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CONFIDENCE (and The Speech) Throws Too Many Issues In the Plot

CONFIDENCE (and The Speech) Throws Too Many Issues In the Plot

Mark Coffin, Stephen Stout, Ross Alden, and April Armstrong. Photo by Russ Rowland.

Independence Day, 1979: Lines at gas pumps stretch for blocks. President Jimmy Carter was scheduled to address the nation, canceled last minute, disappears from the public eye and after 10 days, he reemerges with a speech that addressed the energy crisis, unemployment, inflation and our value system. Jimmy Carter was convinced that Americans had to face up to the energy crisis, but they only could do this if they faced up to the crisis in their own lives.

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Susan Lambert Hatem’s CONFIDENCE (and The Speech), is not a play but a timely, relevant, call to action. This fictional play-within-a-play throws in the whole nine yards and it becomes about too many issues.

We meet Cynthia Cooper (April Armstrong), a college history professor who was indirectly involved in the speech and Jonathan (Zach Fifer) has questions. Forty years ago, Cynthia served as an intern at the White House and was a feminist who was actively involved in the Equal Rights Amendment. She will only recount her past, if Jonathan becomes her and she becomes Carter.

Sarah Dacey Charles, April Armstrong Photo by Russ Rowland)

Suddenly we are in the 1979 at Camp David (set by Brittany Vasta), when the speech was written and all the major players show up. The good old boys, Walter Mondale (Mark Coffin), Carter’s VP, “Jody” Powell (James Penca), the White House Press Secretary,  Rosalynn Carter (a commanding Sarah Dacey Charles), Sarah Weddington (a wonderful Abigail Ludrof), the lawyer who won the landmark Roe v Wade case and later served as Carter’s assistant, Pat Caddell (Stephen Stout), a pollster working under Carter, Hamilton Jordan (Ross Alden) Chief of Staff and Hendrik Hertzberg (Imran Sheikh), senior editor and staff writer at The New Yorker and speechwriter for President Jimmy Carter.

Abigail Ludrof and Zach Fifer. Photo by Russ Rowland.

Right then and there the play lost me. How would Jonathan have ever know what Cynthia went through and how would an intern know what was going on in President or his staff’s mind? Then to make things just to graphic, Jonathan as Cynthia gets her period. And the reason for this is why? How did this add to the plot?

Back and forth between the present and 1979, the actors break the fourth wall, to dress and talk to the audience as if we are part of the cast.

Hannah Ryan’s direction doesn’t help this over written, convoluted, piece of fantasy, that could have really enlightened the audience and drawn them in. Instead she throws every issue in and misses her points about climate change and the environment. Even in the end Cynthia is offered a job by the President and she never even won.

The program Take Action Today with “Let your voice be heard” has ways to get involved, but instead of choosing one issue there are 6. Rather overwhelming.

CONFIDENCE (and The Speech): Presented by Charlotte’s Off-Broadway, on Theatre Row, 410 West 42nd St., plays until December 7th.

Off Broadway

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email:

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