Connect with us

Cabaret

Farah Alvin Blew The Roof Off The Green Room 42 Last Night

Published

on

Farah Alvin took the stage last night at The Green Room 42. Her show was called On Vinyl and brought back the 70’s vibe, where the groove was strong and the songs showcased the writers who were mostly women.

Starting off the night Joni Mitchell’s “Help Me”Farah style.

Three Dog Night’s “Eli’s Coming” showed what a rock goddess Ms. Alvin is. Her powerful vocals brought down the house and it was only the second song.

Showing her softer side Phoebe Snow’s “The Poetry Man”, a swinging song by Elton John, which I had never heard “Take Me to the Pilot” and The Commodore’s “Easy” soothed the savage beast.

Farah Alvin

Talking about her time in the Burt Bacharach Hal David musical The Look of Love, she explained how Ann Reinking had her and her fellow pit singer act as if they were in an elevator and crouch down and rise at the opening of the second act and the crouch back down. She ripped through “Anyone Who Had a Heart” breaking ours.

Farah Alvin

Since she was in Saturday Night Fever on Broadway Farah bring back the disce era and female power Farah showed whose “The Boss” in Diana Ross’s hit.

Farah Alvin

Explaining how we have been taught to suppress our feelings Farah demonstrated with Melissa Manchester’s “Don’t Cry Out Loud”. I have never been a fan of this song, but in Alvin’s comedic, then touching version, I did. Also she held a note longer than I have heard anyone and it never lost it’s power or residence. That is the mark of an extraordinary singer.

Ms. Alvin was backed by some wonderful artist starting with musical director, guitarist, pianist, arranger the amazing Michael Holland. In the 70’s you needed back-up singers and Kristin Dausch and Jennie Bruen hot all the right notes. Her band finished off with Brandon Wong on drums and Owen Yost on bass guitar.

Linda Ronstadt’s “Long Long Time” started a theme on break ups. A mash up of Carley Simon’s “Your So Vain”, Ronstadt’s “You’re No Good” and Carole King’s “It’s Too Late” completed the journey

A eye opening look at ads from the era, lead to Janis Ian’s introspective “At Seventeen”, but Farah took back her power with Gladys Knight & The Pips “If I Were Your Woman”.

Farah’s encore was Stevie Wonder’s uplifting “As”. After seeing this show all I could think of was the only one who could compete with Adrienne Warren sensational performance in Tina: The Tina Turner Musical and give her a run for her money is Farah Alvin. That’s how phenomenal Ms. Alvin is.

The show was marvelously co-conceived by Marc Tuminilli

For those who do not know who Farah Alvin is she earned her Equity card when she performed in the Los Angeles premiere of Fame: The Musical. Three weeks after moving to New York, she was in the musical A Christmas Carol at Madison Square Garden. Alvin’s first Broadway theatre credit came was in the revival of the musical Grease. She followed that with Broadway productions of Saturday Night FeverNineThe Look of Love and It Shoulda Been You.

Farah Alvin

Alvin appeared off Broadway in The Last Smoker In AmericaI Love You BecauseDate of a Lifetime, Cam Jansen and If You Give a Mouse a Cookie and Other Story Books and the revival of Kuni-Leml

Farah Alvin

She won the NYMF Outstanding Actor Award for her performance in Date of a Lifetime. Alvin was nominated for a Drama Desk Award for Outstanding Featured Actress in a Musical, for her role in The Marvelous Wonderettes. With her cast mates the Helen Hayes Award for Best Ensemble for Ricky Ian Gordon’s Sycamore Trees.

This is seriously a singer who not only belts the notes out of the rafters with her glorious sound but gives each lyric meaning. She is a singers singer and should not be missed. Check The Green Room 42’s site to see her return.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Cabaret

Cabaret and Talks For June

Published

on

92 Street Y: 1395 Lexington Ave. 6/1 – 3: Wonder of Wonders: Celebrating Sheldon Harnick; 6/11: Daddio: Advance Screening and Dakota Johnson in Conversation with MTV’s Josh Horowitz; 6/15: An Evening with Noah Hawley with Special Guest Jon Hamm and 6/20: Dr. Anthony Fauci in Conversation with Lawrence O’Donnell: On Call.

Birdland Jazz: 315 West 44 St. Every Monday at 5:30 Vince Giordano and The Nighthawks and 9:30pm Jim Caruso’s Cast Party; Every Tuesday at 8:30pm The Lineup with Susie Mosher; 6/1, 8, 15, 22, 29: 6/3: Gabrielle StravellI; 6/3: Gabrielle Stravelli & Billy Stritch “Frequently Secretly Fond of Each Other”; 6/10: Susan Mack “No More Blues”; 6/1: Eric Comstock & Barbara Fasano: “Sun! Skin! Sin! Sinatra!”; 6/ 18 – 19: Stacey Kent and 6/24: Clint Holmes in “Icons”.

Clint Holmes

Cafe Carlyle: 35 E 76th St. 6/1: Ethan Slater; 6/4 – 8 Rumer Willis and 6/11 -24: Aaron Tveit.

Rumer Willis

Carnegie Hall: 881 7th Ave at 57th St. 6/20: FOLLIES in Concert

Norbert Leo Butz, Christine Ebersole, Santino Fontana, Jennifer Holliday, Norm Lewis, Donna Murphy

Chelsea Table + Stage: Hilton Fashion District Hotel, 152 W 26th St. 6/14: Randy Edelman.

Randy Edelman Photo by Jeff Smith

Don’t Tell Mama: 343 W. 46 St. 6/2: Lucille Carr-Kaffashan.

The DJango: 2 Avenue of the Americas.

Klea Blackhurst

Dizzys Club Coca Cola: Frederick P. Rose Hall, Broadway at 60th Street. 6/9: Songbook Sundays Johnny Mercer with Billy Stritch, Klea Blackhurst,Gabrielle Stravelli and more.

54 Below: 254 West 54 St.  6/1: Tony Danza: Standards & Stories; 6/2: Lea DeLaria: Brunch Is Gay; 6/6 – 8 and 10 – 13: Norm Lewis: Summertime (Special Tony Edition; 6/14- 15: Gavin Lee: Steppin’ Out With Fred Astaire; 6/18 and 26: Christine Andreas: Paris to Broadway; 6/21 – 25: Linda Eder and  6/28 – 29: Jackie Evancho: My Story

Linda Eder

The Green Room 42: 570 10th Ave. 6/17: Nicholas King; 6/20: Sally Mayes; 6/23: Reeve Carney and 6/29: Corinna Sowers Adler, Marieann Meringolo and Sandra Piller.

Reeve Carney – Photo by Matthew Tammaro

Sony Hall: 235 W. 46th St. 6/2:Paula Cole; 6/14: Eliane Elias and 6/27: Gino Vannelli.

Eliane Elias

Theatre at the West Bank Café: 407 West 42 St. Every Saturday and Sunday Lucky Cheng’s Drag Brunch; 6/12: Craig Rubano.

The Triad: 158 W. 72 St. 6/19: Timeless Songs from the Silver Screen;

The Town Hall: 123 West 43rd Street. 6/3: Let’s Put On A Show! 35 Years Of Irish Rep Musicals! and 6/20 – 21: Samara Joy

Continue Reading

Cabaret

My View: Jimmie Herrod….America’s Got Talent!

Published

on

Our table of four “judges” at 54 Below (Steven Reineke, Eric Gabbard, Storm Large, Eda Sorokoff) didn’t have a Golden Buzzer to ring for “America’s Got Talent” winner Jimmie Herrod last night, but we all gave this super singer a standing ovation and a thumbs up at the conclusion of his solo Cabaret debut in Broadway’s Supper Club.

Jimmie’s tonal dexterity, vocal chords that have no limits, and imaginative jazz interpretations of Broadway and Pop standards  thrilled a room full of music lovers.

Not everyone in America has talent, but Jimmie Herrod sure has!

From blowing the judges away as a finalist on “America’s Got Talent” to playing Angel in the symphonic version of Rent at The Kennedy Center, and touring the world as a member of Pink Martini, Jimmie shared his favorite songs and stories in an unforgettable intimate and personal show. 

Alex Boniello (Dear Evan Hansen, Deaf West Spring Awakening) was Jimmie’s special guest

About Jimmie Herrod

Jimmie is a vocalist who brings singular power an expressivity to his global career as a singer, songwriter, and entertainer on stage and screen. As a solo artist with a uniquely high vocal range, Jimmie has appeared to critical and audience acclaim multiple times with the National Symphony Orchestra at The Kennedy Center, including on the nationally broadcast “Joni Mitchell Songbook,” and alongside luminaries such as Renee Fleming and Raul Midon.

Recent appearances include solo debuts with the St. Louis, Nashville, and Houston Symphony Orchestras, starring alongside vocalist Storm Large in a weekend of concerts with the Oregon Symphony, and touring the globe as a member of the band Pink Martini.  Herrod first came to worldwide prominence as a finalist on the NBC nationally broadcast television show, “America’s Got Talent,” earning the rare “Golden Buzzer recognition from actress Sofia Vergara and returning the following year on the AGT All-Star series. IN 2024 Jimmie launches his first national tour as a solo artist, in support of his forthcoming full-length album.

JIMMIE HERROD, STEVEN REINEKE, The New York Pops, ERIC GABBARD

JIMMIE HERROD

JIMMIE HERROD

JIMMIE HERROD

JIMMIE HERROD

ALEX BONIELLO

JIMMIE HERROD & ALEX BONIELLO

STANDING OVATION

EDA SOROKOFF, STEVEN REINEKE, STORM LARGE, ERIC GABBARD

STORM LARGE & EDA SOROKOFF

STORM LARGE & STEPHEN SOROKOFF

Continue Reading

Cabaret

Finding Words for Spring 

Published

on

And who better to lead a search like this than every lyricist’s best friend, the incomparable Steve Ross!  Dressed all in green like a musical Pied Piper, Steve began our adventure with “Mountain Greenery”, one of the best examples of the verbal dexterity of Larry Hart.  Having arrived in this luscious verdancy, Steve highlighted the ever-clever Alan Jay Lerner by slowing his delivery a tad so we could savor every word in “Hurry, It’s Lovely Up Here”.  Those words, like all that Steve served up, deserved the attention he gave them. It’s amazing that even though one has heard a song many times, a thoughtful delivery can reveal more than had been realized. Johnny Mercer had his moment for admiration with “I’m Old Fashioned”, which curiously has the hallmarks of a lyric by Oscar Hammerstein.   

Mr. H. joined the party when Steve made “Younger Than Springtime” sound so full of yearning yet with a touch of sorrow.  Steve’s patter is always welcome for not only his wry humor but his instructive sensibility. He related how when Oscar Hammerstein declined the opportunity to write the lyrics for Annie, Get Your Gun, the torch was handed to Irving Berlin. He eagerly stepped up to the proverbial plate and in true Berlin fashion grand-slammed yet another terrific score. The contemporary of Noel Coward, Ivor Novello, dropped by with his “We’ll Gather Lilacs”, a wistful song that evoked the hopeful longing of the WW II years. 

A personal highlight was Steve’s rendition of “Send in the Clowns”—not a song evoking Spring, for sure, but one that deals with the complications that can ensue in falling in love.  Steve’s attention to one word in the lyric made the sardonic pathos of the situation almost palpable. (No, I won’t reveal the word—you must hear it for yourself next time!) And such is the magic of Steve Ross. He sprinkled this magical evening with several songs made famous by Fred Astaire and others in films which rounded out the evening beautifully. 

Steve swung into optimistic territory with “Make Our Garden Grow” adding a delicate touch of “‘Tis the Gift To be Simple”– a perfect ending to this show. But wait—there was more! He coaxed us into a sing-along to celebrate Eliza Doolittle Day, May 20. How “Lover-ly” it was! 

Any Steve Ross show is worth the time of any aficionado of the Great American Songbook. This show was especially notable. Each lyric shined under Steve’s masterful interpretation, and the entire room was silent throughout—nary a cough or ice-cube tinkle to be found. We were spellbound. If you are in the market for a spa treatment for the heart/soul, catch Steve’s next show. They don’t call him the Crown Prince of Cabaret for nothing! 

 

Continue Reading

Cabaret

My View: Julie Wilson Honored By The Mabel Mercer Foundation at The Pierre Hotel

Published

on

Cabaret luminaries, supporters, and officers of The Mabel Mercer Foundation gathered at The Pierre Hotel last night to celebrate the100th anniversary of the birth year of cabaret legend Julie Wilson.  Julie’s dominant presence in the cabaret world over the many decades led her to be called “The Queen of Cabaret”. Cabaret’s current guiding light, KT Sullivan, the artistic director of The Mabel Mercer Foundation hosted the evening’s celebration which included a gourmet buffet followed by performances from some of cabaret’s most beloved artists and friends of Julie Wilson.  Entertaining the Gala audience of music connoisseurs and honoring the legacy of Julie Wilson were: Karen Akers, Carole J. Bufford, Melissa Errico, Jeff Harnar, Sue Matsuki, MOIPEI ( Mary, Maggy & Marta), Sidney Myer, Craig Rubano, KT Sullivan and Amra-Faye Wright…. John Weber (piano) and Steve Doyle (Bass).

An especially emotional moment of the evening was actor Holt McCallany (son of Julie Wilson) paying tribute to his mother and singing “I’m Becoming My Mother”.

HOLT McCALLANY (son of Julie Wilson)

KT SULLIVAN, artistic director The Mabel Mercer Foundation

KT SULLIVAN

CAROLE J. BUFFORD

CAROLE J. BUFFORD

MELISSA ERRICO

MELISSA ERRICO

JEFF HARNAR

JEFF HARNAR

SUE MATSUKI

SUE MATSUKI

CRAIG RUBANO

CRAIG RUBANO

KAREN AKERS

KAREN AKERS

SIDNEY MYER

SIDNEY MYER

AMRA-FAYE WRIGHT

AMRA-FAYE WRIGHT

HOLT McCALLANY

HOLT McCALLANY

HOLT McCALLANY (son of Julie Wilson)

MOIPEI

MOIPEI

PATRICK McENROE, KT SULLIVAN,MELISSA ERRICO,MOIPEI

HOLT McCALLANY & CAROLE J. BUFFORD

MOIPEI & HOLT McCALLANY

EDA SOROKOFF & ELIZABETH SULLIVAN (Happy 94th Birthday)

MELISSA ERRICO PATRICK McENROE, KT SULLIVAN

JEFF HARNAR & MOIPEI

HEATHER SULLIVAN, HOWARD MORGAN, Chairman of the board Mabel Mercer Foundation, ELANOR MORGAN

KT SULLIVAN, ELIZABETH SULLIVAN, HEATHER SULLIVAN,Dr. Patrick Sullivan

KT SULLIVAN

KT SULLIVAN, PETER HANSON, Linda Hanson

EDA SOROKOFF & CRHRISTEL IBSEN

MONAH GETTNER,KT SULLIVAN, ALAN GETTNER

BRIAN KALTNER, Board Member Mabel Mercer Foundation & DEBBIE DAMP

HOWARD MORGAN, KT SULLIVAN, CAROLE J. BUFFORD,MOIPEI, MATHEW INGE

PATRICK McENROE & MELISSA ERRICO

KT SULLIVAN & STEPHEN SOROKOFF

Continue Reading

Cabaret

Karen Mason and Louis Rosen

Published

on

Karen Mason and Louis Rosen met back in the 70s in Chicago. Karen was a young singer accompanied by a the incomparable pianist-songwriter Brian Lasser. He was close friends with guitarist, pianist-songwriter, Louis Rosen. Mason and Lasser moved to New York and two years later Rosen was there as well. A little over ten years later Lasser died of AIDS. Rosen and Mason have made sure that Lasser’s music is remembered.

Karen Mason

Louis Rosen

Mason and Rosen are back together again celebrating nearly 50 years of collaboration and friendship. The evening is stripped down bare with Rosen on guitar and piano and Mason and Rosen on vocals. Most of the material is Rosen’s songs many from his most recent albums, but added are a few selections by  Lasser, that make you know he died way to soon.

Karen Mason

Louis Rosen

Rosen’s music is what singer/songwriters use to write, full of blues riffs, uplifting swing, folk melodies, jazz cadences and soulful powerful lyrics. It is like an old soul left their words to impart. This night so made me want to hear his newest album “Love and Ashes”. Rosen is a musicians musician.

“A master interpreter… Mason produces a depth of sound and brilliance of color that converge in the work of very few singers!” (Chicago Tribune)

Mason has an authenticity to her voice. She is a storyteller, rich in tone and truly excels on Lasser’s music. She is a belter at heart, but Rosen’s music has her venerable and exposed, which is a new side to her art.

It is always wonderful to watch two artists collaborate,

Luba Mason and Karen Mason

Louis Rosen

Karen Mason and Louis Rosen: Ages Since the Last Time: Chelsea Table + Stage, 152 West 26th Street.

Continue Reading

Trending

Copyright © 2023 Times Square Chronicles

Times Square Chronicles