He Says: Roundabout Gets Lost on its Way to Scotland, PA
It’s a delicate dance, this new musical being staged at Roundabout‘s Off-Broadway house, the Laura Pels Theatre. It’s a big bloody splash of a musical based on a 2001 movie, which in turn is a modern retelling of Shakespeare’s Macbeth set in 1970s suburbia, but to make matters even more daunting, the creators are going for a stoner slacker comedy laced with a violent tragedy all packed inside a musical entitled Scotland, PA. They get lost on their way, maybe because of different theatrical signs pointing in opposite directions. Comedy this way. Tragedy that, but I give them a ton of credit for trying, as its a feat that would strike down even the most adventurous and daring souls on the planet. Macbeth (which I’m excitedly seeing tonight at Classic Stage downtown) is not, in general, wrapped up in comedic psychedelic dreams of a better future, nor is he an unambitious dim dude with little drive working at a burger joint. He’s quite something else; powerful and desirous, needing just a small push towards violence to dive in fully, but within the book by Michael Mitnick (Fly by Night) and music & lyrics by Adam Gwon (Ordinary Days), Scotland, PA tries to deliver the tale under some very different pointed arches, giving us a dude comedy and bloody tragedy on all sharp edged fronts. Not a terrible idea, to find a different twist on a deep frier, but the show never quite finds the right amount of condiments needed to pull this off.
It’s a crash bang beginning, on our way into Scotland, PA, lead by The Stoners against some tree flats. It’s a bloody tragedy, this musical, and not in Shakespearian terms, although, somewhere within “Destiny, Part One“, the first tuneful number of the show, well sung by the stand-ins for the three treacherous witches; Stacey portrayed by Wonu Ogunfowora (Broadway/tour’s Summer), Jessie portrayed by Alysha Umphress (Off-Broadway’s Smokey Joe’s Cafe) and Hector played by Kaleb Wells (Kennedy Center’s The Who’s Tommy) – named for no apparent reason. They sing about one guy who wants to get his shot, but not exactly in the same vein as Shakespeare. They “changed some shit“, and in there is a glimmer of hope and good wishes in their other world creation. It feels like a solid beginning, finding an original vantage point to access the complicated mystical quality by giving us an entry into the farcical world of Scotland, PA. But somehow after that the view gets murky and that’s pretty much where the clever inventions come to a fast food stomach-ache end.
As directed with a energetic but faltering stance by Lonny Price (Broadway’s Lady Day…), Scotland, PA doesn’t know who or what it is, and it also never truly feels real or thoughtful. Structured around an original screenplay by Billy Morrissette, who based his adventure not only on Shakespeare’s Macbeth but also on his first job at a Dairy Queen, Mac, the man without the Macbeth vision for the future, embodied by the well meaning and vocally adept Ryan McCartan (Broadway’s Wicked) is not exactly nudged, but full on pushed hard towards his demise by his girlfriend, Pat, a stand-in for the Lady with the bad dreams and OCD hand-washing, played by the beautifully voiced Taylor Iman Jones (Broadway’s Head Over Heels). They are struggling to survive, living a“Bad Dream” working at a fast food joint, owned by the obnoxious Duncan, played by Jeb Brown (Broadway’s Beautiful). Mac seems content, enjoying the love of his Lady and his easy life, but Pat is worried about the dead end road they are living on, singing about “What We’ve Got” in the negative, rather than seeing the easy positive as Mac does. There’s a lot about Pat I’m not quite sure about, though, like why is the Lady Macbeth character named Pat, for one (not important, I know, but still…), but more importantly, the character puts all her dreams and hopes for a better future on to her boyfriend’s broad shoulders, rather than ever looking inside herself for her own. Not very feminist of her, but I guess, similarly to Shakespearian times, the 1970’s wasn’t all that advanced…or was it? Their communion, “Clairvoyant” is the best thing to hold onto during the whole two act evening, but it still never fully sits well in my stomach that this character would push for these things so hard, but find nothing inside herself other than her predetermined dramatic “Soliloquy” at the end of it all.
The tragedy runs its course, wisely and with wit, deep frying out Duncan on a botched plan that leaves Mac and Pat running the burger show up to franchise heaven, turning his ideas that were once ignored into MacBeth gold. The other characters living alongside at the burger joint seem to find a better structure to inhabit. Mac’s best buddy, the silly slacker Banko, played to perfection by the wonderfully engaging Jay Armstrong Johnson (Encores’ A Chorus Line) incorporates just the right balance of humor and empathy into his formulation, especially with his hilarious show stopper “Kick-Ass Party“. He finds a way to be both ridiculously funny and emotionally present, so much so that we feel for him more than anyone as he non-stop chatters away in the forest with his buddy Mac. Mrs. Lenox, a throwaway part played by the delicious Lacretta (off-Broadway’s Avenue Q), and all those roles portrayed by David Rossmer (Broadway’s Titanic) deliver the meal happily and readily. But there, hidden away inside the bratty young Malcolm, the son of Duncan, portrayed by the appealing newcomer Will Meyers (NYMF’s Generation Me) is a delicious Chicken MacNugget of a song, “Why I Love Football“, that even when sung with the wobbling sweet voice of Meyers, brings the house down in unexpected joy. It’s surprising and clear, and maybe needs a better show to wrap its big strong arms around this wonderful cute creation of a football player.
These are the moments that find the energy and the fun, even when squished down by the awkward choreography of Josh Rhodes (Broadway’s Bright Star). The music direction by Vadim Feichtner (Broadway’s Falsettos), with orchestrations by Frank Galgano & Matt Castle (Roundabout/Fiasco’s Into the Woods) find the right tones for 1970s fun, particularly when the delightfully odd “Peg McDuff is on The Case” joins in. Embodied by the wonderfully droll “Columbo’s got nothing on me” Megan Lawrence (Broadway’s Holiday Inn) as Detective McDuff, the song and the character just never lets go until it feels just right. There is also goodness and fulfillment in one or two of the other burger songs, but the balancing of genres and the all smiles vantage point doesn’t make this a filling happy meal all around.
In the musical Scotland, PA, revenge is just a side dish deep fried and crunchy. The dark new musical comedy never really finds a way to completely cook up a super sized plan to take on Shakespearian tragedy and international fast food conglomerate power. Mac’s quick move from delightful doofus to driving ambition never feels locked, stocked, and ready to fire, even as the bodies fall. Played out on a garish franchised set designed by Anna Louizos (Broadway’s School of Rock), with standardized paper crowned costuming by Tracy Christensen (Broadway’s Sunset Boulevard), clear-edged lighting by Jeanette Yew (Daryl Roth’s Gloria: A Life), and a solid sound design by Jon Weston (Broadway’s She Loves Me), the Roundabout has fully embraced the locational structure of the kingdon, thinking they are being very clever and hilarious when it isn’t supersized. The need for “More” cause “Everybody’s Hungry” never really finds it’s way to “Heaven“. The taste of the American fast food dream feels as unsettling as buying a healthy salad at a Burger King.
For more, go to frontmezzjunkies.com
Theatre News: Smash, I Need That, Good Night, Oscar, Funny Girl, This Beautiful Lady and In The Trenches: A Parenting Musical
The NBC television series Smash is coming to Broadway for the 2024-2025 season. Robert Greenblatt, Neil Meron and Steven Spielberg will produce. The musical will feature a book co-written by three-time Tony Award nominee Rick Elice and Tony winner Bob Martin. Tony and Grammy winners Marc Shaiman and Scott Wittman (Some Like It Hot). The team earned three Emmy nominations for their songs from the “Smash” series will pen the score, which will feature numbers from the TV show.
Five-time Tony winner Susan Stroman (New York, New York) will direct and Tony nominee and Emmy Award winner Joshua Bergasse will choreograph.
The series was created by Theresa Rebeck and Spielberg, launch the series. Spielberg is also one of the co-producers of Good Night, Oscar, which begins performances at the Belasco Theatre on April 7.
Official dates, theater, creative team and casting for the “Smash” stage musical will be announced at a later date.
Speaking of the Pulitzer Prize finalist playwright Theresa Rebeck, Danny DeVito and Lucy DeVito are set to star in her new play I Need That at the Roundabout. The new comedy will be directed by Tony nominee Moritz von Stuelpnagel which will open at the American Airlines Theatre in October. The cast will also include Ray Anthony Thomas. … Also newly announced for Roundabout’s new Broadway season is a spring 2024 revival of Samm-Art Williams’ 1980 Tony-nominated play “Home.” Tony winner Kenny Leon will direct
Speaking of Good Night, Oscar, Doug Wright’s play was named finalist for 2023 new play award by The American Theatre Critics Association. The other six finalists for the 2023 Harold and Mimi Steinberg/ATCA New Play Award include: Born With Teeth by Liz Duffy Adams, the ripple, the wave that carried me home by Christina Anderson, Sally & Tom by Suzan-Lori Parks, Spay by Madison Fiedler and
Swing State by Rebecca Gilman.
Paolo Montalban and Anne L. Nathan are joining Lea Michele in Funny Girl as Florenz Ziegfield and Mrs. Strakosh. Montalban and Nathan will replace original cast members Peter Francis James and Toni DiBuono, who take their final bows on March 26th.
Elizabeth Swados’ This Beautiful Lady will play at La MaMa this May. Previews will begin May 5 for the Off-Broadway run ahead of the May 8 press opening, with performances set through May 28 in the Ellen Stewart Theatre.
In The Trenches: A Parenting Musical, with book, music, and lyrics by Graham & Kristina Fuller, will receive industry readings on Friday, March 24th at 11am & 3pm at Ripley Grier Studios. The readings will be directed by Jen Wineman (Dog Man: The Musical) and will feature music direction by Rebekah Bruce (Mean Girls) and arrangements by Dan Graeber, Graham & Kristina Fuller.
The cast of In The Trenches features Amanda Jane Cooper (Wicked), Jelani Remy (The Lion King, Ain’t Too Proud), Christine Dwyer (Wicked), Caesar Samayoa (Come From Away), Max Crumm (Grease, Disaster!), and Vidushi Goyal.Join two bleary-eyed young parents as they trudge through the trenches and discover their new post-baby identities. In an evening of new-parent greatest hits, a foul-mouthed toddler zeroes in on “the most dangerous thing in the room”, tap dancing towards bleach, knives, and tide pods; a chronically-overlooked younger sibling sings the “second child blues”; a mom trio celebrates yoga pants in an R&B love song to the “official mom uniform”; dad discovers he’s not the “ice-cream and movie-night cool parent” but rather the “do your homework real parent” amid a kiddo sugar-crash; and mom retrieves a sticky, hair-covered pacifier from the floor of a LaGuardia bathroom while her baby screams bloody murder and her flight boards without her.
Jason Robert Brown, Chuck Cooper, Janet Dacal, Sutton Foster, Lillias White and More To Perform at TheaterWorksUSA Spring Gala
TheaterWorksUSA, currently presenting the hit family show Dog Man The Musical at New World Stages, will host its annual Spring Gala on Monday, April 24 (cocktails begin at 6 PM) at The Current at Chelsea Piers.
100% of the net proceeds from the event will support our mission to create exceptional, transformative theatrical experiences that are accessible to young and family audiences in diverse communities across New York City and North America.
This year TWUSA will honor Lisa Chanel (TWUSA Board Chair 2019-2022), Andréa Burns (Award-winning Broadway actress & educator), Peter Flynn (TWUSA alumnus and award-winning director, writer, and educator), and Holly McGhee (Founder and Creator of Pippin Properties, New York Times best selling author). The event will feature appearances by some of Broadway’s biggest stars, including Jason Robert Brown, Chuck Cooper, Janet Dacal, Kevin Del Aguila, Sutton Foster, Lillias White and more.
On behalf of TheaterWorksUSA’s Board of Directors, we are thrilled to celebrate the people who have generously supported our mission, making it possible for us to bring high-quality theater to young audiences of all backgrounds throughout the country. We look forward to recognizing Lisa, Andréa, Peter, and Holly publicly at this very special event. – Tracy A. Stein, Board Chair
It’s a privilege to honor these individuals for playing such an important role in the work we do. Their vision, creativity, and ongoing commitment to our mission is truly something to celebrate. They are very much a part of our TheaterworksUSA family.- Barbara Pasternack, Artistic Director
TheaterWorksUSA (Barbara Pasternack, Artistic Director; Michael Harrington, Executive Director) has led the Theater for Young and Family Audiences movement in New York City and across North America for over half a century. At TWUSA, we believe that access to art—and theater, in particular—is vital for our youth. Since 1961, the 501(c)3 not-for-profit has captured the imaginations of 100 million new and veteran theatergoers with an award-winning repertoire of over 140 original plays and musicals. Acclaimed alumni include Kristen Anderson-Lopez and Robert Lopez (Disney’s Frozen), Daphne Rubin-Vega (Rent), Jerry Zaks (The Music Man), Benj Pasek and Justin Paul (Dear Evan Hansen), Miguel Cervantes (Hamilton), Kathleen Chalfant (Angels in America), and Chuck Cooper (Tony award-winning actor, The Life). WWW.TWUSA.ORG
Theatre News: Bob Fosse’s Dancin’, Parade, The Shubert Organization Donates to ECF and Millennials Are Killing Musicals,
Tovah Feldshuh, Huma Abedin, Hillary Clinton at Opening Night of Bob Fosse’s DANCIN’. Photo by Emilio Madrid
The curtain was raised last night at The Music Box Theatre (239 West 45th Street) as Bob Fosse’s Dancin’, the American showbusiness legend’s landmark musical tribute to the artform that defined his life, opened on Broadway 45 years after the original smash-hit production premiered. The production’s direction and musical staging is by Tony Award-winner Wayne Cilento, one of the stars of the original Broadway production, and is produced in cooperation with Nicole Fosse.
In attendance on opening night were Secretary Hillary Rodham Clinton, Nicole Fosse; original A Chorus Line cast members Baayork Lee, Donna McKechnie, Priscilla Lopez; Chita Rivera; Erich Bergen; Jordan E. Cooper; Tovah Feldshuh; J. Harrison Ghee; Jane Krakowski; Adam Lambert; Ralph Macchio; Abby Lee Miller; Audra McDonald; Casey Nicholaw; Justin Peck; Tiler Peck; Bernadette Peters; Tonya Pinkins; Tony Roberts; David Rockwell; Krysta Rodriguez; Christopher Sieber; Jennifer Simard; Will Swenson and more.
Dancin’is Fosse’s full-throated, full-bodied celebration of dancers and dancing. Utterly reimagined for the 21st century, this Dancin’brims with a level of warmth, emotion, and color seldom seen in modern interpretations of Fosse’s influential style and features some of his most inventive and rarely performed choreography. With New York’s hottest cast performing wall-to-wall dance, including Fosse classics such as “Mr. Bojangles,” and “Sing Sing Sing.” Dancin’ delivers the quintessential Broadway experience for Fosse fans and first-timers alike. You think you’ve seen dancing, but you’ve never seen Dancin’like this.
The cast, consisting of some of the best of Broadway’s elite dancers includes Ioana Alfonso (Hometown: Miami via DR/PR), Yeman Brown (Hometown: Tallahassee, FL), Peter John Chursin (Hometown: San Francisco, CA), Dylis Croman (Hometown: Dallas, TX), Jovan Dansberry (Hometown: St. Louis, MO), Karli Dinardo (Hometown: Melbourne, Australia), Tony d’Alelio (Hometown: Roanoke, VA), Aydin Eyikan (Hometown: Fairfield, CT), Pedro Garza (Hometown: Abilene, Texas), Jacob Guzman (Hometown: Brockton, MA), Manuel Herrera (Hometown: Charlotte, NC), Afra Hines (Hometown: Miami, FL), Gabriel Hyman (Hometown: Chesapeake, VA), Kolton Krouse (Hometown: Gilbert, Arizona), Mattie Love(Hometown: Layton, UT), Krystal Mackie (Hometown: Brooklyn, NY), Yani Marin (Hometown: Miami, FL), Nando Morland (Hometown: Colombia / Denver, CO), Khori Michelle Petinaud (Hometown: Centreville, VA), Ida Saki (Hometown: Dallas, TX), Ron Todorowski (Hometown: Pittsburgh, PA), and Neka Zang (Hometown: Scottsdale, AZ).
Bob Fosse’s Dancin’ is produced by Joey Parnes, Hunter Arnold, Kayla Greenspan, Rodger Hess & Michael Seago, Jay Alix & Una Jackman, Bob Boyett, The Shubert Organization, James L. Nederlander, Tim Forbes, Carson Gleberman, Park West Productions, McCabe Ventures, Fran Kirmser & Jodi Kaplan, Greg Young, The Fabulous Invalid, Julie Hess & Tommy Hess, and The Old Globe in cooperation with Nicole Fosse.
Bob Fosse’s Dancin’ originally opened on Broadway at the Broadhurst Theatre on March 27, 1978 and later transferred to the Ambassador Theatre. The production ran for 1,774 performances. Dancin’ was nominated for seven Tony Awards, including Best Musical, and brought Fosse his seventh Tony Award for Best Choreography.
This production of Bob Fosse’s Dancin’ premiered at San Diego’s Old Globe Theatre from April 19, 2022, to June 5, 2022.
Interscope Records is proud to announce the cast album for the “brilliant” (Variety) 2023 revival of Parade — Alfred Uhry and Jason Robert Brown’s award-winning musical, which opened on March 16 at New York’s Bernard B. Jacobs Theatre to rave reviews. Parade (2023 Broadway Cast Recording) features the vocal talents of Tony, Grammy, and Emmy Award® winner Ben Platt and Micaela Diamond and conducted by composer Jason Robert Brown, and will be released on Thursday, March 23. Pre-order it HERE.
Leo and Lucille Frank (Ben Platt and Micaela Diamond) are a newlywed Jewish couple struggling to make a life in the old red hills of Georgia. When Leo is accused of an unspeakable crime, it propels them into an unimaginable test of faith, humanity, justice, and devotion. Riveting and gloriously hopeful, Parade reminds us that to love, we must truly see one another.
The current revival of Parade, which is directed by two-time Tony Award nominee Michael Arden, has received overwhelming acclaim since its debut. Entertainment Weekly called it “a phenomenal production that feels more poignant and powerful than ever,” while Variety said, “Ben Platt stuns in a powerful Broadway production of an essential American musical.”
Platt (Dear Evan Hansen, The Book of Mormon) and Diamond’s performances (The Cher Show) were singled out for praise. Deadline gushed “Ben Platt has no trouble reminding us just why he’s become one of Broadway’s most beloved performers. His vocals here are stunning in a pitch-perfect performance,” while The Guardian raved that “Micaela Diamond’s singing voice is luminous.” “Micaela Diamond, as Lucille Frank, breaks your heart with no affectation whatsoever, and a voice directly wired to her emotions,” wrote The New York Times in its Critic’s Pick review. Tickets are available now at www.paradebroadway.com.
Parade (2023 Broadway Cast Recording) showcases their voices, as well as other members of the all-star cast, while capturing the essence of a musical that, Entertainment Weekly writes, “is the most gorgeous production on Broadway.” Viewers will get a special preview of the musical on March 23 when Platt and Diamond perform its signature ballad “This Is Not Over Yet” on NBC’s Today accompanied by Jason Robert Brown on piano.
Out of the Box Theatrics (Elizabeth Flemming, Founder and Producing Artistic Director; Ethan Paulini, Associate Artistic Director) is pleased to announce that Grammy and Emmy Award winner Kristolyn Lloyd (Dear Evan Hansen) will star in the Off-Broadway developmental production of Millennials Are Killing Musicals, written by Drama League songwriting contest and NAMT Challenge winner Nico Juber. The production, to be directed by Ciara Renée(Waitress, Frozen), will play a limited engagement from May 7-28, 2023, at Theatre 71 at the Church of the Blessed Sacrament (152 West 71st Street). Opening night is May 15. Tickets are on sale now at Ovation Tix.
The Entertainment Community Fund, formerly The Actors Fund, the national human services organization supporting the needs of those working in the entertainment and performing arts industry, today announced that The Shubert Organization has made a $5 million gift to the Fund to support expansion of The Samuel J. Friedman Health Center for the Performing Arts in New York City, the Actors Fund Home in Englewood, New Jersey, and affordable housing and a community arts center at The Hollywood Arts Collective in Los Angeles.
The $5 million gift will be used to expand doctors’ offices and services at The Samuel J. Friedman Health Center for the Performing Arts in New York City, with additional support to the Actors Fund Home in Englewood, NJ. Funds will also be used to bolster the construction and programs of The Hollywood Arts Collective, a new affordable housing and community arts center located in the heart of Hollywood where the Central Gardens will be named in honor of The Shubert Organization.
The Shubert Organization has long supported the Fund’s ongoing work to help people in performing arts and entertainment. In 2017, The Shubert Organization unveiled The Shubert Pavilion: an expansion to the Actors Fund Home, an assisted living and skilled nursing care facility located in Englewood, New Jersey. The Shubert Pavilion houses a 25-bed short-stay rehabilitation center available to the general public and intended for people who are recovering from illness or surgery, as well as 14 assisted living beds. The facility also includes a fully equipped gym for physical, occupational and speech therapies.
Robert E. Wankel, Chairman and CEO of The Shubert Organization, also serves as Chair of The Actors Fund Housing Development Corporation Board of Directors, a role in which he supports and guides the development of affordable housing for the performing arts and entertainment community to improve lives, create jobs, foster economic development and revitalize communities. In 2022, Wankel received the Entertainment Community Fund’s Medal of Honor, an award presented at the Fund’s annual gala that recognizes individuals who have had a profound impact on the entertainment community.
“The Entertainment Community Fund is honored by the long-standing commitment of The Shubert Organization and the countless ways it supports our work to provide a safety net for people in the performing arts community,” said Fund Board Chair Brian Stokes Mitchell. “A special thank you to Bob Wankel for his continued leadership not only at The Shubert Organization, but also with the Actors Fund Housing Development Corporation Board of Directors.”
“The Shubert Organization is proud to strengthen the Entertainment Community Fund’s ability to provide affordable housing, medical care, emergency financial assistance and so much more to those in our industry,” said Robert E. Wankel. “We look forward to all that’s to come in our ongoing collaborations, from Englewood to Times Square to Hollywood and beyond.”
Tech2 years ago
How to Take Advantage of Virtual Numbers for SMS
Business2 years ago
Entre Institute Review – Is Jeff Lerner’s Program a Scam?
Entertainment2 years ago
A Star is Born – Barvina Takes Entertainment World by Storm
Events3 months ago
New Year’s Eve Traditions In The US and Around The World
Film9 months ago
Elvis and The Mob Connection
Broadway2 years ago
Broadway Reopening: The Theatre Listings
Spiritual2 years ago
The History of Numerology
Events2 years ago
The Question On Everyone’s Mind Should Be How Did The Haitians Get To Mexico
Family2 years ago
Who Is Justine Ang Fonte and Why Are We Letting Her Near Children?
Broadway11 months ago
Funny Girl Makes Julie Benko a Star