Broadway
Broadway’s Very Funny “The Thanksgiving Play” Arrives Possibly Just Past Its Best-By Date
Truth be told, I am not an American, but a Canadian living in NYC, brought up on the television and film imagery that surrounds the fable that is ‘American Thanksgiving’. It’s a wildly inaccurate formulation, not based on any real history, as we learn quite inventively in the new Broadway production of The Thanksgiving Play, currently being restaged at Second Stage’s Helen Hayes Theatre. It’s a hilarious hoot of a play, etched in its uber-wokeness and earnestness by a cast of comedic pros setting the table with the goods as deliciously as possible. This is a play that I saw years ago, at Playwrights Horizons back in 2018, but here in its updated remount, the flame is still ignited and the ideas still served up, but somehow, maybe because of the political landscape surrounding the idea of being ‘too woke’ for your own good seems a bit dated and past its prime, even as I laughed all the way back to the dinner table.
Scott Foley and Katie Finneran Photo by Joan Marcus.
The ‘natives gave to me’ videos that are presented before the feast even begins (and throughout this 100 min play) are a welcome addition, pushing forth all the fictionalized and prolific myths associated with this holiday that my mother always refers to as, “just another Thursday in November“. The holiday itself seemed quaint but obsessionally commerce-driven, especially to us socially minded Canadians who already have had our harvest feast back on our Canadian Thanksgiving in October, oddly enough on the same day as American Columbus Day. Ironic. The one good thing for this Canadian boy was that it didn’t feel like the holiday was marinated in a completely false narrative, one that even I knew deep down in his hungry turkey-lovin’ heart had nothing to do with reality. Although that framework in Canada might be getting a bit murkier with every passing year.
The other thing I’ll come clean about is that, besides not being from here, I am also a card-carrying Status North American Indigenous person of the Mohawk tribe. My grandmother was Mohawk and my grandfather was Iroquois, making my mother (who was born and raised on a reservation), my sister, and myself, Mohawk, following the maternal lineage, as they do. With that knowledge running through my ‘Status Indian” blood, American Thanksgiving always was an odd celebration of the glorious family unit and a history of domination and destruction of Indigenous People. I will admit, that I always enjoyed the tradition of the family gathering around a table for a feast, especially when I carved out a family of magnificent misfits and fabulous friends here in NYC, but the story that was stuffed into that giant turkey always tasted a bit foul and maybe left my stomach feeling a bit queazy. So reading about FastHorse who grew up in South Dakota and is an enrolled member of the Rosebud Sioux Tribe, Sicangu Lakota Nation, I was joyously curious about what she was going to bring to this particular Thanksgiving table. And I wasn’t disappointed. Not completely.
“It’s Meta, so it might be OK,” we are told as this topical and timely comedy, brought forth by FastHorse (Democracy Project; What Would Crazy Horse Do?), gets its act going, starting out solidly with a cartoonish video pageant that registers. Americans have been force-fed this created story with glee from their first days as young schoolchildren. They have been programmed to believe with all their traditional heart that pilgrims and a turkey should stand side by side, singing a happy song, with an almost hypnotically repetitive nature. Those kids are taught about the joy and fun of the Thanksgiving dinner and the collective holiday spirit about sharing and community, while most worry more about the Black Friday sales that will come the day after. It’s ridiculous, absurd, and delightful; this video and all the others that follow, thanks to the strong work by projection designer David Bengali (Broadway’s 1776) and the cast of children in them (Mollie Fink, Dasan Turner, Ishan De Silva, and Atticus Scott-Williamson), all served up with a dash of cranberry sauce, in an uncomfortable sandwich of American culture run amuck.
These are the moments that last, children’s songs smothered in the blood of turkeys slaughtered, and ”Indians’ marginalized, and as directed with comic sharpness and style by Rachel Chavkin (Broadway’s Hadestown), The Thanksgiving Play discovers, through some well-scripted dialogue and ridiculously pompous improv, some seriously yummy commentary is dutifully created, unpacking and servicing up hilariously the crazy dynamic that exists in American culture around a completely fabricated event that makes Americans feel all warm and fuzzy on a late Thursday in November, but just happens to leave out all the bits about the horrific genocide of the Native American population.
FastHorse implants a whole lot of satire into this flipping of this American traditional bird, unearthing mounds of history and serving up the truth next to the myth. Is a complicated funny rendering, attempting wholeheartedly to be shocking and relevant. A few really well-meaning theater artists and teachers gather together in a classroom to somehow, through a revolution of ideas, co-create a more culturally sensitive Thanksgiving school pageant, while offending no one, and skewing everything all at once. The Thanksgiving Play wants to simultaneously honor Native American Heritage Month and quell white privilege guilt and shame, all for the sake of a grade school audience, although also, deep down, a bit for their own politically righteous hearts. It’s a twisted ridiculous set-up as the neurotic and desperate Logan, deftly portrayed by the brilliant Katie Finneran (Broadway’s Noises Off), dons the guise of a high school drama teacher and the dedicated director of this Thanksgiving grade school pageant, trying so hard along with her boyfriend and fellow politically-correct addict, Jaxton, sharply portrayed by Scott Foley (MTC’s The Violet Hour), to roast this communal turkey of an idea in hopes to elevate the tradition far up and beyond any others.
With an open-hearted embrace of collaboration and a sharing of ideas through improv, Logan brings in an elementary school history teacher named Caden, perfectly portrayed by Chris Sullivan (Broadway’s Nice Work If You Can Get It), who has secretly dreamed of writing a real play, a true play rich in historical content like mashed potatoes drenched in gravy, adding to the weight and importance of a tradition out of tune with reality. His ideas are grand, historically accurate, wildly interesting, and completely out of tune with the more complex ambitions of Logan. Taking grants from every topical arena she can find, Logan wants to infuse this project with cutting-edge privilege checking, paying homage to the Native American experience that has always been left out of the drama. She hires what she believes to be a Native American movie actress from L.A., Alicia, diabolically well played by D’Arcy Carden (Janet in “The Good Place“), with hopes and dreams of changing the traditional tale all for the children. Basking in her own scattered self-importance that needs a whole lot of attention and constant vegan basting, Logan is wildly off target, creating chaos and disaster all around, well, they all do, flying hard into a cacophony of ideas and finding nothing to grab hold of. Which they all do with superb hilarious relish.
It’s not surprising, this endless minefield of ideas and representation, that with all these kooks, I mean cooks in the kitchen, this feast will go wildly off course, deliciously devouring one another in their attempt to be truthful and correct in a way that is a specific commentary on white liberalism in the theatre world. It’s smart in its chaotic nothingness, and it’s wicked in its wild worldliness, but in some ways, as the chefs start to collide like a super overcooked politically correct pack of Marx Brothers impersonators, the point and the finale get a bit lost in the preparation. Their timing and performances are spot on, especially Carden who delivers a character so well embodied and cooked that you just can’t look away. Just like the set designed by Riccardo Hernandez (Broadway’s Jagged Little Pill) that opens up the space to the high heavens for a superb, but maybe less meaningful dramatic effect.
With strong lighting designed by Jeanette Oi-Suk Yew (Broadway’s Kimberly Akimbo), sound design by Mikaal Sulaiman (Broadway’s Thoughts of a Colored Man), and costuming by Lux Haac (Second Stage’s 53% Of), The Thanksgiving Play serves up a feast. It is hilariously fun and inviting, happily making you want to pull your chair up to. Unfortunately, maybe the play is just slightly past its ‘best by‘ date, losing some flavor and focus as we watch the facts kill the dream with aplomb. It’s definitely cutting and edgy, smothered in an absurdist concoction of wit and demented humor, but like the play Logan and team are trying to create in the end, The Thanksgiving Play fails to live up to the high hoped desire of the plan. Somewhere, in this very fun and funny night at the theatre, the point never fully makes its way to the table fully cooked and ready to eat.
Broadway’s blockbuster Wicked, in partnership with National Day Calendar, has announced that October 30 will officially become National Wicked Day, in honor of the hit Broadway musical’s debut at the Gershwin Theatre (245 West 51st Street) on October 30, 2003.
This marks the first time that a Broadway show will have its own official day in the National Day Calendar. With this inclusion, Wicked joins some of the most recognizable National Day celebrations, including National Barbie Day, National Star Trek Day, National Scrabble Day, National Winnie the Pooh Day, and National Teacher Appreciate Day, among others.
Read the official announcement HERE.
Currently Wicked 4th longest-running show in Broadway history, and will celebrate its 20th Anniversary on Broadway this October 30th.
The Broadway production of Wicked currently features Alyssa Fox as Elphaba, McKenzie Kurtz as Glinda, John Dossett as The Wizard, Michele Pawk as Madame Morrible, Jordan Litz as Fiyero, Jake Pedersen as Boq, Kimber Elayne Sprawl as Nessarose, and William Youmans as Doctor Dillamond.
Adam Blackstone
Emmy Award®-winning music director and Grammy Award®-winning writer, Adam Blackstone, joins the creative team as Dance Music Arranger for the revival of The Wiz. The Wiz will launch a national tour on September 23, 2023 in Baltimore, MD before returning to Broadway for a limited engagement in the 2023/24 season.
Adam Blackstone
“Joining The Wiz’s creative team has been a very surreal moment. I remember watching the film on VHS daily for years, wondering how it sounded so incredible, how MJ transformed into the Scarecrow, and the score and orchestrations truly told a story all of its own. Fast forward to today, I get to musically partner with Terence Vaughn and reunite with my brother, super choreographer and creative director JaQuel Knight, and explore our own interpretation for a revival of this masterpiece. I am excited and look forward to this body of work changing lives, just like it did for me in the 80’s!” stated Adam Blackstone.
The cast will include previously announced Wayne Brady to lead the production as the Wiz on Broadway in Spring of 2024, San Francisco (January 16 – February 11, 2024) at the Golden Gate Theatre, and Los Angeles (February 13 – March 3, 2024) at the Hollywood Pantages Theatre. Alan Mingo Jr. will star in the role of the Wiz in the following cities of The Wiz National Tour this fall, kicking off with the tour launch in Baltimore, including Cleveland, OH, Washington, DC, Pittsburgh, PA, Charlotte, NC, Atlanta, GA, Greenville, SC, Chicago, IL, Des Moines, IA, Tempe, AZ and San Diego, CA.
The cast will also feature Nichelle Lewis as Dorothy, Deborah Cox as Glinda and Melody A. Betts as Aunt Em and Evillene, Kyle Ramar Freeman as the Lion, Phillip Johnson Richardson as the Tinman, and Avery Wilson as the Scarecrow. The Wiz ensemble includes Maya Bowles, Shayla Alayre Caldwell, Jay Copeland, Allyson Kaye Daniel, Judith Franklin, George, Collin Heyward, Amber Jackson, Jackson, Jones, Jones, Kindle, Mariah Lyttle, Kareem Marsh, Anthony Murphy, Rae, Matthew Sims Jr, Avilon Trust Tate, Keenan D. Washington, and Timothy Wilson.
The production will include ‘Everybody Rejoice’ music and lyrics by Luther Vandross, as well as the ‘Emerald City Ballet’ with music by Timothy Graphenreed.
The McKittrick Hotel (530 West 27th Street, NYC), home of Sleep No More, announced the opening of Hypnotique – A Late Night Sultry Spectacle. Performances have been extended on Friday and Saturday nights through October 14, 2023. The all-new Hypnotique revue offers a unique after-dark experience that envelops you. Audiences are captivated by spontaneous performances and mesmerizing dancers, accompanied by daring sonic soundscapes in a surreal ambiance in The Club Car.
The cast features Chloé Lexia Worthington, Courtney Sauls, Fabricio Seraphin, Haley Bjorn, Jacob Nahor, Jesseca Scott, Maurice Ivy, Maya Kitayama, Samantha Greenlund, Victoria Edwards, and swings Alex Sturtevant, Cameron Arnold, Kennedy Adams, and Stacey Badgett Jr..
Cocktails inspired by the experience, including the signature Hypnotonique (an electrifying punch made with cucumber-infused vodka, elderflower liqueur, and grapefruit juice), are available from The Club Car’s bar.
Performances are offered on Fridays and Saturdays at 10:30PM. General Admission tickets with standing room are currently priced from $65 per person.
Kevin Del Aguila and the cast Photos by Marc J. Franklin
Two industry readings for Female Troubles, an original musical comedy, will happen next week at Open Jar Studios. Female Troubles is a completely original musical comedy featuring lyrics by two-time Tony Award nominated and Grammy Award nominated songwriter Amanda Green (Mr. Saturday Night, Hands On A Hardbody, Bring It On), music by three-time Emmy Award nominee Curtis Moore (“The Marvelous Mrs. Maisel”), book by Emmy Award-winning writers Gabrielle Allan and Jennifer Crittenden (“Veep,” “Arrested Development,” “Seinfeld,” “The Simpsons,” “HouseBroken”) and directed by Tony Award winner Christopher Gattelli (Disney’s Newsies, My Fair Lady, “Schmigadoon,” “Schmicago”).
Lesli Margherita
The cast for the readings will includeKrystina Alabado, Kevin Del Aguila, Amanda Green, Lilli Cooper, Lillias White, Lesli Margherita, Ryann Redmond, Kate Rockwell, Matt Saldivar, Alanna Saunders, Trent Saunders, Jake Swain, Sav Souza, Rachel Stern and Frank Viveros. In Female Troubles, Elinor Benton finds herself surprisingly and undeniably “knocked up” — and, since she’s unmarried and this is 19th century England, she has a very big dilemma. Facing ruin, she and her girlfriends embark on a raucous journey to find the one notorious woman who can help them with their “female troubles.” Their misadventures change the course of each of their lives. This uproarious musical comedy asks the trenchant question “Can you believe this sh*t is still happening in 1810?”
I attended the reading of Love In The Time Of Crazy withbook and lyrics by Peter Kellogg (Outer Critics Winner for Desperate Measures), music by Stephen Weiner (two-time Richard Rodgers Award winner) and David Hancock Turner (orchestrator for Desperate Measures and Penelope), directed by Lauren Molina (Desperate Measures ). The cast stared Philippe Arroyo, Stephen DeRosa, Robin Dunavant, David Merino, Josh Lamon, Roe Hartrampf and Alexis Cofield .
Look for more from this tuneful musical that actually has you leaving humming the songs. The cast was terrific, the direction sublime and the show ready to move.
Love in the Time of Crazy is a riot, but, you know, in a good way.
G.H. Harding
WENNER TAKES A DOWN —Jann Wenner always speaks his mind and this week he may have overstepped just a bit. In an interview that ran in the New York Times about his new book called Masters, he quite openly said that there were no black or R&B artists in it, because they were not able to articulate properly. I know, I felt the same way reading that. Minutes later, he was let go by the board of the Rock and Roll Hall of Fame, which he helped start with Ahmet Ertegun way back in 1983.
Ahmet Ertegun
His Like A Rolling Stone autobiography book was quite an indulgent read last year, but Wenner has in the last several years suffered several health set backs and it was pointed out that he may not be in his right mind. Still, he should have spoken way more carefully. I’ve known Wenner for decades and trust me, he feels he’s way entitled, and that said, you can rest assured that there were dozens and dozens of people (and former employees) waiting to take him down.
The sad fact is that most of the accusations are true. That said, let’s face it Rolling Stone magazine in it’s heyday was a miraculous outlet for so much music and terrific journalism – from Ben Fong-Torres to Hunter Thompson and Jann himself .. it was distinguished. Now, he may have killed it all.
Rolling Stine magazine Monday posted this – essentially disowning his from the magazine: “Jann Wenner’s recent statements to the New York Times do not represent the values and practices of today’s Rolling Stone. Jann Wenner has not been directly involved in our operations since 2019. Our purpose, especially since his departure, has been to tell stories that reflect the diversity of voices and experiences that shape our world. At Rolling Stone’s core is the understanding that music above all can bring us together, not divide us.”
Here’s the report from Deadline: https://deadline.com/2023/09/jann-wenner-removed-rock-and-roll-hall-fame-foundation-board-1235548690/comment-page-1/#comment-3858649
FILE – Drew Barrymore attends the Time100 Gala, celebrating the 100 most influential people in the world, at Frederick P. Rose Hall, April 26, 2023, in New York. The National Book Awards dropped Barrymore as the host for this year’s ceremony, Tuesday, Sept. 12, 2023, a day after her talk show taped its first episode since the Hollywood writers strike began. (Photo by Evan Agostini/Invision/AP, File)
DREW’S BLUES — Boy, what did Drew Barrymore ever do to deserve the treatment she’s been through with the media. Sure, her ideas to bring back her daily-chat fest was a good one, for the right reasons, but everyone from Rosie O;’Donnell to the trade papers have bounced on her like madmen. I never met her, don’t hate her, but really … let’s get back to something real, like these Russell Brand-accusations!
SHORT TAKES — We finally caught David Bryne and Fatboy Slim’s Here Lies Love and absolutely loved it. I remember it well when it premiered at the Public Theater way back when and knew they were trying to get it to Broadway. Honestly, I never thought twice about the Ferdinand and Imelda Marcos story, but the play was riveting then and it remains now. They’ve outfitted NYC’s magnificent Broadway Theater with disco-balls galore and club-lighting and the immersive experience is terrific. Here’s a great re-cap of the play’s evolution from Theatre Guide: https://www.newyorktheatreguide.com/theatre-news/news/how-the-music-of-here-lies-love-evolved-on-the-way-to-broadway …
Chris Carter and Micky Dolenz – Breakfast With The Beatles
Micky Dolenz appeared on Sunday’s Breakfast With The Beatles with Chris Carter (on KLOS) and talked about his new Dolenz Sings R.E.M. on Glenn Gretlund’s 7a Records. He also talked about his time with The Beatles and John Lennon. Carter also played a mash-up of Monkees and Beatle-songs which was done in England and it was superb. Here’s a shot from the event at LA’s Hard Rock Cafe on Highland and Hollywood Blvd. … SIGHTING: PR-pasha David Salidor and Benny Harrison at Monday’s Cutting Room tribute to Burt Bacharach … RIP Sammy Ash …
Jimmy Buffet
I’ve been thinking the best way to describe Jimmy Buffet and I saw this headline in LA Magazine: leisure evangelist– and it fits perfectly …
Happy Bday Donnie Kehr and Richard Branciforte.
NAMES IN THE NEWS — Dan Mapp; Brad Auerbach; James Clash: Robbie Robertson; Carol Ruth Weber; Randy Alexander; Tom & Lisa Cuddy; Andrew Gans; Kathy Brown; Roger Clark; Chris Boneau; Tricia Daniels; Dan Zelinski; Benny Harrison; Steve Walter; Gil Friesen; Donna Dolenz; Dan Mapp; Brad Auerbach; James Clash; and ZIGGY!
The American Theatre Wing 2023 Gala Celebration was held last night, September 11, 2023 at Cipriani 42nd Street. Performers incldued Oscar nominee & Tony Award winner Leslie Odom Jr., Grammy Award-winning rock icon Melissa Etheridge, Emmy nominee Tituss Burgess, “American Idol” star and Broadway favorite Justin Guarini, Tony Award winner LaChanze, Tony Award winner Chuck Cooper, and Tony Award nominees Shoshana Bean, Brandon Victor Dixon, Judy Kuhn, Lilli Cooper, and Eddie Cooper.
LaChanze and Norm Lewis
LaChanze and Norm Lewis
La Chanze and Dr. Michael J. Pitman
La Chanze
Felix Cisneros and Heather A. Hitchens
LaChanze, Heather A. Hitchens
Chuck Cooper, Lilli Cooper, Sara Jayne Darneille and Eddie Cooper
The Gala honored “Unsung Heroes of the Theatre Industry.” From dressers who execute seamless quick changes between scenes, to understudies and swings who go into a show with little to no notice and don’t miss a beat, to makeup artists responsible for the flawless faces seen on stage, and so many more vital contributors to the theatrical art form, the 2023 Gala celebrates members of the theatrical community who don’t often get the recognition they deserve.
Stewart F, Lane and Bonnie Comley
Bonnie Comley
Heather A. Hitchens and Bill Berlin
J, Harrion Ghee and Kenny Nunez
L. Morgan Lee
Julie White
Norm Lewis
Adriane Lenox and Zane Mark
Adriane Lenox
Jason Michael Webb
Ruben Santiago-Hudson
Norm Lewis and Zane Mark
Norm Lewis, Adriane Lenox and Zane Mark
CeCe Black
Julie Halston and Richard Hester
Jesse Tyler Ferguson and Justin Mikita
Jesse Tyler Ferguson
Kate Wilson, Jane Krakowski
Julie Halston and David Rockwell
Jane Krakowski
David Rockwell
Ruben Santiago-Hudson and James Latus
Kenny Leon
Jack Waddell and Brandon Victor Dixon
Justin Guarini
Justin David Sullivan
LaTanya Richardson Jackson
LaTanya Richardson Jackson
LaTanya Richardson Jackson and Beverly Jenkins
Frank DiLella
Robyn Coles, Beverly Jenkins, LaTanya Richardson Jackson and John Kristiansen
Binta Niambi and David Henry Hwang
Danielle Brooks
Jesse Tyler Ferguson, Kate Wilson and Danielle Brooks
Kate Wilson and Danielle Brooks
Ariana DeBose
Melissa Etheridge and Rebecca McBee
Melissa Etheridge
Melissa Etheridge and Linda Wallem
Ariana DeBose, Kenny Nunez
Shoshana Bean and Jey Moore
Adrienne Warren
Patti LuPone
Leigh Silverman
Justin Guarini and Salisha Thomas
Kelli O’Hara and Erica Tuchman
Tituss Burgess
LaTanya Richardson Jackson and J. Harrison Ghee
Lin-Manuel Miranda, Luz Towns-Miranda and Luis A. Miranda, Jr.
Danielle Brooks,Thomas Kail, LaTanya Richardson
STRIKE UPDATE— (Via TV Line) “9-1-1, what’s your TV emergency?” The dual WGA and SAG-AFTRA strikes need to be resolved by the end of this month if scripted primetime fare such as 9-1-1: Lone Star and The Cleaning Lady are to return with new episodes in the 2023-24 TV season, says Fox entertainment president Michael Thorn.
When last we tuned in, 29 days ago, the WGA had countered the AMPTP’s latest offer; no next meeting has been scheduled. Things are proceeding even slower on the SAG-AFTRA front. Sources tell TVLine that it will take scripted shows roughly eight weeks to get back into production once the strikes are resolved.
“You’re going get to a point in the fall, in the late fall, where it’s going to be very hard to launch [scripted shows] within the traditional TV viewing season,” Thorn told our sister site Deadline.
If the strikes are resolved later than October 1, that’s where difficult scheduling decisions will have to be made.
“If that means the [delayed scripted] show could work and succeed in the summer [of 2024], great,” Thorn said. Or, “If it’s better to wait for the fall and use football and sports” to promote/launch scripted seasons, “we’ll do that.
“You could use October 1 as the date” by which the writer and actor strikes need to be settled,” Thorn added. “Every show is different but sometimes when you’re staring at a May launch date, you always wonder, ‘Is that the best time?’” to premiere a season/series
Fox’s fall TV slate features one full night of scripted animated fare (on Sundays), while the rest of the week is rife with multiple Gordon Ramsay cooking competitions, new seasons of Special Forces: World’s Toughest Test, Name That Tune and The Masked Singer, 9-1-1: Lone Star reruns, the new, David Spade-hosted Snake Oil game show, and, of course, Friday Night SmackDown.
But whenever the magical day comes for live-action scripted fare to return to our screens, “we’re going to return those shows with vigor,” Thorn avowed. “We really pride ourselves on ‘less is more’ and we were fortunate to be able to really put our money where our mouth is in that regard. When we return, Animal Control is going to get the full backing of this far-reaching platform [as will] John Wells’ new show, Rescue: Hi-Surf, when we launch it.”
Several columns back we posited that the strike might just be settled by Labor Day .. and we were lambasted with emails from a scattering of actors, writers and below-the-line talent that it would not be. They were right. As Gordon Gekko said, greed is good. Is it? Let’s all make nice and good back to work.
SHORT TAKES — As you may know the Toronto Film Festival has been going on and the two films that have received the most buzz are the Paul-Simon/Alex Gibey doc,
Michael Keaton
In Restless Dreams and Knox Goes Away starring Michael Keaton, who also directs, with Al Pacino, can’t wait to see both. Bravo! …The latest episode of Hulu’s Only Murders In The Building was just OK. So far, this third season has totally underwhelmed us. We said a few columns back it was most likely due to the fact that Martin hasn’t written any of the episodes so far. Why? I have no idea. Matthew Broderick played himself, but with a little more anxiety than usual, but the real highlight of this episode was a video-phone call between Martin Short and Mel Brooks. Irresistibly funny … Hard to believe that it’s the 25th anniversary of MTV’s ground-breaking TRL Live (Total Request Live).
Carson Daly
Carson Daly did a nice remembrance on Thursday’s Today Show, even citing John Norris and Kurt Loder, who were key correspondents. They taped many of the shows at NYC’s long-gone Palladium (now an NYU dorm), but many, many memories come to mind; Hall & Oates rehearsing in their dressing room
Debbie Gibson at Z100 on The Morning Zoo
and running into Debbie Gibson is one. Daly pointed out -and rightly so- TRL was a fan-driven show, where viewers had to request what to hear. These days I guess it’s just a download. Much missed for sure …
Carrie Underwood
Funny watching Carrie Underwood this morning; as she she reminded me so much of Shania Twain. from the music, to her visuals. As always, her “Before He Cheats” is tremendous and a big crowd pleaser … It’s a funny world for sure.
RL Stine
When RL Stine’s Goosebumpsfirst debuted in 1992, it was heralded as refreshingly new, both for the kid-demo and its brilliance. There were a few attempts at a series (even with Stine introducing them) and even a movie in 2015 that did just so-so. Now, with Netflix’s Stranger Things having hit a home run, Disney+ is starting a series, with Justin Long, that appears to veer dangerously close to Stranger Things. Also, oddly enough, Stine does not appear to be involved with it. He says: “I wish I knew something about it. I’m not in the loop. It looked to me like they weren’t going to do an anthology show. They were going to do something different that was some kind of continuing story. That’s what it appeared. But I have no information about it.” It begins on October 31. Have a look at the trailer:
Seeing Here Lies Love Saturday night, can’t wait …
Mary Wilson and Bernie Taupin
Great Bernie Taupin interview on NY Live with Sara Gore. They’re friends, so the interview as sensational. Check it out:
Love Bernie and Sara! …Happy Bday Randy Jones and Amy Billings!
NAMES IN THE NEWS —Andrew Sandoval; Jacqueline Boyd; Alison Martino; Robert Funaro; Tom & Lisa Cuddy; Roy Trakin; Daryl Estrea; Glenn Gretlund; Jane Blunkell; Roger Friedman; Felix Cavaliere; Dan Mapp; Jim Kerr; Sam Rubin; Liz White; Grace Mendoza; Roy Trakin; and ZIGGY!
On September 18th at 7:00 PM at The Town Hall, 123 West 43rd Street, Voices: Stars for Foster Kids a musical benefit for You Gotta Believe, a NYC organization specializing in helping older foster youth find permanent, loving families will take place. Hosted by SiriusXM’s Seth Rudetsky and James Wesley, expect a plethora of Broadway stars and performers, who will come together to celebrate the power of love and family.
Performers include; Rosie Perez, Bellamy Young, Ta’ Nika Gibson, Charlotte d’Amboise and Terrence Mann, Sharon Catherine Brown, Griffin Matthews and Matt Gould, Krysta Rodriguez, Anika Larsen, Norm Lewis, Gracie McGraw, Patina Miller, Brenda Braxton
Chef Masaharu Morimoto and Holland America Line Launch Fantastic Fresh Fish Program
The Glorious Corner
White Wine for Summer Send Off
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Events2 days agoA Fun Night at Dave and Buster’s 42nd Street
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Out of Town4 days ago
The Master Plan Unravels Brilliantly and Hilariously at Crow’s Theatre Toronto
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Broadway2 days ago
Theatre News: Wicked, The Wiz, Hypnotique, Female Troubles and Love In The Time Of Crazy
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Off Broadway5 days ago
Off-Broadway’s Muddy and Flat “Pay the Writer”
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Entertainment2 days ago
Beatles Brunch at City Winery Where Strawberry Fields Lives Forever
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Opening Night Beautiful: The Carole King Musical
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Food and Drink19 hours ago
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Dîner en Blanc Returns to New York City in Epic Fashion
