I first met Dawn Derow in January 2020 when she told me of her plans to record her CD My Ship: Songs from 1941 that following month. We know what soon happened after that and finally the CD has been produced by ZOHO Music, and based on Ms. Derow’s show at The Green Room 42 on January 15th I can say was worth the wait.
The evening began with a wonderful instrumental of Take the A Train by her band: Tom Hubbard on bass, Daniel Glass on drums and Ian Herman, her musical director, on piano. Since the song selections were from 1941 the overture was accompanied by a wonderful slide show of black and white photos dating back to that era to get us into the mood concluding with a black and white photo of the star Ms. Derow herself. Dawn walked onto stage in her seamed stockings, glimmering gown and vintage gloves that were given to her by her grandmother. We had been transported back to 1941.
Her opening number was a heartfelt Lover Man which unlike her stockings segued seamlessly into Let’s Get Away from It All. Dawn had performed in the Green Room before; but, she informed her happy audience that this was her first time doing a full show and I’m sure it won’t be her last. Her next song How About You starts with the words “I like New York in June” and despite the temperatures outside being in the 20’s this song warmed up her audience.
Her rendition of Skylark was truly beautiful hitting all the right notes that Johnny Mercer wrote 70 years ago. What throwback to 1941 would be complete without a trio of Andrews Sisters songs? Dawn did not disappoint the audience when the first bars of Boogie Woogie Bugle Boy were played meshing with Don’t Sit Under the Apple Tree and finally The Hut Sut Song when her two back up singers, Markell Grutsch and Chloe Lafleur joined her on stage in harmony and wonderful dance steps choreographed by Markell. The ladies returned later in the show to sing and dance about a much more fun Chattanooga Choo Choo than Glen Miller could have imagined when it originally rolled onto the hit parade.
Throughout the show Dawn talked about the year 1941, an amazing year for songs like these and the other arts, and she played a sweet trivia contest with the audience asking questions about the year – a sweet game especially since the prize for correct answers was a packet of M&Ms, that candy covered chocolate that didn’t melt in your hands and was invented in that year. But hearts were melted when she sang the title song of her CD, My Ship, full of emotion and longing. The well-paced show directed by Jeff Harner was filled with a variety of songs alternating between ballads like At Last and an operatic White Cliffs of Dover to fun and witty songs like The Saga of Jenny and Disney’s When I See an Elephant Fly.
Dawn is a performer that brings to the stage heart, fun and sexuality as she demonstrated in her medley of Just Squeeze Me and I Got It Bad.
If you missed this show you can pick up her CD, My Ship (Songs from 1941), or listen to her on Spotify.
Events For December
Cabaret, Talks and Concerts For December
Tis the season to be entertained. Here are picks:
92 Street Y: 1395 Lexington Ave. 12/2 – 4: Lyrics & Lyricists In the Key of Life: The Genius of Stevie Wonder. Led by Broadway’s Darius de Haas; 12/5: Recanati-Kaplan Talks Death, Let Me Do My Show: Rachel Bloom in Conversation and 12/14: Sharon Stone and Jerry Saltz Talk About Art.
Birdland Jazz: 315 West 44 St. Every Monday at 5:30 Vince Giordano and The Nighthawks and 9:30pm Jim Caruso’s Cast Party; Every Tuesday at 8:30pm The Lineup with Susie Mosher; Every Saturday at 7pm Eric Comstock with Sean Smith (Bass) & special guest Barbara Fasano (Voice); 12/11: Karen Mason for her annual Christmas show “Christmas! Christmas! Christmas!”; 12/12 – 16 Stacy Kent; 12/18: James Barbour returns to Birdland with his annual Holiday Concert: 12/21 – 25: “A Swinging Birdland Christmas” starring Birdland regulars Klea Blackhurst, Jim Caruso and Billy Stritch and 12/28 – 31: Marilyn Maye.
Cafe Carlyle: 35 E 76th St. 12/1 – 9: Sutton Foster; 12/12 – 16: Gavin DeGraw and 12/19 – 31: Michael Feinstein.
Carnegie Hall: 881 7th Ave at 57th St. 12/5: Christmas with Amy Grant and Michael W. Smith; 12/6: Dee Dee Bridgewater with Sean Jones and the NYO Jazz All-Star Big Band; 12/13: Michael Feinstein and Jean-Yves Thibaudet and 12/22 – 23: The New York Pops The Best Christmas of All with Norm Lewis
Don’t Tell Mama: 343 W. 46 St.
Dizzys Club Coca Cola: Frederick P. Rose Hall, Broadway at 60th Street.
Alec Wilder Tribute
Devotees of the Great American Songbook have another reason to love living in New York. Yes, cabaret shows of the music of Porter, Rodgers et al abound here of course, but once a year there is a loving tribute to a lesser-known composer. Some of us may have even passed him on West 44th Street as he was leaving his home in the Algonquin Hotel. This dapper gentleman was Alec Wilder, a musician who wrote classical pieces as well as songs. He wrote words and music, and sometimes let the likes of Marshall Barer, Fran Landesman and even Johnny Mercer supply lyrics. There are a few of these titans who can have one foot in Tin Pan Alley and the other in Carnegie Hall. George Gershwin comes to mind immediately; Cole Porter dabbled but reverted to what he could do best. Wilder also wrote American Popular Song/The Great Innovators 1900-1950, a volume respected by those who love the music of that era.
The Friends of Alec Wilder presented their 38th Annual Concert for an audience of seriously devoted fans of Wilder on November 11th at 54 Below.
Mark Walter, FOAW Board Member and son of noted pianist and friend of Wilder’s Cy Walter, introduced Honorary Host Steve Ross, who along with the ever-amiable Eric Comstock interspersed the music with anecdotes about Wilder which rounded out the portrait of the gentleman being painted so effectively by the rest of the cast.
The afternoon began with one of Wilder’s chamber works, presented lovingly by The Wilderness Trio. Eric Comstock followed, summing up Wilder by saying that his music never went out of vogue because it was never in vogue. Wilder is like that secret ingredient that once having tasted it, one yearns for it thereafter. Eric sang four songs, infusing I’ll Wait with his ineffable sass and charm before being joined by his wife, the spunky and gorgeous Barbara Fasano, who made each lyric come to life in ways Wilder would have appreciated. Sean Smith provided bass support, and the trio which has been a mainstay at Birdland illuminated Wilder’s deep emotional grasp of the human condition.
The Wildebeest Wind Quintet followed with the Alice in Wonderland Suite, which showed Wilder at his classically playful best. Jason Henderson carried some of that lightheartedness into his segment, with two songs that benefited from his natural charm and enthusiasm. Steve Ross made the heart ache a bit with his rendition of the plaintive Did You Ever Cross Over to Sneden’s? before closing the program by encouraging everyone to join him in singing I’ll Be Around, perhaps the best known of Wilder’s songs.
If your interest in Alec Wilder has been piqued, visit alecwildermusicandlife.com.
Ken Fallin’s Broadway: Sutton Foster and Kelli O’Hara With The NY Pops
One Night Only: An Evening with Sutton Foster and Kelli O’Hara with the NY Pops is happening Friday 8pm, at Carnegie Hall. This unique program by NY Pops conductor Steven Reineke, pays homage to earlier icons of stage and screen who teamed up for memorable concerts.
T2C Talks To Paul Iacono, Unfiltered
Actor and writer Paul Iacono, best known for the films Fame, G.B.F., and MTV’s “The Hard Times Of RJ Berger,” returns to The Green Room 42 in “Paul Iacono, Unfiltered,” His bawdy evening of excess and exposé happens tonight Friday, November 17 at 9:30 PM. T2C had a chance to talk to this 3 decade seasoned performer.
Paul Iacono, is best known for his portrayal of the title character on MTV’s “The Hard Times of RJ Berger.” Paul was first featured on “The Rosie O’Donnell Show” at age eight, after she discovered his unique talents for impersonating Frank Sinatra and Ethel Merman Favorite stage credits include Mercury Fur (The New Group), Bridget Everett’s Rock Bottom (Joe’s Pub), Noël Coward’s Sail Away with Elaine Stritch (Carnegie Hall), John Guare’s Landscape of the Body with Lili Taylor and Sherie Rene Scott (Signature Theater), and The Dark at the Top of the Stairs with Donna Lynne Champlin and Michele Pawk (Transport Group). Favorite film credits include MGM’s remake of Fame, Drew Barrymore’s Animal, Darren Stein’s G.B.F., Extracurricular Activities, and Dating My Mother with Kathy Najimy. Iacono’s play Prince/Elizabeth premiered at The Teatro LATEA Theater co-starring Sofia Black D’Elia and Peter Vack, and The Last Great Dame (loosely inspired by his relationship with Elaine Stritch) at Jane Friedman’s HOWL! Happening Gallery. His cabaret “Where’s the Fucking Kid?” premiered at 54 Below, with “Psychedelic Hedonism” following at Joe’s Pub (New York Magazine “Critic’s Pick”), and “Psychedelic Playhouse” at The Green Room 42.
Join Paul for a surreal vaudevillian celebration through the highs, lows, and misadventures from his past five years out of the spotlight. Directed by Eric Gilliland and written by Iacono, Paul weaves insanely personal and wildly hilarious moments from Hollywood to 42nd Street and beyond, accompanied onstage by music director Drew Wutke, with music consulting and arrangements by Peter Saxe.
Paul Iacono, Unfiltered on Friday, November 17 at 9:30 PM at The Green Room 42 (570 Tenth Avenue at 42nd Street, on the 4th Floor of Yotel).
Video by Magda Katz
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