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Ed Dixon, Sally Ann Triplet, A Pound in Your Pocket

Feinstein’s/54 Below will present the rarely heard musical Pound in Your Pocket as part of its popular Second Act Series on Wednesday, January 24th at 7:00pm. The very first collaboration from acclaimed songwriters Charles Strouse and Lee Adams, best known for Bye, Bye, Birdie and Applause.  A Pound In Your Pocket is a delightful, Dickensian story about friendship and redemption. Strouse will be on hand at the one-night-only concert to greet fans and sign copies of his memoir, Put On A Happy Face.

Best known for his Tony Award-winning score for Annie, there may be no other living composer whose work is as integrated into the popular culture. A three-time Tony Award-winner, Charles Strouse’s music has touched the life of almost every American in the last half century. From the classic “Once Upon a Time” to the rocking score of Bye, Bye, Birdie (Tony Award), his celebrated songs are an essential part of the American songbook. A graduate of The Eastman School of Music, Charles studied composition with Aaron Copland, and Nadia Boulanger. Like most composers, he found himself playing in bar rooms and strip-clubs (a particular boon for one who was to write the music for the film The Night They Raided Minsky’s). Having previously composed chamber music, two piano concertos, a string quartet and two operas, Charles met Lee Adams, with whom he would collaborate on more than ten musicals including It’s a Bird… It’s a Plane… It’s Superman, (Tony nomination), Golden Boy (Tony nomination) and the Tony-winning Applause. Charles has received the Richard Rodgers, Oscar Hammerstein, and Leonard Bernstein awards for musical achievement. In addition to Adams, Charles has collaborated with an array of celebrated songwriters such as Alan Jay Lerner (Dance A Little Closer), Sammy Cahn (Bojangles), Stephen Schwartz (Rags), Hal David (Lady For A Day), Richard Maltby, Jr. (Nick and Nora) and more.

When Strouse first met Adams, 1949, neither knew what would happen next. 68 years and three Tony Awards later, Strouse and Adams are one of the most celebrated and prolific teams in musical theatre. Now, an all-star cast will celebrate their very first collaboration, the delightful and rarely heard A Pound In Your Pocket. With a delectable score that launched Strouse and Adams’ legendary career and an all-star cast, the charming and intimate musical is sure to be considered a newly-discovered classic to warm your hearts this winter.

Ed Dixon, Sally Ann Triplet, A Pound in Your Pocket

Ed Dixon, Sally Ann Triplett

For one night only, on Wednesday, January 24th, 2018 at 7:00pm, audiences at the famed New York supper club will have the rare opportunity to hear a seldom-sung score by two of the American musical theatre’s most acclaimed writers. Based on the classic Charles Dickens novel The Old Curiosity Shop, the comedic musical centers around Dick Swiveller. A congenial, boozy, soon-to-be-heir to a family fortune, Dick takes a job as a law clerk while waiting to come into his inheritance. When he befriends the lonely servant girl of his corrupt employers, the unlikely duo overcome greed, malice, and injustice through a series of topsy-turvy plot twists.

The concert will star Drama Desk Award-winner Ed Dixon (Georgie, Les Miserables, Sunday In The Park With George and more) as Sampson Brass, Sally Ann Triplett (Carrie, The Last Ship, Finding Neverland) as Sally Brass and War Paint‘s Tally Sessions (Falsettos, School of Rock, Paramour) as Dick Swiveller. Also featured in the evening are Richard Rice Alan (Drat! The Cat!), Yvette Bedgood, soprano Eugenia Copeland, Suzanne Dressler (Nick & Nora), Mac and Bistro Award-winner Stearns Matthews, Erik Sisco (The Concrete Jungle) and Nikki Switzer (Nightmare Alley, National Tour of 25th Annual Putnam County Spelling Bee). Starring as The Little Servant Girl is is Abbey Jasmine Rose, who was chosen by the show’s composer to reprise her turn after first playing the role at King’s College in 2016.
The one-night-only concert is presented as part of the Second Act Series, produced by Steve Carl McCasland and James Horan. Each evening revisits a short-lived musical, highlighting its neglected score and inviting audiences to rediscover a forgotten gem. Previous evenings include: Bring Back Birdie, The Fix, Onward Victoria, Charlie and Algernon, Eating Raoul, Nick & Nora, 70, Girls, 70, Shelter starring Jon Crye and more. The evening features Musical Direction by Horan and Direction by McCasland.
Feinstein’s/54 Below, 254 West 54th St. Jan. 24th at 7:00pm,

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Cabaret

Finding Words for Spring 

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And who better to lead a search like this than every lyricist’s best friend, the incomparable Steve Ross!  Dressed all in green like a musical Pied Piper, Steve began our adventure with “Mountain Greenery”, one of the best examples of the verbal dexterity of Larry Hart.  Having arrived in this luscious verdancy, Steve highlighted the ever-clever Alan Jay Lerner by slowing his delivery a tad so we could savor every word in “Hurry, It’s Lovely Up Here”.  Those words, like all that Steve served up, deserved the attention he gave them. It’s amazing that even though one has heard a song many times, a thoughtful delivery can reveal more than had been realized. Johnny Mercer had his moment for admiration with “I’m Old Fashioned”, which curiously has the hallmarks of a lyric by Oscar Hammerstein.   

Mr. H. joined the party when Steve made “Younger Than Springtime” sound so full of yearning yet with a touch of sorrow.  Steve’s patter is always welcome for not only his wry humor but his instructive sensibility. He related how when Oscar Hammerstein declined the opportunity to write the lyrics for Annie, Get Your Gun, the torch was handed to Irving Berlin. He eagerly stepped up to the proverbial plate and in true Berlin fashion grand-slammed yet another terrific score. The contemporary of Noel Coward, Ivor Novello, dropped by with his “We’ll Gather Lilacs”, a wistful song that evoked the hopeful longing of the WW II years. 

A personal highlight was Steve’s rendition of “Send in the Clowns”—not a song evoking Spring, for sure, but one that deals with the complications that can ensue in falling in love.  Steve’s attention to one word in the lyric made the sardonic pathos of the situation almost palpable. (No, I won’t reveal the word—you must hear it for yourself next time!) And such is the magic of Steve Ross. He sprinkled this magical evening with several songs made famous by Fred Astaire and others in films which rounded out the evening beautifully. 

Steve swung into optimistic territory with “Make Our Garden Grow” adding a delicate touch of “‘Tis the Gift To be Simple”– a perfect ending to this show. But wait—there was more! He coaxed us into a sing-along to celebrate Eliza Doolittle Day, May 20. How “Lover-ly” it was! 

Any Steve Ross show is worth the time of any aficionado of the Great American Songbook. This show was especially notable. Each lyric shined under Steve’s masterful interpretation, and the entire room was silent throughout—nary a cough or ice-cube tinkle to be found. We were spellbound. If you are in the market for a spa treatment for the heart/soul, catch Steve’s next show. They don’t call him the Crown Prince of Cabaret for nothing! 

 

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Cabaret

My View: Julie Wilson Honored By The Mabel Mercer Foundation at The Pierre Hotel

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Cabaret luminaries, supporters, and officers of The Mabel Mercer Foundation gathered at The Pierre Hotel last night to celebrate the100th anniversary of the birth year of cabaret legend Julie Wilson.  Julie’s dominant presence in the cabaret world over the many decades led her to be called “The Queen of Cabaret”. Cabaret’s current guiding light, KT Sullivan, the artistic director of The Mabel Mercer Foundation hosted the evening’s celebration which included a gourmet buffet followed by performances from some of cabaret’s most beloved artists and friends of Julie Wilson.  Entertaining the Gala audience of music connoisseurs and honoring the legacy of Julie Wilson were: Karen Akers, Carole J. Bufford, Melissa Errico, Jeff Harnar, Sue Matsuki, MOIPEI ( Mary, Maggy & Marta), Sidney Myer, Craig Rubano, KT Sullivan and Amra-Faye Wright…. John Weber (piano) and Steve Doyle (Bass).

An especially emotional moment of the evening was actor Holt McCallany (son of Julie Wilson) paying tribute to his mother and singing “I’m Becoming My Mother”.

HOLT McCALLANY (son of Julie Wilson)

KT SULLIVAN, artistic director The Mabel Mercer Foundation

KT SULLIVAN

CAROLE J. BUFFORD

CAROLE J. BUFFORD

MELISSA ERRICO

MELISSA ERRICO

JEFF HARNAR

JEFF HARNAR

SUE MATSUKI

SUE MATSUKI

CRAIG RUBANO

CRAIG RUBANO

KAREN AKERS

KAREN AKERS

SIDNEY MYER

SIDNEY MYER

AMRA-FAYE WRIGHT

AMRA-FAYE WRIGHT

HOLT McCALLANY

HOLT McCALLANY

HOLT McCALLANY (son of Julie Wilson)

MOIPEI

MOIPEI

PATRICK McENROE, KT SULLIVAN,MELISSA ERRICO,MOIPEI

HOLT McCALLANY & CAROLE J. BUFFORD

MOIPEI & HOLT McCALLANY

EDA SOROKOFF & ELIZABETH SULLIVAN (Happy 94th Birthday)

MELISSA ERRICO PATRICK McENROE, KT SULLIVAN

JEFF HARNAR & MOIPEI

HEATHER SULLIVAN, HOWARD MORGAN, Chairman of the board Mabel Mercer Foundation, ELANOR MORGAN

KT SULLIVAN, ELIZABETH SULLIVAN, HEATHER SULLIVAN,Dr. Patrick Sullivan

KT SULLIVAN

KT SULLIVAN, PETER HANSON, Linda Hanson

EDA SOROKOFF & CRHRISTEL IBSEN

MONAH GETTNER,KT SULLIVAN, ALAN GETTNER

BRIAN KALTNER, Board Member Mabel Mercer Foundation & DEBBIE DAMP

HOWARD MORGAN, KT SULLIVAN, CAROLE J. BUFFORD,MOIPEI, MATHEW INGE

PATRICK McENROE & MELISSA ERRICO

KT SULLIVAN & STEPHEN SOROKOFF

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Cabaret

Karen Mason and Louis Rosen

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Karen Mason and Louis Rosen met back in the 70s in Chicago. Karen was a young singer accompanied by a the incomparable pianist-songwriter Brian Lasser. He was close friends with guitarist, pianist-songwriter, Louis Rosen. Mason and Lasser moved to New York and two years later Rosen was there as well. A little over ten years later Lasser died of AIDS. Rosen and Mason have made sure that Lasser’s music is remembered.

Karen Mason

Louis Rosen

Mason and Rosen are back together again celebrating nearly 50 years of collaboration and friendship. The evening is stripped down bare with Rosen on guitar and piano and Mason and Rosen on vocals. Most of the material is Rosen’s songs many from his most recent albums, but added are a few selections by  Lasser, that make you know he died way to soon.

Karen Mason

Louis Rosen

Rosen’s music is what singer/songwriters use to write, full of blues riffs, uplifting swing, folk melodies, jazz cadences and soulful powerful lyrics. It is like an old soul left their words to impart. This night so made me want to hear his newest album “Love and Ashes”. Rosen is a musicians musician.

“A master interpreter… Mason produces a depth of sound and brilliance of color that converge in the work of very few singers!” (Chicago Tribune)

Mason has an authenticity to her voice. She is a storyteller, rich in tone and truly excels on Lasser’s music. She is a belter at heart, but Rosen’s music has her venerable and exposed, which is a new side to her art.

It is always wonderful to watch two artists collaborate,

Luba Mason and Karen Mason

Louis Rosen

Karen Mason and Louis Rosen: Ages Since the Last Time: Chelsea Table + Stage, 152 West 26th Street.

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Cabaret

My View: Why CAN’T A Woman…? This Woman Can…Lianne Marie Dobbs

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The actor Lianne Marie Dobbs played a 1900’s woman in the HBO series The Gilded Age. You also might have seen her in Law & Order, The Equalizer and F.B.I., but yesterday at Chelsea Tables + Stage she wasn’t just playing the part of a Cabaret singer!  Ms. Dobbs is the real deal, and she captivated an audience of music connoisseurs with her formidable vocal talents and wit in her show titled “Why CAN’T a Woman…? 

Lianne’s cabaret act utilizes Broadway leading men’s songs and sassy standards, served up with a twist of SHE, to celebrate all the hats that women wear, and she answered the shows question authoritatively….This woman sure can!

Lianne Marie Dobbs was named one of the Best Vocalists of the Decade (BroadwayWorld, 2020) and has filled The Green Room 42, 54Below, Feinstein’s at Hotel Carmichael, Feinstein’s at the Nikko, Blue Strawberry in St. Louis, and will be featured in Chicago’s Cabaret Week later in May.  “Why CAN’T a Woman…?” was named one of the best cabaret shows of the year (2022) by BroadwayWorld, and called “an honest to goodness emerging work of art”.  She has appeared in leading roles Off-Broadway, in National Tours, and at renowned theaters such as Denver Center, Repertory of St. Louis, Ogunquit Playhouse, Goodspeed and many more.

Ron Abel is Lianne’s music director and arranger, whose accolades include: LA Critics Circle Award Winner and L.A. Weekly Award Winner for his original compositions and unique arrangements of Broadway hits for orchestras and singers. He has been the music director for acclaimed vocalists such as Lucie Arnaz, Peter Allen, Joely Fisher, Valarie Pettiford, Julia Migenes, Helen Reddy, and John Lloyd Young.

LIANNE MARIE DOBBS & RON ABEL

LIANNE MARIE DOBBS & RON ABEL

LIANNE MARIE DOBBS

LIANNE MARIE DOBBS

LIANNE MARIE DOBBS

LIANNE MARIE DOBBS

LIANNE MARIE DOBBS & RON ABEL

LIANNE MARIE DOBBS & RON ABEL

CHELSEA TABLE + STAGE

CHELSEA TABLE + STAGE

STANDING OVATION

LIANNE MARIE DOBBS

LIANNE MARIE DOBBS & CAROLE J. BUFFORD

PAUL KREPPEL, RON ABEL, EDA SOROKOFF, MURPHY CROSS

EDA SOROKOFF & TAKAKO HARKNESS

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Cabaret

My View: The City Was Special Last Night….Melissa Errico at 54 Below

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The evening at 54 Below was advertised as a “ Vinyl Release Celebration Concert” and how apt that VINYL, the unrivaled substance utilized to capture the subtle nuances and breadth of music has now been used to capture the elegant voice of Melissa Errico singing the songs of  “Sondheim in the City” for posterity. 

Caveat: While Vinyl may capture in analog glory the beautiful notes and words of Melissa, one must be in her presence to experience her irrepressible beauty, wit, and intelligence on stage.

Melissa Errico….Sondheim In The City Vinyl Release Celebration at 54 Below May 7,8,9…..

Tedd Firth Music Director, David Finck (Bass), Eric Halvorson (Drums) Bruce Harris (Trumpet)

About the show:

After the critical triumph of her Sondheim Sublime album-called “the finest all Sondheim recording ever made” by the Wall Street Journal, Melissa Errico returned to one of her cabaret homes (54 Below) last night and to her favorite songwriter with an entire new program of Sondheim songs, celebrating her new album (released February 16, 2024 on Concord) and a different side of Steve, praised in The New York Times as “a New York house tour of thrill and heartbreak..from one of Sondheim’s deepest-hearted yet lightest-touch interpreters.”

Sondheim in the City is the Sondheim of smart, sophisticated New York, the Sondheim of the quick, witty, sardonic, love-seeking and sex-driven city that he recorded and worked in through his long life. From the anthem of city busyness “Another Hundred People” to the bittersweet hymns of city marriage, “Sorry, Grateful” and “Good Thing Going,” with time for hardboiled surprises like “Uptown, Downtown” and surprisingly soft-centered ballads like “All That I Need” and “Dawn”

MELISSA ERRICO

MELISSA ERRICO

MELISSA ERRICO

MELISSA ERRICO

MELISSA ERRICO

MELISSA ERRICO

MELISSA ERRICO

MELISSA ERRICO & TEDD FIRTH, music director

54 Below, Eda Sorokoff

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