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Courtney Balan, Allyson Kaye Daniel, Luba Mason and Celeste Rose Star in Unexpected Joy

Courtney Balan, Allyson Kaye Daniel, Luba Mason and Celeste Rose Star in Unexpected Joy
Courtney Balan

Courtney Balan

The York Theatre Company (James Morgan, Producing Artistic Director; Evans Haile, Executive Director), dedicated to the development of new musicals and the preservation of musical gems from the past, in association with Jim Kierstead, Aria Entertainment, Gabby Hanna & Marcy Feller, Riki Kane Larimer, Linda & Craig Wielkotz, Drew Desky & Dane Levens/Michael Mills, William Fernandez/Behzad Dabu, has announced the cast and creative team for the New York premiere of the new musical Unexpected Joy, with book and lyrics by Bill Russell (Side Show) and music by Janet Hood (Elegies for Angels, Punks, and Raging Queens with Bill Russell)Directed by Amy Anders Corcoran (Associate Director, Escape to Margaritaville), and with music direction by Beth Falcone (Les Misérables), the four-member female cast will feature Courtney Balan (Falsettos) as Rachel, Allyson Kaye Daniel (Sistas: The Musical) as Lou, Luba Mason (Pretty Filthy) as Joy, and Celeste Rose (Sister Act) as Tamara.  Performances begin Tuesday, April 24, 2018 for a limited engagement through Sunday afternoon, May 20, 2018 at The York Theatre Company at Saint Peter’s (entrance on East 54th Street, just east of Lexington Avenue). Opening Night is Thursday evening, May 3, 2018 at 7:00 p.m.

Allyson Daniel

Allyson Kaye Daniel

Unexpected Joy is the story of three generations of female singers, long-held family tensions, and a week together where change is in the air. In modern day Cape Cod, Joy, a baby boomer and proud hippie, is holding a memorial concert for the other half of her popular musical duo, Jump & Joy.  When her tightly-wound conservative daughter and her sweet rebellious granddaughter arrive from Oklahoma, the sparks fly as one family seeks to find the common ground in their different values, dreams and goals. Unexpected Joy is a heartfelt and hilarious story that weaves folk-rock, pop, and blues in uniting a family that hasn’t experienced true joy together for decades.  

Luba Mason

Luba Mason

The creative team includes James Morgan (set), Matthew Pachtman (costumes), Ken Wills (lights), Julian Evans (sound), Deb Gaouette (props), and AnnMarie Milazzo (vocal arrangements).  The Production Stage Manager is Julianne Menassian, with Assistant Stage Manager Shanna Allison.  Casting is by Stephen DeAngelis.

Celeste Rose

Celeste Rose

Unexpected Joy received its world premiere in 2016 at Wellfleet Harbor Actors Theatre in Massachusetts and was previously developed through readings at The York and the Hudson Guild Theatre. 

Unexpected Joy will play the following performance schedule:  Tuesdays & Wednesdays at 7:00 p.m., Thursdays at 2:30 p.m.*, Fridays at 8:00 p.m., Saturdays at 2:30 p.m.* & 8:00 p.m., and Sundays at 2:30 p.m. (*Audience discussion follow the matinee performance.)  Opening night is set for Thursday, May 3, 2018 at 7:00 p.m.

Courtney Balan (Rachel).  Original Broadway companies: Falsettos (2016 revival), Finding Neverland, [title of show], Cry-Baby, In My Life. Off-Broadway: I Love You Because, Rated P for Parenthood, The Extraordinary Ordinary, I Love You, You’re Perfect, Now Change, The Marvelous Wonderettes. Regional: The Humans (Aimee, Pittsburgh Public), Into the Woods (Baker’s Wife, Alliance Theatre), Funny Girl (Fanny, Riverside Theatre), The Music Man (Marian, CT Rep), Company (Amy, Pittsburgh Public), Urinetown (Pennywise, Theatre Raleigh). Graduate: UMich MT. @courtneybalan

Allyson Kaye Daniel (Lou) is delighted to make her York Theatre debut with this production of Unexpected Joy.  Originally from Washington, DC, she attended the prestigious Duke Ellington School of the Arts and went on to attain a BFA in Musical Theatre from Penn State. Favorite credits include Oda Mae Brown in Ghost, Miss Jones in How to Succeed…, Killer Queen in We Will Rock You, Church Soloist in The Color Purple, and Bird Girl in Seussical: The Musical. 

Luba Mason (Joy).  Drama Desk and Lucille Lortel Best Supporting Actress nominee for Pretty Filthy.  Broadway credits include Chicago (Velma), Jekyll & Hyde (Lucy), The Capeman (Mrs. Krzesinski), How to Succeed in Business Without Really Trying (1st Revival, Hedy LaRue), Sunset Blvd., Sid Caesar & Co., The Will Rogers Follies (Z’s Fav). Television includes “Forever,” “Person of Interest,” “Raines,” “Law & Order,” “NYPD Blue.”  Solo Recordings: Mixtura (Kobalt Music), Krazy Love (Sunnyside Records), Collage (PS Classics).  Graduate from NYU’s Tisch SOA (Drama) and Circle in the Square Theater School. Recipient of the 2013 NYMF Award for “Outstanding Individual Performance” for Julian Powww.lubamason.com

Celeste Rose (Tamara). York Theatre Debut! Recent credits: A Connecticut Christmas Carol (Jen Scrooge/Goodspeed Musicals), Bernice Bobs Her Hair (Bernice/Lyric Theatre Of Oklahoma), Sister Act (Sister Mary Robert/Ogunquit Playhouse & Gateway Playhouse), Titanic (Kate Mullins/Westchester Broadway Theatre), The Bad Years (Ali), Romeo and Juliet (Juliet/HSRT). BFA Ithaca College. Proud member of The BringAbout! Endless gratitude to my family and the ladies at Judy Boals Inc.  www.CelesteRose.com @_celeste_rose

Bill Russell (Book and Lyrics) received Tony nominations for the book and lyrics of Side Show. He wrote book and lyrics for Elegies for Angels, Punks and Raging Queens with music by Janet Hood and has directed it in New York and the Fringe and West End of London. Bill co-wrote book and lyrics for Pageant and directed it in the Fringe and West End. Other book and lyric credits include Lucky Duck, The Last Smoker in America, Fourtune, and The Texas Chainsaw Musical. He has also written lyrics for the Radio City Music Hall Christmas Spectacular and the official theme of the Gay Games. www.billrussell.net

Janet Hood (Music) has performed as pianist and singer and has played on many albums, including her own, Jade and Sarsaparilla. She has toured throughout Cape Cod and New England, and performed on local and national television. Janet composed the music for Elegies for Angels, Punks, and Raging Queens (book and lyrics by Bill Russell), which has toured the U.S., London, Tel Aviv, Glasgow, and Sydney, among many locations.

Amy Anders Corcoran (Director) currently works as the associate director on Escape to Margaritaville, which is now in previews on Broadway. She was also the Resident Tour/Associate Director for Disney’s Freaky Friday. Favorite directing/choreographing credits include: 21 Chump Street (European Premiere), I Am My Own Wife (NYC site-specific production), Little Women, Lippa’s The Wild Party, Mr. Burns, Crazy for You, Smokey Joe’s Café, and Circle Mirror Transformation. Her work has been seen at American Conservatory Theatre, the Guthrie, Goodspeed Musicals, and Asolo Rep, and in London and Canada. Amy specializes in new works, and works for London’s Aria Entertainment as the US Creative Associate and helps cultivate their From Page to Stage Festival in London every year. Last summer, she directed four new musicals in the festival. Amy received the SDC Noël Coward Fellowship for Comedic Direction and holds a BA in Psychology with Honors from the University of Kansas and a MFA in Directing from Penn State University.

Beth Falcone (Music Director) Broadway: Les Misérables, Lion King, Fame Becomes Me (keyboards). The Chicago Sun-Times noted Beth for her “fiery piano playing,” and she has played for numerous national tours and regional productions. At The York, Beth served as music director for the Mufti presentation of Hollywood Pinafore; she has also been MD for the Eugene O’Neill Cabaret Conference, BMI Musical Theatre and Dramatist Guild Showcases, and numerous readings of new musicals in NYC. Beth wrote the music and lyrics for the critically acclaimed Off-Broadway show Wanda’s World (produced by Amas Musical Theatre in association with Terry Schnuck and licensed by TRW), and she is a recipient of the Ed Kleban Prize for Most Promising Lyricist in American Musical Theater. Beth is the supervisor of the singing department at Circle in the Square Theater School and is a member of NYSTA, NATS, PAVA and the Voice Foundation.

The York Theatre Company is the only theatre in New York City—and one of very few in the world—dedicated to developing and fully producing new musicals and preserving neglected, notable shows from the past. For over four decades, York’s intimate, imaginative style of producing both original and classic musicals has resulted in critical acclaim and recognition from artists and audiences alike. Under the guidance of Producing Artistic Director James Morgan since 1997, The York has focused on new musicals in its Mainstage Series—most of them world, American, or New York premieres—by some of the field’s most esteemed creators, and has also helped launch the careers of many talented new writers. Almost 40 cast recordings from The York Theatre Company productions are now available on CD, including its acclaimed revival of Closer Than Ever (2013 Off-Broadway Alliance Award for Best Revival); commercial transfers of such York premieres as The Musical of Musicals (The Musical!), Souvenir (Tony Award Nomination for actress Judy Kaye), and Jolson & Company, and revivals of Pacific Overtures and Sweeney Todd (four Tony Nominations including Best Revival) have all showcased the importance of The York and its programs. Recent New York premieres have included Marry Harry, A Taste of Things to Come, Rothschild & Sons, and Desperate Measures, which just completed a three and a half month extended run. The critically acclaimed musical Yank!, which received its Off-Broadway debut at The York in 2010, recently opened to rave reviews in London as did York’s Rothschild & Sons. The hit musical Cagney, received its York premiere in 2015 and subsequently transferred to the Westside Theatre for over 15 months. Desperate Measures has just been announced for New World Stages in late spring of this year.

Off Broadway

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

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