I thought my family was dysfunctional, but after seeing Hir at Playwright’s Horizon I would really hate to meet Taylor Mac’s real life family.
The play begins as Isaac (Cameron Scoggins), enters his family home after three years at war. What awaits him is a home that looks as if a tornado has entered the inside and run amuck. Set designer David Zinn, must have had a ball. We are left wonder if this is a family moving in or out? His father Arnold (Daniel Oreskes) is in full clown make-up with a dress on. His mother Paige (the exquisite Kristine Nielsen), tells her son, “He’s not all there, It’s O.K. He doesn’t even know.” She then blends a shake full of pills including estrogen and gives it to Arnold and tells him to drink, stating that he had a stroke and can barely speak. The air condition is at full blast as Arnold is freezing. When Isaac tries to turn it off and take the make-up off his father, his mother turns on him. Isaac’s bedroom is no longer his room, his bed is the coach and his father’s a cardboard box. If all this was not bad enough his tomboyish sister, Maxine, is transgendering. Max (Tom Phelan) has made up his own language of Ze for “he” or “she” and Hir pronounced “here” for “his” and “her.”
All is not as it seems; Isaac was dishonorably released by the Mortuary Affairs department where he picked up dead body parts and has become a drug addict. Arnold regularly beat his family and the house hides the remnants. He had an affair where the woman tortured Paige. When he lost his plumbing job after 33 years to a Chinese-American woman, he raped Paige and had a stroke and this is her revenge.
Niegel Smith directs this horrific tale like a rollercoaster of the mad and insane. Isaac is constantly throwing up, as do we as we as we watch this American Horror story that is all too real. Paige’s treatment of Arnold is appalling, but he deserves all of this and more. The problem is when hate begets hate, all lose.
This cast is terrific, but it is Ms. Nielsen who is a tour de force of insanity that grounds this play. This performance is award winning, riveting and savage.
This is a hard play to watch, but it is hypnotic in it’s brutality.
“Don’t you pity him. We will not rewrite his history with pity.”
Hir: Playwrights Horizons, 416 W. 42nd St. Closes Nov. 29th.
The Marvelous Marilyn Maye Received Twelve Standing Ovations At The New York Pops
Karen Akers, Jim Caruso, Tony Danza, Jamie deRoy, Max von Essen, Melissa Errico, Bob Mackie, Susie Mosher, Sidney Myer, Josh Prince, Lee Roy Reams, Rex Reed, Randy Roberts, Mo Rocca , Mark Sendroff, Lee Roy Reams, Brenda Vaccaro and David Zippel were there to see and honor Cabaret legend and Grammy nominee Marilyn Maye. Maye who turns 95 April 10th, made her at Carnegie Hall solo debut last night with The New York Pops, led by Music Director and Conductor Steven Reineke.
Maye is a highly praised singer, actress, director, arranger, educator, Grammy nominated recording artist and a musical treasure. Her entire life has been committed to the art of song and performance and it showed with the 12 standing ovations she received.
Maye appeared 76 times on The Tonight Show Starring Johnny Carson, she was “discovered” by Steve Allen and had a RCA recording contract, seven albums and 34 singles.
The evening started out with the superlative New York Pops Overture of Mame, which Maye had played the title role.
Next a Cole Porter Medley with “Looking at You,” Concentrate On You,” “I Get A Kick Out Of You,” It’s Alright With Me,””Just One of Those Things,” “I’ve Got You Under My Skin,” and “All of You”. This was Marilyn’s second standing ovation. The first was when she stood on that stage for the first time and the audience was rapturous.
A terrific “It’s Today” from Mame with high flying kicks was the third ovation and wow can that woman kick.
A rainbow medley included “Look To The Rainbow” from Finnian’s Rainbow, the iconic “Somewhere Over The Rainbow,” the jazzy “Make Me Rainbows” and of course “The Rainbow Connection.” And with that another standing ovation.
“Put On A Happy Face” from Bye Bye Birdie.
Frank Loesser’s Joey, Joey, Joey brought on a fifth standing ovation. This song was a masterclass in acting and vocal nuance. For that matter every song that comes out of Ms. Maye’s mouth is perfection. Part of the brilliance of this night is her musical director, arranger, and pianist Ted Firth. That man is a genius.
Lerner and Loewe’s “On The Street Where You Live” from My Fair Lady ended the first act with a sixth standing ovation.
The overture from Hello Dolly! and then Cabaret shows Marilyn Maye also starred in opened the second act. The New York Pops sounded phenomenal as always.
“Your Gonna Hear From Me” from “Inside Daisy Clover was an appropriate starter for this next round as the audience got to its feet.
Maye’s most requested song “Guess Who I Saw Today” from New Faces of 1952 was followed by a show stopping “Fifty Percent” from Ballroom and of course another standing ovation.
Her next song was chosen by the Smithsonian Institute to be included in its permanent collection of recordings from the 20th century. Her recording of “Too Late Now” is considered by the Smithsonian to be one of the 110 Best American Compositions of the Twentieth Century and Ms. Maye showed us why and again another standing ovation.
A proclamation from The City of New York read by Steven Reineke to Marilyn Maye made this day Marilyn Maye Day. This treasure cried with joy as she sang Stephen Sondheim’s “I’m Still Here.” Though she forgot some of the lyric, Ms. Maye proved performing is all on the intent and connecting to the audience. Two more standing ovations were added here.
For encores, I was thrilled to hear James Taylor’s “Circle of Life” and “Here’s To Life,” which is my personal favorite, finally going back into “It’s Today” with those high kicks and a twelfth standing ovation. Bravo Ms. Maye!
If you are a singer and do not catch Ms. Maye live, you really do not care about your craft. Last night Ms. Maye made it clear why she’s been celebrated as one of America’s greatest jazz singers for more than 50 years and this was a night I will always remember. Thank-you New York Pops.
Don’t miss the Pop’s 40th Birthday Gala: This One’s For You: The Music Of Barry Manilow on Monday, May 1st. The gala will star Sean Bell, Erich Bergen, Betty Buckley, Charo, Deborah Cox, Danny Kornfeld, Norm Lewis, Melissa Manchester, Zal Owen, Eric Peters, Blake Roman, Billy Stritch, Steven Telsey, Max von Essen, Dionne Warwick, and more to be announced. This will be yet another New York Pop’s Night not to miss.
Ken Fallin’s Broadway: A Dolls House: Arian Moayed and Jessica Chastain
I went with T2C’s editor to A Dolls House, which inspired this caricature. You can read Suzanna’s review of the show here.
The Olivier Awards Return
Celebrate the very best in British theatre in a star-studded evening as the Olivier Awards return to the Royal Albert Hall on April 2nd.
Three-time Olivier Award nominee & Primetime Emmy winner, Hannah Waddingham will be hosting the awards for the first time.
The event will feature performances from all of the Best New Musical nominees, including The Band’s Visit, Standing At The Sky’s Edge, Sylvia and Tammy Faye. Also performing will be Oklahoma! and Sister Act, both nominated for the Best Musical Revival award, as well as Disney’s Newsies, which has been nominated for Matt Cole’s choreography.
The multi-Olivier Award winner The Book of Mormon, will be performing to mark its ten-year anniversary in the West End. Additionally, special award winner Arlene Philips will be honored with a tribute from the cast of Grease.
The ceremony will be broadcast live on Magic Radio from 6pm with Ruthie Henshall and Alice Arnold hosting.
The highlights program will also be aired on ITV1 and ITVX at 10:15 pm in the UK and via Official London Theatre’s YouTube channel elsewhere.
And the nominees are:
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