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If Lin-Manuel Miranda’s Hamilton, moves to Broadway this season, I expect it to bring home major gold. Despite their extension at the Public Theatre until May 9th, I have heard Hamilton, is moving to the Richard Rodgers this season. This hip-hop musical is like 1776, Les Miz, In The Heights, Rent and Bloody Bloody Andrew Jackson all rolled into one, plus more. It is an exciting new form of musical, with original music as well as throwbacks to the past. The choreography by Andy Blankenbuehler, will have anyone who sees this, wanting to learn this prolific new dance language. This stellar cast under the direction of Thomas Kail has history never looking so good or bad! Hamilton’s does something, that has not been done well before; it has taken colorblind casting and made me not see color. The reason for this is there is a total blend of America’s immigrant heritage. It is not just done for “political correctness.”

Hamilton himself was a bastard from the West Indies who due to his drive became George Washington’s (Christopher Jackson) right-hand man. How Miranda describes him is as “Another immigrant, comin’ up from the bottom / His enemies destroyed his rep, America forgot him.”
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Daveed Diggs, Okieriete Onaodowan, Anthony Ramos and Lin-Manuel Miranda photo by Joan Marcus

Hamilton blends political intrigue and jealously, so that at times Hamilton and Aaron Burr (Leslie Odom Jr.) seem like Mozart and Solaria in Amadaus.

The most memorable performance of the evening (and that is saying a lot with this cast) was Brian d’Arcy James as King George III. His pompous, arrogant, King, on the downside is highlighted with a song that sounds right out of The Partridge Family.

Hamilton was a womanizer and has caught the eye of two sisters. His long suffering gentile wife Eliza Schuyler (Phillipa Soo) and her intellectual sister Angelica (Renée Elise Goldsberry). If that weren’t enough, Hamilton is blackmailed by the husband of Maria Reynolds (Jasmine Cephas James) whom he has an affair with and becomes his undoing. When Eliza learns of this, her disillusionment is heartbreaking. Like all good political wives, it is because of her this story is being told.

There are so many talented actors here the question becomes who to nominate. Thomas Jefferson and Marquis De Lafayette’ s Daveed Diggs has moments of sheer brilliance. Ms Goldsberry’s depth as the long suffering Angelica is devastating and subtly performed. Leslie Odom Jr’s Burr is masterfully done as we see his torment. Hamilton is theatrical and make no mistake it is Mr. Miranda’s show. He not only wrote the words and music, but plays Hamilton.

Thomas Kail’s direction is fluid and interesting. Miranda’s lyric’s are clever, sarcastic, truthful and witty. We have all been wanting to be in “The Room Where It Happened.”David Korins’s set is simple with accented ropes, exposed brick and wood. The costumes stay true to the period and I can see these being sold in Bloomingdales to the hip and the cool.

This show is reaching audiences and they are responding. I hope the rumors are true and this show does move to Broadway while the buzz is here and now. This show is going to make for one interesting Tony Awards.

Hamilton: Newman Theater, Public Theater, 425 Lafayette St.,through May 3

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Film

Saying Good-Bye to Donald Sutherland

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Donald Sutherland was a Canadian actor. In a film career spanning over seven decades, Sutherland received numerous accolades, including a Primetime Emmy Award, and two Golden Globe Awards. He is cited as one of the best actors never to have received an Academy Award nomination, but received an Academy Honorary Award in 2017.


He attended the London Academy of Music and Dramatic Art (LAMDA), Spent a year and a half at the Perth Repertory Theatre in Scotland and began to get small roles in British films and TV. He was featured alongside Christopher Lee in horror films such as Castle of the Living Dead (1964) and Dr. Terror’s House of Horrors (1965). He had a supporting role in the Hammer Films production Die! Die! My Darling! (1965), with Tallulah Bankhead and Stefanie Powers. In 1967 Sutherland appeared in “The Superlative Seven”, an episode of The Avengers. In 1966 he also made a second, and more substantial appearance in The Saint (S5,E14). The episode, “Escape Route”, which was directed by the show’s star, Roger Moore, recalled Sutherland “asked me if he could show it to some producers as he was up for an important role… they came to view a rough cut and he got The Dirty Dozen. which starred Lee Marvin, Charles Bronson, and a number of other popular actors, was the 5th highest-grossing film of 1967.  Sutherland left London for Hollywood.

Sutherland rose to fame in such films as The Dirty Dozen(1967), M*A*S*H (1970), Klute(1971), The Eagle Has Landed (1976), 1900 (1976), Animal House (1978), Invasion of the Body Snatchers (1978), Ordinary People (1980), Eye of the Needle (1981),  JFK (1991), Six Degrees of Separation (1993), Pride & Prejudice (2005), The Hunger Games franchise and so many more

I met Sutherland in 1981 when he stared as Humbert Humbert briefly in Lolita on Broadway.

Donald Sutherland and Blanche Baker, “Lolita” Bernard Gotfryd photograph collection (Library of Congress)

Television audiences known him for Citizen X (1995) in which he received the Primetime Emmy Award for Outstanding Supporting Actor in a Limited Series or Movie. For Uprising (2001), and Path to War (2002) he earned the Golden Globe Award for Best Supporting Actor – Series, Miniseries or Television Film.

Sutherland received various honours including inductions into the Canadian Walk of Fame in 2000 and the Hollywood Walk of Fame in 2011. He was made an Officer of the Order of Canada (OC) in 1978, a Commandeur of the Ordre des Arts et des Lettres in 2012 and received the Companion of the Order of Canada (CC) in 2019.

He was the father of actors Kiefer Sutherland, Rossif Sutherland, and Angus Sutherland. In October 2023, Canada Post issued a stamp in his honour, commemorating his career as one of Canada’s most respected and versatile actors.

Donald Sutherland was a brilliant actor whose work will be missed.

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Cabaret

Can First Graders Mount a Broadway Musical And Raise Money for Charity?  Yes, They Can For Marin Mazzie

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New York City’s Midtown West School/PS 212’s First Grade Theatre Study program continues their tradition of creativity, collaboration, and philanthropy, this year benefiting the Cancer Support Community in memory of Tony winner and American Theater Hall of Fame inductee Marin Mazzie.

This astonishing group of first graders from Midtown West School/PS 212 and their teachers Bryan Andes and Rowena Hurst who, this year, produced an original musical version of The Little Mermaid with a score made up of Flaherty/Ahrens songs while raising funds to honor the memory of beloved Broadway legend Marin Mazzie, who died of ovarian cancer in 2018.

Developed by Andes in 2005, the First Grade Theatre Study (the Study) was created as a way to help students develop a deeper understanding of how people work together to create theater. Using a social studies lens, the two-year program looks at the entire process of how a show comes together – from the creation of a script to the running of a live musical, and every step in between.

The Study begins in kindergarten with an immersive study of fairy tales. Students learn about tales from around the world and how different cultures retell these stories in distinctive ways. Then, beginning in first grade, students engage in the research process. They meet with directors, designers, stagehands, front-of-house workers, wardrobe workers, advertising executives, and actors to gather information about each theater job.

In the winter, the students start writing an original fairy tale script, curating a score, designing advertisements and playbill covers, and deciding which job they will carry out for the production. The students go on to build set models, design costumes, sell tickets, choreograph dances, rehearse their lines, and more.

“Given our location near the heart of the theater district, the Study is also about connecting our school community with the theater community,” Andes said. “Since so many members of the theater community, across all areas of the profession, donate their time to visit our school or host us at the theater to teach us about their jobs, fundraising for a charity with links to Broadway is our way of giving back and saying thank you.”

The beneficiary for the 2024 production is the Cancer Support Community (CSC), a global nonprofit that uplifts and strengthens people impacted by cancer by providing support, fostering compassionate communities, and breaking down barriers to care. CSC’s services and resources are available at nearly 200 Cancer Support Community, Gilda’s Club, and healthcare partner locations as well as online and over the phone. Mazzie was a fierce supporter of CSC and actively advanced its mission to support people living with cancer and their loved ones. Her husband, Broadway star Jason Danieley, continues to be a champion for CSC and a resolute advocate for cancer patients and caregivers.

Members of CSC’s senior leadership, including Karen Costello, MSS, LSW, OSW-C, a licensed social worker and the Senior Director of CSC’s Cancer Support Helpline, spoke to the students this spring about the organization’s mission, answered their questions about cancer, shared how Mazzie advocated for patients, and told them how their fundraising will help people, including children, impacted by or coping with a cancer diagnosis.

Giving back is an important component of the First Grade Theatre Study program, with prior beneficiaries including The Actor’s Fund, Broadway Barks, BCEFA (Broadway Cares Equity Fights AIDS), and Covenant House. This year, in addition to raising money through ticket sales, the students are creating a vertical garden of sunflowers, Mazzie’s favorite flower. Handmade by the students, the 400 flowers, priced at $5 each, have already sold out. Their generosity and creativity do not end there. The students are also writing positive messages that will be placed in an affirmation jar to encourage patients, caregivers, and other participants at CSC’s nearby network partner, Cancer Support Community Greater New York and Connecticut.

On June 25, the first graders will present their original musical in a special afternoon event that includes both a museum and film documenting the journey and the live performance (complete with an 13-piece orchestra made up of Local 802 musicians, parent volunteers, and teachers).

“We are simply overwhelmed by the effort and generosity of this group of children,” CSC CEO Sally Werner commented. “The creativity, attention to detail, and curiosity they have shown in putting together this musical and fundraiser are outstanding. They are fortunate to have Bryan Andes and Rowena Hurst as their teachers whose dedication to creating a positive, life-changing experience and commitment to “paying it forward” by including a philanthropic and service component are stellar. We are honored to have been selected as their 2024 beneficiary.”

To support the students’ fundraising effort, go to:  https://bit.ly/2024mazziefundraiser

The Cancer Support Community is a global nonprofit that uplifts and strengthens people impacted by cancer. We are dedicated to fostering a community where people find connection, compassion, and knowledge. We provide professionally led support and navigation services, along with social connections and award-winning education — when, where, and how impacted individuals prefer throughout their cancer experience. These resources are available at nearly 200 Cancer Support Community, Gilda’s Club, and healthcare partner locations as well as online and over the phone — all at no cost. We amplify the voices of those impacted by cancer through research and advocacy and create solutions that break down barriers to care and close the healthcare gap for communities whose members are disproportionately affected by cancer.

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Events

Hamptons Fashion Week Keeps Getting Hauter So Save The Date

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Hamptons Fashion Week®, is the premier fashion event in the Hamptons! On July 26th-27th, 2024, join us at the luxurious Summer Series and an unforgettable experience. With over multiple designer shows, runways, luxury brands and exhibitor spaces during Hamptons Super Saturday®, Hamptons Swim Week® with a range of exciting activations, this is the must-attend event of the year.

At Hamptons Fashion Week®, leading fashion designers, entertainment, and productions are all under one roof, creating a truly immersive and transformative experience. You’ll have the opportunity to rub shoulders with industry professionals, fashion designers, models, and more, all while experiencing the latest trends in fashion.

From panel discussions and product demonstrations to social events such as industry mixers, after parties, lifestyle events and more! Guests will have access to exclusive, on-site hospitality, unmatched insider extras, and more, making this a truly coveted invitation.

Reserve your access now to receive one of fashion’s most coveted invites and be a part of the best touring fashion hampton experience of the year. Don’t miss out on this opportunity to be a part of the transformation of the fashion industry. Join us at Hamptons Swim Week® presented by Hamptons Fashion Week® Summer Series and Experience 2024!

Hamptons Fashion Week announced that it will feature Alice & Olivia and Michelle Farmer as their award recipients at Hampton’s Fashion Week Retail Of The Year Award Show on July 26th VIP Reception. Event coverage will be brought to you by E! News!, Bella Magazine, Dans Paper, Hamptons.com, Vogue  and other major influencers! There will also be a swim Week Runway Showcase by Johnny Was

 
This year, Celebrity, Hollywood Stylist & Designer Phillip Bloch will be receiving the Style Icon of The Year Award , July 27th during the program and show 6pm-10pm
 
Shop our latest brands at theHamptons Fashion Week Online Marketplace!
 
You need tickets so click here. Security will be super tight for this event. So if you don’t have a ticket there is no entrance.

VIP Tickets $500 include:

Swag Bag-Valued at $500{One Per Person]

Seating

Access to ALL 3 Events!

July 26th, 6=10pm, Vip Launch Party-Drinks , Bites & Entertainment. The cocktail reception is from 6pm to 8:30pm 

July 27th, Drinks, Bites , Entertainment plus Hamptons Fashion Week Fashion Show Debut in Westhampton. The cocktail reception is from 6pm to 8:30p and After Party.Double check on the List below

VIP Restaurant Sponsors:

Justin Chop Shop

Rouge Kitchens

The Cottage On The Hamlet

Sobol

Centro

Mill Road Seafood

Fruit King

North Fork Chocolate Company

Honest Plate Chef Nicolas

Mary’s Pizza And Pasta

Tonino’s Pizza

Buoy One

Jerri’s Cakery & Confections

Daphne’s Westhampton Beach

Insatiable Eats

Vern Restaurant And Bar

VIP Spirit Sponsors

William Grant And Sons

Votto Vines Importing

Hamptons Wine Shoppe

Handlebar

British Ginger T

Monkey In Pardise

Elbuhl Mezcal

Twin Stills Moonshine

Blue Nextar

Penelope Bourbon

Westhampton Beach Brewing

Twin Stills Moonshine

Fort Hamilton Distillery

Kleos Mastiha Spirits

Beau Joie Rose Champange

Cantera Negra Tequila

Bay Gin

Twisted Cow Distillery

Series 19 Wheat Vodka

Series 19 Rye Vodka

Series 19 Jalapeno Vodka

Dune Drifter Agave Spirit

Spy Ring Rum Raisin

Drinksouthside

 

 

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Out of Town

Standing at the Sky’s Edge in the West End Soars Three Times Higher Than Expected

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As the dawn breaks” over the houses, a songbird’s tender melody flies this new musical forward over the three mornings, decades apart. As three households are revealed, dated and notated above as 1960, 1989, and 2015, we are welcomed most harmoniously to the brutalist iconic housing development in Sheffield, and the emotionally clever and connecting musical, Standing at the Sky’s Edge. Sitting forcibly on top of the world, with a forever fussy neon sign giving us a glimpse into some form of engagement ahead, the musical, as written by the wonderfully talented Richard Hawley (“Soldier On“), digs into the personal ramifications of the nation’s political upheavals that bubble up into the lives of these families from the 1960s through Thatcherism, immigration, Brexit, and beyond. With a strongly layered book by Chris Bush (The Changing Room), Sky’s Edge unearths deeply felt, intertwined connections in the three families of three generations over six decades. The opening feels almost Shakespearian, with subtle flavors that remind us of that opening monologue from Romeo & Juliet (a show we were seeing hours after this show), with these somewhat stereotypical family dynamics moving steadily forward in life and love. Planted inside this boxy structure of many layers, these characters find greater depth with each passing emotional moment as they move forward through a classic gentrification dynamic all within one concrete iconic housing estate.

Laura Pitt-Pulford as Poppy, Elizabeth Ayodele as Joy. and Rachael Wooding as Rose in Standing at the Sky’s Edge in the West End. Photo Credit: Brinkhoff Moegenburg

All adventures are scary,” we are told pretty straight up in this fascinating creation, and we lean into the melodic unveiling before us. The three stories of differing social situations are riveting, engaging us in ways that resemble more of a play with fantastic deliverable songs sung in a more performative fashion rather than sung from within the storytelling. Delivered like rockstars standing at their microphone stand (sometimes), and arranged and orchestrated by Tom Deering (Almeida’s Tammy Faye) with musical direction by associate music supervisor Alex Beetschen (RADA’s Spring Awakening), this midnight train is a clever layering filled with many little treasures that add energy and emotional clarity to the piece. As the characters open up their doors to us, they keep deepening their directive, revealing their dilemmas and dynamics with sharp contrast and emotional compassion.


Elizabeth Ayodele as Joy and Samuel Jordan as Jimmy in Standing at the Sky’s Edge in the West End. Photo Credit: Brinkhoff Moegenburg.

The cast is completely fantastic across the board, giving us chills in their unity of action, striking forward the distress and pain of the world they live in while struggling to hold on to the few crumbs of gratitude and humble acceptance. They find harmony in their collective, drawing us in, even as they stand together in a more choral arrangement. The leads are particularly good, with Samuel Jordan (“Sex Education“) in the pivotal role of Jimmy giving us an anchor to hold onto, with his counterpoint, Elizabeth Ayodele (NT’s Small Island) as Joy, the one who catches his eye (or is it the other way around). The circumstances that plant her here are complicated and emotionally stirring, delivered well by the family of actors that surround her, including Sharlene Hector (Barbican’s Strange Loop) as her Aunt Grace and Baker Mukasa (RSC’s The Winter’s Tale) as cousin George. Also tugging hard on our heartstrings are the young married couple who move into the flat with the view in the 1960s, played strongly by Rachael Wooding (Dominion’s We Will Rock You) as Rose and Joel Harper-Jackson (West End’s Cock) as Harry. Their heartbreaking unraveling is the key to the Sky’s Edge puzzle that slowly comes together with grace and dignity. But they are just part of the formulations.The whole is what makes this musical sing and stride forward so effectively.

The most modern entry into that flat is the compelling story of Poppy, played strong and true by Laura Pitt-Pulford (NT’s The Light Princess), and the complexities that surround Nikki, played engagingly well by Lauryn Redding (Vaudeville’s The Worst Witch). Redding delivers the song, “Open Up Your Door” with a force that knocks us off-center, mainly because we see it one way, until we are thrown a curve ball to look at it in a different framing of light. Poppy’s story is the looser connective tissue, keeping itself one knot removed, unlike the other two tales. But it somehow stays tied in, even if the grief and the sense of loss are played out in reverse. They still register, and give us a new doorway to walk through.

Lauryn Redding as Nikki, Laura Pitt-Pulford as Poppy, and the cast of Standing at the Sky’s Edge in the West End. Photo Credit: Brinkhoff Moegenburg

Tonight, the streets are hot,” and the show unpacks a wealth of interactive complications and connections in a series of tender boxes that have been dutifully crafted to keep the tumultuous rain out, laid out with style by set and costume designer Ben Stones (Leeds’ Hedwig and the Angry Inch), with sharply tuned in lighting by Mark Henderson (Chichester’s Flowers for Mrs. Harris) and a strong sound design by Bobby Aitken (West End’s Ghost). As directed with care and focus by Robert Hastie (Sheffield/Donamr’s She Loves Me), the framing embraces our curiosity continuously, and engages our attention throughout, leading us through fireworks, love, despair, and grief that touch our collective heart and soul in abundance.

This magnificently moving three-layered story, with stunningly searing songs and sharply tuned-in choreography by Lynne Page (Broadway’s American Psycho) is billed as a musical, but carries the heavy weight of a play that is unpacking modern Britain and its politics. Delivered and unpacked through the stories of the landmark Park Hill estate. this view from the sky’s edge is a powerfully performed and sung exploration of the connective tissues of community and family, and what it means to take shelter in a brutialist box that will keep out the rain.

Rachael Wooding as Rose and Joel Harper-Jackson as Harry in Standing at the Sky’s Edge in the West End. Photo Credit: Brinkhoff Moegenburg.

The musical engages, pulling us gently into a dramatic tension that surprises and enlightens. Standing at the Sky’s Edge gives us a stunning view to take in, three times stronger than anything I could have imagined, and one that we won’t easily forget. Winner of the 2023 Olivier Award for Best New Musical, UK Theatre Award for Best Musical Production, and the South Bank Sky Arts Award, Standing at the Sky’s Edge soars to the highest of heights and holds us tight. Now playing until August 3rd at the Gillian Lynne Theatre, London.

For more go to frontmezzjunkies.com
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Events

Billy Joel and Roger Sichel Quiet Brunch Turned Newsworthy Thanks to Justin Timberlake

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The night before Justin Timberlake was busy drinking and talking with his friends. Timberlake was stopped by police just after midnight on Tuesday. Billy Joel and artist Roger Sichel the next morning were having brunch at their usual hang out at the American Hotel, next to each other. Joel and Sichel were bombarded by photographs due to the late breaking news. What was scheduled to be a  quite afternoon turned out to be what has taken over the news.


Timberlake who is in the middle of a world tour that includes upcoming Madison Square Garden told the officers he had just “one martini.” According to sources he was inhibited on them and refused to take the sobriety test.

Billy Joel is busy working and lives within walking distance of the hotel.

Sichel just finished an art show in Beverly Hills and will be opening in Sag Harbor Kramois’s art gallery two doors down from the American Hotel next week.

Seems that the American Hotel is the place to hang this summer, well it always was.

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