Lopez will executive produce alongside Elaine Goldsmith-Thomas and Benny Medina, as well as Craig Zadan and Neil Meron.
Will the Shriner’s scene be cut, because if anything is sexist this is. Plus Rosie has just gotten drunk, due to the fact Albert choose his mother over her. Hmmm how are they handling that?
Out of Town
Monty Python’s Spamalot Finds its Grail Hilariously at the Stratford Festival 2023
“Always look on the bright side of life“, that’s what they sing, so enthusiastically to all of us, with automatic head-bobbings from one joyous side to another in happy unison, and inside Stratford Festival‘s magnificent production of Monty Python’s Spamalot, there really is no other way to go. It’s deliciously fun and utterly ridiculous, as any Monty Python engagement should ultimately be, with stellar comedic performances riding in most delightfully to the sound of coconut shells banging together with determination by those that follow. Within seconds, after our surprising side trip to Finland, all hesitations are entirely washed away by the utter skillful hilarity of all involved. Purposefully directed with sharp clever focus by Lezlie Wade (La Jolla/Broadway’s Jesus Christ Superstar), the quest for extreme merriment is “steady and over we go” inside the Avon Theatre in Stratford, Ontario as it is achieved wholeheartedly at every turn of phrase. And that is something no “doubting Dennis” will argue about.
Ripped expertly off from the motion picture “Monty Python and the Holy Grail“, this stunningly funny staging of the Broadway stage musical that in 2005 received 14 Tony Award nominations, winning in three categories, including Best Musical, finds its grail time and time again, delivering forth joke after silly joke with an expertise that is golden and holy. With a score by John Du Prez and Eric Idle, and lyrics and book by Idle, this superb parody of epic proportions is completely entertaining and non-stop irreverent, in the best of all possible ways. Playing parody with Arthurian legend, Spamalot leads itself in at the instruction of the Historian, played to perfection by Henry Firmston (Stratford’s Chicago). It’s all about the tale of King Arthur, hilariously well portrayed by Jonathan Goad (Stratford’s To Kill a Mockingbird) and his trusting right-hand coconut-wielding sound man, Patsy, awesomely embodied by Eddie Glen (MTC’s The 39 Steps), by his side. They are out on an expedition, searching for and trying to recruit a knightly army of men to serve and follow him. That is once we get our location settings all in order.
Now that we find ourselves (correctly) in dreary dark England, with penitent monks bashing themselves on the head to the beat of some drum, King Arthur hooves his way before us with his trusted sound man behind him, mimicking him to perfection. How do we know he’s the King? Well, “he hasn’t got shit all over him” is about the best response one could have, as the two go door to door trying to form a troupe of knights to sit at the round table in Camelot (and I must add, after watching the most recent revival of Camelot at the Lincoln Center Theatre a few months ago, this is the one I’d most like to hang out it, in spades). And as they say, whatever happens in Camelot, stays in Camelot.
Slowly but surely, they gather together this band of merry ridiculous men; Sir Robin, portrayed with song and dance in his heart by Trevor Patt (TIP’s Jersey Boys); Sir Lancelot, played tremendously (and violently) well by Aaron Krohn (Broadway’s The Lehman Trilogy); Sir Bedevere, cagedly portrayed with glee by Aidan DeSalaiz (Winter Garden’s Into the Woods); and Sir Dennis Galahad, beautifully embodied by the beautifully coifed (and very funny) Liam Tobin (Broadway’s The Book of Mormon). Even if his politically radical mother, Mrs. Galahad (DeSalaiz) is against it from the get-go. She states, most wisely, that they all must deny any king who has not been elected by the people, and therefore, Arthur has no legitimate right to rule over them. Well said. But it doesn’t really matter in the end. Just ask that Lady in the Lake, played magnificently by the oh-so-talented Jennifer Rider-Shaw (Stratford’s Chicago). She has another plan floating within her.
Sir Robin and Sir Lancelot need to navigate the Not Dead Yet Fred (Firmston) and his lively riotous number, “He Is Not Dead Yet.” Gloriously grand. But it’s Sir Galahad (and his mother) that needs to be convinced by the mighty charms and voice of the Lady of the Lake who has to prove to them that the story of Excalibur is real and true. Cheered on by the “Laker Girls Cheer“, she turns Dennis into the dashingly handsome Sir Galahad and together, they sing the most generic (and wonderfully long) Broadway love song, “The Song That Goes Like This“, complete with a falling chandelier and swampy boat ride in order to win out the day. With a grand fling of his locks, he happily joins Sir Robin and Sir Lancelot, and together with cagey Sir Bedevere and the “aptly named” Sir Not-Appearing-In-This-Show (Knuckle), they all set off for Camelot and the adventurous quest that leads them through this ridiculously funny skit-filled show.
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Out of Town
Stratford Festival’s King Lear 2023 Struggles in the Controlled Column of Rain
“It smells of mortality,” this King Lear, as the Stratford Police Pipes and Drums parade us into the opening night of the Stratford Festival in beautiful Stratford, Ontario. I must admit freely that I was thrilled. To be invited to all the openings of this world-renowned Festival is a dream, and I couldn’t be more thankful. Yet, I also couldn’t help but contemplate that moment in 2018, when, after watching The Royal Shakespeare Company’s King Lear at BAM, I surprised myself by thinking that I wasn’t quite sure I wanted another Lear viewing for some time coming. Don’t get me wrong. I love the play, with all its rich unfolding divisions around love, blindness, sanity, and a certain kind of madness that lies awaiting deep inside the sharp illumination of darkness and ego. Yet, this Shakespearian contemplation written with all the complexities of love, duty, and deceit intermingled is not my favorite of the bunch (honestly, I think that might be Macbeth). But it certainly isn’t my least favored either.
Yet after seeing that RSC production at BAM, which starred the incomparable Sir Antony Sher, I watched in awe as it dragged itself forward like an old Cleopatrian relic, spreading itself out slowly and ceremoniously in a way that made me slouch in my seat wishing for bed. That King never fully emotionally engaged, even with the hard-at-work Sher, one of Britain’s most esteemed classical actors, giving it his all. He enthrallingly stated in the program that once you play Lear, there’s really “nowhere else to go, Shakespeare-wise“. The part is a virtuoso solitary climb; a battle against time and importance; a “shouting at, arguing with, a storm.” And what could be better than that? It’s the ultimate human duel with the force of nature and existence, crackling with lighting and fury (as it should be). So it’s no wonder that I found myself, once again, ready and willing to engage, with this text and the trauma that is at the heart of this family breakdown.
Join Broadway Dreams Summer Intensive Tour “Immerse Yourself”
Broadway Dreams (Annette Tanner, Founder & President), a leading non-profit performing arts training program, is kicking off its 2023 Summer Intensive Tour “Immerse Yourself” this week in Nashville, TN. The organization is known for its unique brand of intensive musical theater training and master classes taught by the theater industry’s biggest stars and most influential creatives. The tour will offer intensives in twelve U.S. cities as well as London and Europa Park in Rust, Germany. Throughout the weeklong intensives, rising stars in each city will participate in masterclasses focusing on acting, vocal performance, and dance. The program will culminate in public performances – dynamic Broadway-style cabarets held in both large and intimate venues, allowing students to perform alongside their Broadway idols. In addition to the performance opportunities, each student will have a private audition before a panel of Broadway directors, choreographers, music directors, and leading casting directors who will provide valuable feedback throughout the process. Registration is still open in most cities, offering aspiring performers the chance to learn from the best in the industry and take their skills to the next level. For more information, or to register, click here. “We are ecstatic to be back on the road this summer with our biggest Summer Intensive tour yet,” said Annette Tanner, Broadway Dreams Founder and President. “At Broadway Dreams, we are passionate about discovering, fostering, and propelling the next generation of musical theater stars. Our programs offer young artists unparalleled opportunities to connect with top industry professionals and decision-makers, which has resulted in numerous breakthroughs for our students. With Dreamers in 19 of the 32 currently running shows on Broadway, Broadway Dreams takes immense pride in shaping the future of musical theater.” “Our 2023 Broadway Dreams season theme is Immerse Yourself,” said Nicholas Rodriguez, Broadway Dreams Artistic Director. “After spending nearly 2 years at a distance and on Zoom, we want to dive head first into the collaborative experience. We’re inspired by immersive theater, big bold ideas, thinking outside of the box, and creating in unique spaces. We are thrilled to bring a diverse group of talented, innovative, creative and cutting edge artists to collaborate with students across the country and abroad.” The 2023 Summer Intensive Tour will launch at Belmont University in Nashville, TN (through June 3) before continuing on to School of the Arts at Central Gwinnett High School in Atlanta, GA (June 4 – 10), Salt Lake School for the Performing Arts in Salt Lake City, UT (June 19 – 24), Gallo Center for the Arts in Modesto, CA (June 25 – 27), Enlightened Theatrics in Salem, OR (July 3 – 9), Playhouse Square in Cleveland, OH(July 16 – 21), The Black Academy of Arts and Letters in Dallas, TX (July 17 – 21), Ebony Repertory Theatre in Los Angeles, CA (July 23 – 28), Delaware Theatre Company in Wilmington, DE (July 30 – August 5), Blumenthal Performing Arts Center and Central Piedmont Community College in Charlotte, NC (July 29 – August 5), Florida Children’s Theatre in Fort Lauderdale, FL (August 6 – 12), RWS Studios in New York City (August 19 – 24), RWS Studios in London, England (August 21 – 25), and Europa Park in Rust, Germany (August 27 – September 2). Joining Broadway Dreams’ Founder and President, Annette Tanner; Artistic Director, Nicholas Rodriguez (Company); and Director of Engagement and Opportunity, Rachel Hoffman, CSA (The Telsey Office), is an impressive roster of Broadway Dreams faculty, including directors, choreographers, and performers such as Emmy Award nominated choreographer Spencer Liff (“So You Think You Can Dance”), Tony Award nominees Kristin Hanggi (Rock of Ages), Laura Osnes (Cinderella), and Sidney DuPont (Paradise Square), along with Connor Gallagher (Beetlejuice: The Musical), Quentin Earl Darrington(MJ: The Musical), Hailee Kaleem Wright (Paradise Square), writer and composer, Douglas Tappin (I Dream), Melody Mills (Bring it On: The Musical), Jason Goldston(Jagged Little Pill), musical director Charlie Alterman (Pippin), David Eggers (In Transit), Eric Sciotto (Something Rotten!), Tyler Hanes (Cats), Mariah Lyttle (Bad Cinderella), Samantha Sturm (My Fair Lady), Telly Leung (Aladdin), Max Reed (Spider-Man Turn Off The Dark), Otis Sallid (The Piano Lesson), Alysha Umphress (On the Town), Christopher Hanke (How to Succeed…), Nick Adams (Fire Island, Priscilla Queen of the Desert), Gordon Greenberg (Holiday Inn), Matthew Lee Robinson (Atlantis), Alexa Green(Wicked), Greg Haney (Hamilton), The Telsey Office casting director, Rashad Naylor, and more. In addition to Broadway Dreams’ traditional workshops and master classes, participants in the Atlanta intensive will have the unique opportunity to work on material from a new musical entitled 1994 with book, music and lyrics by Sidney Dupont, who also serves as the director for the piece, additional lyrics by Hailee Kaleem Wright, associate direction by Amy Marie Seidel, and choreography by Chloe O. Davis. Students in Atlanta, Charlotte, and Dallas will work on a second new work entitled, Diva with book, music and lyrics by Douglas Tappin. Founded in 2006, Broadway Dreams offers mentorship-driven performing arts training programs throughout the year, drawing on a wide network of teaching artists from the Broadway community, inspiring students to awaken their highest potential. Now in its 17th year, Broadway Dreams has inspired more than 20,000 students in more than 8 countries, including a record 3,200 in-person students in 2022 alone. Broadway Dreams has to-date awarded more than $1.5M in scholarships, with more than 150 students booking professional breakthrough jobs since 2018. The 2022 Showcase featured 52 students from cities across the United States, Kenya, Germany, Ireland, New Zealand, and Brazil. Established by casting executive Annette Tanner, Broadway Dreams Foundation (“Broadway Dreams”) empowers aspiring young artists through performing arts training, with a focus on the acting, voice, and dance disciplines. Program intensives are offered nationally and internationally throughout the year and are led by an exceptional faculty of respected entertainment professionals who: assess where all students are in their development process and where they need to be; teach student practical skills that can be applied immediately to elevate their performance levels; guide students to achieve physical, emotional, and artistic self-awareness that can be channeled effectively in their work. The Broadway Dreams Board of Directors includes Dr. Elizabeth Faulkner (Chair), Marjorie Wynn (Marketing Chair), Adam C. Sansiveri, Margaret Busch, Michael Cox, Bruce Daitch, Alice Farquhar, Martha Gorjanc, Bernie Jackson, Nanci Lewis, Dannyand Georgina Louchiey, Victoria Morris, Alex Newell, Suzanne Rehl, Chris Roberts, Jerry Schiano, Ryan Stana, Lynne Latham Slear and Ivan Williams. The Broadway Dreams staff includes General Manager, RRR Creative / Ryan Ratelle; Artistic Director, Nicholas Rodriguez; Director of Engagement and Opportunity, Rachel Hoffman; Director of Development, Joe Finocchario; Director of Advancement, Hannah-Kathleen Hawkshaw; Creative & Marketing Director, Drew Padrutt; Company Manager,Yuvin Lee; and Executive Assistant, Mackenzie Messick. For more information on Broadway Dreams and its programs, please visit BroadwayDreams.org.
Pan Asian Repertory Theatre Presents NuWorks 2023
Pan Asian Repertory Theatre (Tisa Chang, Founding Artistic Producing Director) presents NuWorks 2023, the annual experimental series of self-created work from innovative and diverse artists exploring an eclectic range of genres and techniques using poetry, text, dance, and music. Featuring new works by diverse artists Sora Baek, Jan Barry & Jenny Pacanowski, AJ Layague, Sanhawich Meateanuwat, Lyra Nalan, Sai Somboon, Cody LeRoy Wilson, Mandarin Wu & Da Xu.
Performances begin in repertory Saturday, June 3, 2023, at 7:00PM and will conclude on Sunday afternoon June 11, 2023, at 3:00PM at Theatre 1 at Theatre Row (410 West 42nd Street).
General Admission tickets are priced at $27.50 and available at https://bfany.org/theatre-row/shows/nuworks-2023/ For additional information, please email email@example.com or visit the Pan Asian Repertory Theatre website at https://www.panasianrep.org/nuworks2023.
NuWORKS 2023Schedule of Events
PROGRAM APremieres Saturday, June 3, 2023 at 7:00PM Second performance Friday, June 9, 2022 at 7:00PM
Dream ReunionWritten by Lyra Nalan Starring Genevive Shi and Stephanie Gong Directed by Nina Lam
Ting, a Chinese woman living in America, runs over various possibilities of her reunion with her mother back home, hoping to find the right words that lead to a perfect scenario.
Lyra Nalan is a bilingual Chinese writer based in New York. She is the Judith Royer Award-winning playwright for the play Paper Dream and has been nominated for the Susan Blackburn Smith Prize and the Smith Prize for Political Theatre. Her work has been showcased at the Kennedy Center, Cherry Lane Theatre, Round House Theatre, Spooky Action Theatre, Miranda Theatre, Avant Bard Theatre, Tradewind Arts Asian American Artists, Strand Theatre, Three Cats Productions, and Adventure Theatre MTC. Lyra is currently working on a commission for Silk Road Rising theatre. She’s very honored and thrilled to be a part of Pan Asian Rep’s NuWork Festival! EDUCATION: Northwestern University: MFA in Writing for the Screen and Stage. WEBSITE: Lyranalan.com.
SELL ME: I Am From North KoreaWritten and performed by Sora Baek
On her 15th birthday, a North Korean girl, Jisun makes the heart-wrenching decision to sell herself to an old Chinese man to make money for ger dying mother’s medications. However, after risking everything by crossing the Tumen River into China, she learns that she is not-sellable and finds herself on the streets.
Sora Baek (Writer/Performer) is grateful to Pan Asian Rep and Tisa for this wonderful opportunity to share her work. Sora is a New York-based actor and playwright from South Korea. She has been featured on News 12 NJ and the international Radio Show, Voice of America. Select theater credits include: SELL ME: I am from North Korea (International Human Rights Festival, Emerson Theater Collaborative, Jersey City Theater Center), The Storm, A Christmas Carol, 400 Parts Per Million, and Sworn Virgin (NYC and International Tour) with Blessed Unrest, and Who’s Afraid of Virginia Woolf (Calaveras Repertory Theatre). Sora won Best Actress at the Epidemic Film Festival in San Francisco. She also won Best Lead Performer at the U.K’s Scene Saver and her play was nominated for Best Play. She works with Only Make Believe where she performs interactive theater with children in hospitals and is an associate member of an internationally acclaimed theater company, Blessed Unrest. www.sorabaek.com
PROGRAM BPremieres Sunday, June 4, 2023 at 3:00PM Second performance Tuesday, June 8, 2023 at 7:00PM
A Sisyphean DreamWritten and Devised in Collaboration with Heen Sasithorn, Vin Kridakorn and Pacha Chantri Directed by Sanhawich Meateanuwat
A group of immigrant actors meets in a dream space to discuss their dreams as immigrant actors. Through challenges., self-doubts, and homesickness, they wonder if they made the RIGHT choice to travel across the world to pursue their dreams.
Sanhawich Meateanuwat (Playwright) recently moved to New York after graduating from the MFA Directing Program at Illinois State University. In Thailand, they worked as an instructor and resident director at Bangkok University, where they directed, adapted, and translated numerous plays. In 2022, they received the National SDC Directing Fellowship Award at the Kennedy Center American College Theatre Festival. They worked as a Directing Fellow at the National Playwrights Conference 2022 at the Eugene O’Neill Theatre Center. This year, they have been selected to be the part of The Drama League’s Directors Project as Directing Assistantships cohort and the KCACTF/LORT ASPIRE Arts Leadership fellows. Website: Sanhawich.com
Bridge Back Home From WarA Conversion through Poetry About the Impact of War By Jan Barry and Jenny Pacanowski
After returning from the wars overseas, follow two veterans from different eras, different wars, navigate their experiences through an interactive writing workshop with the audience.
Jan Barry is a poet and author whose books include A Citizen’s Guide to Grassroots Campaigns,Earth Songs, Life after War & Other Poems and (co-editor) Winning Hearts & Minds: War Poems byVietnam Veterans. A U.S. Army veteran of Vietnam, he coordinates Warrior Writers workshops forveterans and family members in New Jersey. For more information: www.janbarry.net
Jenny Pacanowski served in the Iraq war in 2004 as a combat medic in the Army. Her military service led her back to the arts, which includes writing and facilitating workshops for veterans, their families and providing guidance on how their communities can support them through theatre. Jenny and her organization, Women Veterans Empowered & Thriving do their best to assist veterans to reintegrate and thrive.
PROGRAM CPremieres Tuesday, June 6, 2023 at 7:00PM Second performance Saturday, June 10, 2023 at 7:00PM
Cowgirl Katarungan Is Fixin’ to FightWritten by AJ Layague
Cowgirl Katarungan is a Filipinx-American truthteller/detective who recounts – and dismantles – four historical vignettes where racism, misogyny, and the eugenics movement took center stage. And she does it in verse.
AJ Layague – she/her (Playwright) immerses into stylized historical worlds which typically center the non-binary and/or people of color, instead of relegating them to side characters or ancillary roles. They steer their narratives and their movement in their worlds, even when these narratives and worlds are bleak and not completely within their control. And as an ethnomusicologist – I lived and studied music in Southeast Asia – I am most interested in how music-cultures and cultures can evolve, respond, and even thrive during colonization. And how they sound and re-sound post-colonization.
Extraordinary AlienWritten and performed by Sai Somboon Directed by Nana Dakin
A solo show based on Sai’s lived experience expressed through movement/dance, comedy, monologues, and video projections. A reflection on their intersectional identities as a gay, cisgender Thai man, a recently naturalized citizen of the United States, and an actor/dancer navigating the audition and performance landscape in New York.
Sai Samboon (Writer/Performer) is a comedian, actor and dancer from Bangkok, Thailand. Based out of New York City, Sai has performed in Sleep No More at the McKittrick Hotel, FringeNYC, Astoria Performing Arts Center, Fulton Theatre, Maltz Jupiter, Dallas Musicals, North Shore Music Theatre and Daegu Opera House in Daegu, South Korea. Sai holds a Bachelor of Art in Anthropology from Franklin & Marshall College, and a Master of Fine Arts in Dance from The Ohio State University and he is finishing up the Master of Education program at Harvard University.
PROGRAM DPremieres Wenesday, June 7, 2023 at 7:00PM Second performance Sunday, June 11, 2023 at 3:00PM
Period.Written and by Mandarin Wu and Da Xu Performed by Mandarin Wu Sound Design by Da Xu
A tragicomedy starring Handy Mandy, as she tap dances through the conflicts of being an aging Asian-American modern woman and actor, navigating through current social climate and regularly incapcitated by the periods in her life.
Mandarin Wu (Playwright/Performer) is a theatre performer singer/dancer/actor/choreographer/ director. Selective credits: “PLEASED” (Pan Asian Rep 2022 NuWorks), A Dream of Red Pavilions (Pan Asian Rep), Follies (APAC), Orfeo ed Euridice(Met Opera). Choreography for Theatre: Skin (Rattlestick), Romance of the Western Chamber(Wildly Productive), Eastbound (NYTB), Legally Blonde_ (National ChiaYi University of Taiwan). NYU Tisch Dance MFA, UC Irvine Dance BA. Musical Theatre faculty at Marymount Manhattan College.
Xa Du (Playwright/Sound Design) Credits: “PLEASED” (Pan Asian Rep 2022 NuWorks), The Brothers Paranormal (East WestPlayers), Uncovered(UCLA). With Los Angeles Movement Arts: Momentum, Catalyst (co-curator), and audio/visual movement works for LACMA’s Art Walk. Live Visuals: Alienware Computers, LuLuLemon. Toured extensively with the seminal Chinese rock band 舌头(SheTou) as photographer and live visual collaborator. 2021 Westben International Performer-Composer Residency participant.
Did My Grandfather Kill My Grandfather?Written and performed by Cody LeRoy Wilson
A journey to find out what it means to be Asian-American, the piece follows Cody’s mother’s immigration story. Cody investigates their family’s story and gain new perspectives on the meaning of family roots and their Asian Decent.
Cody LeRoy Wilson (Playwright/Performer) makes his Pan Asian Rep debut at Theatre Row and he is beyond grateful for the opportunity. Other NYC credits include Off Broadway: Handbagged (59E59), A Midsummer Night’s Dream, Titus Andronicus with NYSX and Prisoners of Qual Dong at Prism Stage. Regional: Book of Will, Handbagged, and Curious Incident of the Dog in the Night Time at Roundhouse Theater, As You Like It at The Folger, Measure For Measure, As You Like It, So Please You at Hudson Valley Shakespeare, and Miss Saigon at Missouri Playhouse. TV/Film: “Russian Doll,” “Impractical Jokers,” “Hello Tomorrow!,” and Money Monster.
For additional information, please visit the website at http://www.panasianrep.org/nuworks-2023.
Pan Asian Repertory Theatre, celebrating its 46th Milestone Season, is the most veteran Asian American theatre company on the East Coast. Tisa Chang founded Pan Asian Rep in 1977 at Ellen Stewart’s La Mama ETC with the vision to promote equity and access that Asian Americans artists can equally follow, focusing on stories of probing social justice issues with distinctive Off-Broadway Productions, Tours, National Outreach, and Community Service. Mel Gussow of The New York Times described it as “A Stage for All the World of Asian–Americans” and wrote that “Before Pan Asian Rep, Asian Americans had severely limited opportunities in the theater….” The company has nurtured thousands of artists and is a “who-is-who” of Asian American theatre history, with notable alumni/ae: Ako, Ernest Abuba, Tina Chen, Philip Gotanda, Wai Ching Ho, David Henry Hwang, Daniel Dae Kim, Lucy Liu, Ron Nakahara, R.A. Shiomi, Lauren Yee, and Henry Yuk.
Pan Asian Rep Programs are made possible, in part, by the National Endowment for the Arts; the New York State Council on the Arts, with the support of Governor Kathy Hochul and the New York State Legislature; the New York City Department of Cultural Affairs, in partnership with the City Council; and major support from Doris Duke Charitable Foundation, Howard Gilman Foundation, Mary Li Hsu Charitable Trust, NY Community Trust, Shubert Foundation, Fan Fox & Leslie R. Samuels, Lucille Lortel Foundations; and many generous individuals.
firstname.lastname@example.org Twitter & Instagram: @PanAsianRep www.facebook.com/panasianrep/
The New Dramatists’ 71st Annual Benefit Luncheon and You are There
On Tuesday the New Dramatists’ 71st Annual Benefit Luncheon was held at the New York Marriott Marquis, 1535 Broadway, Broadway ballroom 6th floor.
Tony® Honor recipient and the nation’s premier playwright development laboratory, was honored with its 2023 Distinguished Achievement Award at their 71st Annual Spring Luncheon Tribute
Tony Award winner, Kenny Leon, director of Parks’ recent revival of Topdog/Underdog lead the tributes.
In Attendance were:
Also Artistic Director Emily Morse and Executive Director Joel Ruark,
Hiran Abeysekera (Life of Pi), Betsy Aidem (Leopoldstadt), Steven Boyer (Kimberly Akimbo), Faye Castelow (Leopoldstadt), Rashad Chambers (Topdog/Underdog), Ben Davis (New York, New York), Eisa Davis (New York, New York), Micaela Diamond (Parade), Delia Ephron (Love Loss & What I Wore), Corey Hawkins (Topdog/Underdog), Jessica Hecht (Summer, 1976), Amy Herzog (A Doll’s House), Robert Horn (Shucked), Mark Jacoby (A Beautiful Noise, The Neil Diamond Musical), LaChanze (Here Lies Love, Kimberly Akimbo), event co-chair Caissie Levy (Leopoldstadt), Judith Light (Other Desert Cities), David Lindsay-Abaire (Kimberly Akimbo), Neil Meron (Some Like It Hot), Alli Mauzey (Kimberly Akimbo), Lauren Mitchell (A Bronx Tale), Arian Moayed (A Doll’s House), Casey Nicholaw (Some Like It Hot), Linda Powell (A Beautiful Noise, The Neil Diamond Musical), Daryl Roth (Kinky Boots), Sarah Ruhl (in The Next Room), Stark Sands (& Juliet), Miriam Silverman (The Sign in Sidney Brustein’s Window), Marcel Spears (Fat Ham), Katy Sullivan (Cost of Living), David Stone (Wicked), Jeanine Tesori (Kimberly Akimbo), Paula Vogel (How I Learned To Drive), Sharon Washington (New York, New York), Scott WIttman (Some Like It Hot), Kara Young (Cost of Living), David Zayas (Cost of Living).
Stay tuned for our interviews.
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