Before Rachel Zegler returns to Broadway as Eva Perón, she is making a considerably less formal stop in Cuba.

The Olivier and Golden Globe Award winner will host the next “dance-along” performance of the Tony and Grammy-winning Buena Vista Social Club on Tuesday, September 29 at 7 p.m., continuing what has quietly become one of Broadway’s most joyful traditions.

For one performance, the usual Broadway commandment—sit down and behave yourself—gets loosened considerably. Audience members are invited to dance from their seats whenever the music takes over, whether that means swaying, shaking a shoulder or surrendering completely to the rhythms that have made Buena Vista Social Club such an exhilarating night in the theatre.

There are rules. This is Broadway, after all. Patrons are asked to dance responsibly and return to their seats between songs so everyone can see and enjoy the performance. But within those boundaries, the evening turns the theatre into something closer to a communal celebration than a conventional Broadway musical.

Zegler follows a rather spectacular trio of previous hosts. Lin-Manuel Miranda launched the dance-along series in March, John Leguizamo took over in May, and Lupita Nyong’o hosted the most recent edition this summer. Each performance sold out, making a fourth installment almost inevitable. Zegler is an especially delicious choice.

She will return to Broadway next year in Jamie Lloyd’s acclaimed production of Tim Rice and Andrew Lloyd Webber’s Evita, reprising the Eva Perón performance that earned her the Olivier Award for Best Actress in a Musical. The production begins previews February 27, 2027, at the Winter Garden Theatre and officially opens March 25.

The London production became a phenomenon, with Zegler’s “Don’t Cry for Me Argentina” spilling beyond the walls of the London Palladium as she performed the number from the theatre’s exterior balcony. That particular staging will not be recreated in New York; director Jamie Lloyd has said he is developing a new idea specifically for Broadway.

September 29th is a rather wonderful Broadway appetizer. Before the balcony, before the Winter Garden, before the diamonds and the ambition of Eva Perón, Rachel Zegler will be at Buena Vista Social Club, where the assignment is considerably simpler: Feel the music…..and dance.

Tickets for this special Dance-Along performance, as well as all regularly scheduled performances, are available at buenavistasocialclub.com

New York may be home to one of the largest Irish populations outside of Ireland, but this August the city will experience something entirely new.

Just steps from Madison Square Garden, Tara Mór is launching Mór Fest 2026, a five-day celebration that aims to become New York City’s first fully immersive Irish festival. Running Wednesday, August 19 through Sunday, August 23, the event moves beyond the familiar St. Patrick’s Day clichés, replacing novelty with an authentic showcase of contemporary Irish culture, music, food, sport and storytelling.

The concept is refreshingly simple: if it carries the Mór Fest name, it comes from Ireland.

From the musicians taking the stage to the food being served, specialty products, spirits and guest speakers, nearly every element of the festival has been sourced directly from Ireland, offering New Yorkers a rare opportunity to experience the country’s modern cultural scene without leaving Manhattan.

Tara Mór

Located at Tara Mór, 150 West 30th Street, just one block from Madison Square Garden and minutes from Penn Station, the pub will transform into an Irish cultural hub from noon until midnight each day.

Music naturally anchors the festival, with performances ranging from traditional Irish sessions to contemporary acts including The Young Wolfetones, Steph Hurley, Marty Healy, and Jinty McGrath, alongside musicians arriving directly from Ireland.

The culinary experience reaches far beyond a pint of Guinness. Festival-goers can indulge in authentic Irish breakfasts, Tara Mór’s celebrated Spice Bag—the beloved Irish takeaway favorite—along with specialty products including Prataí’sfamous Irish fries, McDaid’s soft drinks and spirits from The Muff Liquor Company.

Comedy also takes center stage with performances led by Irish comedian Owen Colgan, while conversations throughout the week explore Ireland’s evolving cultural identity, sports and business communities. Special guests include football legend Niall Quinn, GAA star Michael Murphy, former professional boxer Jayson Quigley, Johnny Glynn, James Kavanagh, and Cassie Stokes.

Among the festival’s signature events is the Guinness Perfect Pour Competition, where bartenders compete to master one of Ireland’s most recognizable rituals—the perfect pint.

The schedule also embraces modern Irish lifestyle with wellness programming, fitness sessions hosted by Trinity Gym and Sláinte Retreats, networking events, and even an Irish-themed dating experience presented in partnership with Shift App.

Highlights begin with an opening Céad Míle Fáilte ceremony on Wednesday, August 19, featuring Irish dancers, cocktails, canapés and sponsor tastings. Thursday shifts into networking, cultural discussions and comedy before Friday spotlights Irish sport with conversations featuring Michael Murphy and Johnny Glynn, followed by a headline performance from The Young Wolfetones.

Saturday offers the festival’s busiest programming, beginning with morning wellness activities before transitioning into live entertainment, an Irish dating show and evening performances by Steph Hurley. The celebration concludes Sunday with the Guinness Perfect Pour Competition, traditional music sessions and an exclusive conversation with Niall Quinn.

With more than 2.1 million New Yorkers claiming Irish ancestry, Mór Fest reflects both the city’s deep Irish roots and a new generation eager to showcase Ireland beyond familiar stereotypes. Rather than recreating St. Patrick’s Day, the festival offers something richer—a contemporary portrait of Ireland through its music, cuisine, conversation and community.

As summer enters its final stretch, New York City refuses to slow down. Instead, it doubles down on the season with one of its most celebrated cultural traditions. Harlem Week returns August 1 through August 16, transforming the historic neighborhood into a sixteen-day celebration of music, food, fashion, film, business, wellness and the vibrant spirit that has made Harlem one of the world’s most influential cultural capitals.

Now in its 52nd year, Harlem Week has evolved far beyond its modest beginnings. What started as Harlem Day in 1974 has grown into one of New York City’s largest annual festivals, drawing nearly two million visitors while celebrating the neighborhood’s enduring influence on American culture and its continued role as a center of creativity, entrepreneurship and community.

Presented under this year’s theme, “Honoring Our Legacy,” the festival offers a rich mix of free concerts, outdoor celebrations, family activities and cultural programming that welcomes both longtime New Yorkers and first-time visitors.

Music remains the heartbeat of Harlem Week. Outdoor stages will showcase everything from jazz, gospel and R&B to hip-hop and emerging local artists, while Harlem Broadway Row once again brings Broadway talent uptown for special performances celebrating the neighborhood’s deep theatrical roots.

Food is equally central to the experience. International food vendors, neighborhood restaurants and specialty markets will line the streets, offering flavors that reflect Harlem’s remarkable diversity. Evening celebrations beneath the historic viaduct create one of the festival’s most distinctive atmospheres, blending live music with local cuisine under the Manhattan skyline.

Film lovers can also enjoy free outdoor screenings presented in partnership with the ImageNation Film Festival, while fashion showcases, wellness initiatives, business expos and family programming ensure there is something for every generation throughout the sixteen-day celebration.

Saturday, August 1, 8 & 15 — NYC Summer Streets
7 a.m. – 3 p.m.

Upper Manhattan joins New York City’s Summer Streets program as Park Avenue and Adam Clayton Powell Jr. Boulevard become pedestrian playgrounds filled with cyclists, runners, live performances and family-friendly activities.

Thursday, August 6 & 13 — Harlem SummerStage
5 p.m. – 7 p.m.
Adam Clayton Powell Jr. State Office Building Plaza

Enjoy free evening performances featuring Jeff Foxx Band, Shanay Morant, Alyson Williams and special guests.

Friday, August 7 & 14 — Harlem Summer Nights
4 p.m. – 10 p.m.
133rd Street and 12th Avenue

As the sun sets, Harlem comes alive beneath the historic viaduct with food vendors, live music and one of the city’s most unique outdoor nightlife experiences.

Sunday, August 9 — A Great Day in Harlem
Noon – 7 p.m.
Ulysses S. Grant National Memorial Park

The International Village officially opens with fashion presentations, artisan vendors, international cuisine and live entertainment throughout the afternoon.

Saturday, August 15 — Summer in the City
1 p.m. – 6 p.m.
135th Street Corridor

Fashion takes center stage alongside artisan markets, interactive exhibits, live performances and family entertainment.

Sunday, August 16 — Harlem Day
1 p.m. – 7 p.m.
135th Street from Fifth Avenue to St. Nicholas Avenue

The festival concludes with its signature celebration featuring multiple entertainment stages, Harlem Broadway Row, the Harlem Health Village and hundreds of vendors representing the very best of the neighborhood.

Harlem Week has never been simply another summer festival. It is a celebration of one of New York’s most important neighborhoods—a place whose influence on music, literature, politics, fashion, art and culture continues to resonate around the globe. For sixteen days each August, that legacy isn’t confined to museums or history books. It fills the streets, the stages and the sidewalks, reminding visitors why Harlem remains one of the city’s most dynamic and enduring cultural destinations.

For a complete schedule of performances, community events and programming, visit the official Harlem Week calendar.

If you’ve been sitting in your seat trying to resist dancing during Buena Vista Social Club, Broadway has some very good news for you.

Following two roof-raising, sold-out Dance-Along performances that had audiences moving to every irresistible beat, the Tony and Grammy Award-winning musical is bringing the party back to the Schoenfeld Theatre on Friday, August 14. This time, Academy Award winner Lupita Nyong’o, a longtime friend and champion of the production, will host what is quickly becoming one of Broadway’s most joyful traditions.

Forget Broadway etiquette—at least for one night. During this special performance, audiences are encouraged to let the music take over. Sway in your seat, clap along, move your shoulders, tap your feet, or dance whenever inspiration strikes. The only request from the production? Dance responsibly and return to your seat between songs so everyone can enjoy the performance. Considering the infectious rhythms of Buena Vista Social Club, that may prove easier said than done.

The Dance-Along series has become one of Broadway’s most talked-about special events since launching in March with host Lin-Manuel Miranda. A second sold-out celebration followed in May, led by John Leguizamo, proving that audiences aren’t content to simply watch Havana come alive—they want to be part of it.

Now Lupita Nyong’o takes the baton for what promises to be another unforgettable evening where Broadway meets the dance floor.

Inspired by true events and the legendary, Grammy Award-winning 1997 album, Buena Vista Social Club transports audiences beyond the glittering Tropicana into the soul of Havana, where music isn’t simply entertainment—it’s history, resilience, family, and survival. Powered by a sensational cast and a thrilling Afro-Cuban band performing live each night, the production tells the remarkable story behind the musicians whose artistry captivated the world decades after many believed their moment had passed.

The production continues to be led by Tony Award winner Natalie Venetia Belcon as Omara, alongside Rick Negron, Mel Semé, Jainardo Batista Sterling, Isa Antonetti, Da’Von T. Moody, Jaleel Battles Jr., Jesús Pupo, Renesito Avich, Ashley De La Rosa, Chris Myers, and an exceptional ensemble that keeps Havana’s heartbeat pulsing from the first note to the final bow.

Behind the scenes, the creative team is equally dazzling. With a book by Marco Ramirez, direction by Saheem Ali, Tony Award-winning choreography by Patricia Delgado and Justin Peck, and lush orchestrations by Tony winner Marco Paguia, the production has become one of Broadway’s undeniable critical and audience triumphs.

Its trophy case agrees. Since arriving on Broadway, Buena Vista Social Club has collected five Tony Awards, including honors for Natalie Venetia Belcon, Jonathan Deans’ immersive sound design, Patricia Delgado and Justin Peck’s exhilarating choreography, and Marco Paguia’s orchestrations. In one of the season’s most celebrated moments, the show’s extraordinary musicians also received a Special Tony Award, recognizing the live band as an essential part of the production’s magic. The Original Broadway Cast Recording also took home the 2026 Grammy Award for Best Musical Theater Album, while the production has earned additional accolades from the Chita Rivera Awards and Actors’ Equity Association.

Of course, none of that comes as a surprise once the music begins. Some Broadway shows ask audiences to applaud. Buena Vista Social Club practically dares them to dance.

On August 14, they’re finally being encouraged to do exactly that.

Tickets for the special Dance-Along Performance, as well as all regularly scheduled performances, are available at buenavistasocialclub.com. And if history is any indication, don’t wait too long—these celebrations have developed a habit of selling out.

There is something quietly remarkable happening  in New York. At a time when so much entertainment is consumed through earbuds and phone screens, one band is doing something wonderfully old-fashioned—bringing people together in the same room, getting them out of their chairs, and reminding them that music was always meant to be experienced as a shared celebration.

That is exactly what Victor & The Vipers, also known as Victor’s Vintage Vipers, accomplish every week.

David Pearl, Victor Neufeld

Invited by Diana Sorkin, her daughter Rebecca, and NexWrk, I recently spent the evening at The Bronze Owl, where the band transformed what could have been an ordinary night gathering into something that felt refreshingly timeless.

Leading the ensemble is Victor Neufeld, a familiar name to many from his distinguished career as an executive producer for ABC News’ 20/20. These days, however, his focus is considerably more musical. Rather than producing television, he is producing smiles—one swing tune at a time.

Victor would likely be the first to tell you he is not trying to be the next Frank Sinatra. That isn’t the point. His greatest gift isn’t vocal virtuosity; it’s enthusiasm. His affection for the Great American Songbook, swing, rhythm and blues, and classic jazz is completely authentic, and that authenticity becomes infectious. He isn’t simply performing music—he is inviting everyone in the room to become part of it. And they do.

Within minutes, couples are dancing. Friends become dance partners. Strangers become fellow revelers. Before long, age disappears entirely. Young professionals share the floor with retirees. Experienced dancers glide effortlessly while first-timers discover they don’t need perfect steps to have a wonderful time.

That kind of atmosphere doesn’t happen by accident.

John DeCesare, Tony Gallino

It is supported by a band of exceptional musicians whose collective talent elevates every performance. David Pearl provides elegant piano and keyboard work, John DeCesare anchors the rhythm on bass with supporting vocals, while Tony Gallino—introduced affectionately as “The Prince of Percussion”—keeps the room moving with effortless precision behind the drums. Completing the ensemble is Grammy Award-winning saxophonist and clarinetist Linus Wyrsch, whose warm, expressive playing gives the band much of its unmistakable vintage character.

Together, they perform familiar swing standards, jazz favorites, rhythm and blues classics, and themed musical revues that encourage audiences to do the one thing New Yorkers often forget to do—let loose.

Dr. Ninah Beliavsky, PhD, guest, Sidney “Dr. Dance” Grant

Helping fuel the afternoon’s energy was legendary dance instructor Sidney “Dr. Dance” Grant, who partnered with Dr. Ninah Beliavsky, PhD, in a stunning demonstration of Argentine Tango that quickly captivated everyone in the room.

Grant’s career has spanned film, television, and Broadway, including coaching Julia Roberts and fellow cast members for Mona Lisa Smile. Through his educational initiative, Ballroom Basix, he has introduced more than 30,000 children throughout New York City’s five boroughs to ballroom and Latin dance, proving that movement, confidence, and joy belong to everyone, regardless of age or experience. (Learn more at www.ballroombasix.org.)

Watching Grant and Beliavsky dance wasn’t simply entertainment—it perfectly illustrated the spirit Victor has cultivated. This isn’t about perfection. It’s about participation, which explains why Victor & The Vipers have developed such a devoted following. People don’t return simply to hear the music. They return because they know exactly how they’ll feel when they leave.

Dana and friend

In a city that never stops rushing, Victor has managed to create something increasingly rare: two hours where people put their phones away, laugh with strangers, dance without self-consciousness, and remember that live music is at its best when it brings people together.

You can experience that magic for yourself when Victor & The Vipers perform every Sunday afternoon at Manny’s Bistro, where vintage melodies, outstanding musicianship, and an open dance floor continue to prove that some of New York’s best parties aren’t found in exclusive clubs—they’re found wherever Victor Neufeld decides it’s time for another song.