Broadway
He Says: Be More and More Chill on Broadway, Please.
The theatre is buzzing with excitement before the show even begins. When it opened last fall at Pershing Square Signature Center, there were stories of money being saved from after-school jobs and allowances just so these teenagers from all over the country could get themselves to New York City to see Be More Chill live and in person. No wonder, it’s a young and feisty High School musical, something akin to Mean Girls mixed with the Sci-Fi out of this world Little Shop of Horrors, with a dash of outsider angst Dear Evan Hansen layered on top of its catchy fun soundtrack. With super festive music and lyrics by Joe Iconis (Broadway Bounty Hunter) and a comically strong book by Joe Tracz (Poster Boy) based on the novel by Ned Vizzini, the crowd is still as stoked as you can imagine. Everyone is instructed to “deactivate” and set their phones to ‘silent & enjoy’. They can all barely contain themselves in their seats, and the fever is catching (especially after the wildly successful off-Broadway run), as they and I wait for that first chord to reverberate through the theatre.
It hasn’t slipped a bit since transferring to the Lyceum Theatre, generally getting a sharper and sparkler upgrade that was needed to make the big time leap. But essentially, it all comes down to “Micheal In the Bathroom“. The celebrated song, sung with a supreme comical and emotional depth by the delicious and Award winning George Salazar (off-Broadway’s The Lightning Thief, tick, tick… BOOM!) made it big on YouTube long before the show debuted last year. The video music sensation, garnered thousands of views, standing at 3,617,922 today and growing, and delivers the teenage angst that resonates far outside the simple recording. I’m still pretty convinced that I’m not really the demographic nor the standard youthful YouTube viewer who floats around the video library source looking and searching for the trending and exciting new songs out there. And I guess that also means I might be missing out on solid stuff like this. Who knew? But because of this video and the original Cast Recording existing out there online, the buzz that is floating around the current staging of the musical, Be More Chill, couldn’t be bigger and more electric. And as guided with ADD enthusiastic energy by both the formidable Stephen Brackett, the director of the powerful The Mad Ones at 59E59/Prospect Theater, and choreographed by the talented Chase Brock (Public’s First Daughter Suite), it deserves every bit of the hyper hype it has accumulated.
These fans are definitely given the pill of ‘not disappointed’ with this production, as the music and the upgraded projected graphics shout out a thrilling electronic welcome, thanks to the strong music direction of Emily Marshall (Broadway’s Mean Girls), and orchestrations/music supervision by Charlie Rosen (Prince of Broadway). The highly effective scenic design by Beowulf Boritt (Come From Away), frames the piece to computer-like perfection, with spot-on lighting by Tyler Micoleau (The Band’s Visit), solid sound designer Ryan Rumery (“CIty of Gold“), and amazing and exciting projection designs by Alex Basco Koch (Barrow Street’s Buyer & Cellar).
The opening has a “Hello Baltimore”/Hairspray feeling that transitions beautifully towards something bigger than just a good morning. “More Than Survive” is Jeremy’s anthem and mantra as he slumps towards another uncomfortable day at the generic Mean Girls High School. Unfortunately, he doesn’t have a Janice or a Damien to help him navigate the halls where he is, most definitely, not the cool guy, but the one who’s left out. It’s such a meta-theatrical moment as the lead role is performed expertly by the oh-so-perfect Will Roland (“Unbreakable Kimmy Schmidt“). His singing, although infused with maybe a bit too many quirky gimmicks, wonderfully captures the essence of being uncomfortable all day long. He’ll never be the Robert DeNiro of this tale, but in the real Broadway world, it is quite obviously the opposite. After years of playing the obnoxiously hilarious cousin to (Dear) Evan Hansen opposite Ben Platt (who I can’t wait to see in concert next week at The Beacon), Roland is now the star of his own loser story, and even though he sings solidly about being said loser, Roland is most definitely not, as there is no other way to see his performance in Be More Chill other than thoroughly entertaining and star-making. The exact same thing, times a thousand, can be said of side-kick Salazar as his best buddy in this “Two-Player Game“. Those two together carry the momentum forward with an authentic bond and clear charm that resonates beyond Zombie Slaying.
Jeremy doesn’t want to be a hero, at least that is what he says, but he does want to get to know Christine Canigula, played with epic energy by the magnificent Stephanie Hsu (Broadway’s SpongeBob Squarepants). She hyper-energetically rules the stage, playing with her quirks to the heroic heights, especially during her fantastically witty number, “I Love Play Rehearsal“. She makes the moment and her character impossible not to love, admire, and adore. She’s “passionate, a lot“, so it makes sense Jeremy jumps in when high school bad boy Rich, played by the multi-layered Gerald Canonico (Broadway’s Groundhog Day) offers up “The Squip Song“. With hopes of a new tomorrow in his geeky head, Jeremy quickly makes his way to Payless to gulp down the outlandish offer enthusiastically, and “then, then, then, he got a squip“, direct from Japan and in the dedicated alcohol-intolerant format of the wonderfully smooth-talking ninja-confident Jason Tam (Broadway’s If/Then, Lysistrata Jones). In beautifully Matrix-like costumes forever being enhanced by designer Bobby Frederick Tilley II (2ST’s All New People), the Squip magically and chemically becomes Jeremy’s “Upgrade” teaching him how to “Be More Chill” and talk to girls like the cool-girl second banana Brooke, played dynamically by the very funny Lauren Marcus (Barrington’s Company). “Do you want to ride?“, she asks most emphatically, but her BFF, Chloe, played with a crisp and ridiculous Regina George veneer by the delightfully over-the-top Katlyn Carlson (off-Broadway’s The Unavoidable Disappearance of Tom Durnin) is a bit more complicated in the bedroom, mainly because of the solidly funny turn of Britton Smith (Broadway’s Shuffle Along) as the delightfully stereotyped cool dude, Jake Dillinger. There’s also a surprise turn by the powerhouse Tiffany Mann (TNG’s Jerry Springer the Opera) as tossed around Jenna, who, with her two oddly attached girlfriends, bring down the house with the wickedly perfect cheerleader song, “The Smartphone Hour (Rick Set A Fire)“.
Even with the fire and the hormones raging, it’s all pretty fun albeit straight-forward high school material, at least morality-wise, played out professionally and with a furry white grin. Even with the premise being so out-there and diabolically unique, the story connects, particularly with the young and enthusiastic crowd in attendance. Jeremy just needs a secondary reboot to figure out just what is the most important thing in life, especially high school life. What he really needs is a big gulp of ‘Best Friend devotion’ and a Dad “so strong“, played to perfection by Jason Sweettooth Williams (Signature/La Jolla’s Freaky Friday). Dad finally figures out that he has to pull it all together (and on) for his son’s survival and he needs Michael to help him out. The solidly funny duet, “The Pants Song” made it all come together for me. This, I could now see, is ‘the loser’ story that so many in high school know all too well. It’s told with a much less serious or raw emotionality than the hit, Dear Evan Hansen, but has heart to spare. This touching and humorous song and musical delivers something just as thrilling. It’s definitely lighter in touch and style, with a bit more comedic and sci-fi drive, but that wink and a smile still tweaked on my heart strings just as realistically. There’s “never been a better time in history to be a loser“, says Be More Chill, and the cast and creative team certainly know what they are talking about. This funny and charming show delivers the goods, and with the crowd cheering these characters on at every turn, Be More Chill seems destined to be a survivor out there in the big scary world of Broadway. “O-M-G- Chlo, answer me, Woah, wait until I tell you what I heard!“ can be heard by those obviously new theatre junkies being formatted as we all stand in line for the bathroom. Happily Michael isn’t the one inside, holding us all up.
Music & Lyrics by Joe Iconis, Book by Joe Tracz
Directed by Stephen Brackett Choreographed by Chase Brock Now Playing at the Lyceum Theatre on Broadway
Pictured: Stephanie Hsu and Will Roland. Photo Credit: © 2019 Maria Baranova
For more, go to frontmezzjunkies.com
Today, Broadway Forever announced that the Sunday, September 24th concert will be postponed to Sunday, October 15th at 11:00AM due to expected severe weather in New York City. The Sunday, October 15th concert will take place at Lou Gehrig Plaza in the Bronx (East 161st Street, Grandview Place).
A complete line up of appearances and performances will be announced soon.
For the second consecutive year, NY Forever, in partnership with City National Bank, the New York City Department of Transportation and 161st Street Business Improvement District presents Broadway Forever,empowering New Yorkers across the city to build a better city for all.
Fans will have the opportunity to sign up for future community service opportunities in all five boroughs, which will be coordinated by New York Cares and their partner organizations.
Broadway stars performing throughout New York City celebrate the creativity and resilience that is intrinsic to the city – and provide an opportunity to recognize the volunteers and community organizers who work hard to make New York a better place. The concerts will bring Broadway entertainment to DOT’s Public Space Programming, a city initiative that brings free activities to public spaces.
The events are produced and staged by 6W Entertainment, with additional support from New York Cares and the Times Square Alliance.
For more information about City National, visit the company’s website at cnb.com.
Broadway’s blockbuster Wicked, in partnership with National Day Calendar, has announced that October 30 will officially become National Wicked Day, in honor of the hit Broadway musical’s debut at the Gershwin Theatre (245 West 51st Street) on October 30, 2003.
This marks the first time that a Broadway show will have its own official day in the National Day Calendar. With this inclusion, Wicked joins some of the most recognizable National Day celebrations, including National Barbie Day, National Star Trek Day, National Scrabble Day, National Winnie the Pooh Day, and National Teacher Appreciate Day, among others.
Read the official announcement HERE.
Currently Wicked 4th longest-running show in Broadway history, and will celebrate its 20th Anniversary on Broadway this October 30th.
The Broadway production of Wicked currently features Alyssa Fox as Elphaba, McKenzie Kurtz as Glinda, John Dossett as The Wizard, Michele Pawk as Madame Morrible, Jordan Litz as Fiyero, Jake Pedersen as Boq, Kimber Elayne Sprawl as Nessarose, and William Youmans as Doctor Dillamond.
Adam Blackstone
Emmy Award®-winning music director and Grammy Award®-winning writer, Adam Blackstone, joins the creative team as Dance Music Arranger for the revival of The Wiz. The Wiz will launch a national tour on September 23, 2023 in Baltimore, MD before returning to Broadway for a limited engagement in the 2023/24 season.
Adam Blackstone
“Joining The Wiz’s creative team has been a very surreal moment. I remember watching the film on VHS daily for years, wondering how it sounded so incredible, how MJ transformed into the Scarecrow, and the score and orchestrations truly told a story all of its own. Fast forward to today, I get to musically partner with Terence Vaughn and reunite with my brother, super choreographer and creative director JaQuel Knight, and explore our own interpretation for a revival of this masterpiece. I am excited and look forward to this body of work changing lives, just like it did for me in the 80’s!” stated Adam Blackstone.
The cast will include previously announced Wayne Brady to lead the production as the Wiz on Broadway in Spring of 2024, San Francisco (January 16 – February 11, 2024) at the Golden Gate Theatre, and Los Angeles (February 13 – March 3, 2024) at the Hollywood Pantages Theatre. Alan Mingo Jr. will star in the role of the Wiz in the following cities of The Wiz National Tour this fall, kicking off with the tour launch in Baltimore, including Cleveland, OH, Washington, DC, Pittsburgh, PA, Charlotte, NC, Atlanta, GA, Greenville, SC, Chicago, IL, Des Moines, IA, Tempe, AZ and San Diego, CA.
The cast will also feature Nichelle Lewis as Dorothy, Deborah Cox as Glinda and Melody A. Betts as Aunt Em and Evillene, Kyle Ramar Freeman as the Lion, Phillip Johnson Richardson as the Tinman, and Avery Wilson as the Scarecrow. The Wiz ensemble includes Maya Bowles, Shayla Alayre Caldwell, Jay Copeland, Allyson Kaye Daniel, Judith Franklin, George, Collin Heyward, Amber Jackson, Jackson, Jones, Jones, Kindle, Mariah Lyttle, Kareem Marsh, Anthony Murphy, Rae, Matthew Sims Jr, Avilon Trust Tate, Keenan D. Washington, and Timothy Wilson.
The production will include ‘Everybody Rejoice’ music and lyrics by Luther Vandross, as well as the ‘Emerald City Ballet’ with music by Timothy Graphenreed.
The McKittrick Hotel (530 West 27th Street, NYC), home of Sleep No More, announced the opening of Hypnotique – A Late Night Sultry Spectacle. Performances have been extended on Friday and Saturday nights through October 14, 2023. The all-new Hypnotique revue offers a unique after-dark experience that envelops you. Audiences are captivated by spontaneous performances and mesmerizing dancers, accompanied by daring sonic soundscapes in a surreal ambiance in The Club Car.
The cast features Chloé Lexia Worthington, Courtney Sauls, Fabricio Seraphin, Haley Bjorn, Jacob Nahor, Jesseca Scott, Maurice Ivy, Maya Kitayama, Samantha Greenlund, Victoria Edwards, and swings Alex Sturtevant, Cameron Arnold, Kennedy Adams, and Stacey Badgett Jr..
Cocktails inspired by the experience, including the signature Hypnotonique (an electrifying punch made with cucumber-infused vodka, elderflower liqueur, and grapefruit juice), are available from The Club Car’s bar.
Performances are offered on Fridays and Saturdays at 10:30PM. General Admission tickets with standing room are currently priced from $65 per person.
Kevin Del Aguila and the cast Photos by Marc J. Franklin
Two industry readings for Female Troubles, an original musical comedy, will happen next week at Open Jar Studios. Female Troubles is a completely original musical comedy featuring lyrics by two-time Tony Award nominated and Grammy Award nominated songwriter Amanda Green (Mr. Saturday Night, Hands On A Hardbody, Bring It On), music by three-time Emmy Award nominee Curtis Moore (“The Marvelous Mrs. Maisel”), book by Emmy Award-winning writers Gabrielle Allan and Jennifer Crittenden (“Veep,” “Arrested Development,” “Seinfeld,” “The Simpsons,” “HouseBroken”) and directed by Tony Award winner Christopher Gattelli (Disney’s Newsies, My Fair Lady, “Schmigadoon,” “Schmicago”).
Lesli Margherita
The cast for the readings will includeKrystina Alabado, Kevin Del Aguila, Amanda Green, Lilli Cooper, Lillias White, Lesli Margherita, Ryann Redmond, Kate Rockwell, Matt Saldivar, Alanna Saunders, Trent Saunders, Jake Swain, Sav Souza, Rachel Stern and Frank Viveros. In Female Troubles, Elinor Benton finds herself surprisingly and undeniably “knocked up” — and, since she’s unmarried and this is 19th century England, she has a very big dilemma. Facing ruin, she and her girlfriends embark on a raucous journey to find the one notorious woman who can help them with their “female troubles.” Their misadventures change the course of each of their lives. This uproarious musical comedy asks the trenchant question “Can you believe this sh*t is still happening in 1810?”
I attended the reading of Love In The Time Of Crazy withbook and lyrics by Peter Kellogg (Outer Critics Winner for Desperate Measures), music by Stephen Weiner (two-time Richard Rodgers Award winner) and David Hancock Turner (orchestrator for Desperate Measures and Penelope), directed by Lauren Molina (Desperate Measures ). The cast stared Philippe Arroyo, Stephen DeRosa, Robin Dunavant, David Merino, Josh Lamon, Roe Hartrampf and Alexis Cofield .
Look for more from this tuneful musical that actually has you leaving humming the songs. The cast was terrific, the direction sublime and the show ready to move.
Love in the Time of Crazy is a riot, but, you know, in a good way.
G.H. Harding
WENNER TAKES A DOWN —Jann Wenner always speaks his mind and this week he may have overstepped just a bit. In an interview that ran in the New York Times about his new book called Masters, he quite openly said that there were no black or R&B artists in it, because they were not able to articulate properly. I know, I felt the same way reading that. Minutes later, he was let go by the board of the Rock and Roll Hall of Fame, which he helped start with Ahmet Ertegun way back in 1983.
Ahmet Ertegun
His Like A Rolling Stone autobiography book was quite an indulgent read last year, but Wenner has in the last several years suffered several health set backs and it was pointed out that he may not be in his right mind. Still, he should have spoken way more carefully. I’ve known Wenner for decades and trust me, he feels he’s way entitled, and that said, you can rest assured that there were dozens and dozens of people (and former employees) waiting to take him down.
The sad fact is that most of the accusations are true. That said, let’s face it Rolling Stone magazine in it’s heyday was a miraculous outlet for so much music and terrific journalism – from Ben Fong-Torres to Hunter Thompson and Jann himself .. it was distinguished. Now, he may have killed it all.
Rolling Stine magazine Monday posted this – essentially disowning his from the magazine: “Jann Wenner’s recent statements to the New York Times do not represent the values and practices of today’s Rolling Stone. Jann Wenner has not been directly involved in our operations since 2019. Our purpose, especially since his departure, has been to tell stories that reflect the diversity of voices and experiences that shape our world. At Rolling Stone’s core is the understanding that music above all can bring us together, not divide us.”
Here’s the report from Deadline: https://deadline.com/2023/09/jann-wenner-removed-rock-and-roll-hall-fame-foundation-board-1235548690/comment-page-1/#comment-3858649
FILE – Drew Barrymore attends the Time100 Gala, celebrating the 100 most influential people in the world, at Frederick P. Rose Hall, April 26, 2023, in New York. The National Book Awards dropped Barrymore as the host for this year’s ceremony, Tuesday, Sept. 12, 2023, a day after her talk show taped its first episode since the Hollywood writers strike began. (Photo by Evan Agostini/Invision/AP, File)
DREW’S BLUES — Boy, what did Drew Barrymore ever do to deserve the treatment she’s been through with the media. Sure, her ideas to bring back her daily-chat fest was a good one, for the right reasons, but everyone from Rosie O;’Donnell to the trade papers have bounced on her like madmen. I never met her, don’t hate her, but really … let’s get back to something real, like these Russell Brand-accusations!
SHORT TAKES — We finally caught David Bryne and Fatboy Slim’s Here Lies Love and absolutely loved it. I remember it well when it premiered at the Public Theater way back when and knew they were trying to get it to Broadway. Honestly, I never thought twice about the Ferdinand and Imelda Marcos story, but the play was riveting then and it remains now. They’ve outfitted NYC’s magnificent Broadway Theater with disco-balls galore and club-lighting and the immersive experience is terrific. Here’s a great re-cap of the play’s evolution from Theatre Guide: https://www.newyorktheatreguide.com/theatre-news/news/how-the-music-of-here-lies-love-evolved-on-the-way-to-broadway …
Chris Carter and Micky Dolenz – Breakfast With The Beatles
Micky Dolenz appeared on Sunday’s Breakfast With The Beatles with Chris Carter (on KLOS) and talked about his new Dolenz Sings R.E.M. on Glenn Gretlund’s 7a Records. He also talked about his time with The Beatles and John Lennon. Carter also played a mash-up of Monkees and Beatle-songs which was done in England and it was superb. Here’s a shot from the event at LA’s Hard Rock Cafe on Highland and Hollywood Blvd. … SIGHTING: PR-pasha David Salidor and Benny Harrison at Monday’s Cutting Room tribute to Burt Bacharach … RIP Sammy Ash …
Jimmy Buffet
I’ve been thinking the best way to describe Jimmy Buffet and I saw this headline in LA Magazine: leisure evangelist– and it fits perfectly …
Happy Bday Donnie Kehr and Richard Branciforte.
NAMES IN THE NEWS — Dan Mapp; Brad Auerbach; James Clash: Robbie Robertson; Carol Ruth Weber; Randy Alexander; Tom & Lisa Cuddy; Andrew Gans; Kathy Brown; Roger Clark; Chris Boneau; Tricia Daniels; Dan Zelinski; Benny Harrison; Steve Walter; Gil Friesen; Donna Dolenz; Dan Mapp; Brad Auerbach; James Clash; and ZIGGY!
The American Theatre Wing 2023 Gala Celebration was held last night, September 11, 2023 at Cipriani 42nd Street. Performers incldued Oscar nominee & Tony Award winner Leslie Odom Jr., Grammy Award-winning rock icon Melissa Etheridge, Emmy nominee Tituss Burgess, “American Idol” star and Broadway favorite Justin Guarini, Tony Award winner LaChanze, Tony Award winner Chuck Cooper, and Tony Award nominees Shoshana Bean, Brandon Victor Dixon, Judy Kuhn, Lilli Cooper, and Eddie Cooper.
LaChanze and Norm Lewis
LaChanze and Norm Lewis
La Chanze and Dr. Michael J. Pitman
La Chanze
Felix Cisneros and Heather A. Hitchens
LaChanze, Heather A. Hitchens
Chuck Cooper, Lilli Cooper, Sara Jayne Darneille and Eddie Cooper
The Gala honored “Unsung Heroes of the Theatre Industry.” From dressers who execute seamless quick changes between scenes, to understudies and swings who go into a show with little to no notice and don’t miss a beat, to makeup artists responsible for the flawless faces seen on stage, and so many more vital contributors to the theatrical art form, the 2023 Gala celebrates members of the theatrical community who don’t often get the recognition they deserve.
Stewart F, Lane and Bonnie Comley
Bonnie Comley
Heather A. Hitchens and Bill Berlin
J, Harrion Ghee and Kenny Nunez
L. Morgan Lee
Julie White
Norm Lewis
Adriane Lenox and Zane Mark
Adriane Lenox
Jason Michael Webb
Ruben Santiago-Hudson
Norm Lewis and Zane Mark
Norm Lewis, Adriane Lenox and Zane Mark
CeCe Black
Julie Halston and Richard Hester
Jesse Tyler Ferguson and Justin Mikita
Jesse Tyler Ferguson
Kate Wilson, Jane Krakowski
Julie Halston and David Rockwell
Jane Krakowski
David Rockwell
Ruben Santiago-Hudson and James Latus
Kenny Leon
Jack Waddell and Brandon Victor Dixon
Justin Guarini
Justin David Sullivan
LaTanya Richardson Jackson
LaTanya Richardson Jackson
LaTanya Richardson Jackson and Beverly Jenkins
Frank DiLella
Robyn Coles, Beverly Jenkins, LaTanya Richardson Jackson and John Kristiansen
Binta Niambi and David Henry Hwang
Danielle Brooks
Jesse Tyler Ferguson, Kate Wilson and Danielle Brooks
Kate Wilson and Danielle Brooks
Ariana DeBose
Melissa Etheridge and Rebecca McBee
Melissa Etheridge
Melissa Etheridge and Linda Wallem
Ariana DeBose, Kenny Nunez
Shoshana Bean and Jey Moore
Adrienne Warren
Patti LuPone
Leigh Silverman
Justin Guarini and Salisha Thomas
Kelli O’Hara and Erica Tuchman
Tituss Burgess
LaTanya Richardson Jackson and J. Harrison Ghee
Lin-Manuel Miranda, Luz Towns-Miranda and Luis A. Miranda, Jr.
Danielle Brooks,Thomas Kail, LaTanya Richardson
STRIKE UPDATE— (Via TV Line) “9-1-1, what’s your TV emergency?” The dual WGA and SAG-AFTRA strikes need to be resolved by the end of this month if scripted primetime fare such as 9-1-1: Lone Star and The Cleaning Lady are to return with new episodes in the 2023-24 TV season, says Fox entertainment president Michael Thorn.
When last we tuned in, 29 days ago, the WGA had countered the AMPTP’s latest offer; no next meeting has been scheduled. Things are proceeding even slower on the SAG-AFTRA front. Sources tell TVLine that it will take scripted shows roughly eight weeks to get back into production once the strikes are resolved.
“You’re going get to a point in the fall, in the late fall, where it’s going to be very hard to launch [scripted shows] within the traditional TV viewing season,” Thorn told our sister site Deadline.
If the strikes are resolved later than October 1, that’s where difficult scheduling decisions will have to be made.
“If that means the [delayed scripted] show could work and succeed in the summer [of 2024], great,” Thorn said. Or, “If it’s better to wait for the fall and use football and sports” to promote/launch scripted seasons, “we’ll do that.
“You could use October 1 as the date” by which the writer and actor strikes need to be settled,” Thorn added. “Every show is different but sometimes when you’re staring at a May launch date, you always wonder, ‘Is that the best time?’” to premiere a season/series
Fox’s fall TV slate features one full night of scripted animated fare (on Sundays), while the rest of the week is rife with multiple Gordon Ramsay cooking competitions, new seasons of Special Forces: World’s Toughest Test, Name That Tune and The Masked Singer, 9-1-1: Lone Star reruns, the new, David Spade-hosted Snake Oil game show, and, of course, Friday Night SmackDown.
But whenever the magical day comes for live-action scripted fare to return to our screens, “we’re going to return those shows with vigor,” Thorn avowed. “We really pride ourselves on ‘less is more’ and we were fortunate to be able to really put our money where our mouth is in that regard. When we return, Animal Control is going to get the full backing of this far-reaching platform [as will] John Wells’ new show, Rescue: Hi-Surf, when we launch it.”
Several columns back we posited that the strike might just be settled by Labor Day .. and we were lambasted with emails from a scattering of actors, writers and below-the-line talent that it would not be. They were right. As Gordon Gekko said, greed is good. Is it? Let’s all make nice and good back to work.
SHORT TAKES — As you may know the Toronto Film Festival has been going on and the two films that have received the most buzz are the Paul-Simon/Alex Gibey doc,
Michael Keaton
In Restless Dreams and Knox Goes Away starring Michael Keaton, who also directs, with Al Pacino, can’t wait to see both. Bravo! …The latest episode of Hulu’s Only Murders In The Building was just OK. So far, this third season has totally underwhelmed us. We said a few columns back it was most likely due to the fact that Martin hasn’t written any of the episodes so far. Why? I have no idea. Matthew Broderick played himself, but with a little more anxiety than usual, but the real highlight of this episode was a video-phone call between Martin Short and Mel Brooks. Irresistibly funny … Hard to believe that it’s the 25th anniversary of MTV’s ground-breaking TRL Live (Total Request Live).
Carson Daly
Carson Daly did a nice remembrance on Thursday’s Today Show, even citing John Norris and Kurt Loder, who were key correspondents. They taped many of the shows at NYC’s long-gone Palladium (now an NYU dorm), but many, many memories come to mind; Hall & Oates rehearsing in their dressing room
Debbie Gibson at Z100 on The Morning Zoo
and running into Debbie Gibson is one. Daly pointed out -and rightly so- TRL was a fan-driven show, where viewers had to request what to hear. These days I guess it’s just a download. Much missed for sure …
Carrie Underwood
Funny watching Carrie Underwood this morning; as she she reminded me so much of Shania Twain. from the music, to her visuals. As always, her “Before He Cheats” is tremendous and a big crowd pleaser … It’s a funny world for sure.
RL Stine
When RL Stine’s Goosebumpsfirst debuted in 1992, it was heralded as refreshingly new, both for the kid-demo and its brilliance. There were a few attempts at a series (even with Stine introducing them) and even a movie in 2015 that did just so-so. Now, with Netflix’s Stranger Things having hit a home run, Disney+ is starting a series, with Justin Long, that appears to veer dangerously close to Stranger Things. Also, oddly enough, Stine does not appear to be involved with it. He says: “I wish I knew something about it. I’m not in the loop. It looked to me like they weren’t going to do an anthology show. They were going to do something different that was some kind of continuing story. That’s what it appeared. But I have no information about it.” It begins on October 31. Have a look at the trailer:
Seeing Here Lies Love Saturday night, can’t wait …
Mary Wilson and Bernie Taupin
Great Bernie Taupin interview on NY Live with Sara Gore. They’re friends, so the interview as sensational. Check it out:
Love Bernie and Sara! …Happy Bday Randy Jones and Amy Billings!
NAMES IN THE NEWS —Andrew Sandoval; Jacqueline Boyd; Alison Martino; Robert Funaro; Tom & Lisa Cuddy; Roy Trakin; Daryl Estrea; Glenn Gretlund; Jane Blunkell; Roger Friedman; Felix Cavaliere; Dan Mapp; Jim Kerr; Sam Rubin; Liz White; Grace Mendoza; Roy Trakin; and ZIGGY!
Loving the Love of “Love’s Labour’s Lost” at the Stratford Festival, Canada
Indigenous Climate Warriors in Times Square
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