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Broadway Openings in March



Get ready for the season to truly begin. There are seven openings in March. Already in previews are:

A Doll’s House: Opens March 9th at the Hudson Theatre, 141 W 44th Street. Oscar winner Jessica Chastain is Nora in the latest revival of Henrik Ibsen’s masterwork. Housewife and mother Nora is living the perfect 19th-century woman’s life, but that’s not the life she wants, and she intends to start her own independent one. Pulitzer Prize finalist Amy Herzog newly adapts Ibsen’s script for today.

Bad Cinderella: Opens March 23 at the Imperial Theatre. Andrew Lloyd Webber’s latest musical, a modern update on the classic fairy tale, comes to Broadway following a run in London’s West End. Linedy Genao, Carolee Carmello, Grace McLean, Jordan Dobson, Morgan Higgins, Sami Gayle, Christina Acosta Robinson.

Parade: Opens March 16 at Bernard B. Jacobs Theatre, 242 W 45th Street. Ben Platt and Micaela Diamond star in Jason Robert Brown (music & lyrics) and Alfred Uhry (book) musical. Directed by Michael Arden in a sold-out run at New York City Center, in a new production.

Bob Fosse’s Dancin’: Previews begin March 2, Opening Night: March 19th at The Music Box Theatre, 239 West 45th Street. This revival, directed by original Dancin’ cast member Wayne Cilento, preserves Fosse’s choreography from the show’s 1978 premiere. Various dance routines blend his signature style with multiple dance genres, all together making a celebration of Fosse and the evolution of dance.

The Thanksgiving Play: Opens March 25th at the Hayes Theater, 240 W 44th Street. Larissa FastHorse becomes the first Indigenous female Broadway playwright with this show, which follows an all-white theatre troupe as they try to devise a culturally sensitive Thanksgiving pageant to perform for elementary schoolers. A whole cornucopia of problems, and laughs, ensue.

Sweeney Todd:
Opens March 26 at The Lunt-Fontanne Theatre, 205 W 46th Street. Stephen Sondheim (music and lyrics) and  Hugh Wheeler (book) will be brought back to life by director Thomas Kail. Starring: Josh Groban, Annaleigh Ashford, Jordan Fisher, Gaten Matarazzo, Ruthie Ann Miles, Maria Bilbao, Jamie Jackson, John Rapson, Nicholas Christopher in the musical thriller about the Demon Barber of Fleet Street. Expect a 26-person orchestra playing Jonathan Tunick’s original orchestrations.

Life of Pi: Previews Begin: March 9, Opening Night: March 30,at the Gerald Schoenfeld Theatre, 236 W 45th Street.Pi, the only human survivor of a shipwreck. He and the four wild animals who also made it out are still fighting against time to keep surviving and make it out of the ocean. Yann Martel’s novel was a bestseller, the film was a four-time Oscar winner, and Life of Pi on Broadway, which follows an acclaimed London premiere, is sure to be just as big of a hit.

Shucked: Previews Begin: March 8, Opening Night: April 4, at The Nederlander Theatre, 208 West 41st Street. A new musical comedy where a couple puts their wedding on hold to help their rural town and meets a fun bunch of country characters. There’s one thing, though, that brings them all together: corn. Brandy Clark and Shane McAnally wrote the music for Shucked; they’ve written country hits for Kacey Musgraves, Sheryl Crow, and more.

Camelot: Previews Begin: March 9, Opening Night: April 13, at the Vivian Beaumont Theatre, 150 W 65th Street. The legend of King Arthur and the Knights of the Round Table comes to the stage once more. Lincoln Center Theater is reviving the beloved Lerner and Loewe musical from March 8, this time with an updated book by Oscar winner Aaron Sorkin (To Kill a Mockingbird). All the classic songs, like “What Do the Simple Folk Do?” and “If Ever I Would Leave You,” remain, as does the central story: a love triangle between King Arthur, Queen Guenevere, and the knight Lancelot.

Peter Pan Goes Wrong: Previews Begin: March 17, Opening Night: April 19, at the Barrymore Theatre, 243 West 47th Street. Follow the second star to the right and straight on ’till morning to see Peter Pan Goes Wrong. This spoof on J. M. Barrie’s tale, from the creators of The Play That Goes Wrong, sees an amateur theatre troupe try to put on Peter Pan and run into a whole host of mid-show mishaps. Audiences are sure to be hooked thanks to the nonstop laughs.

Fat Ham: Previews Begin: March 21, Opening Night: April 12, at the American Airlines Theatre, 227 W 42nd Street. Revenge is a dish best served hot off the grill in Fat Ham, the Pulitzer-winning Hamlet adaptation by James Ijames. He turns Shakespeare’s tragedy into a 90-minute comedy, in which the Black college student Juicy wonders whether violence is the only way to get justice for his father’s murder. Fat Ham‘s Off-Broadway premiere at The Public Theater in 2022 received critical acclaim.

New York, New York:Previews Begin: March 24,Opening Night: April 26, at theSt. James Theatre, 246 W 44th Street. If you can make it to New York, New York on Broadway, you can make it anywhere. This new Kander and Ebb musical, co-composed with Lin-Manuel Miranda, is loosely based on the iconic 1977 Martin Scorsese film. The post-war NYC setting is the same, but the musical features a completely new plot, so get ready to see New York as you never have.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email:


Ken Fallin’s Broadway: A Dolls House: Arian Moayed and Jessica Chastain



I went with T2C’s editor to A Dolls House, which inspired this caricature. You can read Suzanna’s review of the show here.

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T2C Sends Our Prayers to Andrew Lloyd Webber and Lea Michele



Saturday, March 25, 2023

 A Statement From Andrew Lloyd Webber

 I am shattered to have to announce that my beloved elder son Nick died a few hours ago in Basingstoke Hospital. His whole family is gathered together and we are all totally bereft. 

 Thank you for all your thoughts during this difficult time.

The 75-year-old Oscar-winning composer son Nicholas followed in his father’s footsteps and was a successful composer in his own right, having written Fat Friends The Musical. He was married to musician Polly Wiltshire, who appeared on the soundtrack of his father’s 2019 movie Cats.

During his career, Nicholas also scored music for an adaption of The Little Prince as well as composing numerous TV and film scores, including for the BBC1 drama Loves, Lies, and Records.

Nicholas previously spoke about making his own way in the theatre world away from his famous family name in a 2011 unearthed interview.

He said he wanted to be ‘judged on his own merits’ so dropped his surname when working to see what the reaction would be.

Our hearts and prayers go out to his family.

Also on Saturday Lea Michele updated her fans on the status of her two-year-old’s health via her Instagram  after he was hospitalized earlier this week.  Her son Ever was in the hospital, but is now out due to a ‘scary health issue. She posted a picture backstage in her dressing room ahead of her Broadway performance in Funny Girl. Lea had been out to focus on her family.

“I just wanted to say thank you to everyone for just so much love and support this week. I really really appreciated it”.

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Parade: A Musical That Asks Us Do We Have The Eyes And Ears To See.



Micaela Diamond and Ben Platt Photo by Joan Marcus

I have always loved Jason Robert Brown’s score for Parade. “You Don’t Know This Man,” “This Is Not Over Yet” and the wonderfully romantic “All the Wasted Time” are just the tip of the iceberg for music that stirs your soul and tells a tale of heartbreak. There is a reason this score won the Tony Award in 1999.

Ben Platt Photo By Joan Marcus

The musical now playing on Broadway dramatizes the 1913 trial of Jewish factory manager Leo Frank (Ben Platt), who was accused and convicted of raping and murdering a thirteen-year-old Mary Phagan (Erin Rose Doyle). The trial was sensationalized by the media, newspaper reporter Britt Craig (Jay Armstrong Johnson) and Tom Watson (Manoel Feliciano), an extremist right-wing newspaper aroused antisemitic tensions in Atlanta and the U.S. state of Georgia. When Frank’s death sentence is commuted to life in prison thanks to his wife Lucille (Micaela Diamond), Leo was transferred to a prison in Milledgeville, Georgia, where a lynching party seized and kidnapped him. Frank was taken to Phagan’s hometown of Marietta, Georgia, and he was hanged from an oak tree. 

Erin Rose Doyle, Photo by Joan Marcus

The telling of this horrid true tale begins with the lush ode to the South in “The Old Red Hills of Home.” Leo has just moved from Brooklyn to in Marietta, where his wife is from and he has been given the job as as a manager at the National Pencil Co. He feels out of place as he sings “I thought that Jews were Jews, but I was wrong!” On Confederate Memorial Day as Lucille plans a picnic, Leo goes to work. In the meantime Mary goes to collect her pay from the pencil factory. The next day Leo is arrested on suspicion of killing Mary, whose body is found in the building. The police also suspect Newt Lee (Eddie Cooper), the African-American night watchman who discovered the body, but he inadvertently directs Starnes’ suspicion to Leo.

Across town, reporter Britt Craig see this story as (“Big News”). Mary’s suitor Frankie Epps (Jake Pederson), swears revenge on Mary’s killer, as does the reporter Watson. Governor John Slaton (Sean Allan Krill) pressures the local prosecutor Hugh Dorsey (the terrific smarmy Paul Alexander Nolan) to get to the bottom of the whole affair. Dorsey, an ambitious politician sees Leo as he ticket to being the Governor and though there are other suspects, he willfully ignores them and goes after Leo.

Sophia Manicone, Emily Rose DeMartino, Ashlyn Maddox Photo By Joan Marcus

The trial of Leo Frank is presided over by Judge Roan (Howard McMillan). A series of witnesses, give trumped up evidence which was clearly is fed to them by Dorsey. Frankie testifies, falsely, that Mary said Leo “looks at her funny.” Her three teenage co-workers, Lola, Essie and Monteen (Sophia Manicone, Emily Rose DeMartino, Ashlyn Maddox), collaborate hauntingly as they harmonize their testimony  (“The Factory Girls”). In a fantasy sequence, Leo becomes the lecherous seducer (“Come Up to My Office”). Testimony is heard from Mary’s mother (Kelli Barrett ) (“My Child Will Forgive Me”) and Minnie McKnight (Danielle Lee Greaves)before the prosecution’s star witness, Jim Conley (Alex Joseph Grayson ), takes the stand. He claims that he witnessed the murder and helped Leo conceal the crime (“That’s What He Said”). Leo is given the opportunity to deliver a statement (“It’s Hard to Speak My Heart”), but it is not enough. He is found guilty and sentenced to hang. The crowd breaks out into a jubilant circus.

Alex Joseph Grayson Photo by Joan Marcus

Act 1, is not as strong as it should have been. I have attended three different incarnations, the last being with Jeremy Jordan as Leo and Joshua Henry as Jim in 2015. Part of the problem is Michael Arden’s direction. Instead of allowing his performers to act, he has them pantomime, as the solo goes forth. “Come Up to My Office” was not as haunting as in past productions. The same can be said of “That’s What He Said”. Who’s stands out in the first act is Jake Pederson as Frankie and Charlie Webb as the Young Soldier who sings “The Old Red Hills of Home.”

Micaela Diamond and Ben Platt Photo by Joan Marcus

In Act 2, Lucille finds Governor Slaton at a party (the hypnotic “Pretty Music” sung wonderfully by Krill) and advocates for Leo. Watson approaches Dorsey and tells him he will support his bid for governor, as Judge Roan also offers his support. The governor agrees to re-open the case, as Leo and Lucille find hope. Slaton realizes what we all knew that the witnesses were coerced and lied and that Dorsey is at the helm. He agrees to commute Leo’s sentence to life in prison in Milledgeville, Georgia, which ends his political career. The citizens of Marietta, led by Dorsey and Watson, are enraged and riot. Leo is transferred to a prison work-farm. Lucille visits, and he realizes his deep love for his wife and how much he has underestimated her (“All the Wasted Time”). With hope in full blaze Lucille leaves as a party masked men kidnap Leo and take him to Marietta. They demand he confess and hang him from an oak tree.

Paul Alexander Nolan, Howard McMillan Photo By Joan Marcus

In Act Two Parade comes together with heart and soul. Diamond, who shines brightly through out the piece is radiant, and her duets with Platt are romantic and devastating. Platt comes into his own and his huge following is thrilled to be seeing him live. Alex Joseph Grayson’s also nails his Second Act songs.

Dane Laffrey’s set works well with the lighting by Heather Gilbert.

Frank’s case was reopened in 2019 and is still ongoing.

Parade has multiple messages and the question is will audiences absorb it. I am so glad this show is on Broadway, making us think and see. This is a must see.

Parade: Bernard B. Jacobs Theatre, 242 W 45th Street.

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