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Off Broadway

Imagining Madoff Left Me Wanting to Know The Truth

Imagining Madoff Left Me Wanting to Know The Truth
Jeremiah Kissel Photo by Jody Christopherson

Deb Margolin’s Imagining Madoff began in April 2010. One of the characters was based on Elie Wiesel and upset him so much that he called the play “obscene” and “defamatory”. He threatened legal action to prevent the play from being staged. Wiesel who was one of Madoff’s most notable victims, lost his life savings to Madoff’s in addition to more than $15 million to a charitable foundation he operated. Wiesel became a character in Imagining Madoff because Margolin felt that he was “synonymous with decency, morality, the struggle for human dignity and kindness”. The Wiesel character recounted his concentration camp experiences and provided meditations on repentance. Though Wiesel’s name is not being used, the role of Solomon Galkin (Gerry Bamman) does exactly that.

Jenny Allen Photo by Jody Christopherson

The main secretary for Madoff looked a little like Kris Jenner. She was anything but insecure and turned tail and worked for the FBI to convict Madoff. The secretary (Jenny Allen) whom I think Margolin is depicting, is made to seem like an insecure, low self esteemed woman, but she handled the financier’s top clients. When arrested and jailed she had as much as $50 million in her accounts, multi-million dollar homes in Long Island and Florida and drove a $100,000 Mercedes.

Jenny Allen, Jeremiah Kissel Photo by Jody Christopherson

I bring all this up, because in seeing Imagining Madoff every conversation seemed false. At first I thought it was because the actor playing Madoff (Jeremiah Kissell) played nine tenths of the play directly to me, literally. He is talking to a reporter and I seemed to be the person he chose. It was disconcerting, especially when comparing his penis to female genitalia and describing it as a wallet or talking about his female conquests.

Gerry Bamman, Jeremiah Kissel Photo by Jody Christopherson

The conversation between Galkin and Madoff, seems more like the tale of the big bad wolf and little red riding hood. I actually wondered when he was just going to finish the deed and eat the spiritual man, who seems to have lost his faith. By the way the story about Abraham, is about faith not trust.

Towards the end the secretary talks about the man who committed suicide and I thought could this possibly be the Galkin character? Turns out it was a well-connected hedge funder from Murphy’s Fairfield Greenwich fund who had invested more than $7 billion with Madoff and ended up paying out $125 million to settle a lawsuit related to the Madoff case.

The cast is competent. Director Jerry Herman does the best he can with the small space, but there was nothing new learned here and again nothing seemed based on reality. This was a case that affected over 21,000 victims and over $65 billion in paper wealth and $17.5 billion in cash. There is a much better story here.

Imagining Madoff: 59E59 Theatre’s, 59 East 59th St. until March 23rd.

Off Broadway

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email:

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