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Ice Theatre Of New York To Host Edge Classes

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Before the ice skating seasons starts join Ice Theatre of New York (ITNY) Edge Classes on Wednesdays at 1:30pm, September 14, 2022 through December 21, 2022 at Sky Rink, Chelsea Piers, NYC. Skaters can drop in for one session, or attend all fifteen. Single sessions are $20 each, a ten-class subscription is $150, and a fifteen-class subscription is $200. To register, please click here.

Taught by ITNY Ensemble Director, Elisa Angeli, the Edge Class allows adult figure skaters to hone their skating skills in a 60-minute session set to music, followed by an additional 20 minutes of free skating. Skaters must be proficient in their forward and backward skating with speed, able to do forward outside/inside three turns, and forward inside mohawks. Classes begin with simple exercises, then moves on to more complex patterns and ensemble skating – “birding” – exercises. Class will be taught by our Ensemble Director, Elisa Angeli or a guest ITNY teacher.
Developed by Olympic Champion John Curry as a daily class for his skating company, the format is now used to teach the Ice Theatre Ensemble, competitive, test, and recreational skaters. The classes’ on-ice format is similar to that of a dance class with a syllabus of exercises is taught to a variety of music choices. Participants practice a sequence of steps ranging from basic to more advanced difficulties. Sequences are then performed in small groups to develop spatial sensitivity and to facilitate ensemble choreography. The basic material may be incorporated into skaters’ daily warm-up routines while more advanced sequences may be modified for use in programming.
Mastery of the edges is the key to skating. The skater of the future will be the one who combines the athleticism of the triple/quadruple jump with the artistry that comes only through the mastery of the edges. Jumps and flying spins are energetic developments of edges and turns that are performed on the surface of the ice. Balance on these basic edges and turns not only facilitate athleticism but also are inseparable from artistry.
In the ITNY edge classes, skaters gain a repertory of exercises designed to develop skills necessary for accomplishing the athletic elements of skating. These exercises help create the freedom of ice movement essential to style. The classes focus in-depth on these basics:
•   Grounded knee bend (Plié)
•   Dynamic placement of the free leg
•   Twisting and the use of the arms to shape space
•   Full use of the eyes and head for balance and style
Through full and proper use of the body, skaters come in contact with their basic strengths and ultimately discover their own unique ice personalities.
Elisa Angeli (Ensemble Director) is an Italian ice dancer with recognition from the Italian Federation for Ice Skating, who studied Ballet with Ludmilla Vlassova (Bolshoi) and Giovanna Franzosi in Milan, and with Christine Wright at the Gibney Dance Center. She also studied Modern and Contemporary Dance at the Open Dance Center, New York, and at the Music, Art and Shows School, Milan. She studied Aerial Silks at the Streb Lab and at the Trapeze School in New York. Elisa had several years of contortion and extreme flexibility classes with J. Noan and O. Karmansky. Her expertise as a circus arts specialist allows Elisa to bring a unique element of excitement when skating as a principal performer and aerialist with ITNY. In 2009, Elisa participated with Ice Theatre of New York ® at the Premiere of “Wintuk” by Cirque du Soleil at Madison Square Garden. In Italy, she was an aerialist with the tour “Italian Champions on Ice,” with Ghiaccio Spettacolo, and performed in Munich with Spotlight Productions. Elisa has been with ITNY since 2008, and was on ITNY’s 2008 tour in France. In 2015 she became ITNY’s Ensemble Director. Elisa also works with Cirque-tacular Entertainment as an aerialist (since 2014), with which she performed in the show “The Art of Circus” in September 2016.
Founded by Moira North, ITNY’s mission is to celebrate and advance dance on ice as a performance art. Through its performances in both traditional and site-specific venues, ITNY presents ice dance that helps to open one’s eyes to seeing skating in new and unexpected ways. ITNY was the very first ice dance company to receive dance program funding from the National Endowment for the Arts, the New York State Council on the Arts and the New York City Department of Cultural Affairs. www.icetheatre.org

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

Live From The Hotel Edison Times Square Chronicles Presents John Patrick Shanley

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We are so pleased to announce our guest this week John Patrick Shanley is an American playwright, screenwriter, and director. He won the 1988 Academy Award for Best Original Screenplay for the film Moonstruck. His play, Doubt: A Parable, won the 2005 Pulitzer Prize for Drama Drama Desk Award and the 2005 Tony Award for Best Play; he wrote and directed the film adaptation and earned a nomination for the Academy Award for Best Adapted Screenplay.

Shanley is the author of more than 23 plays, which have been translated and performed around the world, including 80 productions a year in North America. He has often directed his own productions. In 1990, Shanley directed his script of Joe Versus the Volcano. Shanley also wrote two songs for the movie: Marooned Without You and The Cowboy Song. He wrote the screenplay for the film Congo (1995), which was based on the Michael Crichton book.

Shanley’s journey in playwriting began in the early 1980s, with his first play, Danny and the Deep Blue Sea, which premiered in 1984. This powerful drama showcased Shanley’s talent for creating deeply flawed, yet sympathetic characters.

In 2012, Shanley wrote the libretto for an opera version of Doubt: A Parable, which premiered at the Minnesota Opera in January 2013, with music by Douglas J. Cuomo. In 2012, his play Storefront Church ran Off-Broadway in a production by the Atlantic Theater Company. His play, Outside Mullingar, opened on Broadway at the Samuel J. Friedman Theatre, produced by the Manhattan starring Debra Messing and Brían F. O’Byrne.

Prodigal Son, which he directed, was produced Off-Broadway by the Manhattan Theatre Club. It starred Timothée Chalamet and Robert Sean Leonard. His play The Portuguese Kid opened on October 24, 2017, at the New York City Center Stage I. Directed by Shanley, the cast featured Jason Alexander, Sherie Rene Scott and Mary Testa. His new play Brooklyn Laundry opened on February 6, 2024, at the Manhattan Theatre Club. Shanley directed, with a cast featuring Cecily Strong and David Zayas.

The New York premiere of his new mystical comedy Banshee, starring Elizabeth Bays (Simpatico) and Erick Betancourt (Cost of Living), with David Zayas Jr. (Simpatico) directing for the Chain Theatre’s 2024 Summer One-Act Festival August 8 – September 1.

We are so proud and thrilled that Variety Entertainment News named us one of Summer’s Best Picks in the category of Best Television, Radio, Podcasts.

Host Suzanna Bowling was also just named Most Engaging Hosts on TV, Radio and Podcasts on “The Daily Geek Report.” We are so grateful.

“Live From The Hotel Edison Times Square Chronicles Presents ”, is a show filmed at the iconic Hotel Edison, before a live audience. To see our past episodes; First episode click here second episode click here,  third episode click here, fourth episode click here, fifth episode click here, sixth episode here, seventh episode here, eighth episode here, ninth episode here, tenth episode here, eleventh episode here, our twelfth episode here, thirteenth episode here, fourteenth here, fifteenth here , 16th here, 17th here, 18th here, 19th here, 20th here, 21st here and 22nd here.

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Celebrity

The Glorious Corner

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G.H. Harding

Madonna; Jellybean and David Salidor

MADONNA’S BACK — (via Deadline) Madonna is teasing she is back working on her biopic and is titling it Who’s That Girl.

The singer shared a social media post where she is seen with a typewriter and making edits to a movie script.

“I Need A-lot of Bandz to make this………..OKAY. (Story of my life),” she captioned the post on Instagram.

In one of the pictures from the slideshow Madonna teased, you see a line drawn across the title M Untitled. The new title of the biopic is Who’s That Girl, a nod to Madonna’s 1987 film and song of the same name.

The script is noted as being “Rewritten by Madonna and ECW.”

News of Madonna working on her biopic comes almost a year and a half after the project was paused indefinitely. In January 2023, it was reported that the film at Universal Pictures had been scrapped.

Madonna was set to direct the film about her life and career, penning the script with Diablo Cody and Erin Cressida Wilson. Julia Garner had been chosen by the Queen of Pop herself to star in the film after proving to be a standout in a singing and dancing boot camp.

Entertainment Weekly reports that Garner is still attached to star in the film now called Who’s That Girl.

Following the biopic getting put on pause, Madonna suffered a “serious bacterial infection: in June 2023, which made her postpone her Celebration Tour. After recovering from health complications, Madonna embarked on her tour in October 2023 with stops in cities like London, Paris, Brooklyn, Los Angeles, Las Vegas, Houston, San Francisco, Mexico City, Rio de Janeiro, and many more.

Having lived through Madonna’s hey-day (and survived) I will admit it’s quite the story: From Patrick Hernandez to 610 Broome Street, Jellybean, Shep, PR-man David Salidor, MTV, Mark Kamins, Preston Powell and Seymour Stein and Warren Beatty too, I wonder just how forthcoming she’ll be. To me, the truth is, those early days were simply astounding and do make a terrific story, but that said, they’ve have to be told honestly and a accurately.

Julia Garner would be great, though I wonder again, what exactly was involved in Madonna’s so-called boot camp? Madonna can be, somewhat demanding!

BIDEN OUT — I knew it was a forgone conclusion after that first (and last debate with Trump) but Biden is officially out; with Kamala Harris eyed as the new choice. Biden did, btw, endorse her, though as of this writing she has not been formally nominated.

Topsy-turvy? Yes. More to come? I’m sure. Stay tuned.

Amos Lee

SHORT TAKES — Amos Lee was terrifically impressive on CBS’ Saturday Sessions this weekend. Stellar in fact.

Adrian Niles

Reminded us of Adrian Niles from years ago … After a seemingly endless heat wave in NYC, I heard one of the weather-heads describe the break in the heat as borderline comfortableGuess Who Don’t Sue: What enterprising director had a red-hot doc ready to go on a iconic superstar, but he let his reps go fingering he could do it with his own mojo? He couldn’t and the deal fell through …

Steven J. Immerman

Brad Balfour interviewed Steven J. Immerman on his In Search Of Pleasure Island tome for the Irish Examiner. Check it out here: https://irishexaminerusa.com/wp/?p=29625

We watched Sofia Coppola’s On The Rocks with Bill Murray and Rashida Jones. Coppola’s Lost In Translation (2003) is perhaps my all-time favorite film. This was a different, lighter path, but we definitely give it a thumbs up. Murray, as usual, was terrific …

Katy Perry

I’m a bit bothered by all this media-backlash about Katy Perry and her comeback single “Women’s World.” There were disturbing items about it in both SHOWBIZ 411 (https://www.showbiz411.com/2024/07/19/katy-perrys-new-single-womans-world-fails-to-launch-with-just-3k-sold) and the Daily Mail (https://www.dailymail.co.uk/femail/article-13635579/Katy-Perry-comeback-music.html); citing everything from Dr. Luke’s involvement to a hideous video for the song. It all seems a bit unwarranted. It may not be “Firework,”  but not totally a disaster. Check it out: https://www.youtube.com/watch?v=EVIJUH29pjU … And, great quote from Peter Frampton on the passing of Bob Newhart: We were friends and when I took him to lunch, it was the Four Seasons. when he took me to lunch, it was some place else. It was the accountant in him.” Much-missed and thank you Bob! for all the laughs.

NAMES IN THE NEWS — Andrew Sandoval; Bob Merlis; Roy Trakin; Roger Grimsby; Bill Beutel; Spike Jonze; Tom & Lisa Cuddy; Kent & Laura Denmark; Susan Storm; Geraldo Rivera; Rosanna Scotto; Paul Mescal; Paul Undersinger; Harrison Jordon; Jordon Gray; Lori Immerman; Vinny Rich; Scott Stark; Don Wardell; Marsha Stern; Billy Smith; Robert Funaro; and CHIP!

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Out of Town

Stratford Festival’s Two Musicals: Something Rotten! & La Cage aux Folles Extended

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July 18, 2024…There was some great news coming from the Stratford Festival! Both of their acclaimed musicals – Something Rotten! and La Cage aux Folles – are being extended to mid-November.

Mark Uhre as Nick Bottom (centre-left) and Dan Chameroy as Nostradamus with members of the company of Something Rotten!. Stratford Festival 2024. Photo: Ann Baggley.

Mark Uhre as Nick Bottom with members of the company in Something Rotten!. Stratford Festival 2024. Photo: Ann Baggley.

Something Rotten!, the show that launched the Festival’s 2024 season in April, is being hailed by critics (including myself: read my review here) and audiences as one of the best musicals ever.

Helmed by director-choreographer Donna Feore (Stratford’s ChicagoBilly Elliot the Musical) with music director Laura Burton (Stratford’s You Can’t Stop the Beat), Something Rotten! is a hilarious, laugh-a-minute musical, filled with dazzling dance numbers and unforgettable songs, including “God, I Hate Shakespeare,” “Hard to Be the Bard” and “Welcome to the Renaissance.”

It follows a pair of discouraged playwrights, Nick and Nigel Bottom – played superbly by Mark Uhre (Broadway’s Les Misérables; Grand’s Seeds of Self) and Henry Firmston (Stratford’s Spamalot) – as they try to find a way to succeed in the theatre when their main competitor is the rock star William Shakespeare, played wonderfully by Jeff Lillico (Soulpepper/SignatureNYC’s Of Human Bondage). When Nick consults the soothsayer, Thomas Nostradamus, played deviously well by Dan Chameroy (Stratford’s Chicago), he sets out on a path to develop the world’s first musical, and true musical hilarity ensues.

The production also features Starr Domingue (Stratford’s Little Shop of Horrors) as Bea, Khadijah Roberts-Abdullah (Stratford’s A Wrinkle in Time) as Lady Clapham, Steve Ross (Stratford’s Love’s Labour’s Lost) as Shylock and Olivia Sinclair-Brisbane(Stratford’s Rent) as Portia.

Each and every performance is producing super-fans, who are returning time and again, asserting that Something Rotten! is really something fantastic. Less than halfway into the run, more than 4,000 people have returned to see the show for a second time – some more than twice!

“It’s pure unadulterated joy watching this production deliver world-class entertainment with an endless supply of laughs and spectacular song-and-dance numbers, one that I would happily return to again and again. Here’s to hoping this production finds a life beyond the Stratford Festival. Because these Bottom brothers have certainly found their way to be on top of that silly scene-stealin’ Shakespeare. Rightfully so.” – Frontmezzjunkies

Steve Ross as Albin playing Zaza (centre) with from left: Jordan Goodridge as Mercedes, Josh Doig as Chantal, David Andrew Reid as Bitelle, Eric Abel as Hanna, David Ball as Phaedra, and George Absi as Angelique in La Cage aux Folles. Stratford Festival 2024. Photo: David Hou.

Over at the Avon Theatre, the musical La Cage aux Folles has earned its extension, as it packs houses and makes headlines with a dazzling production, which at its heart is a touching family story about acceptance in a politically divided world.

It features the wonderful Sean Arbuckle (Stratford’s Casey and Diana), as Georges, the manager of a drag club in St. Tropez, and the incredible Steve Ross(Stratford’s Something Rotten!) as Albin, his life partner and the club’s star performer. Georges agrees to “play it straight” to meet the ultra-conservative parents of their son’s new fiancé, while Albin is shocked to discover that he is being sidelined. The ensuing clash unravels truth and consequences with heartwarming grace – and fabulous drag performances!

The production is directed by Thom Allison (Stratford’s Rent) and choreographed by Cameron Carver (Stratford’s Richard II) with music director Franklin Brasz (Stratford’s Chicago. It features Juan Chioran (Stratford’s Something Rotten!) as Edouard Dindon, James Daly (Off-Broadway’s Dracula – A Comedy of Terrors) as Jean-Michel, Sara Jeanne Hosie (Musical Stage’s The Wild Party) as Dindon’s wife, Marie, Starr Domingue (Stratford’s Something Rotten!) as Jacqueline, and Heather Kosik(Toronto’s Chris, Mrs) as Anne.

From left: Chris Vergara as Jacob, Sara-Jeanne Hosie as Mme. Dindon, Sean Arbuckle as Georges, James Daly as Jean-Michel, Heather Kosik as Anne and Juan Chioran as Edouard Dindon in La Cage aux Folles. Stratford Festival 2024. Photo: David Hou

The production features the unforgettable anthem “I Am What I Am,” sung by Steve Ross in what many are calling the performance of a lifetime, as he brings the character of Albin to vivid life: by day, a caring, if dramatic, spouse and parent, by night a star performer, the headliner of La Cage aux Folles, home of Les Cagelles, played electrically by Eric Abel (Stratford’s Frankenstein Revived), George Absi (Toronto’s Chris, Mrs), David Ball (Shaw’s Sweeney Todd), Josh Doig (Stratford’s Spamalot), Jordan Goodridge (Drayton’s The Music Man), and David Andrew Reid (Shaw’s Brigadoon). These drag performers entertain in supreme style, with opulent costumes and sensational hair and makeup. Their cabaret-style performances range from sexy and sultry to zany and outrageous. The show is a perfect combination of guts and glitter – with a whole lot of love thrown in.

“With all that glamorous glitter and high kicks by men in heels, those fiendishly fun flashy numbers, and all those wild laughs delivered by a pained pseudo-mom (and ourselves), La Cage Aux Folles still rings engagingly honest, touchingly endearing, and endlessly entertaining as it plays itself out, beautifully and hilariously, on the Stratford Festival stage. I’m not sure what the old-time festival audiences will think of it all, but, as directed by Thom Allison with care and a grand eye for fun and all those complex feelings, it would take one cold dark heart to not walk out of Stratford’s Avon Theatre singing those songs and feeling completely invigorated by their visit to La Cage Aux Folles. The cabaret might be the pride of Saint Tropez, but this revival has to now be one of the joys of Stratford. It truly is the best of times in this small Ontario town, with this show and that other hilariously well-done musical, Something Rotten!, together, walking down Ontario Street arm in arm, feeling as handsome and tall as a Festival could.”

Tickets for the additional performances listed below go on sale Friday, July 19, and are available at www.stratfordfestival.ca or by calling the box office at 1.800.567.1600. Tickets are still available for current performances.

Henry Firmston as Nigel Bottom and Olivia Sinclair-Brisbane as Portia with members of the company of Something Rotten!. Stratford Festival 2024. Photo: David Hou.

Something Rotten! Extension Dates:

Wednesday, October 30 at 2 p.m.

Thursday, October 31 at 2 p.m.

Saturday, November 2 at 8 p.m.

Sunday, November 3 at 2 p.m.

Tuesday, November 5 at 2 p.m.

Wednesday, November 6 at 2 p.m.

Saturday, November 9 at 2 p.m.

Sunday, November 10 at 2 p.m.

Wednesday, November 13 at 2 p.m.

Thursday, November 14 at 2 p.m.

Saturday, November 16 at 8 p.m.

Sunday, November 18 at 2 p.m.

Steve Ross as Albin playing Zaza (left) and Starr Domingue as Jacqueline in La Cage aux Folles. Stratford Festival 2024. Photo: David Hou.

La Cage aux Folles Extension Dates:

Tuesday, October 29 at 2 p.m.

Friday, November 1 at 2 p.m.

Saturday, November 2 at 2 p.m.

Thursday, November 7 at 2 p.m.

Friday, November 8 at 8 p.m.

Saturday, November 9 at 8 p.m.

Tuesday, November 12 at 2 p.m.

Friday, November 15 at 2 p.m.

Saturday, November 16 at 2 p.m.

Festival Theatre, 2003. Stratford Festival. Photo by Richard Bain.

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Broadway

Theatre News: Cast Albums, Queen of the Mist, Kimberly Akimbo and The Oyster Radio Hour

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The new Broadway cast recordings for The Great Gatsby, The Outsiders and Suffs are out. However Here We Are, the final Original Cast Recording from legendary composer Stephen Sondheim and Jason Robert Brown’s The Connector are out on YouTube and these are the best scores of the year.

Another CD out is My Favorite Things: The Rodgers & Hammerstein 80th Anniversary Concert: featuring a 40-piece orchestra and stars, including Michael Ball, Maria Friedman, Daniel Dae Kim, Audra McDonald, Aaron Tveit, and Patrick Wilson, the Concert was recorded live at London’s Theatre Royal Drury Lane. The celebration showcases original arrangements of Rodgers & Hammerstein’s iconic songs from Oklahoma!, South Pacific, Cinderella, The Sound of Music and more.

Mary Testa return to Queen of the Mist in New Jersey Concert Performances at New Jersey’s Montclair State University. The concert performances of Michael John LaChiusa’s Queen of the Mist featuring the work’s original star, Broadway favorite Mary Testa.

Adam Gwon and Sarah Hammond’s Richard Rodgers Award-winning musical String has joined BroadwayLicensing Global’s catalogue and is now available for professional and non-professional productions. The company also dropped a studio cast recording of the show July 16, which is now available on Spotify, Apple Music, and all digital platforms.

Carolee Carmello

Carolee Carmello

Three-Time Tony Nominee Carolee Carmello to Star in Kimberly Akimbo National Tour” by Broadway.com’s Darryn King – “Three-time Tony nominee Carolee Carmello will play Kimberly in the national tour of Kimberly Akimbo.

Little Island is bringing Tony Award® nominees Amber Gray (Hadestown) and Amber Iman (Lempicka) to perform in The Oyster Radio Hour, which begins performances on Wednesday, July 31 and will run through Sunday, August 4 as part of Little Island’s blockbuster summer season.

The Oyster Radio Hour is a live, three-act family-friendly radio show combining science, story and song that celebrates the resilience of oysters and their crucial ecological roles. Beginning at 8PM each evening, the show blends hope and interconnectedness, spotlighting the humble oyster’s journey of revival, including special Broadway guests Amber Gray and Amber Iman.

During The Oyster Radio Hour’s run in the Amph through August 4, the Island’s central plaza, known as the Play Ground, will transform from 6:30-10PM daily into a one-of-a-kind Oyster Market, with food and beverages curated and overseen by New Amsterdam Market founder and world-famous market designer Robert LaValva.

Alongside live oyster shucking, the market will feature 10 local vendors selling their unique culinary creations, which pair perfectly with the live performance. The local vendors include Real Mothershuckers, Oyster Party, Lobster Place, Houseman, Dayboat Blue, Cervo’s, Té Company, La Newyorkina, Chomps Elysées, and Pamina Dolce Gelato. Danny Childs, author of Slow Drinks, will make summer bespoke cocktails during a bar takeover on Friday, August 3.  

The Oyster Radio Hour is a collaboration between RR Sigel, who was the Associate Artistic Director of NY PopsUp in 2021; WNYC podcast producer Ana González, previously of Radiolab: For Kids; composer Angélica Negrón who has performed at Opera Philadelphia, the LA Philharmonic, NY Philharmonic, Seattle Symphony, Dallas Symphony Orchestra, and more; and Emmy® and Drama Desk Award®-nominated songwriter Mark Sonnenblick.

Keenan Tyler Oliphant (Hadestown) serves as director with Miller & Harlow as writers; Jeanette Oi-Suk Yew (Kimberly Akimbo) as lighting/video designer; Beth Lake(Camelot) as sound designer; Dr. Matthew Hare, Elliott Ma, Ayasha Guerin, Moody Harney, and Alan Michelson as audio interviewees; and Beatrice Perez-Arche as stage manager.

Little Island’s first annual, four-month-long summer season of world premieres, which kicked off on June 1, features a total of nine newly commissioned pieces. Little Island’s new arts program moves towards the future with a commitment to a multi-year roster of original work, all commissioned by and developed at Little Island. Bookended by the premiere of choreographer Twyla Tharp’s newest work How Long Blues and a 90-minute remix of Mozart’s The Marriage of Figaro in which outré opera diva Anthony Roth Costanzo sings every leading role, the season offers premieres of varying scales across all areas of performance – including music, dance, theater, opera, comedy, jazz, pop, and funk, all outdoors and directly sited on the Hudson River at 14th Street in New York City. The Amph, the park’s 700-seat amphitheater, will house larger scale performances at a $25 ticket price, while The Glade, the park’s

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Cabaret

My View: Lucie Arnaz Gloriously Finishes Her “Job” at 54 Below

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Lucie Arnaz concluded her “job” at 54 Below last night as she entranced a celebrity filled audience during the final night of her show titled “ I Got The Job”.   From beginning to end she garnered multiple ovations from an audience that included, Norm Lewis, Linda Purl, Murphy Cross, Paul Kreppel, Bill Hutton, Jamie deRoy, Rolanda Watts, Ken Fallin, MOIPEI, and many others.

LUCIE ARNAZ

LUCIE ARNAZ

LUCIE ARNAZ

LUCIE ARNAZ

LUCIE ARNAZ

EDA SOROKOFF, MOIPEI, NORM LEWIS

LUCIE ARNAZ & MARK SENDROFF

LUCIE ARNAZ & NORM LEWIS

RON ABEL & LUCIE ARNAZ

LINDA PURL & EDA SOROKOFF

RON ABEL, LUCIE ARNAZ, TODD McPHERESON

JAMIE deROY & RON ABEL

KEN FALLIN & STANLEY

EDA SOROKOFF, STEPHEN SOROKOFF, NORM LEWIS

RICHARD HILLMAN & ROLANDA WATTS

RON ABEL & TODD McPHERSON

MARK SENDROFF & LUCIE ARNAZ

THE PARTY

NORM LEWIS & EDA SOROKOFF

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