Edward Albee’s At Home at the Zoo is Smart Theatre

Edward Albee’s At Home at the Zoo is Smart Theatre

“We should talk,” Ann says to Peter.

Edward Albee’s At Home at the Zoo, now playing at the Signature Theatre, is superbly acted and has so much to say. The evening consists of two plays, the 2004 Homelife and the 1958 play, The Zoo Story. Albee, wanting a companion piece for The Zoo Story, wrote Homelife and decided they should only be played in tandem.

Katie Finneran, Robert Sean Leonard

Katie Finneran and Robert Sean Leonard Photo by Joan Marcus

In Homelife, Peter (Robert Sean Leonard), an upper-class publishing executive, is constantly being interrupted by his wife Ann (Katie Finneran), as he is intently reading. He shares his home with Ann, their two daughters, two parakeets and two cats. She wants to talk, and even when they do, what is being said is not really what is lying underneath. Ann is bored with their sex life and wants to spice it up, but Peter is stuck in his rut and despite their problems, neither may ever get out.

Katie Finneran, Robert Sean Leonard

Katie Finneran, Robert Sean Leonard Photo by Joan Marcus

In The Zoo Story, Peter is back, still trying to read his book, now in Central Park. Suddenly, Jerry (Paul Sparks), a homeless man, wants to talk. Jerry, feeling isolated and disheartened, is desperate to have a meaningful conversation with another human being. He interrogates Peter, asking him how much he makes, forcing him to listen to stories about his life and the reasoning behind his visit to the zoo. In the end, Jerry brings his victim, Peter, down to his own savage level.

Robert Sean Leonard, Paul Sparks

Robert Sean Leonard,
Paul Sparks Photo by Joan Marcus

Leonard is perfect as Peter, measuring his delivery and not really in touch with himself or the world. In a world where people are concerned with day-to-day living, Peter is comfortable. In Act One, Finneran aches for something to break her out of her rut. She makes us search inside ourselves for breaking the status quo. Every emotion shows in her face and body. But it is Sparks who is thrilling. He is a caged animal ready to break free of his cage of poverty; he is unpredictable, and he is humanity on the verge of rebellion.

Robert Sean Leonard, Paul Sparks

Robert Sean Leonard,
Paul Sparks Photo by Joan Marcus

Lila Neugebauer directs this show with a conviction, making Albee’s statements about class straightforward. We see what it takes to set off a time bomb in humanity.

Set designer, Andrew Lieberman, keeps things simple. It looks as if humanity has gone at the walls with the gusto of a child enraged. The lighting by Japhy Weideman keeps it stark, forcing us to see everything in broad daylight. UnkleDave’s Fight-House work shines in the brutal realism played out by Leonard and Sparks.

“We should talk”, Albee says to an American public. So, we listen and pray that this conversation happens before it is too late.

Edward Albee’s At Home at the Zoo: Signature Theatre, 480 West 42nd St, until March 25th.

Off Broadway

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

More in Off Broadway

Tony Award winner Jennifer Ehle and Emmy Award winner David Strathairn in PHÈDRE 

Suzanna BowlingFebruary 3, 2023

Ensemble Studio Theatre Announces New Co-Artistic Directors

Suzanna BowlingFebruary 2, 2023

Theatre News: MJ, Teachers Night on Broadway, The Actors Studio, Ragtime and The Wiz

Suzanna BowlingFebruary 1, 2023

The McKittrick Hotel Announces The Return Of The Drama Desk Award Winning Production Of The Strange Undoing of Prudencia Hart

Suzanna BowlingJanuary 29, 2023

Anthony Rapp’s Without You Is a Touching Remembrance on Death and Rent

Suzanna BowlingJanuary 27, 2023

Submissions For Short New Play Festival Open

Suzanna BowlingJanuary 27, 2023

NYTW’s Merrily We Roll Along Triumphs in Reverse, Wonderfully

RossJanuary 25, 2023

The Outer Critics Circle Announces Dates and New Category Distinctions for the 72nd Annual Outer Critics Circle Awards

Suzanna BowlingJanuary 25, 2023
Adrienne Warren

Theatre News: Room, Camelot, Between Riverside and Crazy, Bedlam and Hip Hop Cinderella

Suzanna BowlingJanuary 24, 2023