Rockitaerials is presenting the New York City premiere of Circo de la Luna April 20-22, 2016 at 7:30pm at the Rose Nagelburg Theater, Baruch Performing Arts Center, 55 Lexington Avenue (entrance on 25th Street),New York, NY. Circo de la Luna is billed as contemporary circus with a celestial theme that blends vivid Spanish and Latin culture with the magic of the galactic world above created byNYC-based aerialist Amanda Topaz in Partnership with Sonia Olla and Ismael Fernandez.
Prior to the show Matias Letelier impressed my guest and I with his magician ship. For me he guessed the card I was holding and the one I was thinking of to trick him. For my friend Joanna he guessed her first crush and wow’d her. We can’t wait to catch his act downtown at the Players Theatre on Monday.
Performed in front of a projected backdrop of lush architectural images created by photographers Thierry Dehove and Marc Goodwin. Most of the projections are of exquisite mosques and temples showing the architectural beauty. We follow Mark Gindick (Big Apple Circus) a Peter Scolari look alike, as he explores the music of Spain. He is hilarious dressed in a bubblewrap suit dancing to “Moondance.”Mark’s unique blend of vaudeville, dance, and physical comedies is so entrancing. I am not usually someone who is a clown fan, I am now a fan of Mr. Gindick fan. Vocalist Ismael Fernandez, Guitarist Angel Ruiz and the passionate Sonia Olla commenced into the Flamenco in song and dance. Sonia choreographed the number “la isla bonita” for Madonna’s tour and was seen in Madonna’s latest documentary. Her work is rhythmically moving. Next up was Sarah Sophie Flicker the graceful aerialist who became the moon with contortionists Anna Venizelos and Olga Karmansk. The later bended into pretzel like shapes that were both sensuous and beguiling. These two are so thin I wanted to feed them.
In act two AJ Silver captivated the audience with his magnetism and his control of the Boleadoras. He also whipped things into shape with cracks of the whips. Together with Ismael Fernandez and the Sonia Olla they created a sound that was festinating to the ear as well as pleasing to the eye. Creating a visual splendor Aerial Moon and Silk wrapper Amanda Topaz (Rockitaerials) bedazzled.
The evening was choreographed by Sonia Olla, Pedro Ruiz, and Valeria Solomonoff, and directed by Mark Lonergan. Mark is the Founding Artistic Director of Parallel Exit, a three-time Drama Desk Award nominee for Unique Theatrical Experience.
This was a magical evening that my friend Joanna can not wait to tell he sister, her son and her New Jersey friends all about. She is planning on repeating this experience Friday night.
For more information visit www.circodelaluna.com.
Events For December
Cabaret, Talks and Concerts For December
Tis the season to be entertained. Here are picks:
92 Street Y: 1395 Lexington Ave. 12/2 – 4: Lyrics & Lyricists In the Key of Life: The Genius of Stevie Wonder. Led by Broadway’s Darius de Haas; 12/5: Recanati-Kaplan Talks Death, Let Me Do My Show: Rachel Bloom in Conversation and 12/14: Sharon Stone and Jerry Saltz Talk About Art.
Birdland Jazz: 315 West 44 St. Every Monday at 5:30 Vince Giordano and The Nighthawks and 9:30pm Jim Caruso’s Cast Party; Every Tuesday at 8:30pm The Lineup with Susie Mosher; Every Saturday at 7pm Eric Comstock with Sean Smith (Bass) & special guest Barbara Fasano (Voice); 12/11: Karen Mason for her annual Christmas show “Christmas! Christmas! Christmas!”; 12/12 – 16 Stacy Kent; 12/18: James Barbour returns to Birdland with his annual Holiday Concert: 12/21 – 25: “A Swinging Birdland Christmas” starring Birdland regulars Klea Blackhurst, Jim Caruso and Billy Stritch and 12/28 – 31: Marilyn Maye.
Cafe Carlyle: 35 E 76th St. 12/1 – 9: Sutton Foster; 12/12 – 16: Gavin DeGraw and 12/19 – 31: Michael Feinstein.
Carnegie Hall: 881 7th Ave at 57th St. 12/5: Christmas with Amy Grant and Michael W. Smith; 12/6: Dee Dee Bridgewater with Sean Jones and the NYO Jazz All-Star Big Band; 12/13: Michael Feinstein and Jean-Yves Thibaudet and 12/22 – 23: The New York Pops The Best Christmas of All with Norm Lewis
Don’t Tell Mama: 343 W. 46 St.
Dizzys Club Coca Cola: Frederick P. Rose Hall, Broadway at 60th Street.
Alec Wilder Tribute
Devotees of the Great American Songbook have another reason to love living in New York. Yes, cabaret shows of the music of Porter, Rodgers et al abound here of course, but once a year there is a loving tribute to a lesser-known composer. Some of us may have even passed him on West 44th Street as he was leaving his home in the Algonquin Hotel. This dapper gentleman was Alec Wilder, a musician who wrote classical pieces as well as songs. He wrote words and music, and sometimes let the likes of Marshall Barer, Fran Landesman and even Johnny Mercer supply lyrics. There are a few of these titans who can have one foot in Tin Pan Alley and the other in Carnegie Hall. George Gershwin comes to mind immediately; Cole Porter dabbled but reverted to what he could do best. Wilder also wrote American Popular Song/The Great Innovators 1900-1950, a volume respected by those who love the music of that era.
The Friends of Alec Wilder presented their 38th Annual Concert for an audience of seriously devoted fans of Wilder on November 11th at 54 Below.
Mark Walter, FOAW Board Member and son of noted pianist and friend of Wilder’s Cy Walter, introduced Honorary Host Steve Ross, who along with the ever-amiable Eric Comstock interspersed the music with anecdotes about Wilder which rounded out the portrait of the gentleman being painted so effectively by the rest of the cast.
The afternoon began with one of Wilder’s chamber works, presented lovingly by The Wilderness Trio. Eric Comstock followed, summing up Wilder by saying that his music never went out of vogue because it was never in vogue. Wilder is like that secret ingredient that once having tasted it, one yearns for it thereafter. Eric sang four songs, infusing I’ll Wait with his ineffable sass and charm before being joined by his wife, the spunky and gorgeous Barbara Fasano, who made each lyric come to life in ways Wilder would have appreciated. Sean Smith provided bass support, and the trio which has been a mainstay at Birdland illuminated Wilder’s deep emotional grasp of the human condition.
The Wildebeest Wind Quintet followed with the Alice in Wonderland Suite, which showed Wilder at his classically playful best. Jason Henderson carried some of that lightheartedness into his segment, with two songs that benefited from his natural charm and enthusiasm. Steve Ross made the heart ache a bit with his rendition of the plaintive Did You Ever Cross Over to Sneden’s? before closing the program by encouraging everyone to join him in singing I’ll Be Around, perhaps the best known of Wilder’s songs.
If your interest in Alec Wilder has been piqued, visit alecwildermusicandlife.com.
Ken Fallin’s Broadway: Sutton Foster and Kelli O’Hara With The NY Pops
One Night Only: An Evening with Sutton Foster and Kelli O’Hara with the NY Pops is happening Friday 8pm, at Carnegie Hall. This unique program by NY Pops conductor Steven Reineke, pays homage to earlier icons of stage and screen who teamed up for memorable concerts.
T2C Talks To Paul Iacono, Unfiltered
Actor and writer Paul Iacono, best known for the films Fame, G.B.F., and MTV’s “The Hard Times Of RJ Berger,” returns to The Green Room 42 in “Paul Iacono, Unfiltered,” His bawdy evening of excess and exposé happens tonight Friday, November 17 at 9:30 PM. T2C had a chance to talk to this 3 decade seasoned performer.
Paul Iacono, is best known for his portrayal of the title character on MTV’s “The Hard Times of RJ Berger.” Paul was first featured on “The Rosie O’Donnell Show” at age eight, after she discovered his unique talents for impersonating Frank Sinatra and Ethel Merman Favorite stage credits include Mercury Fur (The New Group), Bridget Everett’s Rock Bottom (Joe’s Pub), Noël Coward’s Sail Away with Elaine Stritch (Carnegie Hall), John Guare’s Landscape of the Body with Lili Taylor and Sherie Rene Scott (Signature Theater), and The Dark at the Top of the Stairs with Donna Lynne Champlin and Michele Pawk (Transport Group). Favorite film credits include MGM’s remake of Fame, Drew Barrymore’s Animal, Darren Stein’s G.B.F., Extracurricular Activities, and Dating My Mother with Kathy Najimy. Iacono’s play Prince/Elizabeth premiered at The Teatro LATEA Theater co-starring Sofia Black D’Elia and Peter Vack, and The Last Great Dame (loosely inspired by his relationship with Elaine Stritch) at Jane Friedman’s HOWL! Happening Gallery. His cabaret “Where’s the Fucking Kid?” premiered at 54 Below, with “Psychedelic Hedonism” following at Joe’s Pub (New York Magazine “Critic’s Pick”), and “Psychedelic Playhouse” at The Green Room 42.
Join Paul for a surreal vaudevillian celebration through the highs, lows, and misadventures from his past five years out of the spotlight. Directed by Eric Gilliland and written by Iacono, Paul weaves insanely personal and wildly hilarious moments from Hollywood to 42nd Street and beyond, accompanied onstage by music director Drew Wutke, with music consulting and arrangements by Peter Saxe.
Paul Iacono, Unfiltered on Friday, November 17 at 9:30 PM at The Green Room 42 (570 Tenth Avenue at 42nd Street, on the 4th Floor of Yotel).
Video by Magda Katz
Family6 hours ago
Watching The Gift Of Giving Is A Blessing In Many Ways
Broadway4 days ago
Broadway’s Harmony Sounds Great But Lacks Emotive Power
Food and Drink3 days ago
Lifevine Brings a Sparkle to Your Holiday Party
Events3 days ago
Park Lane New York & Moët & Chandon Bring Snow Bunny Delight to Darling
Entertainment4 days ago
Bryant Park Tree Lighting and Andy Karl
Events3 days ago
Art Basel Events Coming Up
Uncategorized4 days ago
God Comes Back To Times Square
Entertainment4 days ago
Park Terrace Hotel, Hotel Chocolat and Ofreh