Connect with us

First up get ready for  The Cher Show. Opening December 3rd, at the Neil Simon. The musical traces the career of pop star Cher.

Jeff Daniels

Jeff Daniels Photo by Joan Marcus

At the Shubert Theatre, To Kill A Mocking Bird. Jeff Daniels, Celia Keenan-Bolger, Will Pullen, Gideon Glick, Latanya Richardson Jackson, Stark Sands all star in the play based on Harper Lee’s novel of the same title. Opening night is December 13th.

Bryan Cranston

Bryan Cranston

Bryan Cranston stars in Network, a new play based on the classic 1976 film. Opening December 10th at the Belasco Theatre.

Choir Boy begins previews December 12th at  the Samuel J. Friedman Theatre. Opening night is set for January 8, 2019. Written by Tarell Alvin McCraney and directed by Trip Cullman. For half a century, the Charles R. Drew Prep School for Boys has been dedicated to the education of strong, ethical black men. One talented student has been waiting for years to take his rightful place as the leader of the legendary gospel choir. But can he make his way through the hallowed halls of this institution if he sings in his own key?

Ethan Hawke stars opposite Paul Dano in Sam Shepard’s classic play True West, about two brothers. First Preview: December 27th at the American Airlines Theatre, with a January 24, 2019 opening.

Off Broadway

The Emperor’s Nightingale at the Acorn Theatre, on Theatre Row. Opening December 1st.
A Child’s Christmas in Wales comes to The Irish Repertory Theatre, opening December 3rd.

Lynn Nottage’s Abulation, Or The Re-Education Of Undine opens December 10th at the The Pershing Square Signature Center/Romulus Linney Courtyard Theatre. This satirical tale, set in present-day New York City, follows successful African-American publicist Undine as she stumbles down the social ladder after her husband steals her hard-earned fortune. Broke and now pregnant, Undine is forced to return to her childhood home in the Brooklyn projects, where she must face the challenges of the life she left behind.

Dove Cameron

Dove Cameron

As if Clueless, The Musical comes to The Pershing Square Signature Center/Alice Griffin Jewel Box Theatre with an opening December 11th. With book by Amy Heckerling, direction by Kristin Hanggi and choreographer by Kelly Devine. The cast features: Ephie Aardema, Lori Alan, Sara Andreas, Gilbert L. Bailey II, Dove Cameron, Will Connolly, Danielle Marie Gonzalez, Tessa Grady, Talya Groves, Chris Hoch, L’ogan J’ones, Darius Jordan Lee, Justin Mortelliti, Brett Thiele, Dave Thomas Brown, and Zurin Villanueva. Amy Heckerling takes us back to 90s Beverly Hills with this musical version of her beloved film “Clueless”, a modern spin on Jane Austen’s Emma. With her singular voice, she gives us a score that reimagines 90s hits into ingenious parodies and yearning monologues for her lovesick characters.

Playwrights and Directors: Peter Brook and Marie-Hélène Estienne bring The Prisoner to Theatre for a New Audience/Polonsky Shakespeare Center. Cast features: Hiran Abeysekera, Hayley Carmichael, Hervé Goffings, Omar Silva, and Kalieaswari Srinivasan. The Prisoner examines the complexities of crime, justice, and compassion in a breathtaking new international production. A man sits alone outside a prison. Who is he, and what is he doing there? Is he free, or is he the prisoner?

Noura at Playwrights Horizons/Mainstage Theater opens December 10th. Playwright: Heather Raffo and director Joanna Settle tell how Noura and her husband have a successful life in New York, and, eight years after having fled their home in Iraq, they’ve finally gained citizen status—which Noura, as an Iraqi Christian, is celebrating by planning the perfect Christmas dinner. But when the arrival of a visitor stirs up long-buried memories, Noura and her husband are forced to confront the cost of their choices, and retrace the past they left behind. Cast features: Dahlia Azama, Liam Campora, Matthew David, Nabil Elouahabi, and Heather Raffo

Director Bill Castellino brings Christmas in Hell to the York Theatre at Saint Peter’s. First Preview December 4th with an opening: December 13th.  Book, Music, and Lyrics by Gary Apple with a cast of: Scott Ahearn, Donna English, Lori Hammel, Elijah Rayman, Zak Risinger, Brandon Williams, Dathan B. Williams, and Ron Wisniski. Looking for a sweet, wholesome holiday musical? Well, this ain’t it! On Christmas Eve, little 6-year-old Davin is mistakenly taken down to Hell. When he returns, not only has he missed Christmas, but he is devilishly changed. To set things right, his father embarks on a bizarre odyssey that eventually leads him down to Hell itself where he makes a wager with Lucifer he can’t possibly win.

Directors Stephen Daldry and Justin Martin bring The Jungle to St. Ann’s Warehouse. First Preview: December 4th with an opening December 9th. Playwrights Joe Murphy and Joe Robertson tell the story of Okot who wants nothing more than to get to the UK. Beth wants nothing more than to help him. Meet the hopeful, resilient residents of the Jungle – a sprawling refugee camp in Northern France. Take a seat inside the bustling Afghan Café and experience how, with minimal resources in a cold, muddy and scary environment, refugees and committed volunteers built a warm, self-governing, diverse society from nothing.

Nassim at New York City Center – Stage II. First Preview: December 6th with an opening December 10th. In his latest work, Nassim Soleimanpour explores the power of language to unite us in these uncertain times. No rehearsals. A different guest actor at every performance. A sealed envelope. Oh, and some surprises.

Kyle Beltran, Marin Ireland, Nicole Lewis, Kristolyn Lloyd, and Chris Stack star in Blue Ridge. Atlantic Theater Company/Linda Gross Theater with a first preview December 12th and an opening January 7th

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

Lempicka Brings An Artist Work Back To Life

Published

on

In 1984, I saw the interactive show Tamara based on the life of the artist Tamara de Lempicka in LA and fell in love with it, so much that it has stayed one of my favorites to this day. Lempicka is a new musical based more on her sexual choices more than her stylized Art Deco portraits that changed and inspired generations. She was one of the first feminists, as Tamara choose art, sexual freedom and a lifestyle in a time of war and destruction.


The musical starts out on a park bench in LA as an older Tamara (Eden Espinosa) reflects on her life, Flash back to Warsaw Poland as Tamara is to be wed to Lempicka (Andrew Samonsky) an aristocrat and is to live a life of luxury. The the Bolshevik’s inprison her husband she uses sexual favors to free him and they flee to Paris with their daughter. When her husband is unwilling to work she becomes a painter and uses the name Lempicka. There she is befriended by a wealthy art patron (Nathaniel Stampley) and his wife (Beth Leavel), is influenced by Marinetti (George Abu), the founder of the Futurist art movement, Marinetti (George Abu), and is inspired and in love Rafaela (Amber Iman). Both Lempicka and the musical come alive at this point. Tamara finds friendship and solace with a nightclub owner, Suzy (Natalie Joy Johnson), who gives her and others like her a refuge, until the Nazi’s invade. In the end, while breaking ground Lempicka’s life style becomes rather self centered or should I say one of self preservation and she loses her husband, her daughter and her lover.

Amber Iman, Eden Espinosa Photo by Matthew Murphy/Evan Zimmerman

Matt Gould’s music and Carson Kreitzer’s lyrics are well sung and the show sounds glorious. This is a new take on pop music. The problem here is the minor characters get the songs that make the show come alive. Iman, Abu and Johnson almost steal the show with their numbers. Level gets the 11 O’Clock number and breaks our hearts. Though Espinoza has some good numbers and sells them well none of them really stand out.

George Abud photo by Matthew Murphy/Evan Zimmerman)

Kreitzer also conceived the book and wrote it with Gould. Again the show does and doesn’t work. Instead of focusing on Lempicka’s art, the changing world around her and the fact that she was one of the first feminists, the story is more focused on lesbian repression. The show is billed as a triangle of love, but her husband once they get to Paris is in his own world until she gets together with Rafaela. Rachel Chavkin’s direction makes the scenes between Rafaela and Lempicka beautiful and in a strange sense if feels a little like Indecent, however the show as a whole doesn’t jell.

Photo by Matthew Murphy/Evan Zimmerman

I did like Raja Feather Kelly’s choreography that seemed to evoke the changing world around.

Riccardo Hernández’s set of steel, that seems like the world was on the verge of collapse and rebuilding. The lighting by Bradley King and projections by Peter Hylenski and Justin Stasi added to that effect. Paloma Young’s costumes missed the mark and seemed like they were in two different stories.

The reason to see Lempicka is it is sung and acted gloriously.

Once you see Lempicka, you will realize how much Tamara de Lempicka’s art change and influenced the world of art. This was a woman who survived at all costs and that should always be admired.

Lempicka: Longacre Theatre, 220 West 48th Street.
Continue Reading

Broadway

Ken Fallin’s Broadway: The Outsiders

Published

on

These boys are taking Broadway by storm Jason Schmidt, Sky Lakota-Lynch, and Brody Grant. In Tulsa, Oklahoma, 1967, the hardened hearts and aching souls of Ponyboy Curtis, Johnny Cade and their chosen family of “outsiders” are in a fight for survival and a quest for purpose in a world that may never accept them. A story of the bonds that brothers share and the hopes we all hold on to, this gripping new musical reinvigorates the timeless tale of “haves and have nots”, of protecting what’s yours and fighting for what could be.

The Outsiders opened on Broadway at the Bernard B. Jacobs Theatre, 242 W 45th Street.

Continue Reading

Broadway

We Say Good Bye To Costume Designer Extraordinaire Carrie Robbins

Published

on

I met Carrie Robbins at an art gallery with Louise St Louis, Baayork Lee and Judy Jacksina. The four of us stayed well into the morning talking, laughing and having a fabulous time. Carrie and I bonded after that as she turned to playwriting. It broke my heart to learn that on the evening of April 12, 2024 Costume Designer extraordinaire Carrie Robbins passed away.

Carrie’s work has been featured in over 30+ Broadway shows, including Class Act, Grease (original), Agnes of God, Yentl, Octette Bridge Club, Sweet Bird of Youth (Lauren Bacall), Frankenstein, Happy End (Mary Streep), Boys of Winter, Cyrano (Frank Langella), & Shadow Box (Mercedes Ruehl).

Her awards and nominations included: 2012 recipient of the Irene Sharaff Lifetime Achievement Award presented by the Theatre Development Fund & the tdf/Costume Collection with the support of the Tobin Theatre Arts Fund. 2 Tony (Noms.), 5 Drama Desks, Maharam, USITT/Prague International, L.A. Dramalogue, Henry Hughes, F.I.T-Surface Design, & Audelco, among others.

Robbins’ costumes for the Irving Berlin musical White Christmas played major cities in the USA, Broadway, and Great Britain. Her regional work included M. Butterfly and On the Verge, for director Tazewell Thompson (Arena Stage) and the Gershwin musical American in Paris by Ken Ludwig for director Gregory Boyd (Alley Theatre, Houston) as well as The Tempest (Anthony Hopkins as Prospero) & Flea in Her Ear (director Tom Moore at Mark Taper Forum), many productions for the Guthrie (MN), Williamstown, and many others from Alaska to Buffalo.


Locally, in NYC, Robbins designed for many productions for The Lincoln Center Repertory Theatre, Chelsea Theatre at BAM, Acting Company at Juilliard and NY Shakespeare Festival.

She also designed for the Opera and they included Death in Venice for Glimmerglass (’08 Prague International Design Exhibit), Samson et Dalila (San Francisco Opera, Houston Grand, more), and many productions for Sarah Caldwell’s Opera Company of Boston. Her work has also been seen at the Hamburg StatsOper.

For film Robbins designed the movie “In The Spirit” (Elaine May, Peter Falk, Marlo Thomas); TV design included: Saturday Nite Live, PBS Arts in America, & several unseen pilots.

Robbins has designed clothes for several seasons of Queen Esther Marrow and The Harlem Gospel Singers’ European Tour. She also did the designs for The Cincinnati Ballet’s new Nutcracker, in December of 2011

Robbins was an MFA grad from the Yale School of Drama and was Master Teacher of Costume Design at the NYU Tisch School of the Arts for many years. She is extremely proud of the extraordinary number of award-winning, successful young costume designers and costume teachers across the country who came out of her classes.

Besides being a costume designer Carrie also was a playwright. In August 2010, her play, The Death & Life of Dr. Cutter, a Vaudeville, based on the true stories told by her husband Dr. R.D.Robbins, had its 4th reading at the Snapple Theatre Center; it was chosen by Abingdon Theatre Co, NYC, to be part of its First Readings Series in Fall, 2009. In 2011-12 the  League of Professional Theatre Women chose The Dragon Quartet as part of its 30th year anniversary celebration. In 2012-13, La MaMa (oldest off-off-Broadway theater in NYC at 51 years) chose The Diamond Eater for its “Concert Reading Series”. In 2013: TACT (The Actors Company Theatre, chose Sawbones for part of its newTACTics New Play Festival. In 2014 both The Diamond Eater and Sawbones  received 6 Nominations from N.Y. Innovative Theatre Awards (the most nominations given out in the 2014 season). In 2015, Le Wedding Dress, was a semi-finalist in NYNewWorks Theatre Festival. In 2016: Obsessions Of An Art Student chosen by NYNewWorks Theatre Festival. In 2016, The Actress, was a finalist in NY Thespis Summer Festival. In 2017, My Swollen Feet, chosen by NY Summerfest Theatre Festival/ Hudson Guild Theatre. In 2018 The Diamond Eater , semi-finalist at the 14th St. Y competition War + Peace/2018/19 season and The Dragon Griswynd, was chosen by Theater for the New City for its “Dream-Up Festival” In 2019 Pie Lessons, was invited by Crystal Field, Exec. Artistic Director of Theater for the New City, to be part of “Scratch Night at TNC”.

The last thing Carrie was working on was For The Lost Children Of Paris. This play was about how the Nazis, with help from the Vichy Government, collected French-Jewish schoolchildren and delivered them to Auschwitz. Excellent German record-keeping revealed 11,400 children were taken. At the liberation, only 200 were found alive. This is the story of one classroom’s collection day and its aftermath.

She did this play using puppets as the children.

Carrie had a voice that she used in a multiple of ways. She was a caring friend, a dedicated teacher, a prolific writer and costume designer, who always cared about others first. Carrie you will be missed.

 





 

Continue Reading

Broadway

Patti LuPone Returns to Broadway and The Big Screen

Published

on

Three-time Tony Award winner Patti LuPone, who gave up her Equity card in 2022, will star opposite Mia Farrow in Jen Silverman’s new play, The Roommate. The production will be directed by Jack O’Brien and will begin previews at the Booth Theatre in August ahead of a September opening.

The Roommate tells the story of Sharon, in her mid-fifties, who is recently divorced and needs a roommate to share her Iowa home. Robyn, also in her mid-fifties, needs a place to hide and a chance to start over. But as Sharon begins to uncover Robyn’s secrets, they encourage her own deep-seated desire to transform her life completely. A dark comedy about what it takes to re-route your life – and what happens when the wheels come off.

The Roommate premiered at the Actor’s Theatre of Louisville in March 2015, and has had several regional productions including at Williamstown Theatre Festival in 2017.

Ms. LuPone will star in the upcoming Marvel series, WandaVision spinoff series Agatha: Coven of Chaos. She’s in a coven of witches, playing Lilia Calderu, who is hot, with a great body and hair. Calderu, first appeared in Marvel comics in 1973 as a 450-year-old Sicilian witch whose power is divination and whose trial is tarot. The other witches are Kathryn Hahn, Aubrey Plaza, and a familiar who is played by Joe Locke. Locke, is currently on Broadway in Sweeney Todd.

Continue Reading

Broadway

Cabaret Celebrated Broadway Legend Joel Grey’s Birthday

Published

on

Last night, Eddie Redmayne currently in previews as the ‘Emcee’ in Cabaret at the Kit Kat Club celebrated Broadway legend Joel Grey’s 92ndbirthday on stage at the August Wilson Theatre. Grey, who originated the role of the ‘Emcee’ on Broadway in 1966 and went on to star in the beloved film of Cabaret, took the stage as the entire cast, band, and creative team sang “Happy Birthday” while a custom cake, shaped like a giant pineapple, emerged from the stage.

 During his speech honoring Grey, Eddie Redmayne said, “Tonight is an extraordinarily special night for us because we are in the presence of an extraordinary human being without whom none of us would be here.” After thunderous applause, Redmayne continued “Your performance in this part changed my life and it was one of the things that made me want to be an actor.”

Joel Grey, Gayle Rankin, and Eddie Redmayne Photo by Jenny Anderson

The cast and Grey were also joined on stage by Cabaret composer John Kander.

Alongside Joel’s daughter Jennifer Grey and Kander, a star-studded crowd came out to fete the theater icon including Anderson Cooper, Candice Bergen, Jackie Hoffman, Jane Krakowski, Lin-Manuel Miranda, David Rockwell, and more. They were joined by numerous alum of Cabaret spanning the decades including Maude Apatow (Sally Bowles in London, 2023), Madeline Brewer (Sally Bowles in London, 2022), Joely Fisher (Sally Bowles on Broadway, 2000), Gina Gershon (Sally Bowles on Broadway, 2001), Mason Alexander Park (Emcee in London, 2023), Adam Pascal (Emcee on Broadway, 2003), Molly Ringwald (Sally Bowles on Broadway, 2002), Jake Shears (Emcee in London, 2023), and Brooke Shields (Sally Bowles on Broadway, 2001).

Cabaret at the Kit Kat Club is now in previews on Broadway at the August Wilson Theatre (245 West 52nd Street). The production, directed by Olivier Award winner Rebecca Frecknall and designed by Tony Award nominee and Evening Standard Award® winner Tom Scutt, will have decadent twin opening night gala celebrations starting Saturday, April 20 and continuing into the following night, with the official press opening on Sunday, April 21. Tickets are on sale now at www.kitkat.club or via Seat Geek HERE.

In addition to Redmayne, Cabaret also stars Gayle Rankin as the toast of Mayfair ‘Sally Bowles, two-time Tony Award winner Bebe Neuwirth as ‘Fraulein Schneider,’ Tony Award nominee Ato Blankson-Wood as ‘Clifford Bradshaw,’ Obie Award winner and Drama Desk Award® nominee Steven Skybell as ‘Herr Schultz,’ Henry Gottfried as ‘Ernst Ludwig,’ and three-time Helen Hayes Award winner Natascia Diaz as ‘Fritzie/Kost.’

The cast of Cabaret includes Gabi Campo as ‘Frenchie,’ Ayla Ciccone-Burton as ‘Helga,’ Colin Cunliffe as ‘Hans,’ Marty Lauter as ‘Victor,’ Loren Lester as‘Herman/Max,’ David Merino as ‘Lulu,’ Julian Ramos as ‘Bobby,’ MiMi Scardulla as ‘Texas,’ and Paige Smallwood as ‘Rosie.’ Swings include Hannah Florence, Pedro Garza, Christian Kidd, Corinne Munsch, Chloé Nadon-Enriquez, and Karl Skyler Urban.

The Prologue Company, the dancers and musicians that welcome audiences to the club, feature dancers Alaïa, IRON BRYAN, Will Ervin Jr., Sun Kim, Deja McNair and swings Ida Saki and Spencer James Weidie. The musicians of the Prologue are Brian Russell Carey (piano & bass), Francesca Dawis (violin), Keiji Ishiguri (dedicated substitute), Maeve Stier (accordion), and Michael Winograd (clarinet).

For this thrilling production of Cabaret, the creative team have transformed the August Wilson Theatre into the Kit Kat Club with an in-the-round auditorium and custom spaces which guests will be invited to explore during the Prologue, the production’s pre-show entertainment. After purchasing tickets, guests will receive a “club entry time” to allow them to take in the world of the club before the show starts.

Patrons can upgrade their experience at the Kit Kat Club with exclusive dining or drinks packages that allow them to soak up the pre-show atmosphere. These various upgrades offer unparalleled service and unique experiences in the heart of the Kit Kat Club. Drinks can be enjoyed before and during the show, while food will be cleared shortly before the performance begins, ensuring uninterrupted and unmissable views of Cabaret. For a complete menu and more information on the upgrade packages, please visit www.kitkat.club/upgrade.

The 2021 Original London Cast Recording of Cabaret featuring Eddie Redmayne and recorded during a live performance is available on Decca Records as a CD and to stream on all major platforms. To order the album or stream it, please visit https://cabaret.lnk.to/ListenNow

Continue Reading

Trending

Copyright © 2023 Times Square Chronicles

Times Square Chronicles