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Broadway’s Life of Pi Sails Strong and Magically Over From the West End

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Will you join us?” This is the compelling question asked within the new Broadway adaptation of Life of Pi by an engaging young man who has just survived a trauma more intense than any of us, most likely, could imagine, let alone survive. He has wound up in a Mexican hospital room and is being asked, most insistently, to tell his story to two interested parties; a representative of the Canadian Embassy, Lulu Chen, played strongly by Kirstin Louie (PBS’s “Endeavour“), and a representative of the shipping company, Mr. Okamoto, captivatingly portrayed by Daisuke Tsuji (“Invasion“), who are not exactly on the same exact page. Or share the same interest.

Hiran Abeysekera, Mahira Kakkar, and the company of Broadway’s Life of Pi. Photo by Matthew Murphy & Evan Zimmerman for MurphyMade.

Crawling out from underneath, the boy, exceptionally well played by Hiran Abeysekera (RSC’s Hamlet), tells them that his name is Pi and that he has “had a terrible trip,” which is the understatement of the Broadway season. All this, just before the stage swells and crashes forward most majestically into a world that draws us in most completely. The transformations, and I definitely mean each and everyone, are utterly magnificent and awe-inspiring, but that first one tells us so much, but not all, about the voyage we have all signed up for, pretty much in the same way that The Lion King found its way to overwhelm our senses back in the day. But this play and this production are just so much more than all that. It delivers in a way that must be seen to be believed, as the stage moves, flows, opens, and emotes in the most astounding of ways, leaving you tantalized at almost every turn.

Rajesh Bose and Hiran Abeysekera in Broadway’s Life of Pi. Photo by Matthew Murphy & Evan Zimmerman for MurphyMade.

Butterflies and giraffes emerge, drawing us into a zoo so small that it can fit inside Pi’s head, as this exceptionally well-crafted production, based most lovingly on the award-winning novel by Yann Martel (Beatrice and Virgil), invites us into a visual that is outrageously tender yet profoundly beautiful. Adapted most engagingly by Lolita Chakrabarti (Red Velvet), this epic journey through the ocean is both surprisingly gorgeous in its delivery and emotionally gut-punching in its connection. We begin to see as we are instructed, and feel the way the weight and depths of the tragedy that unfolds.

A cargo ship sets out from India, filled with an assortment of wild caged animals from the zoo, alongside Pi’s tender and gloriously embodied family. Their destination is Canada, where Pi’s father, played with wise warm by Rajesh Bose (RTC’s Indian Ink), hopes to create a more safe life for the whole menagerie. They are escaping the violent unrest in their homeland, but when a storm comes somewhere in the middle of the vast Pacific Ocean, far from any land that might save them, the escape becomes something quite the opposite, leaving the sweet-natured sixteen-year-old boy stranded on a lifeboat with four other survivors, a hungry hyena, a broken zebra, a protective orangutan, and a 450-pound Royal Bengal tiger named Richard Parker.

Sonya Venugopal, Celia Mei Rubin, and Hiran Abeysekera in Broadway’s Life of Pi. Photo by Matthew Murphy & Evan Zimmerman for MurphyMade.

The story is fantastical, and utterly hard to believe, Mr. Okamoto tells Pi. This straight-laced all-business man from Japan requires the true story, not this manufactured one. He needs to know the details of the sinking of the ship. The ‘whys’ and the ‘hows’ and as directed most beautifully by the wondrously talented Max Webster (Regent’s Park’s Antigone), the “better” story that is given astounds, just like it did within the pages of the Man Booker Prize-winning book. Walking in, knowing the book, one of the most pronounced questions that floated around my curious mind was how were they going to tell this complicated tale. Would it work on the stage? Would we believe in the tale we are being told?

The simple answer is yes, most assuredly and most magically. And that, no surprise here, is due to the fine cast that has been assembled, including Brian Thomas Abraham (West End/Broadway’s Harry Potter…) as the Cook/Voice of Richard Parker; Avery Glymph (Broadway’s The Skin of Our Teeth) as Father Martin/Russian Sailor/Admiral Jackson; Mahira Kakkar (“The Blacklist“) as Nurse, Amma, Orange Juice; Salma Qarnain (off-Broadway’s Acquittal) as Mrs. Biology Kumar/Zaida Khan; Sathya Sridharan (NYTW’s An Ordinary Muslim); and Sonya Venugopal (NCT’s Annie) as Rani, as well as the others already mentioned. They bring a level of connectivity that radiates out, filling our collective hearts with understanding and love.

The emotional engagement is phenomenal in its weight and how well the tale resonates across the ocean and the stage, but none of that would work as well as it does if not for the phenomenal talent of the whole production/design team, namely; the breathtaking scenic and costume design by Tim Hatley (West End/Broadway’s Travesties), the detailed and dynamic puppet designs by Finn Caldwell and Nick Barnes, the exceptionally vivid video design by Andrzej Goulding (Broadway’s & Juliet), the beautifully integrated lighting design of Tim Lutkin (West End’s Back to the Future) and the impeccable work of the sound designer Carolyn Downing (NT/PH’s Downstate). The staging morphs, expanding and contracting like living and breathing animals, unpacking environments and emotions using the magic of stagecraft, unlike anything I’ve seen before. It surprises and engages, giving you more and more moments of clarity and connection, as he dives deeper and deeper into the trauma of fear and the desire to survive.

Hiran Abeysekera and Richard Parker (Fred Davis, Scarlet Wilderink, Andrew Wilson) in Broadway’s Life of Pi. Photo by Matthew Murphy & Evan Zimmerman for MurphyMade.

Don’t you want to know what happened to Richard Parker?” Yes, yes we do. Most definitely, as the survival tactics spin forward, on a boat that magically appears out of nowhere time and time again. We can’t look away, thanks to the strong performances enlivened by the talented crew of puppeteers; Richard Parker, Nikki Calonge, Fred Davis, Jonathan David Martin, Betsy Rosen, Celia Mei Rubin, Scarlet Wilderink, and Andrew Wilson, creating visuals that elevate and expand over and over again. The waves crash over the bow, shifting the boy, his boat, and its occupants through a hardship that is ever so emotionally overwhelming to take in. The production takes us on a journey, from the most idyllic space through a story that lands on the powerful shore of determination, tackling animalistic fear and a personal belief in self that resonates. Man, really is “the most dangerous animal in the zoo“, make no mistake about that, but Life of Pi knows exactly where to take us, and doesn’t fail us in the voyage.

Drunk on water, ” Pi unpacks his voyage of survival to those two who are needing to know, where fear can poison everything, yet can also lead a man to stand up tall to a tiger. Or a hyena. I can’t even begin to describe how wonderfully engaging Abeysekera is in the lead role, nor how magically the stage shifts and floats from one continent to another. It is one of those ‘you must see it to believe it‘ kinda theatrical events, filled to the rim with emotionally powerful moments and unbelievably telling bits of magic and wonder, enhanced most touchingly by the original music of Andrew T. Mackay. Endurance and hope are at its core, but the structuring and the visual engagement of the voyage are what truly delivers this tale onto our shore, and into our heart. Having won five Olivier Awards including Best Play in the West End, Life of Pi makes the journey over the other ocean to find its place at the Gerald Schoenfeld Theatre on Broadway. And for that, we must stand up and all cheer, “this is my boat” as strongly as Pi does. Buy your tickets asap (try to sit in the front mezz, not the orchestra), because is one ride you want to experience. But trust me, this ship isn’t going to sink anytime soon. It’s just far too strongly built.

Broadway’s Life of Pi. For information and tickets, click here.

For more go to frontmezzjunkies.com

My love for theater started when I first got involved in high school plays and children's theatre in London, Ontario, which led me—much to my mother’s chagrin—to study set design, directing, and arts administration at York University in Toronto. But rather than pursuing theater as a career (I did produce and design a wee bit), I became a self-proclaimed theater junkie and life-long supporter. I am not a writer by trade, but I hope to share my views and feelings about this amazing experience we are so lucky to be able to see here in NYC, and in my many trips to London, Enlgand, Chicago, Toronto, Washington, and beyond. Living in London, England from 1985 to 1986, NYC since 1994, and on my numerous theatrical obsessive trips to England, I've seen as much theater as I can possibly afford. I love seeing plays. I love seeing musicals. If I had to choose between a song or a dance, I'd always pick the song. Dance—especially ballet—is pretty and all, but it doesn’t excite me as, say, Sondheim lyrics. But that being said, the dancing in West Side Story is incredible! As it seems you all love a good list, here's two. FAVORITE MUSICALS (in no particular order): Sweeney Todd with Patti Lupone and Michael Cerveris in 2005. By far, my most favorite theatrical experience to date. Sunday in the Park with George with Jenna Russell (who made me sob hysterically each and every one of the three times I saw that production in England and here in NYC) in 2008 Spring Awakening with Jonathan Groff and Lea Michele in 2007 Hedwig and the Angry Inch (both off-Boadway in 1998 and on Broadway in 2014, with Neal Patrick Harris, but also with Michael C. Hall and John Cameron Mitchell, my first Hedwig and my last...so far), Next To Normal with Alice Ripley (who I wish I had seen in Side Show) in 2009 FAVORITE PLAYS (that’s more difficult—there have been so many and they are all so different): Angels in American, both on Broadway and off Lettice and Lovage with Dame Maggie Smith and Margaret Tyzack in 1987 Who's Afraid of Virginai Woolf with Tracy Letts and Amy Morton in 2012 Almost everything by Alan Ayckbourn, but especially Woman in Mind with Julia McKenzie in 1986 And to round out the five, maybe Proof with Mary Louise Parker in 2000. But ask me on a different day, and I might give you a different list. These are only ten theatre moments that I will remember for years to come, until I don’t have a memory anymore. There are many more that I didn't or couldn't remember, and I hope a tremendous number more to come. Thanks for reading. And remember: read, like, share, retweet, enjoy. For more go to frontmezzjunkies.com

Broadway

Theatre News: Teeth, Soft Power, Redwood, BOOP! The Betty Boop Musical and Pre-Existing Condition

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Jenna Rose Husli, Wren Rivera, Alyse Alan Louis, Phoenix Best and Helen J Shen in Teeth (Photo: Chelcie Parry)

Teeth is coming back to New World Stages in the fall for an open-ended run. The transfer begins on October 31, Halloween night, as its official opening. While casting for the commercial remount is yet to be announced, the Playwrights Horizons cast featured Alyse Alan Louis, Steven Pasquale, Will Connolly, Jason Gotay, Jared Loftin, Courtney Bassett, Phoenix Best, Jenna Rose Husli, Lexi Rhoades, Wren Riveras and Helen J. Shen.

The off-Broadway cast album for Teeth, written by written by Pop! creator Anna K. Jacobs (book and music) and Pulitzer Prize-winning A Strange Loop creator Michael R. Jackson (book and lyrics), is now available to stream on all major music platforms. The physical CD will be released August 30. Teeth opened its off-Broadway world premiere at Playwrights Horizons in March with direction by Sarah Benson and choreography by Raja Feather Kelly.

Based on Mitchell Lichtenstein’s screenplay for the cult-classic 2007 horror comedy, Teeth is a tale of revenge and transformation that tears through a culture of shame and repressed desire one delightfully unhinged song at a time. The musical follows Dawn O’Keefe, an evangelical Christian teen struggling to be an exemplar of purity amongst her community of fellow Promise Keeper Girls. As Dawn’s desires become tested and twisted by the men in her life, she discovers a deadly secret not even she understands: when men violate her, her body bites back—literally.

I loved Jeanine Tesori and David Henry Hwang’s SoftPower when it appeared at The Public, now it’s coming to the Signature Theatre in Washington  D.C., newly revised production and directed by Signature Associate Artistic Director Ethan Heard. The show opens August 6 and runs until September 15. Could NYC be next? The cast will feature Steven Eng as DHH, Daniel May (Flower Drum Song) as Xue Xing, and Grace Yoo (Hadestown) as Hillary Clinton with Eymard Cabling (Miss Saigon national tour) as Randy Ray and others, Andrew Cristi (A Christmas Story) as Chief Justice and others, Jonny Lee Jr. as Bobby Bob and others, Quynh-My Luu as Waiter and others, Christopher Mueller as VEEP and others, Ashley D. Nguyen as Jīng and others, Chani Wereley as Betsy Ross and others, Nicholas Yenson as Holden Caulfield and others, and Sumié Yotsukura as Flight Attendant and others. Olivia Clavel-Davis, Brian Dauglash, Emily Song Tyler, and Joey Urgino are swings.

After the 2016 election, when a Chinese American playwright is attacked by an unknown assailant, he hallucinates a Golden Age musical comedy about a Chinese theater producer and Hillary Clinton falling in love. Hilarious and biting, this political satire dares to ask: Does American Democracy still work? And is it worth believing in?

An exhilarating ride through political absurdity with a faceoff between Chinese and American exceptionalism, Soft Power makes an electric debut in the nation’s capital.

Idina Menzel, will open at the Nederlander Theatre in Redwood. This new Broadway musical starts previews January 24,  with a February 13 opening. Written and directed by Tony Award nominee Tina Landau, Redwood features music by Kate Diaz and lyrics by Diaz and Landau. The show is conceived by Landau and Menzel, with additional contributions by Menzel. The musical premiered earlier this year at La Jolla Playhouse. “I made my Broadway debut at the Nederlander Theatre in Rent almost 30 years ago, so to be returning there with Redwood is very emotional for me as it feels like a real homecoming. It has been such a gift to collaborate with Tina and Kate on this show, and I’m so proud to bring it to Broadway” stated Menzel. Redwood follows Jesse (Menzel), a successful businesswoman, mother and wife who seems to have it all, but inside, her heart is broken. Finding herself at a turning point, Jesse leaves everyone and everything behind, gets in her car and drives. Thousands of miles later, she hits the majestic forests of Northern California, where a chance meeting and a leap of faith change her life forever.

BOOP! The Betty Boop Musical has found is set to open at Broadway’s Broadhurst Theatre on April 5, 2025. Tony Award®-winning director/choreographer Jerry Mitchell brings the Queen of the Animated Screen to the theater  with celebrated multiple Grammy® Award-winning composer David Foster, Tony Award®-nominated lyricist Susan Birkenhead and Tony Award®-winning book writer Bob Martin. This score is fabulous and we can’t wait to hear the rest of it.

Edie Falco Photo by Emilio Madrid

Today, producers O’Henry Productions, The Cohn Sisters, Jessica Chase, Taylor Williams, David Blum, Jesse Eisenberg and Charlie Kaufman announced that Pre-Existing Condition by Tony Award® nominee Marin Ireland will extend for two weeks through August 17 and will star Emmy Award® winner Edie Falco in the rotating role of “A” beginning on August 6

Pre-Existing Condition, directed by Maria Dizzia, is currently playing at the Connelly Theater (220 East 4th St.) in the intimate 60-seat Upstairs space. The play was originally set to close on August 3.

Pre-Existing Condition is a play exploring the challenges, shared community, and everyday indignities of learning to move forward after a life-altering, harmful relationship.

About the play, Ms. Falco said, “I am thrilled at the opportunity to be a part of something that moved me so much as a spectator. It involves an intimacy and vulnerability that I’ve sorely missed in the theater. I can’t wait to work with these people who I deeply respect so that hopefully more people can see and feel what I did when I saw the play.”

The role of “A” has rotated throughout the production and is currently played by Tony Award® winner Deirdre O’Connell (Dana H.). Tavi Gevinson (“American Horror Story”) will play the role from July 24-August 3 with Ms. Falco starting August 6-August 17. Previously, the role was played by Emmy Award® winner Tatiana Maslany (“Orphan Black”), Julia Chan (Uncle Vanya) and Tony Award® nominee Maria Dizzia (In the Next Room).

The cast also includes Sarah Steele (“The Good Fight”), Dael Orlandersmith (Pulitzer Prize Finalist, Yellowman), Greg Keller (Alliance); with Raquel Chavez (Uncle Vanya) and Gregory Connors (The Sign in Sidney Brustein’s Window), understudies.

Tony Award® nominee Anne Kauffman (Mary Jane) serves as Creative Consultant on the production. In addition to Ms. Kauffman, the creative team includes Louisa Thompson (A Simulacrum), Set Designer; Tony Award® nominee Enver Chakartash (Stereophonic), Costume Designer; Tony Award® nominee Isabella Byrd (Enemy of the People, Cabaret at the Kit Kat Club), Lighting Designer; Tony Award® nominee Palmer Hefferan (The Skin of Our Teeth), Sound Designer. Taylor Williams is Casting Director, Ashley-Rose Galligan is Production Stage Manager, Eric Nolan Mattingly is Assistant Stage Manager with Wagner Johnson Productions serving as General Management.  Associate Producer is Joe Meyer. David Manella at Loeb & Loeb LLP serves as Production Counsel.

For information on performance dates, ticketing lottery information please visit preexistingconditionplay.com. Tickets start at $49.

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Hell’s Kitchen And New York Liberty Host Block Party At Block Party

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The new musical Hell’s Kitchen will be the presenting sponsor of the New York Liberty’s game today July 16th. As a celebration of New York culture, Hell’s Kitchen and the New York Liberty will host a free open-to-the-public Block Party for fans on Tuesday, July 16 from 3:00-6:00 p.m. on the Ticketmaster Plaza at Barclays Center. The New York Liberty continue to underscore their intentional focus to bring together its passionate community and fanbase.

To emphasize the unique intersection of sport and theater, the Block Party will include a meet and greet with select cast members of Hell’s Kitchen, special performances from the New York Liberty Entertainment team and the Brooklyn Elite Jumpers Double Dutch, exclusive giveaways from Keys Soulcare and American Express, food vendors and more!

The festivities will continue during the New York Liberty’s game against the Connecticut Sun, where the Liberty aim to build upon the historic momentum experienced throughout the 2024 WNBA season. During the game, there will be a special halftime performance choreographed by Hell’s Kitchen’s choreographer Camille A. Brown and associate chorographer Rickey Tripp featuring the New York Liberty mascot, Ellie the Elephant, and dance team, as well as an on-court giveaway where two fans will have the chance to win tickets to an upcoming Hell’s Kitchen performance.

Ali is a 17-year-old girl full of fire – searching for freedom, passion and her place in the world. How she finds them is a New York City coming-of-age story you’ve never felt before – Hell’s Kitchen, a new musical from 16-time Grammy® Award winner Alicia Keys, whose songs and experiences growing up in NY inspire a story made for Broadway.

Rebellious and stifled by an overprotective single mother, Ali is lost until she meets her mentor: a neighbor who opens her heart and mind to the power of the piano. Set to the rhythm of the 90s, Hell’s Kitchen is a love story between a mother and daughter.  It’s about finding yourself, your purpose, and the community that lifts you. Come remember where dreams begin.

The “powerhouse cast” is led by Tony Award® winner Maleah Joi Moon, Shoshana Bean, Brandon Victor Dixon, Tony Award® winner Kecia Lewis and Chris Lee. Hell’s Kitchen is directed by four-time Tony Award® nominee Michael Greif, with choreography by four-time Tony Award nominee Camille A. Brown, a book by Pulitzer Prize finalist and Tony Award nominee Kristoffer Diaz – and the music of Keys, featuring new songs and her greatest hits.

The Hell’s Kitchen Original Broadway Cast Recording is available now via Alicia Keys Records/Interscope Records on streaming and digital platforms worldwide with a physical release to follow.

Hell’s Kitchen lottery tickets are available through a digital lottery the day before the performance at rush.telecharge.com. The digital lottery opens at rush.telecharge.com at 12AM (ET) one day before the performance with winners announced that same morning at 10AM (ET), with a second announcement of additional winners that afternoon at 3PM (ET). Winners may purchase up to two tickets at $39 each (inclusive of $5 service fee), subject to availability. Seats may be partial view.

A limited number of in-person Hell’s Kitchen rush tickets will be available on the day of each performance for $39 per ticket when the Shubert Theatre box office opens. Maximum of two tickets per person, subject to availability. Seats may be partial view. The box office opens Monday through Saturday at 10AM (ET) and Sunday at 12PM (ET).

Tickets for Hell’s Kitchen are available at HellsKitchen.com and Telecharge.com. Tickets can also be purchased at the Shubert Theatre box office. Ticket prices range from $59-199.

Season ticket memberships and single game tickets for New York Liberty home games at Barclays Center are on sale now via Ticketmaster. To learn more and view additional ticketing options such as group tickets and ticket plans, visit liberty.wnba.com/tickets.

The performance schedule for Hell’s Kitchen is Tuesday, Thursday and Friday at 7PM, Wednesday at 7:30PM, Saturday at 8PM, with matinees on Wednesday and Saturday at 2PM, and Sunday at 3PM.

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Broadway in Bryant Park And You Are There With Hell’s Kitchen, Water For Elephants, The Wiz and More

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July 11, 106.7 LITE FM’s Broadway in Bryant Park kicked off its 2024 program, bringing the best of Broadway back together for free performances, every Thursday in July.

From AMDA College of the Performing Arts-Kyle Taylor Parker

From AMDA College of the Performing Arts-Kyle Taylor Parker, Charity Arianna , Destiny David, Ailadis Hernandez De Leon, Nyjair Wilkerson and Jackson Bateman

This week’s performances included: a preshow featuring students from AMDA

Ali Louis Bourzgui

Bobby Conte and Ali Louis Bourzgui

Bobby Conte, Ali Louis Bourzgui and Adam Jacobs

Ali Louis Bourzgui, Bobby Conte,

Lily Kren, Alexandra Matteo, Daniel Quadrino, Jenna Nicole Schoen, Nathan Lucrezio, Reagan Pender, Bobby Conte, Tyler James Eisenreich, Mark Mitrano, Haley Gustafson, Afra Hines, Dee Tomasetta, Adam Jacobs, Ali Louis Bourzgui, David Paul Kidder, Jeremiah Alsop, Andrew Tufano and Ronnie Bowman, Jr.

The Who’s Tommy (Ali Louis Bourzgui, Adam Jacobs, Bobby Conte, Haley Gustafson and more)

Isabelle McCalla and Ken Wulf Clark

Ken Wulf Clark

Joe De Paul and Asa Somers

Isabelle McCalla and Ken Wulf Clark

Isabelle McCalla and Ken Wulf Clark

Isabelle McCalla and Ken Wulf Clark

Joe De Paul, Asa Somers and Sara Gettelfinger

Joe De Paul, Asa Somers and Sara Gettelfinger

Joe De Paul, Asa Somers and Sara Gettelfinger

Joe De Paul, Asa Somers and Sara Gettelfinger

Ken Wulf Clark, Sara Gettelfinger, Joe De Paul and Asa Somers

Ken Wulf Clark, Sara Gettelfinger, Joe De Paul and Asa Somers

Ken Wulf Clark, Joe De Paul, Asa Somers and Isabella McCalla

Water for Elephants (Isabelle McCalla, Ken Wulf Clark, Asa Somers, Sara Gettelfinger, Joe De Paul)

Avery Wilson

Kyle Ramar Freeman and Nichelle Lewis

Kyle Ramar Freeman

Kyle Ramar Freeman

Melody A. Betts

Kyle Ramar Freeman

Nichelle Lewis

Nichelle Lewis, Kyle Ramar Freeman, Avery Wilson and Polanco Jones Jr.

Kyle Ramar Freeman, Avery Wilson and Polanco Jones Jr.

Kyle Ramar Freeman, Polanco Jones Jr., Nichelle Lewis, Melody A. Betts and Avery Wilson

The Wiz (Avery Wilson, Kyle Ramar Freeman, Melody A. Betts, Nichelle Lewis, Polanco Jones Jr.)

Jelani Remy

JJ Niemann

Evan Alexander Smith and JJ Niemann

Evan Alexander Smith and JJ Niemann

Evan Alexander Smith and JJ Niemann

Evan Alexander Smith and JJ Niemann

Jelani Remy and JJ Niemann

Jelani Remy and JJ Niemann

Jelani Remy and JJ Niemann

Evan Alexander Smith, Katie Laduca, JJ Niemann and Aaron Alcaraz

Hannah Kevitt and JJ Niemann

Evan Alexander Smith, JJ Niemann, Jelani Remy and The Cast of Back To The Future that includes Hannah Kevitt, Cixtoria Byrd, Kimberly Immanuel, Jessie Peltier, Gregory Carl Banks Jr., Katie Laduca, Joshua Kenneth Allen Johnson and Aaron Alcaraz

Evan Alexander Smith, JJ Niemann, Jelani Remy, Hannah Kevitt, Cixtoria Byrd, Kimberly Immanuel, Jessie Peltier, Gregory Carl Banks Jr., Katie Laduca, Joshua Kenneth Allen Johnson and Aaron Alcaraz

Back to the Future (Jelani Remy, JJ Niemann, Evan Alexander Smith)

Gianna Harris and Lamont Walker II

Lamont Walker II

Jade Milan, Jackie Leon and Gianna Harris

Jade Milan, Jackie Leon and Gianna Harris

Donna Vivino

Donna Vivino

Donna Vivino, Gianna Harris, Lamont Walker II, Jade Milan and Jackie Leon and Jackie Leon

and Hell’s Kitchen (Gianna Harris, Vanessa Ferguson, Jackie Leon, Donna Vivino, Lamont Walker II)

106.7 Lite FM’s Helen Little

106.7 Lite FM’s Helen Little is joined by Co Host Kyle Ramar Freeman

with host Helen Little and co-host Kyle Ramar Freeman.

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Get Ready For Broadway in Bryant Park

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The most popular shows on and off Broadway will perform their biggest hits in the park starting this Thursday the 11th! Head to the the lawn at Bryant Park and enjoy Broadway for lunch. The performances will happen on four summer Thursdays, hosted and presented by LiteFM.

This week from 12:30pm-1:30pm 106.7 LITE FM Host: Helen Little will host. For the pre-show: A special performance by the students of AMDA College of the Performing Arts. Then get ready for performances by Back to the Future, Hell’s Kitchen, The Who’s TOMMY, The Wiz and
Water For Elephants.

In coming weeks look from The Outsiders, SIX: The Musical, Moulin Rouge! The Musical, Wicked, Chicago and & Juliet.

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Broadway

Ken Fallin’s Broadway:​ Happy Birthday Audra McDonald

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On July 3rd, Audra McDonald celebrated her 54th birthday. The 1970 American Tony, Grammy and Emmy Award-winning theatrical and operatic singer, and stage and screen actress (Lady Day At Emerson’s Bar and Grill; Sweeney Todd; Rise and Fall of the City of Mahagonny; TV Private Practice, The Good Wife), was born in West Berlin, West Germany (now Berlin, Germany)

As been announced six-time Tony Award winner Audra McDonald will return to Broadway this fall, as Mama Rose in Gypsy.

Performances begin Thursday, November 21st, at Broadway’s newly renovated Majestic Theatre. Happy Thanksgiving! The show will open on Thursday, December 19th. Merry Christmas and Happy Chanukah.

The last show to play the Majestic Theatre was The Phantom of the Opera, which concluded its 35 year-run on April 16, 2023.

This upcoming revival will be directed by the legendary five-time Tony Award-winning director George C. Wolfe. The choreography will be by four-time Tony Award nominated Camille A. Brown.  Additional casting and creative team members will be announced at a later date.

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