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Cabaret

Broadway The Calla-Way Brings Exquisite Harmonies and Sisterly Love in Abundance

Broadway The Calla-Way Brings Exquisite Harmonies and Sisterly Love in Abundance

Starting off on her own Ann Hampton Callaway belts out “Some People” from Jule Styne, Stephen Sondheim’s Gypsy. Bound and gagged Liz Callaway hops right up next to her big sister to sing verse two. The medley continues with Hamilton’s “The Schuyler Sisters”, into the most incredible version of “Lullaby of Broadway,” I have ever heard.

These two were cut, at a young age on music by their mother, who was a pianist and a coach. Their first Broadway show, a touring company of Stephen Schwartz’s Pippin, treated the audience to a lush, harmony perfect melodic version of “Magic to Do” and “Corner of the Sky.” To see the Callaway sisters, is to hear harmonies modulate in such an ingenious way as to compliment, while bringing a song into another dimension. These two are truly inspiring.

Ann Hampton Callaway, Liz Callaway Photo by Jeffrey Lyle Segal

Wanting to be a dancer and paying tribute to Marvin Hamlisch and Ed Kleban, Liz brought A Chorus Line‘s beat driven “The Music and the Mirror,” to a perfect finish.

Liz Callaway Photo by Jeffrey Lyle Segal

In high school, Ann played Mame and if she sang “If He Walked Into My Life” the way she did last night, I would love to see her do this role on Broadway. Better yet Liz as Mame and Ann as Vera and then have them alternate. Now, that’s a revival worth seeing!

Ann Hampton Callaway Photo by Jeffrey Lyle Segal

At the press meet and greet, I heard this exquisite version of Rogers and Hammerstein’s “You’ll Never Walk Alone” from Carousel. Again the harmonies and the emotional connection make this song a stand out.

Having worked with Stephen Sondheim in her first show and having played young Sally in a concert version of Follies, it was fitting for Liz to sing “Broadway Baby.” After all she was only 19, when she was cast in Merrily We Roll Along.

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Liz Callaway Photo by Jeffrey Lyle Segal

Keeping in the Sondheim mode and singing a song from Merrily, Ann launched into a devastatingly deep “Not A Day Goes By.” The two collaborated again with Company‘s “Being Alive.” Here’s hoping that the revival coming to Broadway this spring is sung just as connected, with such heart.

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Ann Hampton Callaway Photo by Jeffrey Lyle Segal

Harold Arlen and Johnny Mercer’s classic “Blues in the Night,” has never been sung this well. Ann’s version is the best I have ever heard. I wanted to stand up and cheer after this passionate ode to heartache.

Hearing Liz, recreate David Shire and Richard Maltby Jr.’s “The Story Goes On” from Baby, was a blast from my past. I was in the audience when she sang this the first time on Broadway. It was just as amazing now, as it was then.

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Ann Hampton Callaway, Liz Callaway Photo by Jeffrey Lyle Segal

These two songs would have been worth the whole concert. They were magical and there was still more to come. A Broadway melody captured duets fans had been asking for. I am putting in my request in now for their next show. I would love to hear them do “There’s Always a Women” from Anyone Can Whistle or “We Are Women” from Candide.

Liz Callaway, Ann Hampton Callaway Photo by Jeffrey Lyle Segal

Stephen Schwartz’s “For Good” from Wicked brought out such love and acceptance. As the encore “You’ve Got a Friend” had the audience singing along. Not one, but three standing ovations for this well deserved night of musical perfection. There was not an audience member that didn’t know that this is one special evening to be remembered.

Liz Callaway, Ann Hampton Callaway Photo by Jeffrey Lyle Segal

The Callaway’s were backed by their gifted musical director and arranger extraordinaire Alex Rybeck on piano, bassist Mary Ann McSweeney and percussionist Ray Marchica. These are some of the best musicians in the city.

Kudos also needs to be given to Liz’s husband, Dan Foster who directed this act with soul. He brought out the best in these two siblings and kept humanity, gratitude and warmth as his platform and it radiated through out the performance.

Sadly, Broadway The Calla-Way at Feinstein’s/ 54 Below is finished, however here is where you can catch these songbirds next:

12/5 Ann at Kennedy Center Millennium Stage, Grand Foyer “Ann Hampton Callaway – The Linda Ronstadt Songbook” Free to the public.

 Alex Rybeck Photo by Jeffrey Lyle Segal

12/14 Ann and Liz at North Shore Center for the Performing Arts in Skokie “Broadway with the Callaways”

12/18 Ann at Raymond F. Kravis Center for the Performing Arts “Ann Hampton Callaway – The Linda Ronstadt Songbook”

12/19 Ann at The Palladium at St. Petersburg College Performing Arts “Ann Hampton Callaway – The Linda Ronstadt Songbook”

12/19 BUFFALO, NY – HOLIDAY POPS CONCERTS

12/31 Ann at Bass Performance Hall “New Year’s Eve – A Gershwin Celebration”

1/11 NEW ORLEANS, LA – LIZ CALLAWAY WITH SETH RUDETSKY

1/12 Ann at New York Hilton Midtown, Sutton Center on the 2nd Floor, “Ann Hampton Callaway – Fever: The Peggy Lee Century APAP Showcase”

Cabaret

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

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