Rising out of the pages of Ms. and onto the Daryl Roth Theatre talking circle, Gloria: A Life, a new play by Emily Mann (Having Our Say) stands strong and has a thoughtful and compelling story to tell. It’s a staged biography that asks us to look out at each other and find shared power. Made flesh and bones by the strong and forceful portrayal by Christine Lahti (Broadway’s God of Carnage) of the iconic woman, Gloria Steinem starts her history lesson in the 1950’s when she proclaims, quite honestly, that she didn’t try hard enough, nor know enough, but the self-described hope-aholic, dances as fast as she can forward to the icon figure that she is today, sitting around intellectual campfires, listening to stories, knowing that she’s not crazy to believe. Directed with force and purpose by Diane Paulus (A.R.T.’s Jagged Little Pill, Broadway’s Waitress), Gloria drives back to her beginning, and walks us through from faux-Playboy bunny writer to her most recent days of star-studded activism and personal iconic status symbol of the feminist movement in a pair of aviator glasses for protection. “The bigger the better. (Beat.) The hair, too. But I don’t want anything to come between us tonight. (She takes off her glasses.) Because here’s the good news—We’re all in this room together and not alone on our computers or cell phones!”
Powerfully written in celebrity documentary style structure, Gloria is glad to show her flaws and fears as badges of honor and lessons learned. The biggest sin, she says, is sitting on your ass, and this motto is supported on all sides by the cast that included; Joanna Glushak (Broadway’s War Paint), Fedna Jacquet (Public’s Ain’t No Mo), Francesca Fernandez McKenzie (Soho Rep’s Lily’s Revenge), Patrena Murray (Public/Delacorte’s A Midsummer Night’s Dream), DeLanna Studi (Primary Stages’ Informed Consent), and Liz Wisan (TFANA’s Winter’s Tale) as almost every strong influence and powerful co-contributor to the women’s movement, and many that tried to stand in her way. And even though, as the playwright states, “if you Google Second Wave Feminism—there’s not one reference on the Wikipedia page to a black feminist.”
“It does not include”
“Dorothy Pitman Hughes,”
“Flo Kennedy,”
“Pauli Murray,”
“Aileen Hernandez,”
“Fannie Lou Hamer,”
“Shirley Chisholm,”
“Audre Lorde,”
“Eleanor Holmes Norton,”
“Margaret Sloan,”
“Barbara Smith,”
“Alice Walker….and we could go on and on and on.”
With the audience sitting in a fire side circle surrounding a warm and cozy liberation of rugs, cushions, and blocks, courtesy of scenic designer Amy Rubin (Signature’s Thom Pain), with pretty obvious period costumes by Jessica Jahn (Cherry Lane’s One Night), straight-forward lighting by Jeanette Oi-Suk Yew (KPOP), flickering sound design by Robert Kaplowitz (Broadway’s Fela!) and Andrea Allmond, the strong cast of capable and dedicated performers guide us through her historic enlightenment. Gloria flips through the historical imagery and testimonies like we are scanning a Ms Magazine filled to the brim with facts and interviews, reading the headlines and occasionally stopping and studying the feminist facts, reading about both the successes and failures. One great learning moment is the naming of the magazine Ms. a word that means “the exact parallel to Mr‘, a more powerful proclamation than I ever truly knew. With some fantastic period photo and video work projected on the walls by designer Elaine J. McCarthy (Broadway’s Wicked), especially all those magazine covers, the piece feels extremely relevant and particularly educational, particularly the moments of letter readings and testimonials on abortion and letters to the editor.
Intellectually invigorated throughout, I sometimes found myself emotionally put-off struggling to find depth within its historic backdrop. I wanted Mann, Lahti, and company to slow down, take a few deep breaths, and stop trying to inform and teach but engage within the heart and pain of the matter. There was attempts with the mother/daughter interactions, and although symbolically they had great meaning, the writing failed to give it a real earthbound feel to their complicated dynamic, floating on the surface of staged biography moments rather than the deeper painful conflict that is at the heart of the matter.
The taped segments, especially the archival videos of historic speeches are moving, but made me ache a bit for at least one actual video of the real Steinem speaking. Lahti does a fabulous job bringing the woman to life (to the point where audience members in part two referred to her as if she was actually Gloria), but when the videographer implanted a cutout rectangle of Lahti responding to the famous interview on Larry King Live, it looked oddly fake (in comparison to all the others) and distracting from the internalized message. In my humble opinion, it was a perfect moment to give us a bit of the real Steinem speaking without detracting from Lahti’s magnanimous performance. The pictures of her though, standing proudly alongside such trailblazers as Flo Kennedy and Bella Abzug, played joyfully by Glushak, strengthened the connection, and made Gloria: A Life a fitting and full tribute piece worthy of our attention and our praise. Especially in this day and age when resisting and action is required more than ever. That became even more detailed and dynamic during part II, the talking circle when the audience is asked to join in with the conversation. It’s hard to describe, as the stories told the night I went all resonated with more guts and power, registering sometimes more strongly than the actual play and its staging.
My thoughts on that communal space reverberated, and I had a hard time thinking of something that I, a gay, card-carrying status Native American Mohawk/Iroquois Canadian male could offer into the mix, although I was made proud by the beautiful salute to the Cherokee and the Iroquois Confederacy: “I hope some of you know about Wilma Mankiller, Chief of the Cherokee nation. In a just country, Wilma would have been President.” It paralleled in many ways the LGBTQ movement that I personally feel activated by in the same profound way as many of the women in the audience and in the cast. One of the more beautiful moments presented was the powerful coming together of all women for that historic 1977 women’s conference, where viewpoints and agendas from all walks of life had their say. ”
GLORIA: “In the end, Coretta Scott King comes forward with her bodyguard—a reminder of past tragedies and present danger.”
CORETTA: “Let this message go forth from Houston and spread all over this land. There is a new force, a new understanding, a new sisterhood against all injustice that has been born here. We will not be divided again.
I ask the delegates— to accept the entire Minority Women’s Plank—By acclamation.“
It reminded me of an interview with the compelling Lea DeLaria, an American comedian and actress renown for her outspoken political-ness, especially around the idea of the LGBTQ community. She rightly questions the inclusiveness of what all those letters stand for and wonders if they do stand for unity. Do they represent a solidarity of these communities or a categorical separation that hinders itself in its supposed support? I wonder about that, post-show, on the subway home, thinking about the Women’s March on Washington where so many amazing women and others turned out in the thousands world-wide protesting the horrible-ness of the #OrangeMonster and all that he stands for. I heard many men say, “it’s a Women’s March“, so they didn’t go, but the LGBTQ community turned out strong, linking their arms with the movement against the GOP powers that be. But months later, when the LGBTQ March on Washington occurred, many women stayed home, saying that it wasn’t their march, or something along the lines of, “I already marched“. And I get that, sort of. Protest-fatigue was settling in. But I turned out for both and as many more that I could, trying my hardest to be there protesting for every marginalized group, not just the one that I felt I belonged to.
It’s a strange brew, to find your cause, but also join with a greater cause that doesn’t exactly fit neatly in your persona, but understand the unity of the message, and how it relates to all. Be a proud male feminist, like that wonderful Prime Minister of Canada, Justin Trudeau who calls himself just that, or a gay male who stands with the Trans community and the Lesbian community for equal representation under the law. Or a privileged white woman who can rise up and resist the authorities over unfair immigration and border incarcerations. We need to sit around that talking circle and listen closely, and that find glorious and powerful shared power. I want to be a hope-aholic as well. Will you join me?
For more, go to frontmezzjunkies.com
Broadway
Theatre News: Wicked, Kimberly Akimbo, Alice in Neverland and Ballad of Dreams, The Night of the Iguana and Ode To The Wasp Woman
On Monday, October 30th, the blockbuster musical Wicked will celebrate its 20th Anniversary on Broadway, a milestone achieved by only three other Broadway productions in history. To commemorate this landmark, Wicked is partnering with several national organizations to celebrate all things Oz.
Additional Wicked celebrations, including cast appearances, New York City food and drink collaborations, and special events throughout the month of October, will be announced in the coming weeks.
A KIND OF RECIPE BOOK. FOR CHANGE…
In celebration of Wicked’s 20th Anniversary on Broadway, Moleskine has created a beautiful Wicked-inspired 20th Anniversary notebook that can be purchased in theatre, Moleskine Direct channels, and with several Moleskine wholesale partners, beginning October 23rd. This limited-edition notebook will inspire Wicked fans to put pen to paper (following in the footsteps of Wicked novelist Gregory Maguire and book writer Winnie Holzman) to bring their own stories to life.
PINK GOES GOOD WITH GREEN…
Hill House Home, a New York-based fashion brand founded by Nell Diamond, worked closely with Wicked’s Tony Award-winning costume designer, Susan Hilferty, to create a Wicked-inspired Nap Dress™ collection in honor of the show’s 20th anniversary. The collection will include two adult dresses and two children’s dresses inspired by the characters Glinda and Elphaba. The styles will be available for purchase online and in Hill House’s store at Rockefeller Center toward the end of the year.
LIKE A HANDPRINT ON MY HEART…
Little Words Project, which started in 2013 in founder Adriana Carrig’s parents’ basement, creates handcrafted word bracelets with messages of kindness and love that aim to support women and to remind us to be kind to one another. In the past ten years, the company has become a worldwide brand with an extremely engaged and loyal community of fans. This fall, Little Words Project is partnering with Wicked to create four exclusive bracelets inspired by the unique friendship between Elphaba and Glinda. The collection will be featured in all nine Little Words retail stores across the country. To honor 20 years on Broadway, Little Words Project has designed Wicked-inspired bracelets. Little Words Project creates handcrafted bracelets, each with an inspirational word displayed on the beads. The bracelets – in the spirit of the “pay it forward” movement – are meant to uplift the wearer, and then be passed on to someone else who needs them more. The Wicked bracelets are inspired by Glinda and Elphaba, who helped uplift one another through their friendship; they will feature the words “Wicked,” “Unlimited,” “Defy Gravity,” and “For Good.”
WHAT’S THE MOST SWANKIFIED PLACE IN TOWN?
Beginning October 6th, WICKED fans can indulge in the elegance of The Plaza Hotel’s Wicked–themed Afternoon Tea at The Plaza’s famed Palm Court Restaurant. The “Defying Gravi-tea” will feature special sweet and savory delights, like the “Look To The Brest’ern Sky” pate a choux, or the “Flying Monkey” Macaron. Under the Palm Court’s iconic dome, which will be lit Emerald Green, guests can also enjoy The Palm Court’s mixologists’ most Wicked cocktails in high Plaza fashion. The venue will be adorned with emerald-green accents, glittering with hints of emerald and black, paying homage to Wicked’s beloved story.
The Plaza is also offering “The Emerald City Experience,” which includes a stay at The Plaza, as well as tickets to the special 20th anniversary “Green Performance” of Wicked on October 29th, the Wicked-themed Afternoon Tea, a Playbill signed by the full company, and house car transportation to the Gershwin Theatre. For details, pls visit The Emerald City Experience | The Plaza (theplazany.com)
ONE SHORT DAY, FULL OF SO MUCH TO DO…
Capital One became Wicked’s official Credit Card Partner in May of this year, marking the first time the company has partnered with a Broadway musical. Eligible Capital One cardholders had pre-sale access to tickets for the anniversary performances on October 29th and 30th. Cardholders were also able to gain entry to exclusive events taking place at the Museum of Broadway during Wicked’s Anniversary weekend, featuring alumnae Brittney Johnson and Kara Lindsay, available only on Capital One Entertainment.
TWO BEST FRIENDS…
American Girl, known for helping girls grow up with courage, confidence, and strength of character, has teamed up with Wicked to celebrate their 2023 Girl of the Year™, Kavi Sharma™. Kavi is an Indian American girl growing up in New Jersey who loves singing, dancing, and performing with her friends. Her favorite Broadway show is Wicked and American Girl has designed special Wicked costumes for Kavi to celebrate her love of the musical.
Hear Your Song – a nonprofit organization dedicated to empowering young people with serious illnesses and complex health needs through collaborative songwriting – continues its partnership with Broadway’s Tony-award winning show Kimberly Akimbo with a special concert at Green Room 42 on November 12th at 7 pm. You can find tickets to the in-person concert and livestream alongside more details here.
In this evening of songs and performances from both Kimberly Akimbo and Hear Your Song, Broadway company members sing alongside youth songwriters to showcase the score of Kimberly Akimbo and a treasure trove of songs written by kids who, in a lot of ways, have a lot in common with Kimberly. There will be performances by Kimberly Akimbo company members, such as Tony nominee Justin Cooley, Alli Mauzey, Betsy Morgan, Miguel Gil and Alex Vinh, as well as children and teens from Hear Your Song.
Within this partnership, Hear Your Song participants had the opportunity to develop their own songs and gain a deeper understanding of the songwriting process through a songwriting masterclass led by Kimberly Akimbo’s creators, composer Jeanine Tesori and lyricist David Lindsay-Abaire. 16-year-old Hannah, who will be performing at the concert, is an accomplished youth songwriter living with Crohn’s Disease. She shared her songs with Tesori and Lindsay-Abaire in a virtual masterclass in March.
Hear Your Song’s mission is to provide a platform for youth to share their experiences and perspectives through the art of songwriting. By partnering with members of the Kimberly Akimbo team, Hear Your Song is able to offer a unique opportunity for young people living with serious illnesses to be heard by a wide audience as they learn from professionals in the industry and gain valuable skills and experience.
All of Hear Your Song’s programming is free of charge for youth and families. Please visit www.hearyoursong.org to learn more about how to get involved and donate to support hundreds of youth songwriters like Hannah.
A sequel to one of the most beloved stories of all time, Lewis Carrol’s “Alice in Wonderland,” and a prequel to J.M. Barrie’s “Peter Pan,” the new musical Alice in Neverland took place. The cast was led by Allie Seibold, Heath Saunders (Company), Kyle Selig (Mean Girls), Grace McLean (Bad Cinderella), Courtnee Carter (Parade) and Rob Colletti (Almost Famous).
Growing older and obsessed with her memories of Wonderland, Alice embarks on the daring journey to recapture youth – including the sacrifices that might be required to never grow up.
Alice in Neverland features book, music and lyrics by Phil Kenny and Reston Williams, director Catie Davis (Beetlejuice, Moulin Rouge), music director Kris Kukul(Beetlejuice), and general manager Joey Monda (Sing Out, Louise! Productions). The reading is being presented by six-time Tony Award® winning production team 42nd.club (& Juliet, Hadestown, Moulin Rouge).
Rounding out the reading cast are Travis Artz, Bobby Daye (Moulin Rouge), LaVon Fisher-Wilson (Chicago), Mia Gerachis, Stephanie Gibson (Charlie and the Chocolate Factory), Donnie Hammond, Benjamin Henderson, Eddie Korbich (The Music Man), Garth Kravits (Gettin’ the Band Back Together), Elliott Mattox (Beetlejuice), Tiffany Mann (Be More Chill), Adelina Mitchell, Chase Petersen, Honor Blue Savage, and Emmet Smith.
Based on the best-selling novel, Ballad of Dreams a new musical, will get an invite-only industry presentation on October 12, 2023, at Pearl Studios.
Inspired by a true story, a love letter to New York City, Ballad of Dreams illuminates the struggle of two resilient women fighting for their place in the glittering world of 1940’s theater, chasing the dream of being a performer and being a mother. Against insurmountable odds they must confront the universal question faced by women of every era: can we truly have it all?
Audrey McKenna, a vibrant grandmother and mother of thirteen, is confronted with the unfulfilled dreams of her youth to perform at Carnegie Hall in New York City, circa WW2. With the help of her best friend Rose, they each journey in discovering love, their own identities, and independence as women in a time when society tried to define that for them.
The cast includes Hunter Parrish (Broadway: To Kill a Mockingbird, Showtime’s “Weeds”), Erin Davie (Broadway: Diana, The Musical, Sunday in the Park with George), Nicholas Rodriguez (Broadway: Company), Allyson Hernandez (Off-Broadway: If This Hat Could Talk), Robb Sapp (Broadway: The Lion King, Wicked), Alan H. Green (Broadway: Charlie and the Chocolate Factory), Sharon Wheatley (Broadway: Come From Away), Neal Mayer (Broadway: Les Misérables), Emily Walton (Broadway: Come From Away), Elizabeth Bedley (Regional: A Chorus Line), Noah Wolfe (Regional: A Little Night Music), Laura Sky Herman (National Tour: Hello, Dolly!), Emily Jewel Hoder (Broadway: The Music Man) and Charlie Carroccio (Film:The 12 Days of Christmas Eve), with Harmony Harris (Associate Director), Jamibeth Margolis, CSA (Casting) LDK Productions (General Manager).
For more information on Ballad of Dreams, please visit www.BalladofDreams.com
La Femme Theatre Productions (Jean Lichty, Executive Director), renowned for its dedication to showcasing the diverse female experience, is set to illuminate the Off-Broadway stage this season with an evocative 21st century production of Tennessee Williams’s timeless masterpiece, The Night of the Iguana. Under the direction of Tony Award nominee, Emily Mann , this production will star Emmy Nominee Tim Daly (Broadway: The Caine Mutiny Court-Martial. TV: “The Sopranos,” “Madam Secretary,” “Wings’), Tony Award – Winner Daphne Rubin-Vega (Broadway: Rent, Anna in the Tropics), Drama Desk nominee Lea DeLaria(Netflix “Orange Is the New Black.” Broadway: POTUS) , Tony nominee Austin Pendleton (Broadway: Between Riverside and Crazy, The Minutes) , and Jean Lichty(Off-Broadway: La Femme’s A Lovely Sunday for Creve Coeur, The Traveling Lady ). It will begin performances on December 6 in advance of its opening on December 17. It will run through February 25, 2024 at The Irene Diamond Stage at The Pershing Square Signature Center (480 West 42nd Street, Jim Houghton Way) . The Night of the Iguana is not a production of Signature Theatre.
Sean Young (Blade Runner, Fatal Instinct) in Ode To The Wasp Woman, a new play by Rider McDowell (The Mercy Man, Wimbledon). The limited 13-week Off-Broadway engagement will play October 30, 2023 through January 31, 2023, at The Actors Temple Theatre (339 W. 47th St, NYC). Opening night is Thursday, November 9 at 7:30PM. Tickets are now on sale at Telecharge.com.
Ode To The Wasp Woman chronicles the last 48 hours in the lives of four 1950’s B movie stars; Susan Cabot, leading lady of the Roger Corman’s cult classic The Wasp Woman; George Reeves, the man who brought Superman to life on TV screens across America; Carl ‘Alfalfa’ Switzer of the beloved “Our Gang” comedies; B-movie queen Barbara Payton. The desperate and sensational events that lead to the demise of these four fallen stars are told in four one acts with music, a veritable homage to film noir and true crime.
Rider McDowell directs Sean Young as Susan Cabot, leading a company of actors, To be announced, portraying George ‘Superman’ Reeves, Carl ‘Alfalfa’ Switzer, and B-movie queen Barbara Payton.
Off Broadway
Let’s Talk to Lindsay Heather Pearce and Jordan Donica Guest Stars of The New Rock Musical, Exorcistic
Last night the York Theatre Company presented their production of Golden Rainbow, with book by Ernest Kinoy and music and lyrics by Walter Marks, the third offering of the Fall 2023 “Musicals in Mufti” series. Performances continue through Sunday, October 1, 2023.
Jonathan Brody
The show stars Max Von Essen (York’s Tenderloin)
Benjamin Pajak
Benjamin Pajak (Broadway’s The Music Man)
Mara Davi
Mara Davi (Broadway’s Dames at Sea)
Robert Cuccioli
Robert Cuccioli
Robert Cuccioli (York’s Rothschild & Sons)
Danielle Lee Greaves
Danielle Lee Greaves (Broadway’s Parade)
Felipe Barbosa Bombonato
Felipe Barbosa Bombonato (Les Misérables)
Jonathan Brody
Jonathan Brody (The Sorceress)
Nick Cearley
Nick Cearley (The Skivvies),
Jillian Louis
Jillian Louis (York’s The Game of Love),
Gina Milo
Gina Milo (York’s Subways Are for Sleeping)
Maria Wirries
Jillian Louis, Gina Milo, Maria Wirries
and Maria Wirries (York’s Penelope: or How The Odyssey Was Really Written).
Golden Rainbow is directed by Stuart Ross (York’s Enter Laughing), with music direction by David Hancock Turner (York’s Cheek to Cheek and Desperate Measures). The production team includes Lighting Designer Garett Pembrook, Projections/Sound Designer Peter Brucker, Production Manager Aaron Simms, Production Coordinator Noah Glaister, Production Stage Manager Hailey Delaney, Assistant Stage Manager Carson Ferguson, and Company Manager Tori Calderon-Caswell.
Jim Morgan, Producing Artistic Director
Walter Marks and Producer Riki Kane Larimer
The Golden Rainbow cast
Jim Morgan, Walter Marks, Director Stuart Ross
Walter Marks, Benjamin Pajak
Director Stuart Ross, Benjamin Pajak
the Golden Rainbow Cast
Robert Cuccioli
The band
Robert Cuccioli, Benjamin Pajak, Max Von Essen
Robert Cuccioli, Max Von Essen
Walter Marks, Benjamin Pajak, Producer Riki Kane Larimer, Director Stuart Ross
Jim Morgan, Walter Marks, Benjamin PajakProducer Riki Kane Larimer, Director Stuart Ross
Lee Roy Reams, Lorna Dallas, Max Von Essen
Jim Morgan, Lee Roy Reams, Lorna Dallas, Max Von Essen, Jamie deRoy
Jillian Louis, Max Von Essen, Gina Milo, Maria Wirries, Robert Cuccioli
Gina Milo, Jillian Louis, Nick Cearley, Maria Wirries
Jim Caruso, Max Von Essen, Nicholas King
Jim Morgan, Joan Ross Sorkin, Producer Riki Kane Larimer and the York board
By Jacqueline Parker
Nature’s reward for enduring a spate of rain and gloomy weather is a rainbow. The York has delivered just that in their latest production in their Mufti series, Golden Rainbow. This musical from the late 60s is always mentioned among aficionados of this art form with wistful smiles and fond remembrances. The York has brought it back to life in a version that features some new lyrics by original composer/lyricist Walter Marks that carry the storyline into this century.
Robert Cuccioli , Max Von Essen
Photo Credit: Rider R. Foster
From the opening notes of the Jule Styne-esque overture to the rousing finale, the audience was toe-and-finger tapping along to the sounds so evocative of the time when most of us were very young. The story itself is touching—a single father of a boy on the brink of teenhood must wrestle with the choice of saving his livelihood or letting his son move to the other side of the country with his aunt. The connection between father and son is made clear through several songs delivered touchingly by dad Max Von Essen and son Benjamin Pajak.
Mari Davis Photo Credit: Rider R. Foster
The arrival under a false pretense of Mara Davi as Aunt Judy sets the plot spinning and allows Robert Cuccioli as mobster Carmine Malatesta and Danielle Lee Greaves as Jill to play their part in the resolution with songs hilarious and touching.
Max Von Essen and Mara Davis Photo Credit: Rider R. Foster
If the story seems familiar it’s because it is taken from the film “A Hole in the Head,” based on the same source material, that starred Frank Sinatra and Eddie Hodges singing the Oscar-winning song High Hopes. Golden Rainbow opened in 1968 starring Steve Lawrence and Eydie Gorme in the leads. They were household names at the time, based on their talent and popularity from television appearances and cabaret performances.
Max Von Essen and Benjamin Pajak
Photo Credit: Rider R. Foster
Perhaps most impressive in this production was Von Essen’s version of the hit song “I Gotta Be Me.” It was haunting as it built in intensity and left the audience almost breathless at the end of Act 1.
Benjamin Pajak
Photo Credit: Rider R. Foster
Pajak, familiar to all from his recent appearances in Oliver! and The Music Man was astounding in his ability to project the at times heartbreaking and lovingly joyous emotions of his character.
Mari Davis Photo Credit: Rider R. Foster
Mara Davi’s character has her own roller coaster ride of emotions, which she transmits with style and conviction.
Robert Cuccioli Photo Credit: Rider R. Foster
Robert Cuccioli was hilarious as a mobster singing Taste,
Danielle Lee Greaves Photo Credit: Rider R. Foster
and Danielle Lee Greaves delivered two of the new songs, making me hope for a new recording of this terrific show soon.
Max Von Essen and Benjamin Pajak
Photo Credit: Rider R. Foster
The clock is ticking on this gem of a show – it closes Sunday, October 1st. Get your tickets at yorktheatre.org and find your own pot of gold at the end of this rainbow.
Max Von Essen and Mara Davis Photo Credit: Rider R. Foster
Broadway
Theatre News: Here We Are, Some Like It Hot, A Beautiful Noise, All The Devils Are Here: How Shakespeare Invented The Villain and The Laramie Project
The curtain rose last tonight on the first performance of the final Stephen Sondheim musical. Here We Are, the new musical from David Ives and Sondheim, is on stage at The Shed’s Griffin Theater (545 W. 30th Street), with an Opening Night on Sunday, October 22, for 15 weeks only.
Directed by two-time Tony Award winner Joe Mantello, the cast of Here We Are will feature Francois Battiste, Tracie Bennett, Bobby Cannavale, Micaela Diamond, Amber Gray, Jin Ha, Rachel Bay Jones, Denis O’Hare, Steven Pasquale, David Hyde Pierce, and Jeremy Shamos. The understudies for Here We Are are Adante Carter, Lindsay Nicole Chambers, Bradley Dean, Mehry Eslaminia, Adam Harrington, and Bligh Voth.
Here We Are is inspired by two films, The Discreet Charm of the Bourgeoisie and The Exterminating Angel, by Luis Buñuel.
Here We Are will include choreography by Sam Pinkleton, set design and costume design by David Zinn, lighting design by Natasha Katz, sound design by Tom Gibbons, orchestrations by Jonathan Tunick, musical supervision and additional arrangements by Alexander Gemignani, hair & make-up design by Wigmaker Associates, and casting by The Telsey Office.
Tickets are on sale on TheShed.org.
For each performance, a limited number of $25 tickets will be available via a weekly lottery, which will open for entries on the TodayTix app each Sunday at 12:01 AM for the coming week’s performances and will close at 12:00 PM on the day before each performance. Winners will be notified by push notification and email between 1 – 4 PM on the day before their selected show, and will have 30 minutes to claim their tickets in the app. Entrants may request 1 or 2 tickets, and entry is free and open to all.
Via TodayTix’s mobile rush program, a limited number of $40 same-day rush tickets will be available for that day’s performance of Here We Are at 9:00 AM each day on a first-come, first-served basis. Users can download the app and “unlock” rush tickets by sharing the program on social media ahead of their desired performance day.
The most award-winning musical of the 2022-2023 season, Some Like It Hot, will play for 13 more weeks through Saturday, December 30, 2023, at Broadway’s Shubert Theatre (225 West 44th Street) before launching a national tour and West End production.
Awarded Best Musical by The Drama League, Drama Desk and Outer Critics Circle, Some Like It Hot received over 20+ major awards throughout the 2022-2023 season, including four Tony Awards for Best Lead Actor in a Musical (J. Harrison Ghee), Best Choreography (Casey Nicholaw), Best Orchestrations (Charlie Rosen & Bryan Carter) and Best Costumes in a Musical (Gregg Barnes). J. Harrison Ghee made history as the first non-binary performer to take home the Tony Award in their category.
A national tour will launch in September 2024 and a West End production will follow in 2025, produced by The Shubert Organization and Neil Meron in partnership with Ambassador Theatre Group.
At the time of the final performance, the production will have played the Shubert Theatre for over a year, for a total of 483 performances.
Will Swenson and the cast. Photo by Julieta Cervantes.
Will Swenson, who is electrifying audiences with his star turn in A Beautiful Noise, The Neil Diamond Musical, will play his final performance as ‘Neil Diamond – Then’ at the Broadhurst Theatre (235 West 44th Street) on Sunday, October 29. Casting for the role of ‘Neil Diamond – Then’ will be announced at a future date.
The unofficial commencement of “spooky season” takes place this Friday, September 29, when Tony Award® Nominee and Grammy Award® Winner Patrick Page returns to the New York stage in All The Devils Are Here: How Shakespeare Invented The Villain, a new work created and performed by Mr. Page, based on the villains of William Shakespeare. Directed by Simon Godwin, the solo show will play the DR2 Theatre (103 E 15th Street) beginning Friday, September 29, with an Opening Night set for Monday, October 16, for 14 weeks only.
Tickets are now available at allthedevilsplay.com, Telecharge or by visiting the DR2 Theatre box office (103 E 15th Street).
Julie White
Julie White and Brandon Uranowitz will join Ato Blankson-Wood in a staged benefit reading of The Laramie Project. Moises Kaufman and the Members of Tectonic Theatre Project’s The Laramie Project, will bedirected by Dustin Wills (Wolf Play, Wet Brain). The event, which will raise funds to support the work of The Trevor Project, will take place on Monday, October 16th at 7:00 PM at Peter Norton Symphony Space, and is being produced by District Productions. Additional casting is soon to be announced. For tickets and more information, visit https://www.symphonyspace.org/events/vp-the-laramie-project-a-benefit-staged-reading
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