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Ferdinand: Boylesque Bullfight a Balletic Homoerotic Fantasy

Ferdinand: Boylesque Bullfight a Balletic Homoerotic Fantasy

Company XIV and Austin McCormick, have out done themselves with their new Brooklyn venue and their wildly erotic endeavor Ferdinand: Boylesque Bullfight. Having been a fan of this company since Paris in 2016, I followed up with Nutcracker Rouge and Snow White.

 

 

 

 

 

 

 

 

Austin McCormick and his company’s latest show is based on Munro Leaf’s 1936 book The Story of Ferdinand. I know this tale from the Disney short and this is definitely the grown-up version. As you enter the new space you are ensconced in red lighting laden with frankincense, as barely clad bartenders offer you absinthe and other decadent cocktails. You are escorted to couches or tables to indulge in the glory of what muscular bodies can accomplish.

© Mark Shelby Perry

 

 

 

 

 

 

 

The show is an all male ensemble glittering in thongs, chest harnesses, nose rings, horns and character shoes with red soles. Bizet’s Carmen has them toying, cavorting, wrapping there legs and sliding down each other. Enter Ferdinand (Ryan Redmond), in a golden stilettos headpiece, who just wants to smell the flowers. As Ferdinand is bullied and taunted by the other bulls, Disney’s version is given an homage with Bill Hayes’s “Ferdinand the Bull.”

Ryan Redmond

Ryan Redmond © Mark Shelby Perry

 

 

 

 

 

 

 

Rimsky-Korsakov’s “Flight of the Bumblebee.” announces a black-and-gold-clad bee (Làszlò Major) who uses pole dancing to the extreme, as legs dance to new feats. Ferdinand and the bee  pas de deux to Shirley Bassey’s “Kiss Me, Honey Honey, Kiss Me”.

Ryan Redmond

Ryan Redmond © Mark Shelby Perry

 

 

 

 

 

 

 

 

 

When the bee stings him Ferdinand upset, gets captured and entered into a bullfight.

 

 

 

 

 

 

 

 

As the act ends, intermission turns into specialty acts with a flamenco dancer

 

 

 

 

 

 

 

 

a cock fight and a Carmen Miranda tap number.

Marcy Richardson

Marcy Richardson plays the Matador in Company XIV’s Ferdinand: Boylesque Bullfight.
(© Mark Shelby Perry)

 

 

 

 

 

 

 

 

In the ring Ferdinand meets the Matador, played by the operatic aerialist soprano Marcy Richardson who sings among others the “Toreador Song.” In a feat of sheer delight, she sings Enrique Iglesias’s “Bailamos,”upside down, sideways and up in the air. In the ring Ferdinand is more thrilled with the flowers than the fight.When the flowers are thrown into the ring, Ferdinand is allowed to spend the rest of his life smelling the flowers.

Choreographed by director McCormick, the balletic excellence he gets from his cast is athletic perfection. His productions easily rival NYC Ballet or another company. He brings sexuality to the art form, making this a decedent evening of delicious fun. Major and Richardson, execute jaw-dropping displays that made this production exquisite. Redmond makes us care for this bull with a softer side.

The inventive costumes by Zane Philstrom and the mood setting lighting design by Jeanette Oi-Suk are perfection

If you have never experienced Company XIV this production makes it worth the trip to Brooklyn.

Until Oct 28th, followed by Nutcracker Rouge.

Dance

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

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