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Could The President Be a Pedophile?

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Project Veritas is being targeted by the FBI and Southern District of New York. Why because they are suspected of  in connection to Biden’s daughter’s missing diary. What is in this diary? The molestation of Ashley by Biden in the shower and other places.

Project Veritas released a new video exposing former New York Times editorial page editor, James Bennet, who led the paper’s editorial department from May 2016 until his resignation in June 2020. 

The video shows Bennet being deposed under oath in an ongoing lawsuit filed by former Alaska governor, Sarah Palin. She is suing The Times after an editorial published by the paper attempted to tie her Political Action Committee to the shooting of former U.S. Congresswoman, Gabby Giffords. 

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Palin’s attorney, Shane Vogt, pressed Bennet on how The Times reached its conclusions on his client’s Political Action Committee:

Shane Vogt, Attorney for Sarah Palin: “Do you consider this map (shown above) to be political incitement?”

James Bennet, New York Times Editorial Page Editor: “In the sense I was using the term that day in our editorial? Yeah, I do. I just think it’s using violent imagery. I read those as gun sites, and I just don’t think we should import that kind of language to talk about our political adversaries. I wish politicians wouldn’t do it.” 

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Vogt: “You see a map there (shown above)?

Bennet: “I do.

Vogt: “You consider that to be political incitement?” 

Bennet: Okay. I understand what you’re asking me and the comparison you’re drawing. I don’t — those don’t look like gun sites to me. So, I guess I wouldn’t use the same term?”

Vogt: “What do you consider the symbols on the map in exhibit 217 to be?” 

Bennet: “I don’t know what they’re meant to represent. I mean they’re meant to represent — it says targeting strategy, but they don’t look like sites to me.”

Vogt: “Do they look like bullseyes?”

Bennet: “No — now that you say that — yeah, I could see that.”

Vogt: “What are bullseyes used for?” 

Bennet: “Targeting. Target practice.”

Vogt: “With weapons?” 

Bennet: “Yeah.”

Vogt asked Bennet about the decision-making process inside The New York Times and the context behind publishing this piece: 

Vogt: “Do you remember seeing the [Palin] map when it was initially circulated?” 

Bennet: “I don’t remember if I did.”

Vogt: “Do you know when that was?”

Bennet: “I believe it was around the time of the — it got a lot of press attention. It is my understanding around the time of the shooting in 2011.” 

Vogt: “And what’s that understanding based on?”

Bennet: “I guess the — we did a very poor job, I did, of trying to express the thought that created an inference for readers that there was a causal link between political incitement and the shooting of Gabby Giffords. The point where that happens is where we say the link to political incitement was clear.”

Vogt: “Is ‘incitement’ a strong word?” 

Bennet: “I’d say so. Yeah.”

Bennet admitted to Vogt that he ultimately failed as a journalist: 

Vogt: “As a journalist, are you taught to consider how the reader may interpret words you use when you’re writing a piece?” 

Bennet: “Yes.”

Vogt: “Did you do that when you were writing ‘America’s Lethal Politics’?” 

Bennet: “I endeavored to do that, but I failed to do that.”

Vogt: “While you were at The Atlantic up through today during your tenure at The New York Times, have you ever published any pieces that called out the left for using what you just called incendiary rhetoric?”

Bennet: “I don’t remember. I don’t know.”

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Vogt also asked Bennet about his family’s political connections to the Democratic Party. Bennet did not seem to remember key details about their ties to Clinton and Obama:

Vogt: “When you were a White House correspondent during the Clinton administration, was your brother Michael working there?” 

Bennet: “I don’t remember. I can check on that. He had — I don’t think so. I don’t think so…” 

Vogt: “At some point though, he did have a position within the Clinton administration, correct?”

Bennet: “He worked at the Justice Department for a while.”

Vogt: “Did your father also work with the Clinton administration?” 

Bennet: “He had been with the Clinton administration. Yes.”

Vogt: “Did your brother Michael have a role with President Obama’s election committee?” 

Bennet: “I actually don’t know the answer to that.”

Vogt: [Laughs] “Okay.” 

Bennet: “I don’t. He may have.”

Vogt: “But I thought I saw something indicating that he was a co-chair of President Obama’s campaign committee.”

Bennet: “It wouldn’t surprise me if he was, I just don’t know.” 

Vogt: “Have you ever written speeches for your brother?”

Bennet: “In his first run for Senate, I edited — I did not write any speeches for him, but I edited and looked over a couple of speeches for him.”

About Project Veritas

James O’Keefe established Project Veritas in 2010 as a non-profit journalism enterprise to continue his undercover reporting work. Today, Project Veritas investigates and exposes corruption, dishonesty, self-dealing, waste, fraud, and other misconduct in both public and private institutions to achieve a more ethical and transparent society and to engage in litigation to: protect, defend and expand human and civil rights secured by law, specifically First Amendment rights including promoting the free exchange of ideas in a digital world; combat and defeat censorship of any ideology; promote truthful reporting; and defend freedom of speech and association issues including the right to anonymity. O’Keefe serves as the CEO and Chairman of the Board so that he can continue to lead and teach his fellow journalists, as well as protect and nurture the Project Veritas culture.  

Project Veritas is a registered 501(c)3 organization. Project Veritas does not advocate specific resolutions to the issues raised through its investigations.  

Subscribe to Project Veritas on YouTube: https://www.youtube.com/c/veritasvisuals

Follow James O’Keefe on Instagram: https://www.instagram.com/jamesokeefeiii/

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Follow James O’Keefe on Telegram: https://t.me/JamesOKeefeIII

Follow Project Veritas on Telegram: https://t.me/project_veritas

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Cabaret

My View: An Evening With Rex Reed, Will Friedwald, & POLLY BERGEN

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Will Friedwald’s Clip Joint presented the legendary film critic and personality “Rex Reed Remembers Polly Bergen” last night at the TRIAD Theater.  It was a fascinating evening as Rex, who was one of Polly Bergen’s closest friends told fly on the wall show biz stories and personal anecdotes about her remarkable life.  An especially hilarious one occurred at the annual OSCAR NIGHT party that Polly had every year in her New York apartment.  There was Rex, watching the Oscars on a TV in Polly’s bedroom, Lucille Ball on one side of him and Paul Newman on the other .  Milton Berle who had been in another room parades past them wearing one of Polly’s gowns that he snatched from her closet!

Will and Rex reminisced about her amazing career in the movies ( including three classic comedies with Dean Martin & Jerry Lewis) but even more so on television.  In fact, her career spans the very history of the small screen medium, starting with appearances on pioneering broadcasts of the late 1940’s right up to a memorable regular role in the hit series DESPERATE HOUSEWIVES-although she was probably best known for starring in the legendary 1957 PLAYHOUSE 90 live television biography of HELEN MORGAN.  In other guises, she was an entrepreneur and political activist. 

Will Friedwald brought along his extensive library of film clips of her appearances on The Hollywood Palace, The Andy Williams Show, The Dean Martin Show, The Perry Como Kraft Music Hall, The Dinah Shore Chevy Show and appearances with Phil Silvers, George Burns, Red Skelton, Andy Williams and many more. Polly Bergen (1930-2014) had three husbands, and unfortunately became a Doris Day type financial victim because of her last one. And now “here’s the rest of my personal Polly Bergen story”.

Many years ago a firm placed a large order with my factory.  When I checked with our credit insuring agency they advised me that the company did not have enough finances to purchase that amount of goods and consequently the agency would only insure half the order.  Not wanting to reject a sizable order I made an appointment to meet the owner in his garment center office and check out his business for myself.  During the course of the conversation somehow the entertainment business came up (of course it did) and he mentioned that he was married to Polly Bergen.  Being a fan and and having reverence for the famous and talented artists in this world I dropped my usual due diligence guard and the hour was spent talking about show business, I loved it, especially when he invited me over to their apartment to watch the Super Bowl.   Well, I shipped all the merchandise…and you can guess what happened….Years later I met Polly Bergen at one of Rex Reed’s evenings and introduced myself with the opening line “ you cost me a lot of money” and then related the story of how her husband never paid.   Polly put her arm around me and said in her bawdy way, “ honey, you’re lucky it was only that, he bankrupted me”.

WILL FRIEDWALD

REX REED & WILL FRIEDWALD

POLLY BERGEN

REX REED

POLLY BERGEN & DEAN MARTIN

PERRY COMO & POLLY BERGEN

REX REED & WILL FRIEDWALD

ANDY WILLIAMS & POLLY BERGEN

POLLY BERGEN & SANDLER & YOUNG

REX REED & POLLY BERGEN

REX REED & EDA SOROKOFF

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Film

Gary Springer Remembers Shelley Duvall

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By Gary Springer

I loved Shelley Duvall. She very much changed my life and I am forever grateful. I was a young kid in NYC who luckily wound up in two movies – not that I wanted to be an actor – and decided I wanted to be a NY crew guy. Got cast in another film starring Shelley Duvall, Bud Cort, Dennis Christopher and Veronica Cartwright. Thought it was fun I still had the crew aspirations. Shelley became my instant best friend. She said ‘why don’t you come out to LA and stay with Patrick (Reynolds of tobacco fame) and me until you have to go back to school. I did. I spent 7 months living with Patrick and Shelley in a castle in the Hollywood Hills and then another 4 months rooming with Shelley until she called me one day from NY where she was filming “Annie Hall: and said, I think I’m going to sell the house and move in with Paul (Simon). I had to get my own place and spent the next nine years in LA as a working actor (including a television movie which also co-starred the editor of this publication). Shelley was my mentor, my love (platonically), my facilitator, my friend. I met so many people through her and experienced so much that I never would have. Her bringing me to LA for a couple of weeks changed my life completely. I quit acting and moved back to NY in 1982 to work with my dad, but Shelley and I stayed friends. She called me in 1984 and offered me a role in one of her Faerie Tale Theatre pieces (the last professional phone I had). We stayed friends. She moved to Texas and I visited. She had difficulties and I was her friend. I flew down to Texas bringing our friend Dennis Christopher last month to visit her and spoke to her twice last Sunday on her 75th birthday (one wonderful FaceTime). I loved Shelley Duvall and always will.

Shelley Alexis Duvall, inimitable actor, producer, and style icon, died in her sleep July 11, 2024  at her home in Blanco, Texas. She just turned 75 this past Sunday, July 7. Her longtime partner, Dan Gilroy was at her side. She is survived by Dan Gilroy and her three brothers her brothers Scott, Stewart and Shane.

“My dear, sweet, wonderful life, partner, and friend left us last night. Too much suffering lately, now she’s free. Fly away beautiful Shelley,” said Gilroy

She was born in Fort Worth on July 7, 1949, grew up in Houston, and returned to her Texas roots after successful decades in the Hollywood entertainment industry, Shelley was a brilliant and unique film actor and a visionary television producer.

She was first discovered in 1970 when she hosted a party to try and sell some of her husband, Bernard Sampson’s, paintings. Little did she know that crew members from a movie shoot in town were present and were captivated by her. Under the pretense of selling paintings, they brought her to meet the director, Robert Altman, and producer Lou Adler, who were blown away by her wonderfully quirky distinctiveness and cast her in the movie they were filming, “Brewster McCloud” opposite Bud Cort. In Shelley’s words: “I said, ‘don’t you want to buy any paintings?’ And they said: “No, we want you!’”

She continued working with Bob Altman on six more films such as Thieves Like Us, Nashville, Popeye, and Three Women, for which she won the Best Actress Award at the Cannes Film Festival. Seeing her in that film inspired Stanley Kubrick to cast her in his film The Shining where Shelley’s harrowing performance is indelibly etched in film lore. Shelley had a one-of-a-kind look and manner—wide-eyed, toothy, skinny and gawky, but with her own beauty and elegance—that endeared her to industry pros and audiences alike. Beyond her striking looks, she was also a serious, dedicated, and admired dramatic and comedic actor. Shelley appeared in many other film and television roles from the 1970s, 80s, and into the 90s.

Behind the camera, Shelley also conceived and created groundbreaking TV fare through her Platypus Productions: she produced, hosted, and sometimes guest-starred in her Faerie Tale Theatre series, which also called upon the talents of her wide circle of notable actors, directors, and film veterans including Robin Williams, Eric Idle, Mick Jagger, Teri Garr, Jean Stapleton, Frank Zappa, Vincent Price, John Lithgow, Pam Dawber, James Earl Jones, Candy Clark, Francis Ford Coppola, Roger Vadim, Tim Burton and so many more who would not usually have worked on a nascent cable channel show.

The Great American Tee Shirt book – with Paris wearing my Dog Day Afternoon shirt, with Dennis Christopher & Bud Cort

Faerie Tale Theatre’s one-hour adaptations of classic stories, followed up by her Tall Tales and Legends series, enchanted children and their elders through most of the 1980s (and live on to enchant in rerun heaven). She continued the streak with Nightmare Classics, Shelley Duvall’s Bedtime Stories, and Mrs. Piggle Wiggle, garnering two Emmy nominations for Producer over the years.

Gary Springer and Shelly in Bernice Bobs Her Hair

Shelley, who had been called ‘The Texas Twiggy’ and, from film critic Pauline Kael, “The Female Buster Keaton,” was a frequent host on Saturday Night Live and during those heady late 70s and 80s was also known for dating the likes of Paul Simon and Ringo Starr.

Gary and Shelly on her birthday this year

In the mid-90s, Shelley found herself retreating from Hollywood and retiring from active production; successful though she had been as a star actor and producer. Then, her three-acre home in Studio City, which hosted a menagerie of birds, dogs, and other pets, was heavily damaged in the Northridge earthquake of 1994. Shelley and her partner since 1989, actor and musician Dan Gilroy, moved back to Texas to the small town of Blanco, near Austin, where the couple became a beloved part of the protective community. In recent years, Shelley has reconnected with some old friends and admirers from her Hollywood days while living a peaceful and quiet life in the Texas Hill Country.

Dan Gilroy, her brothers Scott, Stewart and Shane, friends and colleagues, the town of Blanco, and legions of fans mourn the passing of Shelley Duvall.

 

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Obituaries

Saying Good Bye To Dr. Ruth

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“I was left with a feeling that because I was not killed by the Nazis — because I survived — I had an obligation to make a dent in the world,” Dr. Westheimer stated.

Becoming Dr. Ruth was a compelling play that chronicled the remarkable journey of Karola Siegel, who was best known as Dr. Ruth Westheimer, the iconic sex therapist. Dr. Ruth’s escape from the Nazis as a child, her time as a sniper in Jerusalem, and her courageous pursuit of success in America as a single mother, Becoming Dr. Ruth was and is about a triumphant spirit. On July 12, 2024 Dr. Ruth passed on at her home in Manhattan. She was 96.

Sex sells and Ruth Westheimer, a child survivor of the Holocaust who was a sex therapist knew that. At a time when the world didn’t talk about sex Dr Ruth’s frankness led to a long-running radio and television call-in shows. She was the go-to for tips on the art and science of lovemaking.

The sexual revolution that began in the 60’s but the world was still repressed on subjects like erectile dysfunction, masturbation, fantasies and orgasms.

Dr. Ruth was not the typical radio and TV personality, She stood at 4-foot-7, she was bedecked in pearls, and had a recognizable German-inflected voice.

Dr. Westheimer was over 50 when she debuted in 1980 on New York’s WYNY with “Sexually Speaking.” The radio program started out in 15-minute segments and was later syndicated and extended to two hours to accommodate those who were curious. There was also “Good Sex With Dr. Ruth Westheimer,” She was a frequent guest on late-night talk shows.

After surviving the Nazis, she went to Israel, where she joined the Haganah paramilitary group fighting for Jewish statehood (and where, she said, she lost her virginity in a hayloft). After that to France and to New York. As Dr. Westheimer she taught university courses in human sexuality before a producer at WYNY, an NBC affiliate, booked her for quarter-hour segment, first broadcast on Sundays after midnight. Within a year, she was on prime time at 10 p.m. to 11 p.m.

She wasn’t the first on-air therapist, but the most remembered.

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Family

Price Hike to Ebike Citi Bike

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Taking a ebike Citi Bike is a wonderful way to get around Manhattan, but beginning Wednesday, July 10th. It’s the second price hike already in 2024.

On January 4, a yearly subscription was raised to $219.99 from $205, while unlocking a standard Citi Bike for non-members and riding it for 30 minutes went from $4.49 to $4.79. The per-minute fees for non-members riding longer than 30 minutes or riding an electric bike, rose $0.30 per minute from the current $0.26, or 15 percent. Basically every price was raised 17 percent.

Unlike other cities like Washington, DC and California, New York City doesn’t give public subsidies to bike share, instead allowing the private half of the public-private partnership to cash in.

Membership and e-bike prices inWashington DC are just $95 per year and 10 cents per minute. In California you pay $150 per year for a membership and 15 cents per minute for e-bikes.

Mayor Eric Adams says he endorses the idea of subsidies for bike share, but he has not followed through, like most things he says and does.

The fees being raised are E-bike fees for those with an annual Citi Bike or Lyft Pink All Access membership will increase to $0.24 per minute from the current $0.20.

Non-members will see fees raised to $0.36 per minute from $0.30.

Lyft, which runs the bikeshare program, cites battery swapping, insurance costs and vehicle expenses costing more than the company anticipated when the rates were set in December.

Citi Bike acknowledged the price changes only affect rides in New York City.

E-bike prices for rides in New Jersey are not changing. Only in New York!

 

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Broadway

Remembering Marilyn Clark Langner

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by Lee Roy Reams

I heard the sad news on Saturday, June 22nd, 2024, that my dear friend, Marilyn Clark Langner, had died in her Central Park West apartment with her family at her bedside. Like the classic column  in the Reader’s Digest Magazine, Marilyn Clark Langner was one of my “Most Unforgettable Characters.”

Growing up in Covington, Kentucky, I always dreamed of a glamorous show business life like the movies I watched on late night TV.  Having lunch with Kitty Carlisle Hart at a beachside restaurant in Barbados, cocktails with Gena Rowlands at Harry’s Bar in Venice, perhaps a late night supper at a rooftop restaurant in Athens celebrating the First Lady Of The American Theatre, Helen Hayes, on her 90th bithday, were just the kind of things I dreamed about. I got all of this and so much  more from Marilyn and Philip Langner during my tenure as artistic director of their trail blazing and truly amazing project called Theatre At Sea.

Theatre Guild

Marilyn was born in Spokane, Wadhington, on September 28, 1924. Even as a child Marilyn was drawn to the theatre.  Marilyn attended UCLA and set her sights on a show business career. She moved to New York City and hit the jackpot when she met and fell in love with Philip Langner, the only child of Lawrence Langner and Armina Marshall, co-administrators of the Theatre Guild and arguably the two most important figures in the history of the American Theatre.

Marilyn played roles in four Broadway plays including The SevenYear Itch and Absurd Person Singular.  A cast mate in The SevenYear Itch named Gena Rowlands became a life long friend. Marilyn played roles in a number of feature films including several films written and directed by John Cassavetes, Gena Rowlands’ husband.

Loretta Swit in SHIRLEY VALENTINE had a very succesful national tour winning a Sarah Siddons Award for Ms. Swit in Chicago.

Perhaps Marilyn’s most lasting show business legacy will be the creation of Theatre At Sea. Long before the current Broadway style entertainments on cruise ships including Playbill At Sea, Marilyn and Philip Langner and Armina Marshall paved the way  by creating Theatre At Sea.

Lee Roy Reems and Tammy Grimes

Their casts were made up of legendary stars of both theatre and film including Lillian Gish, Roddy McDowall, Tammy Grimes, Dean Jones, Carol Channing, Cyril Ritchard, Patrice Munsel, Eli Wallach, Loretta Swit, Ed Asner, Donna McKechnie, and many more. On an early cruise on board the SS Rotterdam, a musical evening was created called MUSICAL JUBILEE which transferred after the cruise to a Broadway theatre. An “out of town tryout at sea” of a musical called Ruthless! lead to a tranfer to the Players Theatre in New York City. Ruthless! won the Outer Critics Circle Award that year  for Best Musical.

Ed Asner played the role of FDR. The one man show played first on ship and then around the country.

Stars including Loretta Swit, Ed Asner

Jean Stapleton captured the unique spirit of one of America’s most admired first ladies, Eleanor Roosevelt.

and Jean Stapleton performed plays on ships that went on to successful national tours. Academy Award winner Patricia Neal and Joel Vig created a version of Truman Capote’s A Christmas Memory, which played around the country for many years.

Academy Award winner Patricia Neal and Joel Vig played A CHRISTMAS MEMORY on ship and then around the country for decades.

Marilyn Clark Langner will be remembered both as a savvy artistic producer and also as the perfect hostess for these remarkable voyages.   Whether sailing up the Amazon River with a final performance in the legendary Manaus Opera House or a Meditteranean cruise ending with a reception in the Princess Grace Theatre in Monaco hosted by Prince Albert II, Marilyn was always charming and elegant with an air of whimsy and a wonderfully wicked sense of humor. When Marilyn and Philip Langner were honored with.the Gold Medal at the National Arts Club in December of 2010, stars of more than thirty years of unforgettable Theatre At Sea cruises expressed their gratitude for the gift.and honor of being part of the Theatre At Sea legacy.

Marilyn Langner: a Most Unforgettable Character.

Marilyn is survived by her husband, Philip, two daughters Lola and Eve, and two grand daughters Lauren Kennedy and Brielle Kennedy.

 

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