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Laura Osnes

Laura Osnes

On October 14, 2016 at 8:00PM, The New York Pops, led by Music Director Steven Reineke, will launch its 34th season at Carnegie Hall’s Stern Auditorium/Perelman Stage, celebrating the legacy and timeless works of Alan Jay Lerner and Frederick Loewe. In celebration of the 60th Anniversary of their landmark production of My Fair Lady, The New York Pops will highlight the songwriting team’s iconic collaborations from the Golden Age of Broadway, including selections from CamelotBrigadoonGigi, and Paint Your Wagon. Guest artists Colin Donnell and Laura Osnes of Broadway fame alongside operatic baritone Nathan Gunn will bring these legendary show tunes to life with the full 78-piece New York Pops. The orchestra and soloists will be joined by Judith Clurman’s Essential Voices USA. This concert reunites Ms. Osnes and Mr. Donell who stared in Anything Goes together.

Colin Donnell

Colin Donnell

“Lerner and Loewe wrote some of the greatest songs in the history of musical theater,” said Music Director and Conductor Steven Reineke. “My Fair Lady defined musical theater for a generation or more, and the soaring melodies and clever lyrics are absolutely timeless. We have a stellar lineup of guest artists for this opening night concert – Colin, Nathan, and Laura all have incredible voices, and I am so proud that we will perform these tunes in the grandiose orchestrations that only The New York Pops can truly bring to life. In addition, we are so pleased to be celebrating the 25th Anniversary of our Kids in the Balcony program this season! Since it began in 1991, we have brought more than 37,000 students to Carnegie Hall free of charge.”

Nathan Gunn

Nathan Gunn

PopsEd Ambassador Laura Osnes is the spokesperson for the year-long celebration of the 25th Anniversary of Kids in the Balcony. “For as long as I can remember, I have loved singing and dancing,” said Osnes. “The power of music clearly captivated me as a child, and I quickly learned that I felt most alive when I was a part of it. Music speaks to the soul the way nothing else can, and every child (young or old!) should have every opportunity to be as equally inspired by it. I am so delighted to help The New York Pops celebrate the 25th Anniversary of this essential music education program.”

Steven Reineke

Steven Reineke

The New York Pops’ 34th season continues with Concert for Courage on Friday, November 11, 2016, 8:00PM at Carnegie Hall’s Stern Auditorium/Perelman Stage featuring The Soldiers’ Chorus of The U.S. Army Field Band. Commemorating Veteran’s Day, this concert will honor the brave men and women of our armed forces.

Colin Donnell stars as Dr. Connor Rhodes, a Trauma Surgery Fellow who is brilliant, buttoned-down, and trained to handle anything that might come through the hospital doors, in NBC’s drama Chicago Med. Donnell was recently seen in the role of Scotty Lockhart in Showtime’s hit series The Affair and is also familiar to TV audiences as Tommy Merlyn in CW’s Arrow. Other appearances include Pan AmPerson of Interest, and The Mysteries of Laura. He made his big-screen debut in 2014 with Every Secret Thing, which also starred Diane Lane and Elizabeth Banks. He is well-known for his work on stage, with Broadway roles that include VioletAnything Goes (which garnered him Drama Desk, Outer Critics, and Astaire nominations), and Jersey Boys. Among his other notable stage appearances are FolliesMerrily We Roll AlongLady Be Good at New York City Center, the Public Theater’s Shakespeare in the Park production of Love’s Labour’s Lost, and Meet Me in St. Louis. Additionally, he toured with productions of Wicked and Mamma Mia! Born in St. Louis, Donnell is a current resident of New York City when not shooting the show in Chicago.

Baritone Nathan Gunn has made a reputation as one of the most exciting and versatile baritones performing today. He has sung leading lyric baritone roles and appeared in several world premieres in many of the most renowned opera houses of the world including the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Royal Opera House, Paris Opera, and Bayerische Staatsoper. Also a distinguished concert performer, Mr. Gunn appears regularly with the New York Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Cleveland Orchestra and the London Symphony Orchestra, and has been presented in recitals in New York, Chicago, Boston, San Francisco, Philadelphia, Toronto, London, and Brussels. His growing discography includes Billy Budd (Virgin Classics) which won the 2010 Grammy Award, Rodgers & Hammerstein’s Allegro (Sony Masterworks Broadway), Il Barbiere di Siviglia (SONY Classics), and his solo albums  Just Before Sunrise (Sony/BMG Masterworks) and American Anthem (EMI). He also starred in the Metropolitan Opera’s HD broadcasts of The Magic Flute and The Merry Widow. Mr. Gunn recently ventured outside the standard opera repertoire with performances of the title role in Sweeney Todd at the Houston Grand Opera, Camelot and Carousel with the New York Philharmonic (both broadcast on PBS’s Great Performances) and Showboat at Carnegie Hall and the Lyric Opera of Chicago. He is also currently a professor of voice at the University of Illinois at Champaign-Urbana and General Director of the Lyric Theater @ Illinois.

Laura Osnes was last seen on Broadway as the title role in Rodgers + Hammerstein’s Cinderella (Drama Desk Award; Tony, Outer Critics Circle, Drama League and Astaire Award nominations). She also starred in Bonnie and Clyde (Tony Award nomination), creating the role at Asolo Repertory Theatre and La Jolla Playhouse (San Diego Theatre Critics Circle Award). She appeared as Hope Harcourt in the Tony Award winning revival of Anything Goes (Drama Desk, Outer Critics Circle, and Astaire Award nominations) and Nellie Forbush in Lincoln Center Theater’s production of South Pacific, and made her Broadway debut as Sandy in the most recent revival of Grease. Other New York/regional credits include the Broadway-bound musical The Bandstand at Paper Mill Playhouse; The Threepenny Opera (Drama Desk Award nomination) at the Atlantic Theater Company; City Center Encores! productions of The Band WagonRandy Newman’s Faust, and Pipe DreamThe Sound of Music in concert at Carnegie Hall; and Carousel opposite Steven Pasquale at the Lyric Opera of Chicago. On television, she has been seen on the CBS series Elementary, in the HBO pilot The Miraculous YearSondheim: The Birthday Concert at Avery Fisher Hall, HBO’s documentary Six By Sondheim, and the Kennedy Center Honors salutes to Barbara Cook (2011) and Dustin Hoffman (2012). Her many concerts and cabarets include performing with Michael Feinstein, the New York Philharmonic, The New York Pops, The Mormon Tabernacle Choir, the Boston Pops, and the Pasadena Pops, as well as appearing in such venues as Carnegie Hall, The Café Carlyle, 54 Below, Lincoln Center, NJPAC, The Smith Center in Las Vegas, and MN Orchestra Hall. In addition to being heard on several cast recordings, Laura has two solo albums, Dream A Little Dream: Live at The Café Carlyle and If I Tell You: The Songs of Maury Yeston.

The New York Pops is the largest independent pops orchestra in the United States, and the only professional symphonic orchestra in New York City specializing in popular music. Under the leadership of dynamic Music Director and Conductor Steven Reineke, The New York Pops continues to re-imagine orchestral pops music. The orchestra performs an annual subscription series and birthday gala at Carnegie Hall, as well as a summer concert series at Forest Hills Stadium in Queens, NY. The New York Pops is dedicated to lifelong learning, and collaborates with public schools, community organizations, children’s hospitals, and senior centers throughout the five boroughs of New York City. PopsEd allows thousands of New Yorkers of all ages and backgrounds to participate in fully customizable music programs that blend traditional education with pure fun. Visit www.newyorkpops.org for more information. Follow The New York Pops on Facebook (facebook.com/newyorkpops), Instagram (@thenewyorkpops), and Twitter (@newyorkpops).

Steven Reineke is the Music Director of The New York Pops at Carnegie Hall, Principal Pops Conductor of the National Symphony Orchestra at the John F. Kennedy Center for the Performing Arts, Principal Pops Conductor of the Toronto Symphony Orchestra, and the Principal Pops Conductor Designate for the Houston Symphony, beginning in the 2017-2018 season. Mr. Reineke is a frequent guest conductor with The Philadelphia Orchestra and has been on the podium with the Boston Pops, The Cleveland Orchestra and the Chicago Symphony Orchestra at Ravinia. His extensive North American conducting appearances include San Francisco, Houston, Seattle, Edmonton and Pittsburgh. As the creator of more than one hundred orchestral arrangements for the Cincinnati Pops Orchestra, Mr. Reineke’s work has been performed worldwide, and can be heard on numerous Cincinnati Pops Orchestra recordings on the Telarc label. His symphonic works Celebration Fanfare, Legend of Sleepy Hollow and Casey at the Bat are performed frequently in North America. His numerous wind ensemble compositions are published by the C.L. Barnhouse Company and are performed by concert bands around the world. A native of Ohio, Mr. Reineke is a graduate of Miami University of Ohio, where he earned bachelor of music degrees with honors in both trumpet performance and music composition.  He currently resides in New York City with his husband, Eric Gabbard.

Judith Clurman’s Essential Voices USA (EVUSA) is one of New York’s preeminent choral ensembles; it performs at many of the city’s iconic venues and events, and records and premieres works by America’s finest composers and lyricists. Regularly on stage with The New York Pops on its Carnegie Hall subscription series, televised on NBC’s broadcast of the Macy’s 4th of July Fireworks Spectacular in 2014, and the Rockefeller Center Tree Lighting in 2011 and 2012, the ensemble comprises a talented roster of seasoned professionals and auditioned volunteers, dynamically fitted to the unique needs of each project. Among other national highlights, EVUSA participated in the 2013 Presidential Inaugural activities and held a month-long residency at National Public Radio. The impressive cohort of musicians that have worked with EVUSA run the gamut from the young opera sensation Jamie Barton to Broadway star Idina Menzel to musical theater luminaries Stephen Schwartz and Sheldon Harnick to composers Milton Babbitt and Jennifer Higdon. EVUSA currently produces The Composer Speaks at the DiMenna Center for Classical Music, a series of musical performances complemented by panel discussions with composers and lyricists. EVUSA Youth Workshop provides select high school students the opportunity to participate with the main ensemble in the heart of New York City’s music scene. It has recorded works by Marvin Hamlisch and Howard Shore. EVUSA has recorded several CDs for Sono Luminus.  Their latest release, Season of Light: Songs of Thanksgiving, Christmas, Chanukah and New Year’s will be released in November 2016.

Single tickets are priced from $40 to $130. Subscriptions to the 2016-2017 Carnegie hall series are also available, from $180 to $630. Purchases can be made at the Carnegie Hall Box Office (57th Street and Seventh Avenue) or by calling CarnegieCharge at 212-247-7800. Visit www.carnegiehall.org for more information

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

Lempicka Brings An Artist Work Back To Life

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In 1984, I saw the interactive show Tamara based on the life of the artist Tamara de Lempicka in LA and fell in love with it, so much so that it has stayed one of my favorites to this day. Lempicka is a new musical based more on her sexual choices than her stylized Art Deco portraits that changed and inspired generations. She was one of the first feminists, as Tamara choose art, sexual freedom and a lifestyle in a time of war and destruction.


The musical starts out on a park bench in LA as an older Tamara (Eden Espinosa) reflects on her life. Flash back to Warsaw, Poland as Tamara is to be wed to Lempicka (Andrew Samonsky) an aristocrat and is to live a life of luxury. Then the Bolshevik’s in prison her husband, she uses sexual favors to free him and they flee to Paris with their daughter. When her husband is unwilling to work she becomes a painter and uses the name Lempicka. There she is befriended by a wealthy art patron (Nathaniel Stampley) and his wife (Beth Leavel), is influenced by Marinetti (George Abu), the founder of the Futurist art movement, and is inspired and in love with Rafaela (Amber Iman). Both Lempicka and the musical come alive at this point. Tamara finds friendship and solace with a nightclub owner, Suzy (Natalie Joy Johnson), who gives her and others like her a refuge, until the Nazi’s invade. In the end, while breaking ground Lempicka’s life style becomes rather self centered or should I say one of self preservation as she loses her husband, her daughter and her lover.

Amber Iman, Eden Espinosa Photo by Matthew Murphy/Evan Zimmerman

Matt Gould’s music and Carson Kreitzer’s lyrics are well sung and the show sounds glorious. This is a new take on pop music. The problem here is the minor characters get the songs that make the show come alive. Iman, Abu and Johnson almost steal the show with their numbers. Level gets the 11 O’Clock number and breaks our hearts. Though Espinoza has some good numbers and sells them, none of them really stand out.

George Abud photo by Matthew Murphy/Evan Zimmerman)

Kreitzer also conceived the book and wrote it with Gould. Again the show does and doesn’t work. Instead of focusing on Lempicka’s art, the changing world around her and the fact that she was one of the first feminists, the story is more focused on lesbian repression. The show is billed as a triangle of love, but her husband once they get to Paris is in his own world until she gets together with Rafaela a prostitute. Rachel Chavkin’s direction makes the scenes between Rafaela and Lempicka beautiful and in a strange sense if feels a little like Indecent, however the show as a whole doesn’t jell.

Photo by Matthew Murphy/Evan Zimmerman

I did like Raja Feather Kelly’s choreography that seemed to evoke the changing world around.

Riccardo Hernández’s set of steel, seems like the world is on the verge of collapse and rebuilding. The lighting by Bradley King and projections by Peter Hylenski and Justin Stasi added to that effect. Paloma Young’s costumes missed the mark and seemed like they were in two different stories.

The reason to see Lempicka is it is sung and acted gloriously.

Once you see Lempicka, you will realize how much Tamara de Lempicka’s art change and influenced the world of art. This was a woman who survived at all costs and that should always be admired.

Lempicka: Longacre Theatre, 220 West 48th Street.
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Ken Fallin’s Broadway: The Outsiders

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These boys are taking Broadway by storm Jason Schmidt, Sky Lakota-Lynch, and Brody Grant. In Tulsa, Oklahoma, 1967, the hardened hearts and aching souls of Ponyboy Curtis, Johnny Cade and their chosen family of “outsiders” are in a fight for survival and a quest for purpose in a world that may never accept them. A story of the bonds that brothers share and the hopes we all hold on to, this gripping new musical reinvigorates the timeless tale of “haves and have nots”, of protecting what’s yours and fighting for what could be.

The Outsiders opened on Broadway at the Bernard B. Jacobs Theatre, 242 W 45th Street.

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We Say Good Bye To Costume Designer Extraordinaire Carrie Robbins

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I met Carrie Robbins at an art gallery with Louis St Louis, Baayork Lee and Judy Jacksina. The four of us stayed well into the morning talking, laughing and having a fabulous time. Carrie and I bonded after that as she turned to playwriting. It broke my heart to learn that on the evening of April 12, 2024 Costume Designer extraordinaire Carrie Robbins passed away.

Carrie’s work has been featured in over 30+ Broadway shows, including Class Act, Grease (original), Agnes of God, Yentl, Octette Bridge Club, Sweet Bird of Youth (Lauren Bacall), Frankenstein, Happy End (Mary Streep), Boys of Winter, Cyrano (Frank Langella), & Shadow Box (Mercedes Ruehl).

Her awards and nominations included: 2012 recipient of the Irene Sharaff Lifetime Achievement Award presented by the Theatre Development Fund & the tdf/Costume Collection with the support of the Tobin Theatre Arts Fund. 2 Tony (Noms.), 5 Drama Desks, Maharam, USITT/Prague International, L.A. Dramalogue, Henry Hughes, F.I.T-Surface Design, & Audelco, among others.

Robbins’ costumes for the Irving Berlin musical White Christmas played major cities in the USA, Broadway, and Great Britain. Her regional work included M. Butterfly and On the Verge, for director Tazewell Thompson (Arena Stage) and the Gershwin musical American in Paris by Ken Ludwig for director Gregory Boyd (Alley Theatre, Houston) as well as The Tempest (Anthony Hopkins as Prospero) & Flea in Her Ear (director Tom Moore at Mark Taper Forum), many productions for the Guthrie (MN), Williamstown, and many others from Alaska to Buffalo.


Locally, in NYC, Robbins designed for many productions for The Lincoln Center Repertory Theatre, Chelsea Theatre at BAM, Acting Company at Juilliard and NY Shakespeare Festival.

She also designed for the Opera and they included Death in Venice for Glimmerglass (’08 Prague International Design Exhibit), Samson et Dalila (San Francisco Opera, Houston Grand, more), and many productions for Sarah Caldwell’s Opera Company of Boston. Her work has also been seen at the Hamburg StatsOper.

For film Robbins designed the movie “In The Spirit” (Elaine May, Peter Falk, Marlo Thomas); TV design included: Saturday Nite Live, PBS Arts in America, & several unseen pilots.

Robbins has designed clothes for several seasons of Queen Esther Marrow and The Harlem Gospel Singers’ European Tour. She also did the designs for The Cincinnati Ballet’s new Nutcracker, in December of 2011

Robbins was an MFA grad from the Yale School of Drama and was Master Teacher of Costume Design at the NYU Tisch School of the Arts for many years. She is extremely proud of the extraordinary number of award-winning, successful young costume designers and costume teachers across the country who came out of her classes.

Besides being a costume designer Carrie also was a playwright. In August 2010, her play, The Death & Life of Dr. Cutter, a Vaudeville, based on the true stories told by her husband Dr. R.D.Robbins, had its 4th reading at the Snapple Theatre Center; it was chosen by Abingdon Theatre Co, NYC, to be part of its First Readings Series in Fall, 2009. In 2011-12 the  League of Professional Theatre Women chose The Dragon Quartet as part of its 30th year anniversary celebration. In 2012-13, La MaMa (oldest off-off-Broadway theater in NYC at 51 years) chose The Diamond Eater for its “Concert Reading Series”. In 2013: TACT (The Actors Company Theatre, chose Sawbones for part of its newTACTics New Play Festival. In 2014 both The Diamond Eater and Sawbones  received 6 Nominations from N.Y. Innovative Theatre Awards (the most nominations given out in the 2014 season). In 2015, Le Wedding Dress, was a semi-finalist in NYNewWorks Theatre Festival. In 2016: Obsessions Of An Art Student chosen by NYNewWorks Theatre Festival. In 2016, The Actress, was a finalist in NY Thespis Summer Festival. In 2017, My Swollen Feet, chosen by NY Summerfest Theatre Festival/ Hudson Guild Theatre. In 2018 The Diamond Eater , semi-finalist at the 14th St. Y competition War + Peace/2018/19 season and The Dragon Griswynd, was chosen by Theater for the New City for its “Dream-Up Festival” In 2019 Pie Lessons, was invited by Crystal Field, Exec. Artistic Director of Theater for the New City, to be part of “Scratch Night at TNC”.

The last thing Carrie was working on was For The Lost Children Of Paris. This play was about how the Nazis, with help from the Vichy Government, collected French-Jewish schoolchildren and delivered them to Auschwitz. Excellent German record-keeping revealed 11,400 children were taken. At the liberation, only 200 were found alive. This is the story of one classroom’s collection day and its aftermath.

She did this play using puppets as the children.

Carrie had a voice that she used in a multiple of ways. She was a caring friend, a dedicated teacher, a prolific writer and costume designer, who always cared about others first. Carrie you will be missed.

 





 

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Patti LuPone Returns to Broadway and The Big Screen

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Three-time Tony Award winner Patti LuPone, who gave up her Equity card in 2022, will star opposite Mia Farrow in Jen Silverman’s new play, The Roommate. The production will be directed by Jack O’Brien and will begin previews at the Booth Theatre in August ahead of a September opening.

The Roommate tells the story of Sharon, in her mid-fifties, who is recently divorced and needs a roommate to share her Iowa home. Robyn, also in her mid-fifties, needs a place to hide and a chance to start over. But as Sharon begins to uncover Robyn’s secrets, they encourage her own deep-seated desire to transform her life completely. A dark comedy about what it takes to re-route your life – and what happens when the wheels come off.

The Roommate premiered at the Actor’s Theatre of Louisville in March 2015, and has had several regional productions including at Williamstown Theatre Festival in 2017.

Ms. LuPone will star in the upcoming Marvel series, WandaVision spinoff series Agatha: Coven of Chaos. She’s in a coven of witches, playing Lilia Calderu, who is hot, with a great body and hair. Calderu, first appeared in Marvel comics in 1973 as a 450-year-old Sicilian witch whose power is divination and whose trial is tarot. The other witches are Kathryn Hahn, Aubrey Plaza, and a familiar who is played by Joe Locke. Locke, is currently on Broadway in Sweeney Todd.

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Cabaret Celebrated Broadway Legend Joel Grey’s Birthday

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Last night, Eddie Redmayne currently in previews as the ‘Emcee’ in Cabaret at the Kit Kat Club celebrated Broadway legend Joel Grey’s 92ndbirthday on stage at the August Wilson Theatre. Grey, who originated the role of the ‘Emcee’ on Broadway in 1966 and went on to star in the beloved film of Cabaret, took the stage as the entire cast, band, and creative team sang “Happy Birthday” while a custom cake, shaped like a giant pineapple, emerged from the stage.

 During his speech honoring Grey, Eddie Redmayne said, “Tonight is an extraordinarily special night for us because we are in the presence of an extraordinary human being without whom none of us would be here.” After thunderous applause, Redmayne continued “Your performance in this part changed my life and it was one of the things that made me want to be an actor.”

Joel Grey, Gayle Rankin, and Eddie Redmayne Photo by Jenny Anderson

The cast and Grey were also joined on stage by Cabaret composer John Kander.

Alongside Joel’s daughter Jennifer Grey and Kander, a star-studded crowd came out to fete the theater icon including Anderson Cooper, Candice Bergen, Jackie Hoffman, Jane Krakowski, Lin-Manuel Miranda, David Rockwell, and more. They were joined by numerous alum of Cabaret spanning the decades including Maude Apatow (Sally Bowles in London, 2023), Madeline Brewer (Sally Bowles in London, 2022), Joely Fisher (Sally Bowles on Broadway, 2000), Gina Gershon (Sally Bowles on Broadway, 2001), Mason Alexander Park (Emcee in London, 2023), Adam Pascal (Emcee on Broadway, 2003), Molly Ringwald (Sally Bowles on Broadway, 2002), Jake Shears (Emcee in London, 2023), and Brooke Shields (Sally Bowles on Broadway, 2001).

Cabaret at the Kit Kat Club is now in previews on Broadway at the August Wilson Theatre (245 West 52nd Street). The production, directed by Olivier Award winner Rebecca Frecknall and designed by Tony Award nominee and Evening Standard Award® winner Tom Scutt, will have decadent twin opening night gala celebrations starting Saturday, April 20 and continuing into the following night, with the official press opening on Sunday, April 21. Tickets are on sale now at www.kitkat.club or via Seat Geek HERE.

In addition to Redmayne, Cabaret also stars Gayle Rankin as the toast of Mayfair ‘Sally Bowles, two-time Tony Award winner Bebe Neuwirth as ‘Fraulein Schneider,’ Tony Award nominee Ato Blankson-Wood as ‘Clifford Bradshaw,’ Obie Award winner and Drama Desk Award® nominee Steven Skybell as ‘Herr Schultz,’ Henry Gottfried as ‘Ernst Ludwig,’ and three-time Helen Hayes Award winner Natascia Diaz as ‘Fritzie/Kost.’

The cast of Cabaret includes Gabi Campo as ‘Frenchie,’ Ayla Ciccone-Burton as ‘Helga,’ Colin Cunliffe as ‘Hans,’ Marty Lauter as ‘Victor,’ Loren Lester as‘Herman/Max,’ David Merino as ‘Lulu,’ Julian Ramos as ‘Bobby,’ MiMi Scardulla as ‘Texas,’ and Paige Smallwood as ‘Rosie.’ Swings include Hannah Florence, Pedro Garza, Christian Kidd, Corinne Munsch, Chloé Nadon-Enriquez, and Karl Skyler Urban.

The Prologue Company, the dancers and musicians that welcome audiences to the club, feature dancers Alaïa, IRON BRYAN, Will Ervin Jr., Sun Kim, Deja McNair and swings Ida Saki and Spencer James Weidie. The musicians of the Prologue are Brian Russell Carey (piano & bass), Francesca Dawis (violin), Keiji Ishiguri (dedicated substitute), Maeve Stier (accordion), and Michael Winograd (clarinet).

For this thrilling production of Cabaret, the creative team have transformed the August Wilson Theatre into the Kit Kat Club with an in-the-round auditorium and custom spaces which guests will be invited to explore during the Prologue, the production’s pre-show entertainment. After purchasing tickets, guests will receive a “club entry time” to allow them to take in the world of the club before the show starts.

Patrons can upgrade their experience at the Kit Kat Club with exclusive dining or drinks packages that allow them to soak up the pre-show atmosphere. These various upgrades offer unparalleled service and unique experiences in the heart of the Kit Kat Club. Drinks can be enjoyed before and during the show, while food will be cleared shortly before the performance begins, ensuring uninterrupted and unmissable views of Cabaret. For a complete menu and more information on the upgrade packages, please visit www.kitkat.club/upgrade.

The 2021 Original London Cast Recording of Cabaret featuring Eddie Redmayne and recorded during a live performance is available on Decca Records as a CD and to stream on all major platforms. To order the album or stream it, please visit https://cabaret.lnk.to/ListenNow

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