MvVO Art Launches AD ART SHOW

“Four for the Holidays” is the Perfect Number at Beach Café

“Four for the Holidays” is the Perfect Number at Beach Café

Celia Berk, Ari Axelrod, Kevin Dozier, Karen Oberlin Photo by Dave Goodside

I love the Beach Café. Its velvet-draped walls surround its patrons like a cozy blanket. The food is really good, and remarkably affordable for the upper East Side. But best of all, owner Dave Goodside always books top cabaret entertainment to go with his famously exceptional hamburgers.  

Their holiday performance schedule includes Rex Reed, Tom Wopat, K.T. Sullivan, Mark Nadler and more. But Friday was the last night to see musical director, arranger and composer, Alex Rybeck, with singers Ari Axelrod, Celia Berk, Karen Oberlin and Kevin Dozier, in their  cabaret show, Four for the Holidays.  It was a very special holiday treat.

Kevin Dozier Photo by Dave Goodside

Most holiday shows are relentlessly chipper, and likely to induce diabetes with their sweetness. But grownups know that the holidays aren’t all gingerbread cookies. For many, this time of year is about sharing with the people you love. But for others, it’s also about missing them, and battling the blues.  Many people don’t know that “I’m Dreaming of a White Christmas” was written by Irving Berlin in snowless Los Angeles, as he was missing being back east for the holidays.   

Ari Axelrod Photo by Dave Goodside

So Mr. Rybeck set out to create a holiday concert for grown ups, which balanced mirth with melancholy.  He and his company of talented singers delivered the goods beautifully, in a cabaret stocking stuffed full of adult emotional pleasures.  

He hinted at the tone to come with his opening song, “The Bell That Couldn’t Jingle”.  Then he was joined by timeless beauty and shiksa goddess, Karen Oberlin, to sing “Baby, It’s Cold Outside” (which, they rightly pointed out, needs no apology), turning the sexual tables in the end.

Celia Berk, Karen Oberlin Photo by Dave Goodside

Ms. Oberlin concluded her solo set with heartfelt renditions of  “The Man With The Bag” and “White Christmas.”  

Next up was a talented and charming young tenor, Ari Axelrod, who reminded us (as Chanukkah is almost upon us) that the holidays are for Jews too…not to mention that Jewish guys wrote most of the great holiday songs!   

In a thoughtful and at times quite triste arrangement by Mr. Rybek, Mr. Axelrod sang a deeply moving medley of “My Favorite Things” and “What A Wonderful World.”   He followed that with a gorgeous, unknown song by Josh Nelson called “L’dor Vador”, which means “from generation to generation” in Hebrew.  Nobody does bittersweet as beautifully as the Chosen People, and only a couple lansmen like Mr. Rybeck and Mr. Axelrod could have delivered that feeling so perfectly.

Mr. Axelrod was then joined by Ms. Oberlin along with Celia Berk, who was in fine voice.  They segued nicely into a hysterically funny song which I didn’t know, called “A Jewish Christmas” by L. Kershner, with such lyrics as “a burning bush to heat my tush”. and “Lox, stox and barrel!”   Well, maybe you had to be there. But it was funny!

Ms. Berk gave us another quiet and beautiful musical moment, melding “Silver Bells” and “Carol of the Bells” with “Waltz #2 Opus 99” Shostakovich, again brilliantly arranged by Mr. Rybeck.  She closed her set with “A Simple Prayer”.

Kevin Dozier, Karen Oberlin Photo by Dave Goodside

Mr. Dozier then took the stage, and demonstrated in a supple and gently beautiful tenor voice what makes him such a fine recording artist. He has just released a new CD, which I look forward now to hearing.  

Celia Berk, Ari Axelrod Photo by Dave Goodside

He started his solo set with “Christmas Eve,” a wonderful song by Mr. Rybeck and lyricist Carol Hall which should be a holiday perennial.  He followed with sweet and lovely renditions of “Let It Snow” and “O, Holy Night.”  

In yet another surprising and heartbreaking arrangement by Mr. Rybeck, Ms. Berk and Ms. Oberlin sang a medley of “What Are You Doing New Year’s Eve?” with “After the Holidays”.  What starts out as a simple song about a date turns into a passionate plea for affection ending with “stay with me until after the holidays”. There wasn’t a dry eye in the house.

The company ended on a brighter note, with their ensemble rendition of “Have Yourself a Merry Little Christmas.”   

So if you can get a ticket, come in from the cold over the holidays and warm up with any of the talented performers coming up at the Beach Café.  As for this wonderful evening, I couldn’t have enjoyed being less happy any more.


Jeffery Lyle Segal is a multifaceted theater artist who has worn many professional hats. He started as a musical theater performer in his teens. He attended Stanford U., Northwestern University, and SUNY at Binghamton to study acting, directing and dramatic literature. He also wrote theater reviews for The Stanford Daily and was Arts Editor of WNUR Radio at Northwestern. After college, he is proud to have been the first full time Executive Director of Chicago’s acclaimed Steppenwolf Theater Company. He left them to work as a theater actor and director. His special effects makeup skills got him into the movies, working on the seminal cult horror film, Re-Animator.He also did casting for several important Chicago projects, sometimes wearing both production hats, as he did on Chicago’s most famous independent movie, Henry: Portrait of a Serial Killer. While living in Los Angeles, he joined the Academy for New Musical Theater, where he developed two book musicals as a composer, lyricist and librettist, Down to Earth Girl (formerly I Come for Love, NYMF 2008), and Scandalous Behavior! (York Developmental Reading Series 2010). He wrote, produced and performed his song “Forever Mine” as the end title theme of the horror film, Trapped! He also has written songs for his performances in cabaret over the years, and the time he spent pursuing country music in Nashville. Most recently he created a musical revue, Mating the Musical, for the Chicago Musical Theater Festival 2016. In NYC, he has attended the BMI musical theater writers’ workshop, and the Commercial Theater Institute 14 week producer program. He is currently creating a company to develop new musicals online. He still keeps up his makeup chops, working with top doctors in NYC and Chicago as one of the country’s most highly regarded permanent cosmetic artists ( and as a member of Chicago local IATSE 476.

More in Cabaret

Broadway By The Year With Tony Danza, Melissa Errico and More

Genevieve Rafter KeddyMay 25, 2022

Tribute To Steve & Eydie Starring David Lawrence and Debbie Gravitte

Magda KatzMay 24, 2022

A Fully Formed Show Set in a Place Called Chaos Cabaret

Craig J HorsleyMay 19, 2022

My View: Winners of the Adela & Larry Elow American Songbook H.S. Competition

Stephen SorokoffMay 17, 2022

My View: It’s In His DNA…Jason Robert Brown at Feinstein’s/54 Below

Stephen SorokoffMay 15, 2022

Part Two: Musical Nirvana With Jason Robert Brown’s at Feinstein’s/54 Below

Suzanna BowlingMay 15, 2022

Jason Robert Brown’s Concerts at Feinstein’s/54 Below Equal Musical Nirvana

Suzanna BowlingMay 14, 2022

10 Years Of Musical Theatre History! Celebrating Feinstein’s/54 Below’s 10th Anniversary

Magda KatzMay 11, 2022

The American Songbook Association Gala And You Are There

Genevieve Rafter KeddyMay 10, 2022