2/2: Celebrate the Birthday of Grand Central Station

2/2-4: New York’s iconic vintage show Manhattan Vintage over 90 dealers

2/9: The New York Pops

2/9-11: New York Fashion Week all over NYC

2/9: National Pizza Day

2/11: Experience The Super Bowl Hype The Empire Rooftop Lounge. Participate in a whole host of contests, delicious menu items available to order and drink specials, this is the perfect way for keen and casual fans alike to relax and have fun on the big night!

2/10: Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys. The exhibition will feature more than 100 major artworks by important Black American, African, and African diasporic artists including Gordon Parks, Kehinde Wiley, Hassan Hajjaj, Barkley L. Hendricks, Lorna Simpson, and Amy Sherald. Brooklyn Museum.

2/17: The 21st annual Orchid Show at the New York Botanical Garden 

2/23: Beatrix Potter: Drawn to Nature at the Morgan Library & Museum will celebrate the works of beloved English author Beatrix Potter.

2/25: Chinatown’s annual Lunar (Chinese) New Year Parade with dragon dancing, stunning outfits, martial art performers and more. Head to Chinatown for the Lunar New Year Parade, which celebrates the year of the dragon. Bayard Street between Mott and Mulberry Streets.

2/25: The Metropolitan Museum of Art  “The Harlem Renaissance and Transatlantic Modernism,” the exhibit will present 160 works exploring how Black artists portrayed everyday modern life in the new Black cities that took shape in the 1920s-40s in New York City’s Harlem, Chicago’s South Side and nationwide amid the Great Migration.

New York City Marathon

2/25: Central Park Half Marathon

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