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Broadway News: Pretty Woman, Oklahoma!, Lolita, John Glover, Network, The Tony Awards

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Adam Pascal will play Edward Lewis from Tuesday, February 19, through Friday, February 22, 2019, during Andy Karl’s time off in Pretty Woman: The musical.

The Broadway production of Rodgers and Hammerstein’s Oklahoma!, directed by Daniel Fishwill star the St. Ann’s original cast members including (in alphabetical order): Anthony Cason as Cord Elam, Damon Daunno as Curly McLain, James Davis as Will Parker, Gabrielle Hamilton as Lead Dancer, Rebecca Naomi Jones as Laurey Williams, Will Mann as Mike, Mallory Portnoy as Gertie Cummings, Ali Stroker as Ado Annie, Mitch Tebo as Andrew Carnes, two-time Tony Award-nominee Mary Testa as Aunt Eller and Patrick Vaill as Jud Fry.  Joining the cast for the Broadway run is star of screen and stage Will Brill (“The Marvelous Mrs. Maisel”, You Can’t Take It With You) as Ali Hakim. The cast meet the press at Bob’s Steak and Chop House and here is a preview of some of the interviews.

Closing out the popular Musicals in Mufti series celebration is the New York premiere of Lolita, My Love, with music by John Barry and book and lyrics by Alan Jay Lerner, as edited by Erik Haagensen. Directed by Emily Maltby and with music direction by Deniz Cordell, the 13-member cast will feature George Abud (The Band’s Visit) as Clare Quilty, Caitlin Cohn (The Secret Garden) as Dolores “Lolita” Haze, Robert Sella (Chitty Chitty Bang Bang) as Humbert Humbert, Thursday Farrar (Aida) as Dr. June Ray, and Jessica Tyler Wright (Sweeney Todd) as Charlotte Haze, withBecca Fox (Singin’ in the Rain), Hanako Greensmith (Spring Awakening), Victoria Huston-Elem(Finding Neverland), Jay Aubrey Jones (Assassins), Kennedy Kanagawa (Into the Woods), Max Meyers (Buddy: The Buddy Holly Story), Mark Montague (A Very Brady Musical), and Analise Scarpaci (Matilda, The Musical).

After an acclaimed run in London’s West End, the Sheen Center for Thought & Culture will present the American premiere production of Stephen Unwin’s new play, All Our Children. Tony Award® winner John Glover (Saint JoanThe Drowsy ChaperoneLove! Valour!Compassion! on Broadway; TV’s “Smallville”) is featured in a company including Jennifer Dundas (The Little FoxesArcadia on Broadway), Karl Kenzler (Fiddler on the RoofYou Can’t Take It With You on Broadway; “Law & Order,” “House of Cards”), Tasha Lawrence (“The Looming Tower,” Hulu; “Royal Pains”) and Sam Lilja (The Iceman Cometh on Broadway). Directed by Ethan McSweeny (Gore Vidal’s The Best ManA Time to Kill on Broadway), All Our Children plays a limited five-week engagement, April 6 through May 12 at The Sheen Center (18 Bleecker Street at the corner of Elizabeth Street, NYC) in the Black Box Theater.  The official opening is Sunday, April 14 at 3PM. Performances are Tuesday through Thursday at 7PM, Friday and Saturday evenings at 8PM, with matinees on Saturday at 2PM and Sundays at 3PM. Tickets are $50 during previews (through April13) and $65 and $80 for performances thereafter. Tickets are available online atSheenCenter.org, by phone at 212-925-2812, or in-person at The Sheen Center box office Monday to Friday Noon to 5PM and one hour before performances. Student rush tickets are available one hour before curtain.

The National Theatre production of Network, produced by David Binder, the National Theatre, Patrick Myles, David Luff, Ros Povey and Lee Menzies, will extend performances through Saturday, June 8, 2019 at the Belasco Theatre (111 West 44th Street). This is the second and final extension for the limited engagement. Starring Bryan Cranston (All The Way, “Breaking Bad”), Tony Goldwyn (“Scandal,” Promises, Promises) and Tatiana Maslany (“Orphan Black,” Mary Page Marlowe), NETWORK officially opened to rave reviews on Thursday, December 6, 2018.

The complete cast for Network also includes Joshua Boone (Holler If Ya Hear Me), Alyssa Bresnahan (War Horse), Ron Canada (“Jack Ryan”), Julian Elijah Martinez (Father Comes Home From The Wars Part 1,2,3), Tony Award winner Frank Wood (Sideman), Nick Wyman (Catch Me If You Can), Barzin Akhavan (All The Way), Jason Babinsky (Billy Elliot), Camila Canó Flaviá (Dance Nation), Eric Chayefsky (Stalked: Someone’s Watching), Gina Daniels (All The Way), Nicholas Guest (“Madam Secretary”), Joe Paulik (Love and Money), Susannah Perkins (The Wolves), Victoria Sendra (Broadway Debut), Henry Stram (Junk), Bill Timoney (All The Way), Joseph Varca (Pentecost and Monster), Nicole Villamil (Queens) and Jeena Yi (Somebody’s Daughter).

Network is directed by Tony and Olivier Award winner Ivo Van Hove (A View From the BridgeThe Damned), adapted by Tony and Olivier Award winner Lee Hall (Billy Elliot) and based on the Academy Award-winning film by Paddy Chayefsky. 

The Tony Awards and Carnegie Mellon University (CMU) today announced a group of talented actors serving as Ambassadors for the 2019 Excellence in Theatre Education Award.  

CMU alumna Chanté Adams, who notably was a high school drama student of 2016 Excellence in Theatre Education Award Winner, Marilyn ‘MC’ McCormick of Detroit, this year returns as an Ambassador. (Adams appeared in the August Wilson play, “Ma Rainey’s Black Bottom” and currently stars in the Netflix movie, “Roxanne, Roxanne,” and the feature film, “Monsters and Men.”) Adams will also serve as CMU’s alumni representative on this year’s award-selection committee.  For a message from Chanté, click here.

Other Ambassadors for the 2019 Excellence in Theatre Education Award program include Ali Stroker (upcoming Broadway revival of “Oklahoma,” “Spring Awakening,” and “The Glee Project”)and Santino Fontana (“Tootsie” on Broadway and Disney’s animated feature, “Frozen”); both Stroker and Fontana are longtime advocates of theatre and arts education.

Additional CMU Ambassadors for 2019 include alumni Casey Cott (from the CW’s hit series, “Riverdale,” and feature film, “All the Little Things We Kill”) and Rory O’Malley (Tony nominee for “The Book of Mormon,” host of Geffen Playhouse Unscripted podcast, and star of “Hamilton” and Lifetime’s upcoming series, “American Princess.”)

Ambassadors for the Excellence in Theatre Education program are calling on students, parents, faculty, staff, friends and families across the U.S. to submit local, notable drama teachers—those who inspire their kids and their communities with exceptional theatre programs. 

Now through February 22, submissions will be accepted online for K-12 theatre educators at an accredited institution or recognized community theatre organization. Anyone can submit a worthy teacher for consideration. He or she must be a teacher whose position is dedicated to and/or includes aspects of theatre education. Submissions can be made at www.TonyAwards.com/EducationAward.

Since 2014, the Excellence in Theatre Education Award has been bestowed annually at the Tony Awards. Last year’s honor was presented to Melody Herzfeld of Parkland, Florida, where she is a drama teacher at Marjory Stoneman Douglas High School. 

“We’re thrilled to have such talented performers stand with us as Ambassadors to promote the importance of theatre education,” said Heather Hitchens, President of the American Theatre Wing and Charlotte St. Martin, President of The Broadway League. “We shine this annual spotlight on teachers to recognize them and to thank them for the essential work they do year-round.”

“CMU is grateful to our College of Fine Arts alumni, this year and in years past, who have served as Ambassadors for the Excellence in Theatre Education Award,” said Carnegie Mellon University President Farnam Jahanian. “We’re further encouraged by the expanded participation and support of the Broadway community, even beyond our immediate CMU family. Now in its fifth year, this program has truly become a national celebration of the theatre education profession.”

A panel of judges comprised of the American Theatre Wing, The Broadway League, Carnegie Mellon University and other leaders from the theatre industry will select the winner. The winner will receive a cash grant for his or her school, flights to New York City, hotel accommodations and a pair of tickets to the 2019 Tony Awards Ceremony and Gala. 

In addition, the winning teacher’s theatre arts students will receive a master class presentation from Carnegie Mellon’s School of Drama, as well as two scholarships for students of their choosing to attend the School of Drama Summer Pre-College Program in summer 2020. Carnegie Mellon’s School of Drama is the oldest drama degree-granting program in the United States. In the past century, CMU has produced hundreds of Tony nominees, and its alumni have won 47 Tony Awards to date.

The 2019 Tony Awards, presented by The Broadway League and the American Theatre Wing, will air live on CBS on Sunday, June 9, 2019. For more information on the Tony Awards, visit TonyAwards.com and Facebook.com/TheTonyAwards, and follow @TheTonyAwards on Instagram, Twitter and Snapchat.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

The New Dramatists’ 71st Annual Benefit Luncheon and You are There

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On Tuesday the New Dramatists’ 71st Annual Benefit Luncheon was held at the New York Marriott Marquis, 1535 Broadway, Broadway ballroom 6th floor.

Suzan-Lori-Parks photo by Michael Hull

Tony® Honor recipient and the nation’s premier playwright development laboratory, was honored with its 2023 Distinguished Achievement Award at their 71st Annual Spring Luncheon Tribute

Kenny Leon photo by Michael Hull

Tony Award winner, Kenny Leon, director of Parks’ recent revival of Topdog/Underdog lead the tributes.

photo by Michael Hull

In Attendance were:

Ben Platt (Parade) photo by Michael Hull

Annaleigh Ashford  (Sweeney Todd) photo by Michael Hull

Brandon Uranowitz (Leopoldstadt) photo by Michael Hull

J. Harrison Ghee  (Some Like It Hot) photo by Michael Hull

Kevin Cahoon (Shucked) photo by Michael Hull

Natasha Yvette Williams  (Some Like It Hot) photo by Michael Hull

Wayne Cilento (Dancin’) photo by Michael Hull

Betsy Wolfe (& Juliet) and Linedy Genao (Bad Cinderella) photo by Michael Hull

Justin Cooley (Kimberly Akimbo), Ben Platt (Parade) and  Colton Ryan (New York, New York) photo by Michael Hull

Justin Cooley (Kimberly Akimbo), Brian Stokes Mitchell, Suzan-Lori Parks, Victoria Clark (Kimberly Akimbo) and Bonnie Milligan (Kimberly Akimbo) at The New Dramatists Spring Luncheon. photo by Michael Hull

Also Artistic Director Emily Morse and Executive Director Joel Ruark,

Executive Director Joel Ruark photo by Michael Hull

Jeannie Tessori photo by Michael Hull

Hiran Abeysekera (Life of Pi), Betsy Aidem (Leopoldstadt), Steven Boyer (Kimberly Akimbo), Faye Castelow (Leopoldstadt), Rashad Chambers (Topdog/Underdog), Ben Davis (New York, New York), Eisa Davis (New York, New York), Micaela Diamond (Parade), Delia Ephron (Love Loss & What I Wore), Corey Hawkins (Topdog/Underdog), Jessica Hecht (Summer, 1976), Amy Herzog (A Doll’s House), Robert Horn (Shucked),  Mark Jacoby (A Beautiful Noise, The Neil Diamond Musical), LaChanze (Here Lies Love, Kimberly Akimbo), event co-chair   Caissie Levy (Leopoldstadt), Judith Light (Other Desert Cities), David Lindsay-Abaire (Kimberly Akimbo), Neil Meron (Some Like It Hot), Alli Mauzey (Kimberly Akimbo), Lauren Mitchell (A Bronx Tale), Arian Moayed (A Doll’s House), Casey Nicholaw (Some Like It Hot), Linda Powell (A Beautiful Noise, The Neil Diamond Musical), Daryl Roth (Kinky Boots), Sarah Ruhl (in The Next Room), Stark Sands (& Juliet), Miriam Silverman (The Sign in Sidney Brustein’s Window), Marcel Spears (Fat Ham), Katy Sullivan (Cost of Living), David Stone (Wicked), Jeanine Tesori (Kimberly Akimbo), Paula Vogel (How I Learned To Drive), Sharon Washington (New York, New York), Scott WIttman (Some Like It Hot), Kara Young (Cost of Living), David Zayas (Cost of Living).

Performing were:

Suzan-Lori-Parks photo by Michael Hull

Daniel Fulton, Orville Mendoza, Suzan-Lori-Parks, Lauren Molina and Leland Fowler photo by Michael Hull

Brandon and Jason Dirden photo by Michael Hull

New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks and New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks photo by Michael Hull

Tony Kushner photo by Michael Hull

NYC Public Advocate Jumaane D. Williams, Suzan-Lori-Parks photo by Michael Hull

Stay tuned for our interviews.

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Broadway

The New Dramatists’ 71st Annual Benefit Luncheon and You Are There

Published

on

On Tuesday the New Dramatists’ 71st Annual Benefit Luncheon was held at the New York Marriott Marquis, 1535 Broadway, Broadway ballroom 6th floor.

Suzan-Lori-Parks photo by Michael Hull

Tony® Honor recipient and the nation’s premier playwright development laboratory, was honored with its 2023 Distinguished Achievement Award at their 71st Annual Spring Luncheon Tribute

Kenny Leon photo by Michael Hull

Tony Award winner, Kenny Leon, director of Parks’ recent revival of Topdog/Underdog lead the tributes.

photo by Michael Hull

In Attendance were:

Ben Platt (Parade) photo by Michael Hull

Annaleigh Ashford  (Sweeney Todd) photo by Michael Hull

Brandon Uranowitz (Leopoldstadt) photo by Michael Hull

J. Harrison Ghee  (Some Like It Hot) photo by Michael Hull

Kevin Cahoon (Shucked) photo by Michael Hull

Natasha Yvette Williams  (Some Like It Hot) photo by Michael Hull

Wayne Cilento (Dancin’) photo by Michael Hull

Betsy Wolfe (& Juliet) and Linedy Genao (Bad Cinderella) photo by Michael Hull

Justin Cooley (Kimberly Akimbo), Ben Platt (Parade) and  Colton Ryan (New York, New York) photo by Michael Hull

Justin Cooley (Kimberly Akimbo), Brian Stokes Mitchell, Suzan-Lori Parks, Victoria Clark (Kimberly Akimbo) and Bonnie Milligan (Kimberly Akimbo) at The New Dramatists Spring Luncheon. photo by Michael Hull

Also Artistic Director Emily Morse and Executive Director Joel Ruark,

Executive Director Joel Ruark photo by Michael Hull

Jeannie Tessori photo by Michael Hull

Hiran Abeysekera (Life of Pi), Betsy Aidem (Leopoldstadt), Steven Boyer (Kimberly Akimbo), Faye Castelow (Leopoldstadt), Rashad Chambers (Topdog/Underdog), Ben Davis (New York, New York), Eisa Davis (New York, New York), Micaela Diamond (Parade), Delia Ephron (Love Loss & What I Wore), Corey Hawkins (Topdog/Underdog), Jessica Hecht (Summer, 1976), Amy Herzog (A Doll’s House), Robert Horn (Shucked),  Mark Jacoby (A Beautiful Noise, The Neil Diamond Musical), LaChanze (Here Lies Love, Kimberly Akimbo), event co-chair   Caissie Levy (Leopoldstadt), Judith Light (Other Desert Cities), David Lindsay-Abaire (Kimberly Akimbo), Neil Meron (Some Like It Hot), Alli Mauzey (Kimberly Akimbo), Lauren Mitchell (A Bronx Tale), Arian Moayed (A Doll’s House), Casey Nicholaw (Some Like It Hot), Linda Powell (A Beautiful Noise, The Neil Diamond Musical), Daryl Roth (Kinky Boots), Sarah Ruhl (in The Next Room), Stark Sands (& Juliet), Miriam Silverman (The Sign in Sidney Brustein’s Window), Marcel Spears (Fat Ham), Katy Sullivan (Cost of Living), David Stone (Wicked), Jeanine Tesori (Kimberly Akimbo), Paula Vogel (How I Learned To Drive), Sharon Washington (New York, New York), Scott WIttman (Some Like It Hot), Kara Young (Cost of Living), David Zayas (Cost of Living).

Performing were:

Suzan-Lori-Parks photo by Michael Hull

Daniel Fulton, Orville Mendoza, Suzan-Lori-Parks, Lauren Molina and Leland Fowler photo by Michael Hull

Brandon and Jason Dirden photo by Michael Hull

New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks and New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull

Suzan-Lori-Parks photo by Michael Hull

Tony Kushner photo by Michael Hull

NYC Public Advocate Jumaane D. Williams, Suzan-Lori-Parks photo by Michael Hull

Stay tuned for our interviews.

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And The Winners of The 2023 Drama Desk Awards Are ………

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The 2023 67th Drama Desk Awards, honoring artistic excellence on Broadway, Off-Broadway and Off-Off-Broadway, will take place on June 6 at Sardi’s Restaurant. Today the winners were announced.

Outstanding Play: “Leopoldstadt,” by Tom Stoppard

Outstanding Musical: “Some Like it Hot”

Outstanding Revival of a Play: “The Piano Lesson”

Outstanding Revival of a Musical: “Parade”

Outstanding Lead Performance in a Play: Jessica Chastain, “A Doll’s House” and Sean Hayes, “Good Night, Oscar”

Outstanding Lead Performance in a Musical: Annaleigh Ashford, “Sweeney Todd”
and J. Harrison Ghee, “Some Like it Hot”

Outstanding Featured Performance in a Play: Miriam Silverman, “The Sign in Sidney Brustein’s Window,” Brooklyn Academy of Music and Brandon Uranowitz, “Leopoldstadt”

Outstanding Featured Performance in a Musical: Kevin Del Aguila, “Some Like it Hot” and Alex Newell, “Shucked”

Outstanding Direction of a Play: Max Webster, “Life of Pi”

Outstanding Direction of a Musical: Thomas Kail, “Sweeney Todd”

Outstanding Choreography: Casey Nicholaw, “Some Like it Hot”

Outstanding Music: Brandy Clark and Shane McAnally, “Shucked”

Outstanding Lyrics: Scott Wittman and Marc Shaiman, “Some Like it Hot”

Outstanding Book of a Musical: Matthew López and Amber Ruffin, “Some Like it Hot”

Outstanding Orchestrations: Charlie Rosen and Bryan Carter, “Some Like it Hot”

Outstanding Music in a Play: Suzan-Lori Parks, “Plays for the Plague Year,” The Public Theater

Outstanding Scenic Design of a Play: Tim Hatley, “Life of Pi”

Outstanding Scenic Design of a Musical: Beowulf Boritt, “New York, New York”

Outstanding Costume Design of a Play: Emilio Sosa, “Ain’t No Mo’”

Outstanding Costume Design of a Musical: Gregg Barnes, “Some Like it Hot”

Outstanding Lighting Design of a Play: Natasha Chivers and Willie Williams (video), “Prima Facie”

Outstanding Lighting Design of a Musical: Natasha Katz, “Sweeney Todd”

Outstanding Projection and Video Design: Andrzej Goulding, “Life of Pi”

Outstanding Sound Design of a Play: Ben & Max Ringham, “A Doll’s House”

Outstanding Sound Design of a Musical: Scott Lehrer and Alex Neumann, “Into the Woods”

Outstanding Wig and Hair: Mia M. Neal, “Ain’t No Mo’”

Outstanding Solo Performance: Jodie Comer, “Prima Facie”

Unique Theatrical Experience: “Peter Pan Goes Wrong”

Outstanding Fight Choreography: B.H. Barry, “Camelot”

Outstanding Adaptation: “A Doll’s House,” by Amy Herzog

Outstanding Puppetry: Nick Barnes and Finn Caldwell, “Life of Pi”

Shows with multiple wins

Some Like It Hot: 8

Life of Pi: 4

A Doll’s House: 3

Sweeney Todd: 3

Ain’t No Mo’: 2

Leopoldstadt: 2

Prima Facie: 2

Shucked: 2

Special Awards

Harold Prince Lifetime Achievement Award

Stephen McKinley Henderson has been bringing in-depth, gripping portrayals of memorable characters to the stage for over four decades. With his return to Broadway this season as Pops in “Between Riverside and Crazy,” which the Drama Desk previously nominated in 2015, this year’s Harold Prince Lifetime Achievement Award marks Henderson’s role in this powerful production as a celebration of his brilliant career.

Ensemble Award

The cast of Soho Rep’s “Public Obscenities” – Tashnuva Anan, Abrar Haque, Golam Sarwar Harun, Gargi Mukherjee, NaFis, Jakeem Dante Powell, and Debashis Roy Chowdhury – embodied the transnational world of Shayok Misha Chowdhury’s bilingual play with memorable authenticity, remarkable specificity, and extraordinary warmth.

Sam Norkin Off-Broadway Award

From his standout performance in american (tele)visions, to writing and performing the autobiographical “Dark Disabled Stories,” Ryan J. Haddad’s work this season has expanded on and interrogated what the idea of “accessibility” really means. Whether riding a shopping cart like a throne, or relating his experiences on a “gay, pink bus,” Haddad shared with audiences an unabashed queer fabulosity that was both unforgettable and deeply human.

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Broadway

Ken Fallin’s Broadway: Remembering Angela Lansbury in Sweeney Todd

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On Sunday look for a brand new charcuterie of Josh Groban and Annaleigh Ashford in Sweeney Todd..  I loved the new production, and it’s two leads.

I saw the original with Angela Lansbury and Len Cariou, which was also a favorite. I think it’s Sondheim’s greatest work.
Here is my drawing of Angela as Mrs. Lovett, to salute the original.
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Broadway

League of Professional Theatre Women’s 10th Annual Women Stage The World March

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 The League of Professional Theatre Women (LPTW) will hold its 10th Annual “Women Stage the World March”  — a Suffragette-inspired project to educate the public about the role of women in the theatre industry — on Saturday, June 17.   The march will begin at noon, at Shubert Alley and weave through Times Square and the Broadway Theatre District, wrapping up at about 2 p.m.

“The event is FREE and LPTW invites all theatre women and allies to join us as we increase awareness, lift our voices, and advocate for more opportunities for women in theatre,” said Ludovica Villar-Hauser, Co-President of LPTW.

“The Women Stage the World March is designed to educate the public about the role women play in creating theatre and the barriers they face as men continue to outnumber women by 4 to 1 in key roles such as playwright, director and designers.  Women buy 67% of the tickets and represent 65% of the audience, yet 80% of the storytelling on stage is shaped by men’s voices,” said Katrin Hilbe, Co-President of LPTW.

Handouts during the March will prompt ticket-buyers to ask three questions as they make buying decisions: (1) Who wrote, directed and designed this play? (2) What is this theatre’s track record in giving opportunities to women? (3) How can you spread the word and promote women’s voices?

“All participants are encouraged to dress as their favorite historical theatre woman, or dress all in white.  March participants will gather at Shubert Alley starting at 11:30 AM, in preparation for the start of the march at noon.   Women Stage the World sashes and signs will be provided, as supplies last,” noted Penelope Deen, LPTW member and organizer of the event. Those interested in participating in the event please R.S.V.P. at: https://www.theatrewomen.org/women-stage-the-world or contact Penelope Deen at:  Womenstagetheworld@Theatrewomen.org

LPTW Co-President Ludovica Villar-Hauser added:  “The League of Professional Theatre Women stands alongside the Writers Guild of America (WGA) as they demand fair wages and take action to ensure more protections for artists. We encourage LPTW members to find a time to join the WGA on the picket lines this month as the strike continues.  Women writers are the future of the film and television industry, just as they lead the way in theatre.  LPTW supports the women on the frontlines of this movement as they call for long overdue change. We are stronger together.”

For the past 10 years LPTW members, affiliated union members, theatre artists and their allies have hit the streets in a March reminiscent of the Suffragette parades of the early 20th Century, with some marchers dressed in traditional suffrage garb and colors. ​ Like the Suffragettes before them, participants in the Women Stage the World March empower women and men to become aware, take action and influence others.

The League of Professional Theatre Women (LPTW) is a membership organization championing women in theatre and advocating for increased equity and access for all theatre women. Our programs and initiatives create community, cultivate leadership, and increase opportunities and recognition for women working in theatre. The organization provides support, networking and collaboration mechanisms for members, and offers professional development and educational opportunities for all theatre women and the general public.  LPTW celebrates the historic contributions and contemporary achievements of women in theatre, both nationally and around the globe, and advocates for parity in employment, compensation and recognition for women theatre practitioners through industry-wide initiatives and public policy proposals.   LPTW is celebrating its 40th Anniversary in 2023.

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