Broadway

Broadway’s Pictures From Home Remains Unfocused and Flat

Published

7 months ago

March 6, 2023

Ross

“You pick and you pick!” Investigating, it seems, as a personal project, is steeped in familial attachment and engagement, at least here, in the framework of the new, very starry Broadway production of playwright Sharr White’s (The Other Place; The True) family drama, based on the photo memoir of the same name by Larry Sultan. It is, in theory, an interesting focus, to zoom in on the epic ceelebrations of the family, in order to understand attachment through the lens of old photographs and video footage. Sultan, the real-life figure at the center of this play, did this for years, photographing, interviewing, and writing about his parents, and his relationship with them, even as his father was desperate for him to “bring this thing to a close“. And as vocalized by his father, even as he mocked and participated, this photographic art project was somewhat demented, but yet, in spite of it all, it did become a book, and that book has now been turned into a play. For some reason. But one that isn’t all that clear here.

Nathan Lane and *Danny Burstein in Broadway’s Pictures From Home. Photo by Julieta Cervantes.*

As a psychotherapist who focuses his work on the importance of attachment and familial history, the idea resonates, as I genuinely believe that to understand ourselves and our relationships, we have to look back and figure out all that has been handed down, “*one razer blad sale at a time,*” by our parents, and what they modeled and taught us about love. This exploration of Larry Sultan, portrayed dutifully by the wonderful Danny Burstein (Broadway’s *Moulin Rouge!*; *Fiddler on the Roof*), has all the ingredients for a psychodynamic dream, but sadly, as written for the stage by White and directed with an eye for trying by Bartlett Sher (Broadway/West End’s *Oslo*; *To Kill a Mockingbird*), the resulting perspective on adulthood and attachment fails to find its way. It gets stuck in the unpacking and delivery of some pretty images, without ever really giving us a reason to lean in and care. And it really does, in the end, unapck pretty little about life beyond the frame.

That’s not to say that the actors don’t succeed in delivering, as everyone on that stage tries their solid best to give us answers to many a question. Nathan Lane (Broadway’s *Gary – A Sequel*…; *Angels in America*) as Larry’s father, Irving Sultan, is unfathomably good, playing with the best comedic heart imaginable. His focused physical humor and its delivery carries the narrative forward in a way that the script fails to do. And Zoë Wanamaker (West End’s *All My Sons*; Broadway’s *Awake and Sing!*) as mother Jean Sultan, deliciously and purposefully gives us her all. The energy and the depth she brings into focus is astounding and humanistic. The two develop a truly alive, long-married couple that resonates, sometimes wearily, and sometimes scratching with hostility, but always authentically engaged in the process and the material. They, along with Burstein, do their utmost best with the material they are given, but unfortunately for us all, it’s just not interesting enough to hold the play together. Even when they bring forth an uncanny knowledge of what might make this family tick, and what parts are stuck.

*Zoë Wanamaker in Broadway’s Pictures From Home. Photo by Julieta Cervantes.*

Larry is determined to discover some sort of truth, to unpack something from these images, forcing tape recorders and a camera lens in the faces of his parents incessantly. He yammers away about the art and the exploration he is attempting to do like a grad study trying hard to establish a reason for his weakly constructed final project. We wait for the payoff, to feel some sort of significance, but what is developed is meek, and even after we see the father and son come together a little bit more, the piece rattles along down a path of death and dying that should feel sad, but is only marginally so. And all you want to do is say, like his father does, “*Larry, please, enough*.”

Against a backdrop of images, structured together and projected on the blank back wall by 59 Productions (LCT’s *JUNK*), the exploration of Larry’s unpacking takes limping steps forward, looking for some sort of truth. “*But whose truth is it? It’s your picture, but my image*” is the exchange between the explorer and the explored. And even if the idea is an interesting one, it’s not developed enough to matter. Set in an expanding bland living room, designed by Michael Yeargan (Broadway’s *Fiddler on the Roof*), with purposeful costuming by Jennifer Moeller (Broadway’s *Clyde’s*), subtle lighting by Jennifer Tipton (LCT’s *Intimate Apparel*), and a solid sound design by Scott Lehrer (Broadway’s *South Pacific*) and Peter John Still (Broadway’s *Oslo*), *Pictures From Home* is determined to give us a meal, but instead continually gives us neverending overly processed snacks to munch on, while forever promising the main course is coming. The exchanges hold a bit of interest, but if you are waiting for those burgers to be done so you can fill yourself up on them, you will be disappointed. I know I was, walking out of the Studio 54 theatre hungry for something a lot more hearty and well made.

*Danny Burstein, Nathan Lane, and Zoë Wanamaker in Broadway’s Pictures From Home at Broadway’s Studio 54 Theatre. Photo by Julieta Cervantes.*

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Ross

My love for theater started when I first got involved in high school plays and children's theatre in London, Ontario, which led me—much to my mother’s chagrin—to study set design, directing, and arts administration at York University in Toronto. But rather than pursuing theater as a career (I did produce and design a wee bit), I became a self-proclaimed theater junkie and life-long supporter. I am not a writer by trade, but I hope to share my views and feelings about this amazing experience we are so lucky to be able to see here in NYC, and in my many trips to London, Enlgand, Chicago, Toronto, Washington, and beyond. Living in London, England from 1985 to 1986, NYC since 1994, and on my numerous theatrical obsessive trips to England, I've seen as much theater as I can possibly afford. I love seeing plays. I love seeing musicals. If I had to choose between a song or a dance, I'd always pick the song. Dance—especially ballet—is pretty and all, but it doesn’t excite me as, say, Sondheim lyrics. But that being said, the dancing in West Side Story is incredible! As it seems you all love a good list, here's two. FAVORITE MUSICALS (in no particular order): Sweeney Todd with Patti Lupone and Michael Cerveris in 2005. By far, my most favorite theatrical experience to date. Sunday in the Park with George with Jenna Russell (who made me sob hysterically each and every one of the three times I saw that production in England and here in NYC) in 2008 Spring Awakening with Jonathan Groff and Lea Michele in 2007 Hedwig and the Angry Inch (both off-Boadway in 1998 and on Broadway in 2014, with Neal Patrick Harris, but also with Michael C. Hall and John Cameron Mitchell, my first Hedwig and my last...so far), Next To Normal with Alice Ripley (who I wish I had seen in Side Show) in 2009 FAVORITE PLAYS (that’s more difficult—there have been so many and they are all so different): Angels in American, both on Broadway and off Lettice and Lovage with Dame Maggie Smith and Margaret Tyzack in 1987 Who's Afraid of Virginai Woolf with Tracy Letts and Amy Morton in 2012 Almost everything by Alan Ayckbourn, but especially Woman in Mind with Julia McKenzie in 1986 And to round out the five, maybe Proof with Mary Louise Parker in 2000. But ask me on a different day, and I might give you a different list. These are only ten theatre moments that I will remember for years to come, until I don’t have a memory anymore. There are many more that I didn't or couldn't remember, and I hope a tremendous number more to come. Thanks for reading. And remember: read, like, share, retweet, enjoy. For more go to frontmezzjunkies.com

Broadway

Theatre News: Wicked, The Wiz, Hypnotique, Female Troubles and Love In The Time Of Crazy

Published

1 day ago

September 21, 2023

Suzanna Bowling

Broadway’s blockbuster Wicked, in partnership with National Day Calendar, has announced that October 30 will officially become National Wicked Day, in honor of the hit Broadway musical’s debut at the Gershwin Theatre (245 West 51^st Street) on October 30, 2003.

This marks the first time that a Broadway show will have its own official day in the National Day Calendar. With this inclusion, Wicked joins some of the most recognizable National Day celebrations, including National Barbie Day, National Star Trek Day, National Scrabble Day, National Winnie the Pooh Day, and National Teacher Appreciate Day, among others.

Read the official announcement HERE.

Currently Wicked 4^th longest-running show in Broadway history, and will celebrate its 20^th Anniversary on Broadway this October 30^th.

The Broadway production of Wicked currently features Alyssa Fox as Elphaba, McKenzie Kurtz as Glinda, John Dossett as The Wizard, Michele Pawk as Madame Morrible, Jordan Litz as Fiyero, Jake Pedersen as Boq, Kimber Elayne Sprawl as Nessarose, and William Youmans as Doctor Dillamond.

Adam Blackstone

Emmy Award^®-winning music director and Grammy Award^®-winning writer, Adam Blackstone, joins the creative team as Dance Music Arranger for the revival of The Wiz. The Wiz will launch a national tour on September 23, 2023 in Baltimore, MD before returning to Broadway for a limited engagement in the 2023/24 season.

Adam Blackstone

“Joining The Wiz’s creative team has been a very surreal moment. I remember watching the film on VHS daily for years, wondering how it sounded so incredible, how MJ transformed into the Scarecrow, and the score and orchestrations truly told a story all of its own. Fast forward to today, I get to musically partner with Terence Vaughn and reunite with my brother, super choreographer and creative director JaQuel Knight, and explore our own interpretation for a revival of this masterpiece. I am excited and look forward to this body of work changing lives, just like it did for me in the 80’s!” stated Adam Blackstone.

The cast will include previously announced Wayne Brady to lead the production as the Wiz on Broadway in Spring of 2024, San Francisco (January 16 – February 11, 2024) at the Golden Gate Theatre, and Los Angeles (February 13 – March 3, 2024) at the Hollywood Pantages Theatre. Alan Mingo Jr. will star in the role of the Wiz in the following cities of The Wiz National Tour this fall, kicking off with the tour launch in Baltimore, including Cleveland, OH, Washington, DC, Pittsburgh, PA, Charlotte, NC, Atlanta, GA, Greenville, SC, Chicago, IL, Des Moines, IA, Tempe, AZ and San Diego, CA.

The cast will also feature Nichelle Lewis as Dorothy, Deborah Cox as Glinda and Melody A. Betts as Aunt Em and Evillene, Kyle Ramar Freeman as the Lion, Phillip Johnson Richardson as the Tinman, and Avery Wilson as the Scarecrow. The Wiz ensemble includes Maya Bowles, Shayla Alayre Caldwell, Jay Copeland, Allyson Kaye Daniel, Judith Franklin, George, Collin Heyward, Amber Jackson, Jackson, Jones, Jones, Kindle, Mariah Lyttle, Kareem Marsh, Anthony Murphy, Rae, Matthew Sims Jr, Avilon Trust Tate, Keenan D. Washington, and Timothy Wilson.

The production will include ‘Everybody Rejoice’ music and lyrics by Luther Vandross, as well as the ‘Emerald City Ballet’ with music by Timothy Graphenreed.

The McKittrick Hotel (530 West 27^th Street, NYC), home of Sleep No More, announced the opening of Hypnotique – A Late Night Sultry Spectacle. Performances have been extended on Friday and Saturday nights through October 14, 2023. The all-new Hypnotique revue offers a unique after-dark experience that envelops you. Audiences are captivated by spontaneous performances and mesmerizing dancers, accompanied by daring sonic soundscapes in a surreal ambiance in The Club Car.

The cast features Chloé Lexia Worthington, Courtney Sauls, Fabricio Seraphin, Haley Bjorn, Jacob Nahor, Jesseca Scott, Maurice Ivy, Maya Kitayama, Samantha Greenlund, Victoria Edwards, and swings Alex Sturtevant, Cameron Arnold, Kennedy Adams, and Stacey Badgett Jr..

Cocktails inspired by the experience, including the signature Hypnotonique (an electrifying punch made with cucumber-infused vodka, elderflower liqueur, and grapefruit juice), are available from The Club Car’s bar.

Performances are offered on Fridays and Saturdays at 10:30PM. General Admission tickets with standing room are currently priced from $65 per person.

Kevin Del Aguila and the cast Photos by Marc J. Franklin

Two industry readings for Female Troubles, an original musical comedy, will happen next week at Open Jar Studios. Female Troubles is a completely original musical comedy featuring lyrics by two-time Tony Award nominated and Grammy Award nominated songwriter Amanda Green (Mr. Saturday Night, Hands On A Hardbody, Bring It On), music by three-time Emmy Award nominee Curtis Moore (“The Marvelous Mrs. Maisel”), book by Emmy Award-winning writers Gabrielle Allan and Jennifer Crittenden (“Veep,” “Arrested Development,” “Seinfeld,” “The Simpsons,” “HouseBroken”) and directed by Tony Award winner Christopher Gattelli (Disney’s Newsies, My Fair Lady, “Schmigadoon,” “Schmicago”).

Lesli Margherita

The cast for the readings will includeKrystina Alabado, Kevin Del Aguila, Amanda Green, Lilli Cooper, Lillias White, Lesli Margherita, Ryann Redmond, Kate Rockwell, Matt Saldivar, Alanna Saunders, Trent Saunders, Jake Swain, Sav Souza, Rachel Stern and Frank Viveros. In Female Troubles, Elinor Benton finds herself surprisingly and undeniably “knocked up” — and, since she’s unmarried and this is 19th century England, she has a very big dilemma. Facing ruin, she and her girlfriends embark on a raucous journey to find the one notorious woman who can help them with their “female troubles.” Their misadventures change the course of each of their lives. This uproarious musical comedy asks the trenchant question “Can you believe this sh*t is still happening in 1810?”

I attended the reading of Love In The Time Of Crazy withbook and lyrics by Peter Kellogg (Outer Critics Winner for Desperate Measures), music by Stephen Weiner (two-time Richard Rodgers Award winner) and David Hancock Turner (orchestrator for Desperate Measures and Penelope), directed by Lauren Molina (Desperate Measures ). The cast stared Philippe Arroyo, Stephen DeRosa, Robin Dunavant, David Merino, Josh Lamon, Roe Hartrampf and Alexis Cofield .

Look for more from this tuneful musical that actually has you leaving humming the songs. The cast was terrific, the direction sublime and the show ready to move.

Love in the Time of Crazy is a riot, but, you know, in a good way.

Broadway

The Glorious Corner

Published

3 days ago

September 19, 2023

G. H. HARDING

G.H. Harding

WENNER TAKES A DOWN —Jann Wenner always speaks his mind and this week he may have overstepped just a bit. In an interview that ran in the New York Times about his new book called Masters, he quite openly said that there were no black or R&B artists in it, because they were not able to articulate properly. I know, I felt the same way reading that. Minutes later, he was let go by the board of the Rock and Roll Hall of Fame, which he helped start with Ahmet Ertegun way back in 1983.

Ahmet Ertegun

His Like A Rolling Stone autobiography book was quite an indulgent read last year, but Wenner has in the last several years suffered several health set backs and it was pointed out that he may not be in his right mind. Still, he should have spoken way more carefully. I’ve known Wenner for decades and trust me, he feels he’s way entitled, and that said, you can rest assured that there were dozens and dozens of people (and former employees) waiting to take him down.

The sad fact is that most of the accusations are true. That said, let’s face it Rolling Stone magazine in it’s heyday was a miraculous outlet for so much music and terrific journalism – from Ben Fong-Torres to Hunter Thompson and Jann himself .. it was distinguished. Now, he may have killed it all.

Rolling Stine magazine Monday posted this – essentially disowning his from the magazine: “Jann Wenner’s recent statements to the New York Times do not represent the values and practices of today’s Rolling Stone. Jann Wenner has not been directly involved in our operations since 2019. Our purpose, especially since his departure, has been to tell stories that reflect the diversity of voices and experiences that shape our world. At Rolling Stone’s core is the understanding that music above all can bring us together, not divide us.”

Here’s the report from Deadline: https://deadline.com/2023/09/jann-wenner-removed-rock-and-roll-hall-fame-foundation-board-1235548690/comment-page-1/#comment-3858649

FILE – Drew Barrymore attends the Time100 Gala, celebrating the 100 most influential people in the world, at Frederick P. Rose Hall, April 26, 2023, in New York. The National Book Awards dropped Barrymore as the host for this year’s ceremony, Tuesday, Sept. 12, 2023, a day after her talk show taped its first episode since the Hollywood writers strike began. (Photo by Evan Agostini/Invision/AP, File)

DREW’S BLUES — Boy, what did Drew Barrymore ever do to deserve the treatment she’s been through with the media. Sure, her ideas to bring back her daily-chat fest was a good one, for the right reasons, but everyone from Rosie O;’Donnell to the trade papers have bounced on her like madmen. I never met her, don’t hate her, but really … let’s get back to something real, like these Russell Brand-accusations!

SHORT TAKES — We finally caught David Bryne and Fatboy Slim’s Here Lies Love and absolutely loved it. I remember it well when it premiered at the Public Theater way back when and knew they were trying to get it to Broadway. Honestly, I never thought twice about the Ferdinand and Imelda Marcos story, but the play was riveting then and it remains now. They’ve outfitted NYC’s magnificent Broadway Theater with disco-balls galore and club-lighting and the immersive experience is terrific. Here’s a great re-cap of the play’s evolution from Theatre Guide: https://www.newyorktheatreguide.com/theatre-news/news/how-the-music-of-here-lies-love-evolved-on-the-way-to-broadway …

Chris Carter and Micky Dolenz – Breakfast With The Beatles

Micky Dolenz appeared on Sunday’s Breakfast With The Beatles with Chris Carter (on KLOS) and talked about his new Dolenz Sings R.E.M. on Glenn Gretlund’s 7a Records. He also talked about his time with The Beatles and John Lennon. Carter also played a mash-up of Monkees and Beatle-songs which was done in England and it was superb. Here’s a shot from the event at LA’s Hard Rock Cafe on Highland and Hollywood Blvd. … SIGHTING: PR-pasha David Salidor and Benny Harrison at Monday’s Cutting Room tribute to Burt Bacharach … RIP Sammy Ash …

Jimmy Buffet

I’ve been thinking the best way to describe Jimmy Buffet and I saw this headline in LA Magazine: leisure evangelist– and it fits perfectly …

Happy Bday Donnie Kehr and Richard Branciforte.

NAMES IN THE NEWS — Dan Mapp; Brad Auerbach; James Clash: Robbie Robertson; Carol Ruth Weber; Randy Alexander; Tom & Lisa Cuddy; Andrew Gans; Kathy Brown; Roger Clark; Chris Boneau; Tricia Daniels; Dan Zelinski; Benny Harrison; Steve Walter; Gil Friesen; Donna Dolenz; Dan Mapp; Brad Auerbach; James Clash; and ZIGGY!

Broadway

Inside the 2023 American Theatre Wing Gala

Published

3 days ago

September 19, 2023

Genevieve Rafter Keddy

The American Theatre Wing 2023 Gala Celebration was held last night, September 11, 2023 at Cipriani 42nd Street. Performers incldued Oscar nominee & Tony Award winner Leslie Odom Jr., Grammy Award-winning rock icon Melissa Etheridge, Emmy nominee Tituss Burgess, “American Idol” star and Broadway favorite Justin Guarini, Tony Award winner LaChanze, Tony Award winner Chuck Cooper, and Tony Award nominees Shoshana Bean, Brandon Victor Dixon, Judy Kuhn, Lilli Cooper, and Eddie Cooper.

LaChanze and Norm Lewis

La Chanze and Dr. Michael J. Pitman

La Chanze

Felix Cisneros and Heather A. Hitchens

LaChanze, Heather A. Hitchens

Chuck Cooper, Lilli Cooper, Sara Jayne Darneille and Eddie Cooper

The Gala honored “Unsung Heroes of the Theatre Industry.” From dressers who execute seamless quick changes between scenes, to understudies and swings who go into a show with little to no notice and don’t miss a beat, to makeup artists responsible for the flawless faces seen on stage, and so many more vital contributors to the theatrical art form, the 2023 Gala celebrates members of the theatrical community who don’t often get the recognition they deserve.

Stewart F, Lane and Bonnie Comley

Bonnie Comley

Heather A. Hitchens and Bill Berlin

J, Harrion Ghee and Kenny Nunez

L. Morgan Lee

Julie White

Norm Lewis

Adriane Lenox and Zane Mark

Adriane Lenox

Jason Michael Webb

Ruben Santiago-Hudson

Norm Lewis and Zane Mark

Norm Lewis, Adriane Lenox and Zane Mark

CeCe Black

Julie Halston and Richard Hester

Jesse Tyler Ferguson and Justin Mikita

Jesse Tyler Ferguson

Kate Wilson, Jane Krakowski

Julie Halston and David Rockwell

Jane Krakowski

David Rockwell

Ruben Santiago-Hudson and James Latus

Kenny Leon

Jack Waddell and Brandon Victor Dixon

Justin Guarini

Justin David Sullivan

LaTanya Richardson Jackson

LaTanya Richardson Jackson and Beverly Jenkins

Frank DiLella

Robyn Coles, Beverly Jenkins, LaTanya Richardson Jackson and John Kristiansen

Binta Niambi and David Henry Hwang

Danielle Brooks

Jesse Tyler Ferguson, Kate Wilson and Danielle Brooks

Kate Wilson and Danielle Brooks

Ariana DeBose

Melissa Etheridge and Rebecca McBee

Melissa Etheridge

Melissa Etheridge and Linda Wallem

Ariana DeBose, Kenny Nunez

Shoshana Bean and Jey Moore

Adrienne Warren

Patti LuPone

Leigh Silverman

Justin Guarini and Salisha Thomas

Kelli O’Hara and Erica Tuchman

Tituss Burgess

LaTanya Richardson Jackson and J. Harrison Ghee

Lin-Manuel Miranda, Luz Towns-Miranda and Luis A. Miranda, Jr.

Danielle Brooks,Thomas Kail, LaTanya Richardson

Broadway

The Glorious Corner

Published

5 days ago

September 17, 2023

G. H. HARDING

STRIKE UPDATE— (Via TV Line) “9-1-1, what’s your TV emergency?” The dual WGA and SAG-AFTRA strikes need to be resolved by the end of this month if scripted primetime fare such as 9-1-1: Lone Star and The Cleaning Lady are to return with new episodes in the 2023-24 TV season, says Fox entertainment president Michael Thorn.

When last we tuned in, 29 days ago, the WGA had countered the AMPTP’s latest offer; no next meeting has been scheduled. Things are proceeding even slower on the SAG-AFTRA front. Sources tell TVLine that it will take scripted shows roughly eight weeks to get back into production once the strikes are resolved.

“You’re going get to a point in the fall, in the late fall, where it’s going to be very hard to launch [scripted shows] within the traditional TV viewing season,” Thorn told our sister site Deadline.

If the strikes are resolved later than October 1, that’s where difficult scheduling decisions will have to be made.

“If that means the [delayed scripted] show could work and succeed in the summer [of 2024], great,” Thorn said. Or, “If it’s better to wait for the fall and use football and sports” to promote/launch scripted seasons, “we’ll do that.

“You could use October 1 as the date” by which the writer and actor strikes need to be settled,” Thorn added. “Every show is different but sometimes when you’re staring at a May launch date, you always wonder, ‘Is that the best time?’” to premiere a season/series

Fox’s fall TV slate features one full night of scripted animated fare (on Sundays), while the rest of the week is rife with multiple Gordon Ramsay cooking competitions, new seasons of Special Forces: World’s Toughest Test, Name That Tune and The Masked Singer, 9-1-1: Lone Star reruns, the new, David Spade-hosted Snake Oil game show, and, of course, Friday Night SmackDown.

But whenever the magical day comes for live-action scripted fare to return to our screens, “we’re going to return those shows with vigor,” Thorn avowed. “We really pride ourselves on ‘less is more’ and we were fortunate to be able to really put our money where our mouth is in that regard. When we return, Animal Control is going to get the full backing of this far-reaching platform [as will] John Wells’ new show, Rescue: Hi-Surf, when we launch it.”

Several columns back we posited that the strike might just be settled by Labor Day .. and we were lambasted with emails from a scattering of actors, writers and below-the-line talent that it would not be. They were right. As Gordon Gekko said, greed is good. Is it? Let’s all make nice and good back to work.

SHORT TAKES — As you may know the Toronto Film Festival has been going on and the two films that have received the most buzz are the Paul-Simon/Alex Gibey doc,

Michael Keaton

In Restless Dreams and Knox Goes Away starring Michael Keaton, who also directs, with Al Pacino, can’t wait to see both. Bravo! …The latest episode of Hulu’s Only Murders In The Building was just OK. So far, this third season has totally underwhelmed us. We said a few columns back it was most likely due to the fact that Martin hasn’t written any of the episodes so far. Why? I have no idea. Matthew Broderick played himself, but with a little more anxiety than usual, but the real highlight of this episode was a video-phone call between Martin Short and Mel Brooks. Irresistibly funny … Hard to believe that it’s the 25th anniversary of MTV’s ground-breaking TRL Live (Total Request Live).

Carson Daly

Carson Daly did a nice remembrance on Thursday’s Today Show, even citing John Norris and Kurt Loder, who were key correspondents. They taped many of the shows at NYC’s long-gone Palladium (now an NYU dorm), but many, many memories come to mind; Hall & Oates rehearsing in their dressing room

Debbie Gibson at Z100 on The Morning Zoo

and running into Debbie Gibson is one. Daly pointed out -and rightly so- TRL was a fan-driven show, where viewers had to request what to hear. These days I guess it’s just a download. Much missed for sure …

Carrie Underwood

Funny watching Carrie Underwood this morning; as she she reminded me so much of Shania Twain. from the music, to her visuals. As always, her “Before He Cheats” is tremendous and a big crowd pleaser … It’s a funny world for sure.

RL Stine

When RL Stine’s Goosebumpsfirst debuted in 1992, it was heralded as refreshingly new, both for the kid-demo and its brilliance. There were a few attempts at a series (even with Stine introducing them) and even a movie in 2015 that did just so-so. Now, with Netflix’s Stranger Things having hit a home run, Disney+ is starting a series, with Justin Long, that appears to veer dangerously close to Stranger Things. Also, oddly enough, Stine does not appear to be involved with it. He says: “I wish I knew something about it. I’m not in the loop. It looked to me like they weren’t going to do an anthology show. They were going to do something different that was some kind of continuing story. That’s what it appeared. But I have no information about it.” It begins on October 31. Have a look at the trailer:

Seeing Here Lies Love Saturday night, can’t wait …

Mary Wilson and Bernie Taupin

Great Bernie Taupin interview on NY Live with Sara Gore. They’re friends, so the interview as sensational. Check it out:

Love Bernie and Sara! …Happy Bday Randy Jones and Amy Billings!

NAMES IN THE NEWS —Andrew Sandoval; Jacqueline Boyd; Alison Martino; Robert Funaro; Tom & Lisa Cuddy; Roy Trakin; Daryl Estrea; Glenn Gretlund; Jane Blunkell; Roger Friedman; Felix Cavaliere; Dan Mapp; Jim Kerr; Sam Rubin; Liz White; Grace Mendoza; Roy Trakin; and ZIGGY!

Broadway

Voices: Stars for Foster Kids

Published

5 days ago

September 17, 2023

Suzanna Bowling

On September 18th at 7:00 PM at The Town Hall, 123 West 43rd Street, Voices: Stars for Foster Kids a musical benefit for You Gotta Believe, a NYC organization specializing in helping older foster youth find permanent, loving families will take place. Hosted by SiriusXM’s Seth Rudetsky and James Wesley, expect a plethora of Broadway stars and performers, who will come together to celebrate the power of love and family.

Performers include; Rosie Perez, Bellamy Young, Ta’ Nika Gibson, Charlotte d’Amboise and Terrence Mann, Sharon Catherine Brown, Griffin Matthews and Matt Gould, Krysta Rodriguez, Anika Larsen, Norm Lewis, Gracie McGraw, Patina Miller, Brenda Braxton