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Everything You Need To Know About Artificial Grass Installation

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Installing artificial grass can seem daunting, but with our helpful tips and tricks, you’ll be a pro in no time! From choosing the suitable turf for your project to getting a flawless finish, we’ve got you covered. So whether you’re looking to install artificial grass for the first time or wantwant to brush up on your installation skills, read on for everything you need to know about artificial grass installation. 

What is artificial grass, and what are its benefits?

Artificial grass brings great aesthetic and practical value to any space – from yards, gardens, patios, balconies, and even artificial sports fields. Synthetic grass made with advanced technological innovations is ideal for areas where it can be challenging or costly to maintain natural grass. Fake turf has the ability to resist drought and environmental stressors, such as the sun’s UV rays. A perfect example of how artificial grass preserves green spaces, artificial grass in Long Beach, CA, offers a consistent look, feel, and color throughout the seasons, all while saving water, money, and effort needed to maintain a lush lawn. Not only does artificial grass provide an environmentally friendly solution for your yard, and requires little maintenance. So, you can spend more time enjoying your outdoor living area instead of worrying about the upkeep of your space.

How is artificial grass installed, and what are the steps involved?

Installing synthetic grass can present a whole range of benefits to both indoor and outdoor areas. The process begins by carefully assessing the space you’re working with and planning the layout. This includes taking measurements, ensuring adequate drainage, and prepping the base before laying out the turf materials. Most installations require either infill or shock pads for cushioning to help reduce any fatigue or strain felt when using the flooring. Once placed correctly, artificial grass is stitched down to secure it in place and then professionally cleaned to get rid of any debris that may have been collected in the process. Through proper planning, installation, and maintenance, you can trust your home or business is well taken care of with quality artificial grass!

What kind of maintenance is required for artificial grass, and how often does it need to be done?

Artificial grass requires a handful of maintenance tasks to keep it in top condition and preserve its beauty. For example, remove loose debris, such as leaves and twigs, from the surface using a stiff brush or garden rake. Moreover, an artificial grass cleaner can rid the turf of more stubborn grime; this needs to be done periodically – roughly every one to two months or when the turf appears heavily soiled. Additionally, brushing or raking the artificial grass helps to maintain its integrity and longevity by redistributing fibers and reinvigorating them with uprightness and resilience. Ultimately, proper maintenance can keep your artificial grass looking vibrant for years!

Are there any potential problems with installing or using artificial grass?

Artificial grass can be an attractive and cost-effective alternative to natural grass for homeowners. Still, there are a few potential pitfalls that should be kept in mind when installing and using it. Inadequate drainage, heat buildup, and limited usage capabilities may be issues that one should consider. The surface’s durability is also something to keep in mind when considering the best artificial grass type; some are better suited to heavier foot traffic than others. Additionally, it may require ongoing maintenance, such as cleaning and resealing, to keep its original condition. However, with a bit of research into installation requirements and proper usage guidelines, these potential problems with artificial grass can be minimized.

How much does artificial grass installation cost, and what factors influence the price tag?

Artificial grass installation can be a great way to bring a beautiful and low-maintenance solution to any landscaping needs, but the cost of installation can be quite an investment. The total cost of an artificial grass installation will vary depending on several factors: the size of the area that needs covering, the complexity of the project, the type of drainage required, and where you source your turf. Generally speaking, however, professional artificial turf installation costs range from $8-12 per square foot for most residential applications. If you already have a base in place or require additional services such as border or reinforcement material, these prices could increase accordingly. Ultimately, getting the perfect artificial grass look for your home is worth it!

Who should you hire for your artificial grass installation project – a professional installer or someone else?”

When considering the installation of artificial grass, it’s crucial to  consider who you should trust with the project. The obvious choice might be a professional installer, given their experience and knowledge in this area. While professional installers often provide a reliable and thorough job, sometimes a friend or family member can be of immense help for a fraction of the cost. Ultimately, it comes down to preference and budget, regardless of who you choose. However, you’ll want to ensure they have experience with artificial grass installation and all the necessary tools for optimal installation.

People install artificial grass for various reasons – to save time and money on lawn maintenance, to create an allergy-free outdoor space, or simply because they like the look of a pristine green lawn that doesn’t require any work. If you’re considering artificial grass installation for your home or business, it’s essential to understand all aspects of the process before making a decision. This article covers everything you need to know about artificial grass installation. With this information handy, you can make an informed decision about whether artificial grass is suits you.



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Wendy Williams: Guardianship/ Conservatorship and What You Need To Know Part 1

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“How did her health deteriorate so quickly, and why isn’t her only child allowed to be by her side?” These are questions being asked by Wendy Williams’ former attorney LaShawn Thomas. Williams, 59, was first placed under guardianship by her bank, Wells Fargo, but the conservatorship has since been moved to attorney Sabrina Morrissey.

Thomas alleges that she had been “threatened with physical and financial harm” if she speeks out about the care Wendy is receiving.


The Lifetime documentary, began shooting in August 2022, shortly after Wendy was forced to move back to New York for the guardianship. Although they allowed the documentary to be shot, Wendy’s guardians went to court two days before the scheduled showing dates, seeking to prohibit the network from airing Where is Wendy Williams? Why?

Wendy Williams is just one of an estimated 1.5 million to to 2 million active adult guardianship cases across the country. This is a massive industry, with guardians controlling an estimated $50 billion in assets and this is just the numbers they are telling us as the precise figures are not known as there is no government entity keeping track of citizens who lose the right to determine their own fate.

“Established in the late 1800s, the guardianship system was designed to assist the most vulnerable citizens: the elderly and the physically or intellectually disabled. While guardianship has been beneficial to many “wards of the court,” this little-understood process can be a judicial rollercoaster from which there is seldom an escape, and which often leads to financial devastation for the ward and their families. Each year, fifty billion dollars belonging to wards are placed under the control of court appointees, an obvious temptation to bad actors who are in a position to control these funds. As investigative journalist Diane Dimond discovers, the number of exploitive and abusive guardianship cases nationwide demands our urgent attention. This book also provides concrete steps that families can take to protect themselves, as guardianship can happen to any one of us at any time” states award-winning investigative journalist Diane Dimond, whose new book “We’re Here to Help: When Guardianship Goes Wrong” is currently making waves.

Guardianship/ Conservatorship harms some of the most vulnerable members of society with little if NO legal recourse. In South Florida, the GuardianshipProgram of Dade County sold at least a dozen homes of “incapacitated” people under their care to one Miami real estate company, Express Homes. These houses were often resold for hundreds of thousands dollars more than the purchase value.

This state-run system, is largely unregulated, ill-understood, and increasingly populated by financially motivated predators. Until recently it was a hush, hush problem until Britney Spears. Thanks to her case a person in the system lose all their civil rights in the process. Currently, there are an estimated 1.5 to 2 million Americans under court control, but precise figures are not known as no government entity keeps track of citizens who have lost the right to determine their own fate.

In these cases they go after people with money, people who live in rent controlled buildings or buildings the landlords want to tear down. Don’t believe me? I will give you cases in NYC that are going on right now.

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Bonnie Comley Nothing To Wear

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Bonnie Comley stepped into the art world last night. She and ChaShaMa presented a piece called “Nothing To Wear”, at 340 East 64th Street, which is an interactive installation, a thought provoking look at fast fashion and body image. This provocative look at our relationship with our clothing choices as it pertains to our self image, fast fashion and textile waste, challenges the fashion industry to create an alternative to current business models and the global appetite for consumption. “Nothing to Wear”, asks viewers to question dress codes like the current policing of women in political office, facilitates self-reflection on biases regarding our own clothing and the community around us as uniform, self-expression, or just protection from the elements of weather.

Also involved were Sarah DeMarino – Co-Producer/Director, Leah Lane – Soundscape Monologue Writer and Jasper Isaac Johns the Exhibit Designer.

Sarah DeMarino and Dallas Bernstein

At the opening and on certain dates Hannah Durant Joe Guccione and Dallas Bernstein perform monologues that coincide with the project. These mini playlets were insightful and thought provoking.

Hannah Durant Joe Guccione and Dallas Bernstein

In attendance were:

Anita Durst and fashion designer Shani Grosz

Cooper Lawrence, Dr. Robi Ludwig, Errol Rappaport, Bonnie Comley, Quinn Lemley, Suzanna Bowling, Shani Grosz and Merrie Davis

Anita Durst and Bonnie Comley

Danielle Price, Bonnie Comley and Andrina Wekontash Smith

Guest and Bonnie Comley

Guest and Bonnie Comley

Alyssa Ritch Frel and Bonnie Comley

Guests

Bonnie Comley and guests

Riki Kane Larmire

Bonnie is a three-time Tony Award-winning producer. She has, also, won an Olivier Award and two Drama Desk Awards for her stage productions. She was recently re-elected as the Board President of The Drama League. She is a full member of The Broadway League and the Audience Engagement and Education Committee. Comley has produced over 40 films, winning five Telly Awards and one W3 Award. She is also the founder and CEO of BroadwayHD, the world’s premier online streaming platform delivering over 300 premium live productions to theatre fans globally. The theatre community has honored Comley for her philanthropic work; she is the recipient of The Actors Fund Medal of Honor, The Drama League Special Contribution to the Theater Award, The Paul Newman Award from Arts Horizons and The Theater Museum Distinguished Service Award.

Stewart F Lane and Bonnie Comley

ChaShaMa helps create a more diverse, equitable, and inclusive world by partnering with property owners to transform unused real estate. Currently, they present 150 events a year, have workspace for 120 artists, and have developed 80 workshops in under served communities. They have awarded 11 million dollars worth of real estate to artists and have subsidizes another 300 with work spaces. They provide over 215 free art classes and have supported over 75 businesses with free space

To see Nothing to Wear click here

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New-York Historical Society Celebrates Women’s History Month

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Throughout Women’s History Month, the New-York Historical Society, 170 Central Park West (at 77th Street), will showcase women’s stories through exhibitions, installations, and public programming.

On International Women’s Day, renowned Cherokee artist Kay WalkingStick and New-York Historical’s Chief Curator Wendy Nālani E. Ikemoto will be in conversation over a live, free Zoom discussing WalkingStick’s exhibition Kay WalkingStick / Hudson River School, on view at New-York Historical through April 14. Other exhibitions and displays on view throughout March include Women’s Work, an exhibition that demonstrates how “women’s work” defies categorization; Women Who Preserved New York City which explores how Shirley Hayes, Margot Gayle, and Joan Maynard galvanized communities to save historic buildings and places; and Serving Style: Ted Tinling, Designer for the Tennis Stars, which turns a spotlight on the designer who made many of Billie Jean King’s iconic looks. On March 3, the ninth annual Diane and Adam E. Max Conference on Women’s History will center on exploring how we understand “care.”

Additional details follow:A Conversation with Kay WalkingStickFeaturing: Kay WalkingStick, Wendy Nālani E. IkemotoFriday, March 8, 6 – 7 pm ETFree | Presented live on ZoomCelebrate International Women’s Day with this online event featuring renowned Cherokee artist Kay WalkingStick in conversation with New-York Historical’s Wendy Nālani E. Ikemoto. WalkingStick is the focus of our acclaimed exhibition Kay WalkingStick / Hudson River School, which places her work in a fascinating dialogue with 19th-century Hudson River School paintings and explores the relationship between Indigenous art and American art history. They’ll discuss WalkingStick’s remarkable career, her recent invitation to the Venice Biennale, and her decades of work reimagining and reframing the American landscape.Kay WalkingStick / Hudson River SchoolOn view through April 14Kay WalkingStick / Hudson River School places landscape paintings by the renowned, contemporary Cherokee artist Kay WalkingStick in conversation with highlights from New-York Historical’s collection of 19th-century Hudson River School paintings. This artistic dialogue showcases the ways in which WalkingStick’s work both connects to and diverges from the Hudson River School tradition and explores the agency of art in shaping humankind’s relationship to the land. The exhibition celebrates a shared reverence for nature while engaging crucial questions about land dispossession and its reclamation by Indigenous peoples and nations and exploring the relationship between Indigenous art and American art history.Women’s WorkOn view through July 7Presented by the Center for Women’s History, Women’s Workshowcases approximately 45 objects from New-York Historical’s own Museum and Library collections to demonstrate how “women’s work” defies categorization. The items range from a 19th-century mahogany cradle to a 20th-century doctor’s dissection kit to a pinback button with the message “Shirley Chisholm for President.” The exhibition seeks to demonstrate that women’s work has been essential to American society and is inherently political: Women’s work is everywhere.

Women Who Preserved New York CityOn view through June 9This installation explores how three women—Shirley Hayes, Margot Gayle, and Joan Maynard—galvanized communities to save historic buildings and places. Each subverted gendered expectations that limited them to the domestic realm and instead led campaigns to protect the historic cityscape.Serving Style: Ted Tinling, Designer for the Tennis StarsOn view through June 23Our installation turns a spotlight on the designer who made many of Billie Jean King’s iconic looks. King and Tinling had a tremendous influence on the visibility of women on the tennis court. King’s tenacity and commitment for equal rights, together with Tinling’s bold designs, challenged conventions about what women can do, emphasizing that women can be simultaneously powerful, strong, and feminine.

On and Off the Clock: Reconsidering Women’s WorkSunday, March 3, 12—5 pm ET$4; Free for Women’s History Council MembersThe ninth annual Diane and Adam E. Max Conference on Women’s History will center on exploring how we understand “care.” Across three linked panels, we probe what “care” means, who does the work of caring, and what services get pushed to the margins by our current social policy framework. The conference will culminate with a keynote conversation on reproductive care. Reception to follow.

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Events for March

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St. Patrick’s Day, Women’s History Month, a Harlem Renaissance exhibit at the Met with160 works by Black artists. Beatrix Potter: Drawn to Nature,at The Morgan Library & Museum through 6/9. The Orchid show continues until 4/21 at the Enid A. Haupt Conservatory at the New York Botanical Garden in the Bronx. Florals in Fashion highlights the work of designers Hilary Taymour (Collina Strada), Olivia Cheng (Dauphinette) and Kristen Alpaugh, aka FLWR PSTL Also Alicia Keys and Swizz Beatz’s “Giants,”is at the Brooklyn Museum until 7/7. The exhibition features artists who have made and continue to make a significant impact on the art world and contemporary culture. The show features 98 artworks by Black American, African, and African artists including Gordon Parks, Kehinde Wiley, Jean-Michel Basquiat, Mickalene Thomas, Hassan Hajjaj, Barkley L. Hendricks, Lorna Simpson, and Amy Sherald.

3/1 -3: The Vienna Philharmonic one of the world’s most celebrated orchestras, takes center stage at Carnegie Hall.

3/3 -5: Coffee Fest NY Javits.

3/3 -5: International Beauty Show Javits.

3/6 – 10: The New Colossus Festival provides a platform for new artists, including international bands making their NYC debuts. The festival will take place across multiple venues mostly spread throughout the Lower East Side and the East Village, including Bowery Electric, Mercury Lounge, Berlin, Heaven Can Wait, and others. This year’s artists include Cucamaras (UK), Ducks LTD (Canada), Heffner (US), Holiday Ghosts (UK), Hotel Lux (UK), Housewife (Canada), and more. You can check out the full lineup and schedule of events here.

3/8: International Women’s Day 

Steven Reineke by Michael Tammaro, Bryan Terrell Clark by Asher Angeles, Valisia LeKae by Antonio Navas

3/15: The New York Pops Hitsville: Celebrating Motown

3/1 -17: The Annual Flamenco Festival with 22 performances across 13 different venues all over the city.

3/1 -17: The New York International Children’s Film FestivalHappy St. Patricks Day
3/17: Join in on the 263rd celebration of the St. Patrick’s Day Parade in NYC. The parade kicks off at 11am, moving along Fifth Avenue from 44th Street to 82nd Street. This year’s grand marshal, Maggie Timoney, president and CEO of Heineken USA, is only the fifth woman to lead the parade since its inception.

3/20 -24: Affordable Art Fair with over 400 living artists to discover you are sure to find your next perfect artwork.

3/23 – 11/: JAPAN Fes, in Manhattan, Brooklyn, and Queens. This is the largest Japanese food festival in the world, with over 1,000 vendors.

The Macy Flower Show

3/24 – 4/7: The Annual Macy’s Flower Show created in partnership with Dior.

3/26 – 10/2: Apollo: When We Went to the Moon at The Intrepid Museum. The exhibit is included with museum admission.

3/29 – 4/7: The International Auto Show at the Javitts.

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How Many More People Have to Be Killed or Hurt Before This Madness Stops?

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The latest crime involves a 17-year-old Nicaragua migrant boy who was stabbed in the back in front of shocked tourists on 42nd Street near 8th Avenue. The attack took place at 5:30 pm/  Police are now hunting for 16 suspects all part of a gang that has infiltrated Manhattan. The victim was taken to Bellevue Hospital by EMS, and is listed in stable condition.

The police have five of the alleged attackers some more migrant teens. Michael Colome, 22, of Queens, has been arrested and charged with gang assault, assault and criminal possession of a weapon. Three are 16 and one is just 14-year-old boy. There names are not being released because they are underage. Two are believed to be migrants from Venezuela.

This was on the same block where a group of migrants brutally attacked cops last month. Venezuelan Darwin Andres Gomez-Izquiel, 19 was let go after the mob attack, but got arrested again on new charges. He allegedly participating in a coordinated robbery at a Macy’s store in Queens. Hopefully District Attorney Melinda Katz will make sure this teen criminal stays in jail since Manhattan DA Alvin Bragg seems to let this teenagers out with just a slap on the hand.

Bragg, doesn’t care that these teens do not have permanent address or community ties or are flight risks. Thank-God when it came to Alejandro Rivas-Figueroa, another migrant teen, who has since been charged as an adult, is being held at Rikers for allegedly shooting a tourist during an attempted robbery in Times Square. This kid also has priors.

And here is why this is happening….Yohenry Brito 24 who is accused of instigating the group assault on two NYPD officers in Times Square, was in court a second time for different charges. He’s being held on a $15,000 bail and a Brooklyn pastor paid that sum to set him free. More than a dozen immigration advocates also showed up to support this alleged criminal with a rap sheet. He is the main ringleader of this gang assault on our police officers. He has been arrested multiple times, has at least two open cases for shoplifting and pleaded guilty last year to disorderly conduct. Why do these people want this man free? What if it was one of their own family members who was shot? Will they change their bleeding heart’s if their own are attacked? When does this madness stop?

 

 

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